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Ariosto, LudovicoBiblio.com

Orlando furioso

Ariosto, Lodovico (1474-1533)Biblio.com

Orlando Furioso Mad Orlando. First Baskerville edition with extra plates

51-1794Birmingham: Datorchi di G. Baskerville per P. Molini e G. Molini 1773. 4 vols. 8vo. Original Tree calf and Morocco with raised bands and gold leaf on spine and covers as well as all edges. Binding restored by Sasha Mosalov with imperfections showing. Pages clean. This copy with 48 engravings 2 of which are first states before lettering. 362 28 with 5 lines of errata; 450; 446; 446 pp. Provenance: from the collection of Charles Walker Andrews 1861-1946 an attorney in Syracuse whose father Charles Andrews 1827-1918 was the Chief Judge of the New York State Court of Appeals.Henry Cohen p. 31; Brunet I p. 488; Lowndes I p. 63Description from the Princeton Univ. Library: Late in his career John Baskerville printed an edition of Orlando Furioso for the Molini brothers an Italian printing firm based in Paris. This beautiful four-volume set of Ariosto’s 50000 line poem is illustrated with forty-six engraving plus a frontispiece designed by some of the most celebrated artists of that time. A new engraving begins each new episode of the author’s work and the artists appear to have been given much freedom in their designs. The twenty-one artists don’t often get credit and so here’s the complete list. Frontispiece portrait is after a painting by Titian ca. 1485/90-1576 drawn by Charles Dominique Joseph Eisen 1720-1778 and engraved by Etienne Ficquet 1719-1794.The plates were designed by Giovanni Battista Cipriani 1727-1785; Charles Nicolas Cochin II 1715-1790; Charles Dominique Joseph Eisen 1720-1778; Jean-Baptiste Greuze 1725-1805; Charles Monnet 1732-after 1808; Jean-Michel Moreau the Younger 1741-1814.The engravings were cut by Francesco Bartolozzi 1728-1815; Pierre Philippe Choffard 1730-1809; Antoine Jean Duclos 1742-1795; Emmanuel Jean de Ghendt 1738-1815; Isidore Stanislas Henri Helman 1743-1806/9; Benott Louis Henriquez 1732-1806; Nicolas de Launay 1739-1792; Joseph de Longueil 1730-1792; Pietro Antonio Martini 1738-1797; Jean Massard 1740-1822; Jean-Michel Moreau the Younger 1741-1814; Nicolas Ponce 1746-1831; Benoit Louis Prevost 1747-ca. 1804; and Jean-Baptiste-Blaise Simonet 1742-after 1813. Birmingham: Datorchi di G. Baskerville, per P. Molini e G. Molini, 1773 hardcover

Alan Wofsy Fine Arts · États-Unis1 950,00 $US≈ 1 649,90 €

Ariosto, Ludovico [Lodovico]Biblio.com

Orlando Furioso

177244472Venice Presso Antonio Zatta 1772. Hardcover. The four volumes contain 56 full page copper engravings by Giuliano Zuliani Tommaso Baratti Ferdinando Fambrini Giacomo Malosso Giacomo Leonardis Pietro Antonio Novelli and an engraved frontispiece of Ariosto by Giuseppi Daniotto. The notes for the binder call for another copper engraving to precede that frontispiece but it is not present in this copy. Marbled endpapers and edges. Each volume contain a cloth marker ribbon. A large copy 289 x 204 cm with wide margins. Bound in full calf. Binder's label of "C. Meyer Bookseller and Bookbinder to the Queen and Princesses 2 Hemmings Row St. Martins Lane" - ie Charles Meyer a German emigre who was bookbinder to Britain's Queen Charlotte. Meyer was active in London from 1797 until his death in 1809 though the firm apparently continued until 1811 so the volumes were presumably bound during that 14 year period. The volumes were later rebacked see photos. Each volume contains on the verso of the front free endpaper an ink notation "L/ 4 E 3"; "L/4 E 4"; "L/4 E 5"; "L/4 E 6" - presumably the location marks for a substantial private library but the volumes contain no other indication of which of the several aristocratic collectors for whom Meyer worked was the original owner of these volumes. In parts of volumes three and four the upper and/or lower corners of the pages are very faintly dampstained not affecting the text and in fact barely visible. With that exception this is a very nice copy clean crisp and with wide margins of a very handsome and finely illustrated edition of one of the monuments of classic Italian literature. . Four volumes. The 46 cantos are followed by the 5 additional cantos and then by about 136 unnumbered pages of bibliographies summaries and indices. Venice, Presso Antonio Zatta hardcover

Hammer Mountain Book Halls, ABAA · États-Unis2 007,00 $US≈ 1 698,12 €

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