Ariosto, LudovigoBiblio.com
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3752499745.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1858425444Firenze: Barbera Bianchi E.C. 1858. Hardcover. Good. Volume one of three only. 48mo. Approximate measurements: 4" x 2 1/2" x 1 1/2". 540pp. Text in Italian. Portrait frontispiece. Gilt decorated white leather with gilt-stamped red leather spine label marble endpapers all edges gilt purple silk bookmark attached. Blank front preliminary page glued to the front fly leather yellowed and warped a bit still a very good copy. Barbera , Bianchi, E.C. hardcover
ALDR0353In Venezia Presso Antonio Zatta 1772. 4°. Gest. Titelbl. 1 gest. Taf. 214 nn. Bll. mit 12 gest. Taf. je 13 gest. Kopfstücken Argomenti u. Initialen sowie 10 gest. Schlussvignetten. Marmorierter Lederband d. Zeit mit Rückenschildchen u. Rückenverzierung in Goldprägung Einbanddeckel mit Streicheisenlinien gerahmt Vorsatz aus einfärbig bedrucktem Buntpapier auf den Innendeckeln Buchschnitt rotgefärbt Ecken u. Kanten bestoßen Lederüberzug etwas schadhaft. Seiten weiß und fleckenlos lediglich Anfangsseiten an der Oberkante schwach wasserrandig. Brunet 1437. Graesse 1199. Lanckoronska. Venezianische Buchgraphik 14 - zweiter Band dieser aus vier Bänden bestehenden venezianischen Prachtausgabe des 'Rasenden Roland'. Der Humanist und Dichter L. Ariost 1474-1533 schuf mit diesem Versepos eines der bedeutendsten Werke der italienischen Literatur. Die Tafeln stammen von angesehenen venezianischen Kupferstechern wie Giuliano Zuliani 1730-1814 u. Pietro Antonio Novelli 1729-1804 In Venezia, Presso Antonio Zatta 1772. unknown
1982002240Milan: Arnoldo Mondadori 1982. Third Edition. Hardcover. Near Fine. 18mo. lii 1492 p.p. Italian. Third edition January 1982. Blue leather binding silver titling and tooling on spine. A few scuffs to boards. Illustrated slipcase. Top edge blue. Price sticker to rear pastedown. Ribbon marker. An Italian epic poem based on the Song of Roland. Arnoldo Mondadori hardcover
1814435523Londra: Presso Romualdo Zotti No.16 Broad-Street Golden-Square 1814. Hardcover. Good. Four volumes. 12mos. Volume one illustrated with an engraved frontispiece plate. Text in Italian. Bound in contemporary full parchment gold tooling on both covers and spine plain endpapers edges sprinkled. Owner's name in ink on front free endpaper of volume one only. The parchment covers are dust soiled and splaying else very good the text pages are clean and tight. A varorium edition edited by Romualdo Zotti: "con note e dilucidazioni grammaticali da Romualdo Zotti ad uso degli studiosi della lingua italiana.". Presso Romualdo Zotti, No.16, Broad-Street, Golden-Square hardcover
1542173105Venetia: Appresso Gabriel Iolito di Ferrari 1542. Leather bound. Good front hinge weaker than rear hinge wear to extremities text block and pages clean and tight. Full red leather with elaborate gilt embossed design front and back reeded gilt edges to covers five raised bands with gilt devices in compartments and applied leather label. All edges gilt with impressed cross design on all three text block edges. Ancient marbled endpapers with bookplate of Olin Lane Merriam on inside front pastedown. 260 xx leaves collated complete title page within engraved architectural border text with 46 woodcut engravings and engraved initial at beginning of each canto in text wood-engraved oval bust portrait of Ariosto on verso of leaf 260; unpaginated 20-leaf commentary by Lodovico Dolce has its own title page with wood-engraved vignette of phoenix rising at center of title page and verso of last leaf. This is the first complete printing with the "Espositione di tutti i vocaboli et luoghi difficili . con vna brieue dimostratione di molte comparationi & sentenze dall' Ariosto in diuersi autori imitate / raccolte da M. Lodovico Dolce" 20 leaves at end has special t.p." at rear after portrait. A lovely example in an exceptional binding. Similar copy sold for 5000 Euro in 2016. Appresso Gabriel Iolito di Ferrari hardcover
85265Paris Prault 1746. Kl.8° jew. gestochenes Titelbl. 1 gestochene Taf. «Cochin filius inv.» VIII 357 444 441 u. 422 6 Bl. Verzeichnis 1 Bl. «Approbation» Priv.-Ldr. d. Zt. m. Goldpräg. Rundum-Goldschnitt Jew. kl. Rückenverluste an den Kapitalen 1 Bd. m. 1 cm am Fuss Rücken etw. brüchig Rückenkanten tlw. geplatzt Ecken etw. berieben jew. Exlibris a. Innendeckel innen sonst allg. tadellos. Text italienisch. 010 Paris, Prault, 1746 unknown
20162-880790246XUniversale Economica. I Classici 2016. Paperback. New. Italian language. 7.80x5.12x2.13 inches. Universale Economica. I Classici paperback
20162-8806185977Nuova Raccolta Di Classici It. Annotati 2016. Paperback. New. Italian language. 9.29x5.83x3.39 inches. Nuova Raccolta Di Classici It. Annotati paperback
20152-8806228161Einaudi Tascabili. Classici 2015. Paperback. New. Italian language. 7.80x4.80x3.15 inches. Einaudi Tascabili. Classici paperback
1839SmOB014<p>Parigi Presso Lefevre Librajo M DCCC XXXIX 1839. Hard Cover. Three 12mo volumes: 632 599 580 pages Series: Collezione dei Quattro Primi Poeti Italiani vols. 3-5. The great epic poem of Orlando-- Roland-- in a pretty Paris edition bound in white vellum with gold tooling and red leather spine labels. Stock#SmOB 014.</p> Presso Lefevre, Librajo, M DCCC XXXIX hardcover
51-1794Birmingham: Datorchi di G. Baskerville per P. Molini e G. Molini 1773. 4 vols. 8vo. Original Tree calf and Morocco with raised bands and gold leaf on spine and covers as well as all edges. Binding restored by Sasha Mosalov with imperfections showing. Pages clean. This copy with 48 engravings 2 of which are first states before lettering. 362 28 with 5 lines of errata; 450; 446; 446 pp. Provenance: from the collection of Charles Walker Andrews 1861-1946 an attorney in Syracuse whose father Charles Andrews 1827-1918 was the Chief Judge of the New York State Court of Appeals.Henry Cohen p. 31; Brunet I p. 488; Lowndes I p. 63Description from the Princeton Univ. Library: Late in his career John Baskerville printed an edition of Orlando Furioso for the Molini brothers an Italian printing firm based in Paris. This beautiful four-volume set of Ariosto’s 50000 line poem is illustrated with forty-six engraving plus a frontispiece designed by some of the most celebrated artists of that time. A new engraving begins each new episode of the author’s work and the artists appear to have been given much freedom in their designs. The twenty-one artists don’t often get credit and so here’s the complete list. Frontispiece portrait is after a painting by Titian ca. 1485/90-1576 drawn by Charles Dominique Joseph Eisen 1720-1778 and engraved by Etienne Ficquet 1719-1794.The plates were designed by Giovanni Battista Cipriani 1727-1785; Charles Nicolas Cochin II 1715-1790; Charles Dominique Joseph Eisen 1720-1778; Jean-Baptiste Greuze 1725-1805; Charles Monnet 1732-after 1808; Jean-Michel Moreau the Younger 1741-1814.The engravings were cut by Francesco Bartolozzi 1728-1815; Pierre Philippe Choffard 1730-1809; Antoine Jean Duclos 1742-1795; Emmanuel Jean de Ghendt 1738-1815; Isidore Stanislas Henri Helman 1743-1806/9; Benott Louis Henriquez 1732-1806; Nicolas de Launay 1739-1792; Joseph de Longueil 1730-1792; Pietro Antonio Martini 1738-1797; Jean Massard 1740-1822; Jean-Michel Moreau the Younger 1741-1814; Nicolas Ponce 1746-1831; Benoit Louis Prevost 1747-ca. 1804; and Jean-Baptiste-Blaise Simonet 1742-after 1813. Birmingham: Datorchi di G. Baskerville, per P. Molini e G. Molini, 1773 hardcover
193928962Firenze: Casa Editrice Adriano Salani 1939. Hardcover. In two volumes. I Classici del Giglio #10 and 11. 593pp; 623pp. Cream cloth stamped in red on the front and the spine. Portrait frontispiece. Volume one has some minor annotations in pencil. A near fine copy in very good price-clipped dustjacket with some old mends to the verso. Volume two has a few lines underlined in pencil and a the small bookstore label from Galleria del Libro Roma on the front free endpaper. Still a fine copy in near fine dustjacket. In the Italian language. ; 16mo. Casa Editrice Adriano Salani hardcover
195428975Milano / Napoli: Riccardo Ricciardi Editore 1954. First Edition. Hardcover. La Letteratura Italiana - Storia e Testi Volume 19. 1248pp. Publisher's mustard buckram spine stamped in blue and gold top edge stained orange silk bookmark. Printed in the Stamperia Valdonega. Edited by Lanfranco Caretti. A fine copy in fine dustjacket with a tiny nick to the rear panel. The original cardboard slipcase shows mild wear. In the Italian language. ; Octavo. Riccardo Ricciardi Editore hardcover
18327981Presso Treuttel . 1832. Hardcover. 6mo xxxiv292;410;349pp text on the whole quite clean but there is foxing and age spotting in places especially on first title page and early leaves half contemporary morocco upper cover marbled with a few chips marbling missing from lower cover inner front hinge cracked book plate of George Burrows previously pasted down but now loose pasted down portrait of Ariosto not a part of the original book binding tight overall good Presso Treuttel, ... hardcover
175650805Arezzo Michele Belotti 1756. Large 4to. 2 contemp. full vellum with handwritten titles on spine. Marbled edges. VII435;4213 pp. and 2 engraved portraits Ariosto and Barbolani. printed on good paper clean and fine. Italian and Latin text in 2 columns. <br/><br/><em>A fine copy of the first translation of Orlando Furioso into Latin. - Brunet I 440. </em> hardcover
177244472Venice Presso Antonio Zatta 1772. Hardcover. The four volumes contain 56 full page copper engravings by Giuliano Zuliani Tommaso Baratti Ferdinando Fambrini Giacomo Malosso Giacomo Leonardis Pietro Antonio Novelli and an engraved frontispiece of Ariosto by Giuseppi Daniotto. The notes for the binder call for another copper engraving to precede that frontispiece but it is not present in this copy.<br /> <br /> Marbled endpapers and edges. Each volume contain a cloth marker ribbon.<br /> <br /> A large copy 289 x 204 cm with wide margins. Bound in full calf. Binder's label of "C. Meyer Bookseller and Bookbinder to the Queen and Princesses 2 Hemmings Row St. Martins Lane" - ie Charles Meyer a German emigre who was bookbinder to Britain's Queen Charlotte. Meyer was active in London from 1797 until his death in 1809 though the firm apparently continued until 1811 so the volumes were presumably bound during that 14 year period. The volumes were later rebacked see photos.<br /> <br /> Each volume contains on the verso of the front free endpaper an ink notation "L/ 4 E 3"; "L/4 E 4"; "L/4 E 5"; "L/4 E 6" - presumably the location marks for a substantial private library but the volumes contain no other indication of which of the several aristocratic collectors for whom Meyer worked was the original owner of these volumes.<br /> <br /> In parts of volumes three and four the upper and/or lower corners of the pages are very faintly dampstained not affecting the text and in fact barely visible. With that exception this is a very nice copy clean crisp and with wide margins of a very handsome and finely illustrated edition of one of the monuments of classic Italian literature. . Four volumes. The 46 cantos are followed by the 5 additional cantos and then by about 136 unnumbered pages of bibliographies summaries and indices. Venice, Presso Antonio Zatta hardcover
192870060Bari:: Gius. Laterza & Figli. Very Good. 1928. Hardcover. B0010S49Q2 . Complete in three volumes. Text is in Italian. First edition thus. Octavos quarter bound in brown leather with gilt lettering and raised bands along the spines marbled boards. Ex-library set with typical markings edge worn else each volume is very good. . Gius. Laterza & Figli, hardcover
52647Bathurst. Collectible - Good. Condition: Good; 1783 8vo 5 volume set. All volumes full-bound in contemporary tree calf with gilt decoration to spine and with marbled endpapers. Text is clean throughout all volumes. Front cover detached on vol 1 and rear hinge on vol 4 has been mended with rice paper. All other hinges are fragile but holding. Leather and gilt on spines is starting to chip but all are still legible. Bookplate from Pull Court Worcestershire on pastedown in all volumes; also a label from Pull Court Library; and a signature from a T. Dowdeswell probably Thomas Dowdeswell a Colonel of the Guards who died in 1811. Without the list of subscribers and with state B of the Blake plate in vol. 3. Photos upon request. Leather Bathurst hardcover
2272In Venetia: Appresso Pietro Farri 1619. Hardcover. Good. Quarto. No pagination. 340pp. a8 A8-SS8 TT4. Engraved title-page. Cinque canti has separate title-page. Seventeenth-century vellum worn. Agnelli-Ravegnani I p.186. <br/> <br/> In Venetia: Appresso Pietro Farri, 1619. hardcover
1556044543Lyon: Guglielmo Rouillio 1556. Early Edition. Hardcover Vellum. Good Condition. Contemporary overlapping vellum darkened spine perished binding a little loose light wear to last few pages early underlining in a few discrete spots light scattered foxing otherwise clean internally. A charming little edition with woodcuts throughout. Book one of two printing the first 30 of 46 cantos.Rare. Adams 1667 Graesse A198. 808pp Size: 16mo . Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 044543. Guglielmo Rouillio hardcover
1924Birmingham: da' Torchj di G. Baskerville Per P. Molini Librajo dell' Accademia Reale e G. Molini 1773. Hardcover. Good. Octavo. Four volumes. I: xxxiv lviii 362pp.; II: ii 450pp.; III: ii 446pp.; IV: ii 446pp. I: 8 b4-g4 1 A8-Y8 Z6 Z6 blank; II: 1 A8-Z8 Aa8-Ee8 Ff2 Ff2 blank; III: 1 A8-Z8 Aa8-Ee8 Ee8 blank; IV: 1 A8-Z8 Aa8-Dd8 Ff4-Gg4 - Gg4 blank 8 4-4 - 4 blank. There is a long list of subscribers and an errata leaf which are bound in volume I. Leaves A8 and D2 in volume 4 are cancels. Contemporary light brown calf gilt spines. Gilt fillet borders. With a portrait and 46 plates the plates drawn by G. Cipriani Moreau le jeune Eisen Cochin fils Monnet J.B. Greuze and engraved by Bartolazzi Launay Longueil de Ghendt Prevost Henriquez Massard Simonet Ponce Duclos Martini Moreau le jeune Choffard Helmon. The portrait drawn by Eisen and engraved by Fiquet. Lacks plate 2 6 7 10 11 14 15 16 19 20 22 31 32 44 and 46. Gaskell 48; Cohen-de Ricci 95; Gamba 62; Guidi p. 111; Agnelli-Ravegnani I pp. 204-206; ESTC T133621; Ray G.N. Art of the French ill. Book 64. <br/> <br/> Birmingham: da' Torchj di G. Baskerville, Per P. Molini Librajo dell' Accademia Reale, e G. Molini, 1773. hardcover
17855067Couret Orleans 1785 1785. Opb. 2 Bände 414 421s.in gutem Zustand KSA35 HC Couret, Orleans 1785, unknown
1570022322Lyone Lyon: Appresso Guvliel. Roillio. 1570. Orignal book from 1570. Small book with nibbled edges and loss of the margins on the first 200 pages. 1148 pages plus index. A binding/reading copy only. Ludovico Ariosto 8 September 1474 6 July 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many sideplots. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Disbound. Poor. 24mo - over 5" - 5¾" tall. Appresso Guvliel. Roillio. Paperback
2009DADAX0674035356Brand: Belknap Press 2009-11-15. NEW Edition. hardcover. New. 6.50x2.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Belknap Press hardcover
