3 371 résultats
viii + 227pp., 31cm., bound in hardback
Contains color and b&w plates. 310x240 mm. XI+157 pages. Hardcover. Cover slightly rubbed and slightly worn. Spin edges slightly bumped. Pages slightly yellowing. Else in good condition.
IN ENGLISH AND HEBREW. 30.5x23.5cm. XI+157 pages. Hardcover. Cover slightly rubbed. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
27.5x21.5 cm. 92+36 pages. Softcover. Cover and spine slightly yellowing and slightly stained. Cover and spine corners slightly rubbed. Pages slightly yellowing. Else in good condition.
xxii + 225pp., 30cm., copy from the library of the Belgian medievalist Raymond Macken with his signature, in the series "Kataloge der Stadt- und Universitätsbibliothek Frankfurt am Main. Band 5: Die Handschriften der Stadt- und Universitätsbibliothek Frankfurt am Main" vol.4, blind softcover, good condition, T75231
59pp. + 188 plates, 33cm., in the series "Corpus inscriptionum iranicarum. Supplementary series" vol.4, hardback (cloth), very good condition, ISBN 0 7286 0315 2, X76036
vii + 297pp., cloth, 21cm., ex.library (few stamps, label on spine), else VG
Bound, Pages: 303 p. illustrated in color. fine condition. new. ISBN 9789042929159. From the 16th to the 19th century, illuminated manuscripts were collected by the great printer-publisher Christophe Plantin and his Moretus successors and descendants. Ranging in date from the 9th to the mid-16th centuries, the manuscripts in the Museum Plantin-Moretus come from all over Europe, chiefly the Southern Netherlands and France with a significant representation of 15th-century Dutch illumination. More surprisingly, about a quarter of the collection comes from England: manuscripts of the 10th to 15th centuries that left the country with Catholic refugees. Alongside the acknowledged masterpieces and rarities, like the Bohemian Bible of 1402, are volumes that have remained virtually unknown, their aesthetic appeal and historical or textual interest often passing unnoticed in the absence of published reproductions. In this beautifully produced catalogue, each of the 102 volumes is illustrated in colour, with more extensive coverage of the 55 volumes with the most rewarding illumination. For the first time it is possible to gauge the extent and nature of this fascinating and under-explored collection, still housed in the building on the Vrijdagmarkt in Antwerp to which Plantin moved his famous sign of the Golden Compasses in 1576. Corpus of Illuminated Manuscripts, 20 - Low Countries Series 15.
xviii + 149pp., cloth, dustwrapper, in the series "Royal Historical Society Guides & Handbooks" vol.15
First Edition, 5 plates, orig. cloth. From the library of Frederick B. Adams, Jr.
Folio, 4 vols., xliv, 360; vii, 402; ix, 384; xlpp., 125 plates, orig. buckram, a nice set. The 125 plates include reproductions of 99 manuscripts written (or probably written) in England, and since nearly 50 of these are illuminated they serve to give a good idea of English mediaeval art. French art is well represented by 26 plates, 24 of which are illuminated.
4to, [iv],xliii,[1]pp., followed by 65 collotype plates, loose in orig. portfolio.
320X260 mm. 504 pages. Hardcover with dust-jacket. Top cover edges bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
- Felix Malteste - Louis Janet, Paris 1836, 21,5x13,5cm, relié. - Seconde édition. Reliure en demi veau caramel, dos lisse orné de filets dorés et à froid, pièce de titre en maroquin noir, mors comportant des traces d'usage, deux accrocs aux coins inférieurs, gardes et contreplats de papier à la cuve, reliure de l'époque. Rare envoi autographe de l'auteur. Ouvrage illustré d'un frontispice gravé par Gigoux. Quelques rousseurs. [ENGLISH DESCRIPTION ON DEMAND]
Steenbrugge, Sint-Pietersabdij 1980, pp.115-153, extrait de "Sacris Erudiri - Jaarboek voor Godsdienstwetenschappen" XXIV-1980, signé par Van Den Auweele, R1033
Zaragoza, IFC, 1956-57. 4to.; 270 pp. Con 18 láminas con dibujos y fotografias y un estado plegado. Cubiertas originales.
Zaragoza, Institución Fernando el Católico, 1961-1962. 4to.; 400 pp., y 28 láminas fotográficas. Cubiertas originales.
Madrid, 1956. 4to.; 159 pp., y 3 láminas fotográficas. Ejemplar intonso. Cubiertas originales.
Zaragoza, IFC, 1987. 4to.; 263 pp. Planos e ilustraciones fotográficas. Cubiertas originales.
- Hauser y Menet, Madrid 26 février 1901, 9x14cm, une carte. - Carte postale autographe signée d'Edouard Vuillard et Pierre Bonnard adressée à Marc Mouclier. Les deux peintres ont rédigé le message suivant en dessous de la reproduction du Prince Balthazar Carlos à cheval de Velazquez : "Bon souvenir de voyageurs. Bonnard - E. Vuillard" L'adresse et l'identité de Mouclier, à l'instar de toutes les cartes postales de sa correspondances, ont été raturées au crayon. Trace d'onglet au verso, quelques salissures et infime pliure marginale au recto. [ENGLISH DESCRIPTION ON DEMAND]
- Hauser y Menet, Madrid s.d. (ca 1901), 9x14cm, une carte. - Carte postale autographe signée d'Edouard Vuillard et Pierre Bonnard adressée à Marc Mouclier. Les deux peintres ont rédigé le message suivant en dessous de la reproduction des Ménines de Velazquez : "Bon souvenir. Bonnard - E. Vuillard" L'adresse et l'identité de Mouclier, à l'instar de toutes les cartes postales de sa correspondances, ont été raturées au crayon. Trace d'onglet au verso, quelques salissures au recto. [ENGLISH DESCRIPTION ON DEMAND]
- 17 juin 1931, 12,2x16,9cm, 1 page sur 1 feuillet remplié. - Autograph letter signed by Edouard Vuillard addressed to the architect and designer Bolette Natanson, written in blue ink on a paper framed in black : "My dear Bolette, Sorry to have kept you waiting on my reply, I kept hoping to have the time to come see you. It is not me who adjusts the frame so I find it fair to pay this price for it". A friend of the painter Edouard Vuillard, Bolette Natanson framed several of his works. Bonnard was a longtime friend of the Natansons (Thadée and Reine), whom he continued to see throughout his life in Normandy or in Paris. Their niece, Bolette Natanson, daughter of Alexandre, whom Bonnard knew as a child, became a well-known decorator. She worked with the architect and decorator Jean-Charles Moreux and recommended Bonnard in 1927 for a series of paintings set to adorn a private mansion that Moreux was decorating (including the Vue du Cannet now at the Musée Bonnard, le Cannet, France). [FRENCH VERSION FOLLOWS] Lettre autographe signée d'Edouard Vuillard adressée à l'architecte et designer Bolette Natanson, rédigée à l'encre bleue sur un papier de deuil : "Ce n'est pas moi qui règle le cadre aussi je trouve juste de le payer son prix". Amie du peintre Edouard Vuillard, Bolette Natanson encadra plusieurs de ses oeuvres.