3 371 résultats
- Nouvelles éditions Oswald , Paris 1982, 22,5x30,5cm, broché. - Nouvelle édition. Petits manques de film pelliculé en marges des plats qui sont également insolés. Amusant envoi autographe signé de Léo Malet à Régine Deforges : "A Régine Deforges, ces petits textes assez insignifiants (je n'ai rien d'autre sous la main actuellement) destinés seulement à marquer notre reprise de contact." Provenance : de la bibliothèque de Régine Deforges. [ENGLISH DESCRIPTION ON DEMAND]
- Gallimard, Paris 1979, 14x20,5cm, broché. - Nouvelle édition imprimée à l'occasion de l'adaptation cinématographique du texte. Petites rousseurs sur les tranches, tampon imprimé d'un précédent possesseur sur la dernière garde, petits manques de film pelliculé recouvrant les plats de couverture. Exemplaire complet de sa jaquette illustrée où figurent Romy Schneider et Yves Montand, les deux principaux acteurs de ce film réalisé par Costa-Gavras. Envoi autographe daté et signé de Romain Gary à une femme prénommée Annie. [ENGLISH DESCRIPTION ON DEMAND]
Hardcover. XXIV 444 p., 20 b/w ill., 165 x 240 mm, Languages: English, French, Italian, Including an index. Fine copy. ISBN 9782503524344. The Festschrift volume Classica et Beneventana, presented to Virginia Brown on the occasion of her 65th birthday, brings together twenty-one insightful new essays by leading scholars devoted to the fields of classical reception and Latin palaeography. The authors investigate a wide-range of topics such as the development and application of the Beneventan script, comparative codicology, uses of early liturgical manuscripts, medieval artes and biblical texts and their readers, and the reception and dissemination of classical texts during the Italian Renaissance. Since 1970, Virginia Brown has been a Senior Research Fellow at the Pontifical Institute of Mediaeval Studies. She is recognized as one of the world's leading authorities in classical reception and Latin palaeography. Her numerous publications on the Beneventan script have dramatically altered our knowledge of the dissemination of this southern Italian book hand from 800 to 1600. Her editorial work for the Catalogus translationum et commentariorum, as a member of the Editorial Board and since 1985 as Editor-in-Chief, has resulted in several learned volumes tracing the fortuna and study of classical authors from antiquity to the year 1600. As editor of Mediaeval Studies from 1974 to 1988, she single-handedly produced tomes noted for their scholarly rigor and acumen. This collection of essays serves as a fitting tribute to a scholar who, via her scholarly research and editorial work, has done so much to advance the fields of palaeography, codicology, and the history of classical scholarship.
- Gallimard, Paris 1943, 12x19cm, broché. - Edition originale sur papier courant, mention de troisième édition. Ex-dono de Charles Dobzynski en tête de la page de titre. Envoi autographe signé de René Lacôte à son ami le poète Charles Dobzynski : "... avec la vive amitié de son camarade..." [ENGLISH DESCRIPTION ON DEMAND]
- Faber & Faber, London 1961, 12x18,5cm, broché. - Nouvelle édition. Petites pliures angulaires sur les platsn dont une plus remarquable en tête du premier plat. Signature manuscrite de Lawrence Durrell sur la page de faux-titre. Provenance : de la bibliothèque de Jani Brun. Parmi les oliviers et sous le soleil méditerranéen, Lawrence Durrell rencontre au milieu des années 1960 la jeune et pétillante "Jany" (Janine Brun), montpelliéraine d'une trentaine d'années à la beauté ravageuse, qui travaillait au département des Antiquités de la Sorbonne à Paris. Elle fut prénommée « Buttons » en souvenir de leur première rencontre, où la jeune fille portait une robe couverte de boutons. Henry Miller tomba également sous le charme de « Buttons », louant sa beauté et son éternelle jeunesse dans d'exceptionnelles lettres restées inédites. Les trois compères passèrent des soirées parisiennes mémorables dont nous gardons de précieuses traces autographes à travers leurs échanges épistolaires. Recommandée par Durrell, elle fit de nombreux voyages notamment en Angleterre d'où elle reçut une vaste correspondance de l'écrivain ainsi que des uvres d'art originales signées de son pseudonyme d'artiste, Oscar Epfs. [ENGLISH DESCRIPTION ON DEMAND]
- S.n., s.l. [1921], 87pp. in-4, en feuillets. - Manuscrit autographe de 87 pages rédigées à l'encre noire et foliotées sur le recto. Nombreuses ratures et corrections autographes de l'auteur. Manuscrit partiel de ce drame en cinq actes et en vers d'après Plutarque et Shakespeare créé à la Comédie française le 22 mai 1921. On y joint 4 tableaux en copie professionnelle avec corrections et importantes additions autographes . [ENGLISH DESCRIPTION ON DEMAND]
2 Vols., commentary volume: small 4to, 71,[3]pp., (text in French), 23 plates, orig. marbled wrappers, torn a defective, uncut; facsimile volume: Stout folio, limited to 125 number copies, 1048 pages of facsimile (of which 109 are in colours), full red morocco, hinges rubbed, head of spine worn. An excellent facsimile of this 15th century manuscript which was executed by Margaret of Austria, with miniatures painted by G. Horebout.
Gebunden, kartonniert, Schutzumschlag, 215 x 295mm., 151S., illustriert. ISBN 9783896786173. Der ?»Codex Aureus?« mit seiner 1000-jahrigen Geschichte ist ein Kunstwerk hochsten Ranges und ein einzigartiges Dokument europaischer Kultur. Der Prunkeinband gilt als Meisterwerk Trierer Goldschmiedekunst um 985/90. Der Codex selbst entstand um 1045 in der Benediktinerabtei Echternach. Er zahlt zu den schonsten Handschriften des Mittelalters und wurde ganz in Goldtinte geschrieben. Als Evangeliar umfasst er die lateinischen Texte der vier Evangelien mit Zusatzen. Neben Zierinitialen in Gold und Purpur finden sich Zierfelder und -kolumnen, reich geschmuckte Kanontafeln, ganzseitige Miniaturen mit einem Christuszyklus, Evangelistenbilder, Initial- und Textzierseiten sowie Ornamentseiten, die kostbare byzantinische Seidengewebe imitieren. Der vorliegende Band zeigt alle Bild- und Zierseiten in hochster Qualitat. Ausschnitte machen auf wichtige Details aufmerksam. Anja Grebe gibt eine ausfuhrliche Beschreibung der Handschrift und informiert uber die Geschichte des Codex. Ein beeindruckendes Zeugnis abendlandischer Buchkunst wird so erstmals in einem prachtigen Bildband prasentiert. Neue.
2 Vols., folio (377 x 279 mm), limited to 500 copies, commentary volume with text in English:164pp., illustrs., orig. vellum-backed cloth, covers slightly spotted, facsimile volume: 320pp., of coloured facsimiles, full vellum, endpapers slightly spotted, slip-case. The Emperor's Bible (Uppsala, UUB ms C 93; Swedish: kejsarbibeln), also known as Codex Caesareus, Codex Caesareus Upsaliensis or the Goslar Gospels,[1] is an 11th-century illuminated manuscript currently in Uppsala University Library, Sweden. Despite its name, it is not a Bible but a Gospel Book. The book was made in the scriptorium of Echternach Abbey, and is one of four preserved large Gospel Books made there during the 11th century. It was commissioned by Emperor Henry III and donated by him to Goslar Cathedral, where it remained until the Thirty Years' War. It was then lost for about 100 years. The book later appeared again in the possession of Swedish diplomat and civil servant Gustaf Celsing the Elder [sv]. At the death of his son, it was acquired by Uppsala University. The manuscript is richly decorated with miniatures, including full-page depictions of the Four Evangelists, illuminated canon tables and a depiction of the emperor donating the book to the patron saints of Goslar Cathedral. It is written in Carolingian minuscule and is overall well-preserved.
xxix + 596pp., dans la série "Académie royale de Belgique, Commission royale d'histoire, Collection de Chroniques belges inédites", couv.cart. (dos réparé et avec 2 étiquettes), imprimé sur papier de luxe, texte et intérieur frais et en bon état, B40240
Hardback, 156 p., 305 x 390 mm. ISBN 17560030100. Nouveau.
Contains b&w and color plates. 475x340mm. 169 pages. Gilt hardcover with illustrated jacket and protective foil dust-jacket. Jacket yellowing. Jacket edges slightly worn. Cover slightly curved. Cover and pages upper corners bumped. Stamp on first whitepage. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
iv + 60pp. + 3 facimiles, 27cm., in the series "Monumenta Biblica et Ecclesiastica" vol.2, softcover, few foxing, small stamp, G, [text in Greek, commentary in Latin], R74198
2 Vols., folio (450 x 360 mm), introduction volume: 31pp., orig. printed wrappers, facimile volume: 822 pages of coloured facsimiles, orig. cloth, spine slightly creased, slip-case, the facsimile is an enormous and extremely heavy book. Codex Sinaiticus is one of the world's most remarkable books. Written in Greek in the fourth century, it is the oldest surviving complete New Testament, and one of the two oldest manuscripts of the whole Bible. No other early manuscript of the Christian Bible has been so extensively corrected, and the significance of the Codex Sinaiticus for the reconstruction of the Christian Bible's original text, the history of the Bible and the history of western book making is immense. This magnificent printed facsimile reunites the text, now divided between the British Library, the National Library of Russia, St Catherine's Monastery, Mt Sinai and Leipzig University Library.
complete in 2 volumes: xxiv,242 + 242pp., in the series "Collectanea Biblica Latina" vol.III, cart.cover (marbled plates, spine in vellum), stamp, VG
Complete in 2 volumes (all published), xxxv,698 + xii,479 pp., 30cm., in the series "Bibliothecae Apostolicae Vaticanae codices manu scripti recensiti iussu Pii XI", bound in two nice uniform hardcover bindings (marbled boards, spines in red cloth with glt lettering), original softcovers preserved and bound in, copy from the co-editor and Belgian orientalist A. Van Lantschoot (with his signature on title page, stamp, and some interesting annotations in the margin of some pages), good condition, weight: 4.3kg., added: 2 book reviews of this title, R103986
Complete in 3 volumes: 898 + 904 + 822pp., text in Latin, 30cm., solid uniform hardcover bindings in black cloth, original softcovers preserved and bound in, small stamp on title page, text and interior are clean and bright, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.35, good condition, weight: 9.2kg., [Contains the description of 977 codices], R107218
xlix + 327pp. (+ 40pp.catalog of editor), cart.cover (somewhat used, corners bumped), interior very clean & VG, text in latin, 27cm.
320X260 mm. 504 pages. Hardcover with dust-jacket. Top cover edges bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
FIRST AND ONLY EDITION OF THE MAGNIFICENT CATALOGUE OF THE LATIN, ITALIAN, AND FRENCH MANUSCRIPTS IN THE TURIN ATHENEUM (another volume, describing Hebrew and Greek manuscripts, was also published). 4 leaves, 530 pp., 1 blank leaf. COMPLETE WITH HALF-TITLE AND BOTH BLANKS, which are often missing. 1,566 manuscripts described in great detail. Indexes. 6 woodcut facsimiles, including a folding map. Woodcut ornaments. Beautifully printed on extremely fine, thick laid paper. Large folio (48 cm). Elegantly bound in recent quarter vellum and marbled boards. ENTIRELY UNCUT, WITH HUGE MARGINS AND DECKLES ON ALL EDGES. FINE AND BRIGHT, WITH NO DEFECTS.
FIRST AND ONLY EDITION of one of the great catalogue of Greek manuscripts. XXXIX, 336 pp. 432 manuscripts thoroughly described. Fully indexed. Beautifully printed on fine watermarked wove paper. 4to. Bound in recent buckram. Fine and bright. Very scarce.
Volume 1 (all published), CXXXII + 327 + [3] pp., text in Latin, 30cm., bound in solid hardcover in black cloth, original softcover preserved and bound in, few foxing at edges, text and interior are clean and bright, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.2, good condition, weight: 2kg., [Contains the description of 921 codices], R107217
xx + 279pp. + portrait, 30cm., copy from the library of the Belgian medievalist Raymond Macken with his signature, in the series "Die Handschriften der Würtembergischen Landesbibliothek Stuttgart" Erste Reihe Zweiter Band, softcover, good condition, T75227
