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First Edition, 4to, [iv],188pp., from the Birmingham Law Society, with stamps, library buckram. The collection of 499 manuscripts was purchased of the representatives of Francis Hargrave, together with his library of books, by a Vote of the House of Commons, passed July 1st, 1813. It consists almost exclusively of Law.
First Edition, 4to, [iv],188pp., a British Library duplicate with a couple of their small faint stamps, orig. boards, upper cover detached, uncut. The collection of 499 manuscripts was purchased of the representatives of Francis Hargrave, together with his library of books, by a Vote of the House of Commons, passed July 1st, 1813. It consists almost exclusively of Law.
Fait à Paris au Ministère des Finances de Louis XV, de mars 1769 à Mai 1770. Un volume in 8° de 198 pp. sur vergé dont 94 manuscrites, de la même main. Le reste blanc. Reliure de l'époque en plein veau fauve, triple filet doré sur les plats, importante pièce de titre en maroquin rouge sur le premier plat orné d'un encadrement de fleurs de lys et de coeurs couronnés; fleurons aux angles. Dos lisse richement orné et doré. Filets dorés sur les coupes, Tranches dorées. Quelques taches claires ou plus sombre sur le premier plat. Probablement le" Portefeuille " du Contrôleur Général des Finances de l'Epoque, Etienne Maynon d'Invau (1721-1820), physiocrate semble-t-il un peu dilettante placé à ce poste par Choiseul. Il fut remplacé par l'Abbé Terray en décembre 1769. Sont copiés, probablement par un secrétaire du Trésor, les recettes des Fermes Générales; les Emprunts; lettres; Billets; Rescriptions au profit de personnages connus (Necker, Choiseul, ... et les versements au Trésor Royal. Ce volume semble réunir dans ce "Portefeuille" une copie du Compte Collectif unique du Ministère, chaque rubrique étant détaillée dans le "Grand Livre Annexé". Il permettait d'avoir sous la main l'essentiel des comptes de l'état sous une forme pratique. Les Sommes mentionnées sont considérables. Voir photos.
8vo (120 x 162 mm). Armenian manuscript on polished laid paper. 261 leaves, 25 lines of Armenian calligraphy in black ink, 2 columns, capitals in red. With a full-page colour frontispiece illustration of an evangelist, 3 finely illuminated chapter heads, and numerous marginal illuminations, some in the form of birds. Later foliation in pencil. Contemporary full leather binding over wooden boards, lacking the metal applications formerly applied to the covers. Well preserved, uncommonly pretty Armenian Gospel manuscript with Persian provenance. The charming illumination is directly comparable to that of a religious manuscript in the National Library of Armenia, dated 1740 (Matenadaran 101, cf. Stone/Kouymjian/Lehmann, pp. 468f.). Although the style emerges as early as the 14th century and finds its full expression between the 15th and the 17th century (cf. ibid., nos. 109, 121, 157 and 167), the colour palette, the details of the marginal palmettes and also the type of paper used place our manuscript in the early 18th century. - The numerous bird-shaped initials contribute to the complexity and luxurious effect of the illuminations. In the lower margin of the frontispiece showing an Evangelist, apparently St Matthew, an invocation inscribed in Persian ("in the name of the Father, the Son and the Holy Spirit") suggests that the manuscript belonged to an Armenian from Iran. A Gospel Book in the collections of the Armenian Patriarchate in Istanbul shows the same arrangement of a painting of St. Matthew illustrating the beginning of the text (APIP33). - A few edge tears, chips and other flaws with a few minor instances of loss (fols. 14, 82, etc.); occasional light stains. Binding rubbed; fore-edge flap preserved in fragments. A semé of holes in the upper cover (as well as few additional holes in the lower cover) give evidence of a once-elaborate decoration of metal bosses that has not survived. Cf. Michael E. Stone / Dickran Kouymjian / Henning Lehmann, Album of Armenian Paleography (Copenhagen, 2002), no. 176, pp. 468 ff.
Manuscrito en clara caligrafía de primer tercio del siglo XVIII. Folio; 2 hojas manuscritas por ambas caras, precedidas de una portadilla en la que aparece, tambien manuscrito, un aviso que reza: "Ojo a las razones que refiere para prettender que estte tributo no se deve pagar, por estar transigido con su Santidad, y consttar de bulas de Sumos Pontifices". Cubiertas mudas en cartulina.
Large 4to (270 x 195 mm). 36 ff. With 72 very interesting pen-and-ink drawings, partly coloured in brown, yellow and reddish washes. Contemporary marbled boards. In custom-made cloth portfolio. Spectacularly illustrated manuscript describing and illustrating many moveable and rotating pyrotechnical units and machines, including rockets. The title-page, bearing the name of a former owner (Valentino Vieri, who probably also added some probationes pennae), is followed by a description of the first 62 coloured drawings, beginning with the "Giuoco della Luna e Sole" (games of moon and sun), including all sorts of revolving, spouting, exploding and firing units, rockets, and other gadgets: On fol. 20r three objects are illuminated: an aloe vase, a tree, and a coat of arms, inscribed "Dini". Fols. 20v-23r show full-page installations, including a "Colona Trionfante" with a winged angel on top, a Lion of St. Mark, the symbol of the free Republic of Venice, holding an open book with his right paw (displaying the text "Pax tibi Marce Evangelista meus"), an oval on top of a balustrade, bearing the text "W. Gesu Giuseppe e Maria", a "Piramicia Egiziana", and a cupola with lanterns and fire pots. Fols. 23v-25r contains two double-page war scenes: the first, a fortified castle by a coast, with a vessel and a galley at sea; the second, a fortified tower and an army camp with tents opposite, with symbols of war and military equipment in the foreground. The final fols. 25v-36v contain indexes and instructions for fireworks: (1) "Indice delli Giuochi di Fuocho" (the various units and rockets; fols. 25v-26v); (2) "Regole Generali": 84 numbered instructions for construction and operation of fireworks (fols. 27r-35r); (3) "Indice delle Misture" (fols. 35v-36r); and "Catalogo de Generi ed Utensili" (fol. 36v). - There may be a connection between this manuscript and the Papal Master of Ceremonies Msgr. Giuseppe Dini (d. 1799). The Library of the Getty Research Centre possesses a ms. written by Dini ("Relazione o sia diario di tutto quelle che e stato osservato in Roma nelle venuta del Re delle due Sicilie Ferdinando IV e la Regina Maria Carolina Arciduchessa d'Austria", 1791) containing biographical and historical notes, including descriptions of the preparations for the royal visit with details about the route, the number of soldiers guarding the visitors, and the costs of the entertainment (including operatic performances and fireworks). At the back of that manuscript are printed announcements of the firework display and official appearances by Pope Pius VI. - In 1782 Dini - as that Pope's Master of Ceremonies - published a diary of the Papal journey, via Venice, to Vienna (undertaken with an aim to mitigate the social and ecclesiastical reforms enacted by Emperor Joseph II). Perhaps the ms. with its explicit references to the Republic of Venice can be connected with this 1782 journey (a German edition, "Vollständiges Tagebuch von der Reise des Pabsts Pius VI. nach Wien", appeared in Breslau in 1783). Another possibility is a connection with the election of the new Pope Pius VII in March 1800 in Venice, after a very difficult conclave in Venice that began in December 1799, soon after the death of Pius VI and just before the death of Dini on 2 November 1799. - Spine slightly damaged; some browning. In good condition.
Folio (206 x 297 mm). Three parts written by two different hands on the same paper stock (watermark: hound with a collar). A total of 270 pp. including 5 full-page pen-and-ink illustrations, with geometrical footers to each page. Later half vellum over marbled boards (ca. 1900). A pretty composite manuscript of the mid-16th century, in the main following closely or styled after the gunsmith manual repeatedly printed by Christian Egenolff between 1529 and 1597. The preface (14 pp., dated "1554" at the end) consists of "Eine lehr so Keiser Maximilian in seiner Jugent durch erfarne treffliche seine Kriegsräht zugestelt ist", an instructional work for Emperor Maximilian also found in Egenolff's book from its 1534 edition onward. This is followed by the first main section: "Büchssenmeysterei von Geschoß, Büchsen, Pülver Salpether und Fewerwergk &c eigentlich zuzurichten, Büchssenmeystern und Schützen zuwissen nötigk" (70 pp.), likewise directly taken over from Egenolff's compilation. The second part is a legal treatise (as in Egenolff's book, though with different content) discussing martial law, entitled "Gerichts Hendell unnd Cautele in malefich Hendelnn Schüldtrechten unnd gastrechten" (72 pp.). The third part is an extensive treatise on a soldier's duties and the oaths to be sworn by the various ranks ("Artickel darauff die Hauptleut [...] unnd gemeine knecht der Ro. Kay. Maj. unserm aller gnedigisten Herrnn gelobenn und schwerenn sollen S. K. M. zu dienen", 114 pp.), going substantially beyond its counterpart in Egenolff's handbook. This is written in a different hand and contains copious explanations as well as five full-page illustrations showing military equipment and devices in red and black ink (fiery arrows, "Wie man eine glüende Kugell inn Holtzwerck schiessen soll", etc.). At the end the manuscript contains an index, military multiplication tables, and legal addenda by various hands, dated 1562, with elaborate geometrical borders. - Provenance: bookplate of the English explorer, horseman, and big game hunter Col. J. Hamilton Leigh (1867-1944) of Stockport. Later in the collection of the collection of Thomas Fremantle, 3rd Baron Cottesloe (1862-1956), commander of the Territorial Army and president of the Society for Army History Research. Cf. Jähns 653 (Egenolff's manual, 1597 ed.).
4 Teile in 2 Bdn. sowie 1 Bd. weiterer Gedichte. Dt. Handschrift auf Papier. (4), 81, (1); (2), 100 (recte: 104), (2) SS. 82; 122 SS. (2), 69 (statt 71), (3) SS. 8vo. Marmorierte Pappbände d. Zt. mit goldgepr. Rückenschildchen. Zeitgenössische Privatabschrift von Geweys populärer Wientopographie in Versform sowie eine Sammlung von Gedichten Blumauers. Mit dem vielzitierten Spottgedicht auf den Wienfluss, anspielend auf dessen Verschmutzung: "Was deine Nachbarn nicht im Hause dulten [!], / Das drängen sie dir schmählich auf, / Du wirst oft lästig, ohne dein Verschulden, / Und olivfärbig ist dein Lauf. / Zum Höllenflusse ganz dich umzustallten [!], / Vermaß sich dieser Frevler Lohn, / Du bist der Stix, der Phlegeton der Alten, / Ihr schwefelreicher Acheron [...]". - Geweys humoristische Gedichtsammlung erschien 1812 bei Geistinger in vier Heften; in Zusammenarbeit mit Carl Meisl veröffentlichte er 1824 die ergänzenden Hefte V und VI. Auf der Titelseite ist die Sammlung fälschlich Aloys Blumauer (1755-98) zugeschrieben, von dem nur die Gedichte im dritten Band tatsächlich stammen. Die Werke des Freimaurers und Aufklärers Blumauer waren zur Zeit der Anfertigung dieser Abschrift in sämtlichen habsburgischen Landen polizeilich verboten, weswegen eine Verbreitung in handschriftlicher Form nicht unüblich war. Umso mehr überrascht es, wenn hier auch die Gedichte des nicht verbotenen Gewey dem behördlich verpönten Blumauer zugeschrieben werden. - Aus dem 3. Band ein Blatt (SS. 69f.) herausgetrennt, daher von dem abschließenden Gedicht "Ich und Du" nur die letzte Strophe erhalten. Einbände berieben, an Ecken und Kanten stärker bestoßen. Papier stellenweise etwas gebräunt. Die Vorderspiegel mit handschriftlichen Bibliothekssignaturen des 19. Jahrhunderts.
Manuscript (brown ink) on paper. 2 vols. 8vo. (Title page), 445 (but: 444) pp. (Title page), 446-764 pp., 91, (2) pp. Bound in 18th-century vellum manuscript over boards. All edges red. A manuscript written in a single, unidentified hand during the last years of the 18th century, describing Gleyo's imprisonment in Ching-Tou, then Yuin-Tchang. - J.-F. Gleyo was born in Saint-Brieuc, the son of master mariner François Gleyo, and became a Priest of St. Sulpice. He sailed from Lorient to China in 1764, first arriving in Macao, where he learned Chinese and became associated with the evangelical work of the missionary Alary. In 1769 he was denounced and accused of links with the Pélén-Kiao rebels. Imprisoned and abused for several years, he owed his survival to his faith and mystical visions. He was released in 1777 after a Portuguese Jesuit mathematician intervened with the Emperor and resumed his apostolic labours. In his General History of the Foreign Missions, Launay states of Gleyo that "he recalls the great contemplatives, the most intrepid apostles, saints, and other confessors of the faith." The present manuscript recounts his encarceration and the consolations he received from heaven. It is sprinkled with Latin sentences and Chinese terms (especially in his letters written to Jean-Martin Moÿe after his release, included as a final section at the end of the second volume, with separate page numbers). The letters were published in the famous Jesuit collection of "Lettres édifiantes et curieuses". The original manuscript is kept in the Archives des Séminaires des Missions Étrangères, and a copy by various hands exists in the library of the Seminary of St. Sulpice; it is very likely that the present manuscript was copied from one of these sources. It is not listed in the catalogue of Manuscripts in the National Library and is thus of the utmost rarity. - Provenance: from the library of Jean R. Perrette with his bookplate on the pastedown.
Folio. Latin ms., ink on vellum. 156 unnumbered pp., 27 lines. Contemporary vellum binding with attractive giltstamped tendril border, fleuronnée corner stamps, gilt spine and two different giltstamped heraldic supralibros on the covers. All edges gilt. Inner margin shows two holes drilled through covers and interior for a decorative cord with the seal (now lost). Remains of ties. A collection of copies of Habsburgian documents relating to the Gonzaga family and the War of the Mantuan Succession, compiled by the Imperial Registry and signed by the Emperor, Ferdinand III. The ensemble, which comprises documents by Frederick III, Maximilian I, Charles V, Maximilian II, Rudolf II, Matthias, Ferdinand II, etc., was probably drawn up for Duke Ferrante III Gonzaga, Duke of Guastalla (1618-78), to record and secure his claims upon the Duchy of Mantua (claims which lay in the interest of the Imperial family), whereas the War of Succession had ended a few years previously with Mantua becoming part of the French sphere of influence. - The Gonzaga family had ruled Mantua since 1328; in 1530, Federico II Gonzaga assumed the title of a Duke of Mantua. Upon gaining control over the counties of Monferrato and Guastalla in the mid-16th century, the family reached their apogee of political, financial, and cultural importance. When Francesco IV Gonzaga died in 1612 without leaving a male successor, he was succeeded by his brothers Ferdinando and Vincenzo, both cardinals without children. Upon the death of Vincenzo II Gonzaga in 1627 the direct male line of the House of Gonzaga became extinct, causing a war of succession. Emperor Ferdinand II, husband of Eleanor Gonzaga, Vincenzo's sister, sought to re-attach the Duchy of Mantua to the Holy Roman Empire by transferring it to the Spanish-Imperial line of Gonzaga-Guastalla. This objective was opposed by the older line of Gonzaga of Nevers and Rethel, supported by France. The conflict ended when Sweden entered the Thirty Years' War and Ferdinand required his troops in the principal theatre of combat. The Duke of Nevers and Rethel became lord of the devastated and depopulated counties of Mantua and Monferrato, and France gained a foothold in Upper Italy. (Three quarters of a century later, however, the Imperial cause was to triumph after all: in 1708, the War of Spanish Succession re-attached Mantua to the Empire, while the Duke of Mantua and Monferrato sided with France.) - The present compilation is intended to document the legal succession of the House of Gonzaga-Guastalla on the basis of archival sources; this goal is underscored by the Imperial arms on the upper cover (double-headed eagle with quartered escutcheon showing the fesses of Gonzaga and the Bohemian lion, bordered by a tendril desgin enclosing the four evangelists) and Guastalla's lion rampant within a crowned shield on the back cover. The documents repeatedly invoke the feudal righty of the House of Gonzaga-Guastalla, especially in the areas of Castiglione delle Stiviere and Castel Goffredo: "Ad perpetuam rei memoriam recognoscimus, ac postum facimus tenore praesentium universis, quod cum nobis submissime exponendum curavit. Illustris Ferdinandus Gonsaga, Priceps Castilionis à Stiveriis, Consanguineus et Princeps Noster charissimus, quem ad modum maiores olim sui ab Augustissimis Romanorum Imperatoribus & Regibus Praedecessoribus Nostris sacratissime recordationis super Marchionatu Castilionis à Stiverys, & Castro Guiffredi cum omnibus suis pertinentys investiti. Pater verò suus quondam Franciscus Gonsaga de eodem Marchionatu Castilionis et permutatione Castri Giuffredi [...] Matthias Romanorum Imperator semper Augustus [...] agnoscimus & notum facimus tenore praesentium universis. Quod cum Illustris Franciscus Gonsaga Princeps Castilioni à Stiverys, consanguineus et princeps noster charissimus, demisse Nobis esponi curavit, non tantum Maiores suos, verum etiam se ipsum à Predecessoribus Nostris Divis Romanorum Imperatoribus & Regibus praeclarissimae memoriae de Marchionatu Castilioni à Stiverys, et de Castro, et Terra Castri Guiffredi cum omnibus suis pertinentys investium, alijsque insignibus privilegys ornatum fuisse [...]". Signed at the end by Emperor Ferdinand III, with counter-signatures by the Aulic Councillors Conrad Hiltprandt and Johann Walderode.
S.l., s.e., s.d. (vers 1900); 158/215 mm, 1 pp., dessin à la plume. Bon état.
S.l., s.e., s.d. (vers 1920); 255/220 mm, 1 pp., une feuille. Copie d'après un manuscrit ancien, Bon état.
S.l., s.e., s.d. (vers 1920); 200/160 mm, 1 pp., dessin sur une planchette de bambous cousus comme un bois tissé. Bon état.
S.l., s.e., s.d. (vers 1900); 360/280 mm, 1 pp., une feuille. Signé de Vaudrecourt. Bon état.
S.l., s.e., s.d. (vers 1920); 315/240 mm, 1 pp., une feuille. Bon état.
S.l., s.e., s.d. (vers 1900); 280/350 mm, 1 pp., une feuille. Bon état.
S.l., s.e., 1917; 200/155 mm, 1 pp., une feuille. Dessin signé Pierre Brossners ? ou P.-B. Bon état.
S.l., s.e., s.d. (vers 1920); 160/330 mm, 1 pp., une feuille. Bon état.
S.l., s.e., s.d. (vers 1850); 130/110 mm, 1 pp., une feuille. Bon état.
S.l., s.e., 1914; 325/250 mm, 1 pp., une feuille. Signé Perany. Bon état.
S.l., s.e., 1914; 325/250 mm, 1 pp., une feuille. Signe Perany. Bon état.
S.l., s.e., s.d. (vers 1920); 315/240 mm, 1 pp., une feuille. Dessin. Bon état.
S.l., s.e., s.d. (vers 1900); 305/395 mm, 1 pp., une feuille. Signé de Vaudrecourt. Bon état.
S.l., s.e., s.d. (vers 1900); 280/410 mm, 1 pp., une feuille. Signé de Vaudrecourt. Bon état.
Folio (240 x 355 mm). Italian and occasionally Latin manuscript by several hands, brown ink on paper. 198 numbered ff. With numerous, mostly full-page sketches, genealogical trees, and architectural drawings, some with touches of colour. Contemporary limp vellum with fore-edge flap, ruled in blind; handwritten title to spine and upper cover. Stored in modern half cloth box. Hitherto unknown, unpublished chronicle of the Gritti, a Venetian Doge family, containing a genealogy, account book, and lists of building projects from ca. 1566 to 1680. - The most famous representative of the family, which can be traced back as far as the 13th century, was probably Andrea Gritti (1455-1538), the 77th Doge of Venice. Their rise to fame and immense fortune is mostly due to the achievements of the ancestor of the very branch of the family commemorated here, namely Ludovico Alvise Gritti (1480-1534), who was closely involved in the fate of the city republic as a merchant, banker, and politician. Alvise Gritti had important trade connections throughout Ottoman Hungary and the Orient; as a minister under Sultan Suleyman I (1494-96) he worked in Istanbul, reporting directly to the Grand Vizier of the Ottoman Empire, Makbul Ibrahim Pascha (1493-1536). From 1530 to 1534 he served as Imperial Regent of Hungary. - The manuscript begins with an "arbor consanguinitatis" of the Gritti, starting in 1539 with Alvise's son Domenico Gritti di S. Marcuola and reaching as far as the fifth generation; additional descendants were pencilled in by later members of the family who inherited the volume and later consigned it to the trade. This is followed by numerous copies of relevant documents, often with a small sketch of the seal. Entries pertain to births and baptisms ("fede di Battesimo della Signora Sulpicia") with copies of the certificates, marriage documents ("copia del Sposalizio della Signora Orsetta Menegalla con il N. H. S. Antonio Gritti ... 3 Agosto 1623"), claims of ownership, purchases ("segue la nota dei beni", "divisione delli beni, et heredità ... dalla Signora Contessa Galeazzo"; "scriture per l'acquisto della casa in corte della calla"), gifts and bequests of moveables and immoveable properties as well as estates: "In Dei Eterni Nomine Amen. Anno ab Incarnatione D.N.J.C. 1675 in die xiii. die vero veneris 5. Aprilis. Patrone il S. H. E. Ottavian Gritti ... che qui sotto volerà esser referto de Sc[udi] 50 d'entrata annua perpetua sopra una casa posta in questa Città". Also mentions commissions for villas in Veneta awarded to important architects: "In Christi Nomine Amen. Anno 1543 12 Maji Gritti, Procurator d. Marei Ven., ... constitutus de D. ... Sansovino Architectus con sua fabbrica in Villa di Cessalto..., Villa Albarella...". Leaf 115v contains another family tree ("Vitturi") from Daniel to Domenico and Isabetta Gritti and onwards to the tenth generation. - Binding a little duststained, rubbed and bumped; vellum covers splitting along the edges. A large flaw to the upper cover as a result of the fastener for the flap's tie having been torn out. A unique survival.