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THOMPSON (Henry Yates)MareMagnum

Facsimiles in Photogravure of Six Pages from a Psalter, written and illuminated about 1325 A.D. for a member of the St. Omer family in Norfolk, subsequently (c. 1422 A.D.) the property of Humphrey, Duke of Gloucester, fourth son of King Henry IV, and now in the library of Henry Yates Thompson, 19, Portman Square, London.

Thomas Coomans, Jan De MaeyerMareMagnum

Revival of Medieval Illumination. Renaissance de l'enluminure medievale Nineteenth-Century Belgium Manuscripts and Illuminations from a European Perspective. Manuscrits et enluminures belges du XIXe siecle et leur contexte europeen

Hardback, ill. 336pp. new condition ISBN 9789058675910. The art of illumination, usually associated with the Middle Ages, experienced a spectacular revival in nineteenth-century Western Europe. This completely different context gave the illuminations another import. The output of the lay and religious workshops reveals a great artistic, stylistic, technical and typological diversity. The works illuminated go far beyond the world of exceptional and precious manuscripts and include many occasional documents, as well as golden books, devotional images, etc. Richly illustrated with unpublished masterworks, the present volume offers an overview of the important revival of medieval illumination. The fifteen authors do not limit their approach to the traditional questions of art history. Rather, they explore the historical, socio-cultural, ideological and religious components of the revival, which changed according to time and country, in order to understand the evolution and success of the art of illumination in the long nineteenth century. L?art de l?enluminure, bien connu pour le Moyen Age, fit l?objet d?un regain d?interet spectaculaire au XIXe siecle. Le contexte resolument different leur confere toutefois une autre signification. La production des ateliers civils et religieux presente une grande diversite artistique, stylistique, technique et typologique. Elle excede largement le monde des manuscrits exceptionnels et precieux et comprend nombre de documents de circonstance, de livres d?or, d?images de devotion, etc. Abondamment illustre de chefs-d??uvre inedits, le present ouvrage presente pour la premiere fois une vue d?ensemble de l?important phenomene de la renaissance de l?enluminure medievale. Les quinze auteurs n?ont pas voulu se limiter aux questions traditionnelles de l?histoire de l?art. Les composantes historiques, socioculturelles, ideologiques et religieuses de ce phenomene complexe, variant dans le temps et selon les pays, sont essentielles pour comprendre l?evolution et le succes de l?art de l?enluminure au XIXe siecle.

Bookshop Erik Tonen Books · Antwerpen, BE59,00 €

THE AGHA-YI DARUSSAADE, (in 1858).MareMagnum

[MANUSCRIPT OTTOMAN HISTORICAL DOCUMENT - WAQFS] [Document on Sehzâde Sultan Mehmed's waqf in Halki Island with five signatures and seals and one 'pençe'].

Very Good Turkish, Ottoman (1500-1928) Original manuscript document signed and sealed with stamps and 'pençe' on a special paper with 'akhar'. (Period value is '3 gurush'). 38x27 cm. In Ottoman script (Turkish with Arabic letters). 1 p. Repaired with tape on the verso. Text in Turkish "Haremeyn-i Muhteremeyn hazine-i behiyyesine mazbut evkaftan Sehzade Sultan Mehmed tabeserah hazretlerinin evkaf-i serifeleri müstagalatindan Üssküdar muzafaatindan Kartal nahiyyesine tabi Heybeliada'da kâin yeldegirmeni hakkinda.". It includes waqf processing in the early westernization period of the Ottoman Empire related to a windmill in Halki Island and an Armenian citizen who was its last owner. It's processed from 1275 to 1277 [1856-1858 AD]. Armenian annotations on verso. Signed with 'pençe' has no 'Beyze' ad 'Keshide' in its calligraphic style 'Muzaffer' [i.e. Triumphant]. The Kizlar Agasi (qizlar aghasi, literally, Agha of the girls), was the chief eunuch off th Ottoman Imperial harem. Although the title may have been applied to the head of the palace harem eunuchs from the empire's early years, the formal office, known as The agha-yi Darüssaade (or, Dar al-Sa'ada), literally "Commander of the Abode Felicity", dates to 996/1588, when Sultan Murad III (r. 1574-1595) transferred the supervision of the Evkâfü'l-Haremeyn (Awkâf al-Haramayn, the imperial pious foundations for the Muslim holy cities of Mecca and Medina) to the head of harem eunuchs from the chief of the eunuchs who guarded the sultan's privy chamber in Topkapi Palace's third court. Until the 14th/19th century, the post was always attached to the supervision of the Evkâfü'l-Haremeyn. Most holders of the office, like most harem eunuchs generally, were Habesî (Habashi, Abyssinian), which in this case was a broad designation encompassing much of the Horn of Africa. (Source: Brill, Encyclopedia of Islam). In the 19th century, agha-yi darussade worked on waqf works.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR208,62 €

THARAUD Jérôme & Jean SUREDA AndréMareMagnum

La fête arabe

- Editions Lapina, Paris 1926, In-4 (20,5x28cm), 186pp., relié. - Edition illustrée en premier tirage de 32 illustrations en couleurs au pochoir par Sureda et gravés par Aubert (hors-texte, en-tête et belles lettrines) dont de nombreuses rehaussées à l'encre dorée ou argentée. Tirage limité à 400 exemplaires, dont 35 hors commerce. Celui-ci, marqué H. C. V, un des rares en premier papier sur le plus beau Japon (seulement 15 exemplaires), contenant une double suite sur Vieux Japon et Japon Impérial de tous les bois, des couvertures et du dos. Envoi sur la page de faux-titre des auteurs : "Quel plaisir pour vous, ô lecteur, si La fête arabe vous plait !" Jérôme et Jean Tharaud. Décembre 1928. Reliure en plein maroquin doublé bleu nuit mosaïqué de compositions orientalistes polychromes signée Yseux, successeur de Simier en bas du contreplat. Sur le premier plat, sceau de Salomon (ou Sulaymân ; étoile de David entouré d'un cercle avec les branches entrelacées) portant des pointillés dorés et mosaïqué de pièces de maroquin olive, beige, gris, orange et grenat rehaussées, ainsi qu'à chaque pointe, de fleurons dorés. En pied, bandeau horizontal à fond orange et grenat mosaïqué de motifs alternés de maroquin vert, gris et beige, portant des fleurons dorés et encadré de pointillés dorés, ce bandeau surmonté de fleurons dorés. Dos lisse, auteur, titre, lieu et date dorés dans des compositions mosaïquées polychromes avec fleurons dorés, étoile en maroquin gris mosaïqué avec fleuron doré aux pointes. Sur le second plat, composition centrale mosaïquée de maroquin vert, orange et gris dans laquelle s'entrelace un décor doré, avec aux extrémités une étoile reprenant la même exécution que celle ornant le dos. Double filet doré sur les coupes, doublures de maroquin orange agrémentées de 4 triangles délimités d'un fleuron doré et d'un filet à froid avec au centre une composition à froid en noir, en encadrement, filet doré et pointillés dorés venant s'insérer dans les compositions triangulaires. Gardes de moires bleues, doubles gardes de papier à la cuve, coiffes guillochées dorées, tranches dorées, couvertures et dos illustrés conservés. Etui de papier bleu bordé de chagrin bleu. Dos légèrement assombri. Trace brune sur 3 cm au verso blanc d'une planche de la suite, froissure modérée/mauvaise manipulation du papier en marge de pied d'une autre planche de la suite, léger défaut de papier semblant d'origine en marge de gouttière sur 1 ou 2 autres planches, menues et petites salissures pâles sur 2 feuillets blancs. Grandes marges, superbe état du papier. La fête arabe est le récit d'un voyage en Algérie. [ENGLISH DESCRIPTION ON DEMAND]

Librairie Feu Follet · Paris, FR4 600,00 €

Texts by FABRIZIO LOLLINI, PAOLO ODORICO, OVIDIU OLAR, ILEANA STANCULESCU, CATALINA VELCULESCU.MareMagnum

Byzantine manuscripts in Bucharest's collections.= Manuscrise bizantine în colectii bucurestene. Project coordinator: Ileana Stanculescu.

New English Original bdg. HC. Oblong 4to. (22 x 30 cm). In English and Romanian. 115, [140] p., fully color ills. Byzantine manuscripts in Bucharest's collections.= Manuscrise bizantine în colectii bucurestene. Project coordinator: Ileana Stanculescu. From the first article: "From the photographs taken over time, we chose those which best capture a special artistic quality with their strictly documentary value. This selection of manuscripts ends before the dawn of the 16th century, given the common view that after the fall of Constantinople (1453) we can no longer speak of a truly Byzantine culture, but only of a Byzantine style, albeit one which continued to shine. The selection of images was also intended to emphasize not only the aesthetics of the illuminated folios, but also those details that are significant for the codices as a whole, things which would dryly translate today as typeface font type, page layout and binding. Far from the sight of all interested parties, the Byzantine manuscripts in the Bucharest repositories are still full of mysteries waiting to be discovered and explained by researchers. We present these images here to provide a platform for a wider discussion of the significance of the Byzantine legacy for Romanian pre-modern culture. For the identification and description of the items chosen we used several catalogues, either manuscript or in print, which we then compared with the corresponding labels used by the repositories. The bibliography at the end of the volume indicates the various catalogues used for each collection. We found a wealth of details pertaining to the manuscript collections of the Romanian Patriarchy in the album published by the archimandrite Policarp. This is an excellent occasion to thank the specialists involved in the inventory of the collection for the additional information they supplied. We extend our warmest gratitude to them.Here and there we updated and corrected the information found in the aforementioned sources in the light of recent research: the dating of ms. sl. II 280, from the Library of the Holy Synod of the Romanian Orthodox Church at the Antim Monastery. We thank Mrs Tatiana Popova (University of St. Petersburg in Severodvinsk), for the observation that we are dealing with a direct copy, made at the end of the 14th century, of the Russian metropolitan Kyprian's reworking (dated 1385) of the Ladder of John Climax. Ms. sl. II 280 belongs to a group of manuscripts kept at Antim Monastery, but originates from a collection in Slava Rusa, a settlement in Dobrogea and a known...".

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR231,80 €