3 371 résultats
New New Turkish Original bdg. Dust wrapper. 4to. (28 x 21 cm). In Turkish. 574 p., color ills. Study on the objects used in daily life in the Ottoman Empire. Osmanli'da günlük yasam nesneleri. Second Edition.
Very Good Turkish Paperback. 4to. (28 x 20 cm). In Turkish. 78 p., b/w ills. Osmanli padisahlarinin tugralari. Tughras of Ottoman sultans.
New Turkish Original bdg. HC. 4to. (30 x 22,5 cm). In Turkish. 581 p., ills., maps. Osmanli belgelerinde Dogu Türkistan. East Turkestan in the Ottoman archival documents. Text predominantly Ottoman Turkish, partly Turkish. - Takdim (presentation) and preface (önsöz) also in English. Facsimiles of the documents in Arabic script. - Facsimiles of the cards in Arabic and Latin script. Partly in Arabic script, partly in Latin script. East Turkestan in Ottoman documents (1796-1915) against the background of Chinese-Russian-Ottoman relations. Also includes an introduction to the history of East Turkestan. / Text u?berwiegend osmanischtu?rkisch, teilweise tu?rkisch. - Takdim (presentation) und Vorwort (o?nso?z) auch in englischer Sprache. Faksimiles der Urkunden in arabischer Schrift. - Faksimiles der Karten in arabischer und Lateinschrift. Teilweise in arabischer Schrift, teilweise in Lateinschrift. Ostturkestan in osmanischen Urkunden (1796-1915) vor dem Hintergrund der chinesisch-russisch-osmanischen Beziehungen. Entha?lt auch eine Einfu?hrung in die Geschichte Ostturkestans. East Turkestan is a Turkish-Islamic homeland that hosted multiple civilizations, while leaving important marks in the history. East Turkestan lands that Uyghur Turks live in general have always been strategically important for its location, and underground and ground sources. The presence of Silk Road route in the area, the production of two out of five of Chinese petrol and presence of rich gold and copper deposits make the area different in strategic perspective. In the work "East Turkestan in Ottoman Documents" published by Union of Turkish World Municipalities (TDBB), the original documents of Ottoman Archives of Prime Ministry have been handled and the historical relations between two brother communities have been presented to the attention of the readers. In the book, there are original visual documents that belong to the period between 1796 and 1917, transcripts and summaries, in addition to long Preface on East Turkestan history and Bibliography, summarized biographies of important and remarkable figures of East Turkestan, and a detailed Index. This voluminous Prestige Book of 581 pages printed in A4 size will both serve as a first degree source for local and foreign academicians of East Turkestan and Uyghur History and intellectuals of both countries, and will also help for the perception of Ottoman-East Turkestan relations.
- Editoria Record, Rio de Janeiro 1976, 13,5x20,5cm, broché. - Nouvelle édition ornée d'illustrations. Agréable exemplaire. Envoi autographe signé de Jorge Amado, en portugais, à un ami prénommé André. [ENGLISH DESCRIPTION ON DEMAND]
- L.F.P., Paris 1941, 14,5x21,5cm, en feuilles. - Nouvelle édition imprimée à 300 exemplaires numérotés sur vergé et justifiés par l'auteur. Envoi autographe signé de Robert Ganzo à un proche ami. Agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
cm. 17 x 24, 184 pp. con 26 figg. e 24 tavv., 1 indice delle materie e dei luoghi. Olschki, Leo S. - Cataloghi della libreria antiquaria Estratto: Choix, vol. X. Francese 324 gr. 184 p.
21x29.5cm, getypt, gesigneerd. brief i.v.m. opsturen catalogus Leplae.
2 vellen, getypt, met briefhoofd en gesigneerd, gedateerd; 27 juli 1967. Brief i.v.m. benoeming tot grootofficier in de kroonorde ( De Heer Leo Maiersdorf. )
12 vol. in-8 reliure de l'époque peine basane marbrée, Chez Agasse, Paris, l'An III de la République, I : 2 ff., xxxii-371 pp. ; II : 2 ff., pp. 372-750 ; III : 2 ff., 459 pp. ; IV : 2 ff., pp. 460-898 ; V : 2 ff., 471 pp. ; VI : 2 ff., pp. 472-930 ; VII : 2 ff., 421 pp. ; VIII : 2 ff., pp. 422-860 ; IX : 2 ff., 620 pp. ; X : 2 ff., 380 pp. avec une planche dépliante ; Xi : 2 ff., 491 pp. ; XII : 2 ff., vi-338-286 pp. et 1 vol. in-4 reliure demi-basane marron, dos à 5 nerfs orné, Chez Agasse, Paris, l'An III de la République [ 1795 ], frontispice, 16 pp., 21 planches Une annotation manuscrite ancienne en garde du premier volume indique : "ce volume a appartenu à Lenoir de la Roche, ancien sénateur et ancien Pair. Il a écrit des notes en marge". Le grenoblois Jean-Jacques Lenoir-Laroche (1749-1825) était franc-maçon, "Grand Profès" de la "Cité sainte du rite écossais rectifié". Député aux Etats généraux, il défendra avec enthousiasme la Constitution de l'An III, et sera ensuite nommé, pendant quelques jours, ministre de la Police sous le Directoire, puis entrera au Conseil des Anciens. Soutien du 18 Brumaire, il entrera au Sénat (président de la Commission de liberté individuelle). Sous la Restauration, il sera nommé Pair de France à titre héréditaire par Louis XVIII, puis Comte. Avec son épouse Claire, ils furent des amis de Louis-Claude de Saint-Martin, lequel finit ses jours chez eux le 18 octobre 1803. Les annotation de Lenoir-Laroche sont extrêmement nombreuses, couvrant des marges entières dans chacun des 8 premiers volumes, plus rares dans le volume 9, et absentes ou quasiment absentes des 3 derniers volumes. Aux douze volumes, l'on joint l'album de planche au format in-4. Etat satisfaisant (forts manques de cuir aux reliures, reliures bien solides, bon état intérieur) pour cet exemplaire de provenance remarquable, très richement annoté. Français
Folio (235 x 314 mm). German ms. on paper with calligraphic captions and several half-titles. 453 ff. Contemporary blindstamped pigskin on wooden boards. Wants ties. Exceptionally attractive and important manuscript from the Bohemian Royal offices; the principal document of the Bohemian national finances in the second year of the rule of Emperor Maximilian II. A beautiful and hitherto unknown document of Renaissance bookkeeping in its well-preserved original binding. - In the present manuscript, Johann Rabenhaupt, head of the Royal bursary and responsible for the accounting year 1565, has testified the correct statement of revenues and expenditures by his signature on every page. The volume begins with an alphabetical index, arranged in double pages and listing revenues (on left) and payments (on right) by name. Among the payers and recipients are several important names, most of them members of German-Bohemian, Czech and Polish noble families, the Tyrolean glass manufacturer Sebastian Hochstetter von Scheibenegg (d. 1573), but also the great physician Pietro Andrea Mattioli (1500-77): "Petter Andreas Mathiolo [...] Ertzherzog Ferdinanden zu Osterreich LeipPhisicus, hatt zu farlicher Provision Ainhundert gulden Reinisch, die khun zwayundvierzig schockh Ainundfunffzig groschen drey pfennig behamisch; dieselb hab ich Ime für dreyzehen Monat Anzuraitten [...]" (f. 263v). Mattioli, known especially for his Dioscorides commentary, moved to Prague in 1552 as personal physician to Archduke Ferdinand, where he was later to be made head medical advisor to Emperor Maximilian II (cf. Hirsch IV, 168). The volume not only documents salaries, duties, and court expenditures, but also the receipt of border taxes, Turk taxes, tithes, loans, deposits, realties, costs of funerals and the Prague castle vineyard, etc. - Johannes Rabenhaupt von Sucha, the man responsible for this splendid Renaissance account book, was a descendant of an old Bohemian noble family which is also documented in the Palatinate, in Franconia, and in Upper Austria. Although there have been attempts at biographical studies of the Royal bursar Rabenhaupt (without knowledge of the present manuscript), historical science has been forced to admit its temporary failure in this respect (see literature below). - Slight worming to several ff. Some offsetting of ink, but generally very well legible and hardly browned. The finely blindstamped binding shows a wide border of arched friezes; the central compartment bears the ms. title. On the back cover, the friezes frame a roll representing Virtues; central compartment decorated with two parallel arched friezes. Edges, spine-ends, and endpapers with traces of professional restoration; otherwise perfect. Beket Bukovinská, "Wer war Johann Rabenhaupt? Unbeachtete Aspekte in den Beziehungen zwischen Prag und Südwest-Deutschland", in: Rudolf II, Prague and the World. Papers from the International Conference. Prague, 2-4 September, 1997. Praha, Artefactum - Institute of Art History, Academy of Sciences of the Czech Republic [1998], p. 89-94.
Very Good Turkish Original watercolor painting on paper with an autograph inscription and note on verso signed by Mehmet Ileri. 13,5x10,5 cm. In Turkish. Inscribed to Güngör Uraas and his wife as 'Sergime gösterdigi ilgiden dolayi Güngör Beye ve esine saygi ve sevgi ile, M. Ileri, Subat 1982.'. [i.e. With respect and love to Güngör Bey and his wife due to his interest in my solo exhibition, February 1982]. Mehmet Ileri was born in Istanbul in 1957. After graduating from the Academy of Fine Arts in Paris, he completed his master's degree with Frank Popper at Paris St. Denis University in 1983. Ileri has had solo exhibitions and has participated in many group exhibitions. He currently continues his work in Paris and Boston. He's nephew of Abidin Dino, (1913-1993), who was a famous Turkish painter as well.
Very Good Turkish Original b/w portrait print photograph signed and inscribed by Marc Aryan as 'Gönül'e'. 15x10,5 cm. Henri Markarian, better known as Marc Aryan, was a French-Belgian singer, songwriter, and record producer of Armenian descent born as a French citizen, who also acquired Belgian citizenship after a long residency in the country. Marc Aryan was born to Lebanese Armenian parents who came from Malatya, Turkey. Henri Markarian initially released materials under the personal label Markal. He then changed the name of the label to Malatya where his parents came from. He recorded several songs for an album released in Brussels. With initial success, Henri Markarian decided to adopt the stage name Marc Aryan (derived from the pronunciation of his Armenian family name Markarian). After the successful years 1964 and 1965 locally, the years 1966 and 1969 proved to be his most prosperous years internationally. Marc Aryan enjoyed great popularity in the Middle East, particularly in Lebanon and Syria, where he also sang some songs in the Armenian language and in Eastern Europe and Latin America. He had some commercial success in Quebec, Canada's predominantly francophone province. Marc Aryan visited Turkey where his parents originated from. His success was huge after his release of the oriental-themed "Istanbul", one of his best-known hits that became an instant classic in Turkey. He also released a number of re-arrangements of his biggest hits in the Turkish language, following the example of famous European artists who had done the same as Salvatore Adamo, Johnny Hallyday, Sacha Distel, Enrico Macias, and Peppino di Capri. Turkish language versions in his album Istanbul'da include 9 songs including "Yalancisin", "Dünya Dönüyor", "Kalbin Yok Mu?" and others. The Turkish lyrics were mostly written by Fecri Ebcioglu.
Very Good Turkish Original b/w portrait photograph signed and inscribed by Engin Çaglar as 'Buket'e sevgiler'. Photo was taken by Foto Stil located in Beyoglu, Istanbul. 15x10 cm. Engin Çaglar was born on August 28, 1940, in Istanbul, Turkey as Çaglan Övet. He is an actor, known for Son günah (1970), Çingene aski paprika (1969) and Yalniz adam (1969). He is married to Filiz Vural.
Very Good Turkish Original b/w print portrait photograph signed and inscribed by Alpay as 'Erhan'a sevgilerle'. 17x11,5 cm. Alpay, is a Turkish singer. He began his musical career in 1960 and has experimented with a number of styles, from romantic folk to rock. He also has covered a number of French and Italian songs. Alpay is best known for his hit songs "Eylülde Gel" and "Fabrika Kizi".
Very Good French Original postcard shows Clark's color portrait photo signed and inscribed by Petula Clark as 'Tres amicalement'. 15x11 cm. In French. The most commercially successful female singer in British chart history, Petula Clark was born November 15, 1932, in Epsom, England. Trained to sing by her soprano mother, Clark embarked on a stage career at the age of seven; soon she was a fixture on British radio programs and began hosting her own regular show, Pet's Parlour -- a series spotlighting patriotic songs designed to boost the morale of wartime audiences -- at the tender age of 11. After entertaining British troops alongside fellow child stars Julie Andrews and Anthony Newley, Clark made her film debut with A Medal for the General in 1944. By the dawn of the '50s she was a superstar throughout the U.K., with a résumé of close to two-dozen films; 1954's "The Little Shoemaker" was her first Top 20 single, while 1960's "Sailor" was her first chart-topper. Still, Clark struggled with her inability to shed her adolescent image. After selling over a million copies of 1961's "Romeo," she married and relocated to France, establishing a strong fan base there on the strength of hits including "Ya-Ya Twist," "Chariot," and "Monsieur," which spotlighted a new, more sophisticated pop sound anchored by her crystalline vocals. Riding the wave of the British Invasion, Clark was finally able to penetrate the U.S. market in 1964 with the Grammy-winning "Downtown," the first single by a British woman ever to reach number one on the American pop charts. It was also the first in a series of American Top Ten hits (most written and arranged by Tony Hatch) that also included 1965's "I Know a Place" and 1966's "I Couldn't Live Without Your Love," and the number one smash "My Love." At the same time, she remained a huge star throughout Europe, topping the British charts in 1967 with "This Is My Song," taken from the film A Countess from Hong Kong. In addition to hosting her own BBC series, she also starred in the 1968 NBC television special Petula, which triggered controversy when sponsors requested that a segment with guest Harry Belafonte be cut in deference to Southern affiliates; ultimately, the show aired in its intended form. As the '60s drew to a close, Clark's commercial stature slipped, although singles like "Don't Sleep on the Subway," "The Other Man's Grass Is Always Greener," and "Kiss Me Goodbye" still charted on both sides of the Atlantic. In 1968, she revived her film career by starring in Finian's Rainbow, followed a year later by Goodbye, Mr. Chips. In later years, Clark focused primarily on international touring, headlining the 1981 London revival of Rodgers & Hammerstein's The Sound of Music; after starring in the 1990 musical Someone Like You, which she also co-wrote, she made her Broadway debut in Blood Brothers in 1993. Additionally, in 1988, an acid house remix of "Downtown" reached the U.K. Top Ten, another honor for the female singer awarded the most gold records in British pop history. Throughout the 2000s, Clark toured fairly steadily across the globe. Her 2002 shows in France at the Olympia were recorded and released on CD and DVD, but no new studio recordings were forthcoming until she teamed with Irish band the Saw Doctors for a new version of "Downtown" in 2011. Soon after, she began working with producer John Williams on an album. Made up of newly written songs and covers, as well as a new take on "Downtown," Lost in You was issued in early 2013. Just three years later, Clark returned with another studio album, From Now On, which featured several newly penned compositions as well as covers of classic numbers by the Beatles, Steve Winwood, and Peggy Lee. In October 2016, Clark set out on a U.K. tour in support of the album. That same year also saw the release of Natural Love: The Scotti Brothers Recordings, a collection of the country- and pop-oriented material Clark cut in the '80s. A French-language album, Vu D'ici, arrived in
Very Good Turkish Original postcard shows Ediz Hun's color portrait photo signed and inscribed by Ediz Hun as 'Meral'e sevgilerle'. 15x11 cm. In Turkish. Ediz Hun is a Turkish film actor and politician. Hun was born in 1940 to a Circassian father and a Turkish mother. After studying at St. George's Austrian High School in Istanbul, he graduated in Biology and Environmental Science from the University of Trondheim in Norway. After he had participated in a contest organized by Ses (The Voice) magazine he was noticed by producers. He made his debut in 1963 with "Genç Kizlar" (Young Girls) opposite Hülya Koçyigit. He went on to become a household name, sometimes acting in more than 10 films in a year. On 3 March 1973, he married socialite Berna after a highly publicized affair. The couple has two children, a daughter, Bengü (born 1974), and a son, Burak (born 1981). In 1985, he became a lecturer at Marmara University. He decided to try his hand at politics and became a member of parliament for the Anavatan Partisi (Motherland Party), between the years 1999 and 2002.
Very Good Turkish Original b/w advertisement of Turkish Rock Band Üç Hürel, signed and inscribed by Feridun Hürel as 'Atilla'ya sevgiler'. Oblong: 11x16,5 cm. In Turkish. Photograph on the advertisement shows three members and brothers of Üç Hürel. Üç Hürel was a Turkish rock band, formed in 1970 by brothers Onur, Haldun and Feridun Hürel. Considered as among Turkey's most popular Anatolian rock bands, the band performed folk-driven pop and rock music and occasionally also paraphrased classic folk songs with considerable ingenuity. Their lyrics generally featured themes such as peace and freedom. Hürel brothers were born in Trabzon and later moved to Istanbul due to family business. In 1966, the brothers formed their first band, Yankilar, which was later renamed to Istanbul Dörtlüsü. The band performed in small music halls and tried to synthesize Turkish music and traditional rock formats. After forming a number of other bands, including Trio Istanbul, Oguzlar, and Biraderler, Feridun became a member of the Selcuk Alagöz Orchestra. Haldun and Onur later joined him to gain experience and earn money for new equipment. In 1970, they left the orchestra to form 3 Hur-El. Following the release of their debut single in 1970, "Ve Ölum/Seytan Bunun Neresinde," the band released two LPs and more than ten singles in six years. In 1977, Haldun and Feridun left the band for mandatory military service. Coping with the loss of their mother to a traffic accident, the brothers quit music. Feridun moved to England but returned without any significant accomplishments, subsequently returning and specializing in advertising. Onur took a job as an instructor and Haldun started a ceramics and textiles business. 3 Hür-El reunited in 1996, releasing two records in 1996 and 1999, respectively. The band's 1970 song, "Ve Ölüm", was featured in the 2013 Serge Bozon film, Tip Top. (Source: Wikipedia).
Very Good Turkish Original b/w photograph signed and inscribed by Hasan Mutlucan. 14x cm. Hasan Mutlucan was a Turkish folk music (ballad) singer. His father died while he was six. In Istanbul he began working in a theatre group as an assistant decorator. Soon he took several small roles. But he preferred a music career. In the late 1940s, he attended to the conservatoire of Istanbul municipality. With his exceptionally low bass voice he was offered a position in the opera. But he preferred to sing folk songs. Among the folk songs, especially those with epic lyrics, were his favorites. After 1973, he began singing epic style songs in Turkish Radio and Television Corporation. After the 1980 Turkish coup d'état, his songs were played so often that he was nicknamed the "singer of the coup", though he rigorously denied any association to military government and announced that he was a democrat.
Very Good Turkish Original b/w portrait photograph signed and inscribed by Muhterem Nur as 'Sükür Hanim'a iyi dileklerimle'. 14x9 cm. In Turkish. Muhterem Nur [Aysel Muhterem Kisa] was a Turkish film actress and pop music singer. She was born as Aysel Kisa on December 31, 1932, in Bitola (Turkish: Manastir), Vardar Banovina, Kingdom of Yugoslavia. She lost her 16-year-old mother at her birth and never knew her father. She was raised by her maternal aunt, whom she called "mother". She was renamed "Olga" as a result of the Yugoslavian regime's assimilation campaign. All ethnic Turks and other Muslims in Yugoslavia were forced to adopt Christian names and renounce all Muslim customs. She debuted in cinema as a background actress in the 1951 movie, Yildizlar Revüsü ("Revue of Stars"). She continued to play in movies as an extra, earning five times more than she received in the factory. She played as a supporting actress in more than twenty movies before she got a lead role in the 1958 movie, Üç Arkadas, in which she portrayed a blind girl. In the film directed by Memduh Ün, which became very successful, she shared the lead role with Fikret Hakan (born 1934). Thanks to her baby-like face and naive acting artistry, she was rooted suddenly in the hearts of cinema fans and climbed up the ladders very quickly. Despite rising up to main actress roles in a very short time and playing in many movies, Muhterem Nur had difficulties continuing in cinema due to change of the era in movie themes during the period between 1965 and 1967. From 1965 on, she vocationally performed dancing and, from 1967, took the stage as a singer in low-priced music halls. In 1967, she was jailed for ten days because of unpaid bills. She confessed that once, in 1972, she was so destitute, she was unable to even buy a simit, Turkish bagel. Muhterem Nur returned to the cinema and starred sparsely in movies until 2002. Muhterem Nur is considered by the Turkish audience the first real star of Turkish cinema. She portrayed the ignored and discriminated-against woman, digressing from the role of the bourgeoisie woman. She was known as the Yesilçam's most weepy actress, who at the same time drew tears and made spectators tear handkerchiefs. Even though it is not documented, she is one of the most important female figures of Turkish cinema due to the box office record of her films shot in the 1950s and 1960s. (Wikipedia).
Very Good Turkish Original b/w portrait photograph signed and inscribed by Muzaffer Nebioglu as 'Sevgilerimle'. 14x9 cm. Muzaffer Nebioglu was born in 1937 in Istanbul, Turkey. She is an actress, known for Yaman gazeteci (1961), Bir soförün hayati (1954) and Binnaz (1959).
Very Good Turkish Original b/w portrait photograph signed and inscribed by Efgan Efekan as 'Bn. Belma'ya sonsuz sevgilerime. 14x9 cm. Stamp of photo studio on verso. The photo was taken Foto Stil located in Beyoglu, Istanbul in its period. Efgan Efekan was born on May 6, 1935, in Izmir, Turkey. He was an actor, known for Sevdali efe (1961), Sarkici kiz (1962) and Cambaz kizin aski (1961). He died on September 7, 2005 in Istanbul, Turkey. (Source: IMDb).
Very Good Turkish Original b/w portrait photograph signed and inscribed by Behiye Aksoy as 'Hayat hanmefendi'ye sonsuz sevgilerimle'. 14x9 cm. Stamp of photo studio on verso. The photo was taken Foto Taç located in Beyoglu, Istanbul in its period. Behiye Aksoy (born Behiye Tetiker; 19 September 1933 - 31 May 2015) was a Turkish female singer of the Turkish classical music genre. Her maiden surname was Tetiker. After primary school in Istanbul, her family moved to Ankara, where she finished junior high school. At the age of 15, she applied to the audition for Ankara Radio. She was among the five successful candidates out of 200. She was one of the Turkish music singers of Ankara Radio for nine years. In 1958, for the first time, she got on stage in Ankara. Three years later, she moved to Istanbul and became one of the two-star performers of the "Maksim Gazino", the most famous night club in Turkey at the time. The other star performer was Zeki Müren. She also released records; about 100 45-rpm and 20 LPs. She played in four films. She received a platinum diadem for her success from her record company. She married three times. The first was with Halil Aksoy, a musician between 1952 and 1963. Halil Aksoy was the father of her only son Ahmet Kazim. Although they were divorced, she kept the surname Aksoy. Her two other marriages were short living. Between 1973 and 1974, she married Berker Inanoglu, a film producer. Her third marriage was with Fahrettin Aslan, the owner of the Maksim night club, which also ended in the same year.
Very Good Turkish Original b/w portrait photograph signed and inscribed by Adnan Pekak as 'Sevgi ile'. 14x9 cm. Stamp of photograph studio on verso. Photo was taken Foto Stil located in Beyoglu, Istanbul in its period. Pekak was a Turkish singer who was seen as the biggest rival of Zeki Müren in the 1960s. He is a close relative of Hülya Darcan and Bergüzar Korel. He sang some popular songs in Turkey like "Bir dost bulamadim, Gün aksam oldu, Yesil ördek gibi, Kaz mezarci, Beklerim her gün bu sahilde, Bak yesil yesil" and played the leading roles in 'Sokak sarkicisi' [i.e. Street singer] in 1959, 'Ben masumum' [i.e. I am innocent] in 1960, and 'Umut / Ask dilencisi' [i.e. the Hope / Love Beggar] in 1982.
Very Good Turkish Original b/w portrait photograph signed and inscribed by Adnan Pekak as 'Sevgilerle'. 14x9 cm. Photo was taken Saray Photography Studio located in Adana. Stamp of photograph studio on verso. Pekak was a Turkish singer who was seen as the biggest rival of Zeki Müren in the 1960s. He is a close relative of Hülya Darcan and Bergüzar Korel. He sang some popular songs in Turkey like "Bir dost bulamadim, Gün aksam oldu, Yesil ördek gibi, Kaz mezarci, Beklerim her gün bu sahilde, Bak yesil yesil" and played the leading roles in 'Sokak sarkicisi' [i.e. Street singer] in 1959, 'Ben masumum' [i.e. I am innocent] in 1960, and 'Umut / Ask dilencisi' [i.e. the Hope / Love Beggar] in 1982.
Very Good Turkish Original b/w portrait photograph signed and inscribed by Adnan Pekak as 'Sevgi ile'. 14x9 cm. Stamp of photograph studio on verso. Photo was taken Foto Stil located in Beyoglu, Istanbul in its period. Pekak was a Turkish singer who was seen as the biggest rival of Zeki Müren in the 1960s. He is a close relative of Hülya Darcan and Bergüzar Korel. He sang some popular songs in Turkey like "Bir dost bulamadim, Gün aksam oldu, Yesil ördek gibi, Kaz mezarci, Beklerim her gün bu sahilde, Bak yesil yesil" and played the leading roles in 'Sokak sarkicisi' [i.e. Street singer] in 1959, 'Ben masumum' [i.e. I am innocent] in 1960, and 'Umut / Ask dilencisi' [i.e. the Hope / Love Beggar] in 1982.
