275 résultats
18209959London: J. Duncombe; John Cumberland; T. Dolby c1820 -1830. Six imprints bound as one in half calf over marbled boards; bumped and scuffed to corners and boards; six panelled spine good; a sound and square copy. Endpapers and flyleaves age toned and water marked; a handwritten 1961 ownership inscription to top of front free endpaper; text block unmarked; tender over gutters front and rear. 1. Demon of the Desert; or The Murderer's Sacrifice: A Melo Dramatic Spectacle in Two Acts. By A L Campbell. J. Duncombe: London c1830. 36pp. 2. Ivanhoe; or The Jew's Daughter: a Romantic Melo Drama in Three Parts. By Thomas Dibdin. John Cumberland: London c1820. 64 pp. 3. The Gambler's Fate; or a lapse of Twenty Years. By Charles Thompson. John Cumberland: London c1827. 52pp. 4. The Maid of Genoa; or The Bandit Merchant. By John Farrell. J. Duncombe: London 1848. 24pp. 5. The Duenna A Comic Opera. By Rt Hon R.B. Sheridan. T. Dolby: London 1823. 59pp. 6. Clari; Or the Maid of Milan in Two Acts. By John Howard Payne. John Cumberland: London c1830. 40pp. Please contact Christian White Rare Books Ltd for more information or images of this item 1823 J. Duncombe; John Cumberland; T. Dolby hardcover
1804500034882London: Barker & Son 1804. First Edition. . Hardcover. Good. 19pp 23 p. A new edition. 27pp 23pp 30pp new edition 28pp published Woodfall not in British Library8pp8pp8pp8pp. All bound in one contemporary volume disbound <br/> <br/> Barker & Son hardcover
1841051179London: John Murray Albemarle Street 1841. First Edition First Printing . Hardcover. Very Good. 12mo - over 6¾ - 7¾" tall. George Cruikshank. Signed binding by "Root & Son." Hardcover bound in 20th century 3/4 morocco with raised bands on the spine. Spine designs in gilt and with Cruikshank's facsimile signature in gilt on the spine. The binding shows light to moderate wear; the front hinge shows some rubbing. Top edge gilt. Signed in type by the binder at the top verso of the front flyleaf "Bound by Root & Son". Patterned endpapers. A sound copy with clean text. Illustrated with 10 engravings. The "Songs" are text only poetry; there is no scored music in this work. Please note: Only the binding is signed in type. This book is NOT signed by either the Dibdins or by Cruikshank. <br/> <br/> John Murray, Albemarle Street hardcover
184159843London: John Murray Albemarle Street publisher to the Admiralty 1841. Small 8vo pp. xxxi 1 328; frontispiece and 11 engraved plates after the humorous nautical drawings of Cruikshank; original green cloth stamped in gilt on upper cover and spine; small crack at the top of the spine else very good and sound. A member of the circle which included Garrick Sheridan and Harris Dibdin boasted truly "My songs have been the solace of sailors in long voyages in storms in battle; and they have been quoted in mutinies to the restoration or order and discipline." It is said that his sea songs of which he is the indisputable master were responsible for bringing more men into the Navy in war time than could all the press-gangs. Cohen 231. John Murray, Albemarle Street, (publisher to the Admiralty) unknown
18419002830London: John Murray 1841. Hardcover. Very good condition. George Cruikshank. Collected and arranged by Thomas Dibdin with characteristic sketches by George Cruikshank. Bound in contemporary full brown calf with rules stamped in gilt on the covers and spine. The title is stamped in gilt on a black label on the spine. Five raised bands on the spine. Top edge gilt. Marbled end papers. From a non-circulating library with bookplate and a pocket at the rear. Wear at the head and the heel of the spine. Front board detached. <br/><br/> John Murray hardcover
1841148382London: John Murray 1841. First edition of this collection of patriotic and maritime-themed songs. Octodecimo bound in three-quarters morocco over red cloth with gilt titles and anchor detailing to the spine in six compartments within raised bands top edge gilt marbled endpapers tissue-guarded frontispiece with tissue-guarded illustrations by George Cruishank. In very good condition with rubbing to the extremities. Songs Naval and National of the Late Charles Dibdin compiled by his son Thomas Dibdin serves as both a preservation and celebration of Charles Dibdin’s influential patriotic songs which played a key role in shaping British national identity during the Napoleonic era. Known for their vivid depictions of sailors’ lives these songs blend sentimentality humor and moral fortitude reinforcing ideals of loyalty courage and British maritime supremacy. By compiling the collection with biographical notes and commentary Thomas Dibdin not only honors his father's legacy but also situates the songs within a broader cultural and historical framework highlighting their significance as tools of propaganda and morale during wartime. John Murray hardcover
18417342London:: John Murray 1841. First edition. Very Good. A Very Good Copy. Boards rubbed shelf wear. Head of spine softened. 12 mo 6 x 4.5 inches. Navy blue polished calf gilt/ tooled spine with 6 panels and 5 raised bands gilt lettering set in 2nd panel. xv 2 336 pp steel engraved frontispiece 11 engraved plates. Dedication page list of patrons with number of requested copies; beginning with Her Majesty the Queen and all members of the Royal household three page subscriber's list . Selected and arranged by Thomas Dibdin author of The English Fleet Cabinet with characteristic steel engraved sketches by George Cruikshank. Published in London by the Publisher to the Admiralty: John Murray Albemarle Street. Charles Dibdin Hampshire 1745-1814 prolific and popular English composer dramatist author and actor best known for his sea songs and operas. calf John Murray, hardcover
18411034London: John Murray 1841. First Edition. Fine Leather Kelliegram Binding. Fine. George Cruikshank. <p dir="ltr">DIBDIN Charles; CRUIKSHANK George Illustrator</p> <br /> <p dir="ltr">Songs Naval and National of the Late Charles Dibdin; with a Memoir and Addenda.</p> <br /> <p dir="ltr">London: John Murray 1841. First Edition.</p> <br /> <p dir="ltr">The Binding</p> <br /> <p dir="ltr">An exceptional and striking mid-19th-century nautical binding stamped "Kelliegram Binding" to the rear. Bound in full navy crushed morocco. The upper board features a magnificent large gilt-tooled vignette of a fully rigged galleon in full sail cresting stylized turbulent waves. The lower board is centered with a brilliant gilt trident. The spine is divided into six compartments by five raised bands lettered in gilt in the second compartment with the remaining compartments featuring distinct gilt nautical motifs: a pennant a camp tent a ship an anchor and a leaping dolphin. Finished with gilt-ruled edges intricate gilt inner dentelles solid endpapers and a gilt top edge. The absolute precision lavish tooling and premium materials are characteristic of the famed Kelliegram style produced by Kelly & Sons placing this remarkable piece firmly alongside the finest work of Golden Age peers like Riviere Zaehnsdorf and Bayntun.</p> <br /> <p dir="ltr">The Work & Maritime Significance</p> <br /> <p dir="ltr">This volume represents the definitive collection of Charles Dibdin 1745-1814 the undisputed master of the sea song whose music forms the absolute bedrock of the traditional sea shanty. For collectors interested in the tall ships era the Golden Age of Piracy and naval history Dibdin's works offer the authentic rugged soundtrack of that world-the very drinking songs working chants and tavern ballads sung by sailors privateers and smugglers below decks.</p> <br /> <p dir="ltr">Notably this text features Dibdin's wildly famous sea ballad "Poor Jack" the genuine 18th-century archetype that inspired centuries of maritime folklore and modern cinematic characters. In the era of sail "Jack Tar" or simply "Jack" was the universal moniker for the fearless and fatalistic British sailor. "Poor Jack" perfectly encapsulates the adventurous spirit of the men who lived and died by the unforgiving ocean dealing heavily in shipwrecks naval battles grog and tavern brawls.</p> <br /> <p dir="ltr">The Illustrations</p> <br /> <p dir="ltr">The volume is vastly elevated by the etchings of George Cruikshank one of the most important British illustrators of the 19th century. Cruikshank's brilliant style perfectly captures the grit and humor of naval life. Plates such as "Saturday Night at Sea"-depicting sailors drinking smoking and carousing below decks-offer incredible visual appeal and provide exactly the kind of authentic maritime aesthetic sought after by discerning collectors.</p> <br /> <p dir="ltr">Finding a highly thematic heavily gilt nautical Kelliegram binding in such a brilliant state of preservation is highly uncommon. The magnificent gilt galleon on the upper cover makes this an undeniable shelf-piece and a cornerstone acquisition for any fine maritime library.</p> <br /> <p dir="ltr">A book in fine condition. Measures 6.5"x4.25". Internally bright and clean with very little foxing. Extra illustrated.</p> . John Murray unknown
1854994N10Edinburgh: Wood and Co. 1854. Leather. Good. 10" by 7". None. The scarce first abridged edition to a collection of national folk songs from Scotland dating back to the fifteenth century. The scarce and first abridged edition of the Songs of Scotland a collection of traditional national folk songs collected by musicologist George Farquhar Graham. Published by Wood and Co. in 1854. Containing all three volumes.In half morocco half brown cloth. Contains in-text sheet music throughout. A binding stamp from Alex Banks Jr. based in Edinburgh to rear paste down.Scottish national melodies are known for both their longevity and popularity and this extensive collection celebrates this fact. Containing songs such as Roslin Castle My Ain Fireside and Oh Dinna Think Bonnie Lassie lyrics and music are recorded as well as numerous informative notes accompanying the songs which date back to the fifteenth century. In half morocco half brown cloth. Externally mostly smart with the odd small mark to boards. Edgewear with rubbing to the joints heavier to the front joint with small signs of cracking and to the extremities. Signs of creasing to spine. Bumping to the head and tail of the spine and to the extremities. Smudged marks to end papers. Internally firmly bound. Pages are clean and generally bright with slight age toning. Good Wood and Co. hardcover
1864C18106London 1864. Third Edition. Hardback. Neat name on the title page with slight rubbing at spine and corner tips otherwise sound very good with clean text and plates. 8vo. pp xxxi 328. Attractively bound in full green leather lettered gilt at the spine. From the library of John Lewis 1912-1996 typographer book designer author and illustrator with his bookplate. hardcover
1860115276London: Bohn 1860. hardcover. near fine. George Cruikshank. Collected and Arranged by T. Dibden. Frontispiece & illustrations by George Cruikshank. 328 pages. Small 8vo 3/4 brown morocco gilt-stamped raised bands t.e.g. London: Henry G. Bohn 1860. Near Fine.<br/> <br/> Bohn unknown
185259972London: Henry G. Bohn York Street Covent Garden 1852. 8vo pp. 1 frontispiece; xxxi 1 328; 12 engravings by George Cruikshank frontispiece included; original blind-stamped purple cloth gilt-decorated spine; binder's ticket of J. Cathers & Bro.; some ink stains along the spine; otherwise very good. Bookseller's ticket of J. Cathers & Bro. Baltimore. Hundreds of songs from the English composer Thomas Dibdin 1745-1814. Prepared for publication by his illegitimate son the dramatist Thomas John Dibdin 1771-1845. A member of the circle which included Garrick Sheridan and Harris Dibdin boasted truly "My songs have been the solace of sailors in long voyages in storms in battle; and they have been quoted in mutinies to the restoration or order and discipline." It is said that his sea songs of which he is the indisputable master were responsible for bringing more men into the Navy in war time than could all the press-gangs. Henry G. Bohn, York Street, Covent Garden unknown
1841V56260London: Murray 2nd edition 1841. Disbound. Good. Plates 10 by George Cruikshank. Small octavo disbound spine eroded and split/lacks covers xxxi328pp some pale foxing but hardly affecting the plates. Subscriber list including the royal family over 200 copies and 500 to the Admiralty. A large collection of sea shanties etc. Murray 2nd edition unknown
180122551801. Sepia aquatint. 230mm by 290mm sheet. From Dibdin's 'Observations on a tour'.<br /> Charles Dibdin the elder was a famed singer songwriter and actor who spent a significant amount of time touring the countryside. During this time he produced a series of charming picturesque aquatints depicting the English countryside. unknown
1888031012Edinburgh: Richard Cameron 1888. Book. Very Good. Hardcover. 1st Edition. 4to - over 9¾ - 12" tall. Half burgundy leather gilt on red leather boards lightly soiled. Binding tight top edge gilt and pages uncut. First edition. Front and rear hinges white taped and faint foxing in the margins plus the rare bit of soiling but the text block is clean. Contains 9 plates. Large 8vo. Tells the stories of famous actors theatres and associated people from 1691 to 1888. Very nice binding. Richard Cameron Hardcover
181713004London: The Author. By W. Bulmer & Co. Shakespeare Press 1817. FIRST EDITION. Complete with errata colophon and half-titles. With 40 plates including the oft missing "Presentation in the Temple" in Volume I portraits illustrations and facsimiles engraved vignettes woodcut and text illustrations some printed on India paper and mounted. Contemporary full crimson crushed levant morocco bound by St. James' Duke Street London a dated binding with the elaborate gilt spine in 6 compartments and "London 1827" in gilt at the foot. From the library of Thomas Willement 1786-1871 British stained glass artist called "the father of Victorian Stained Glass" with his signature a small circular binders label and his personal bookplate from the Society of London Antiquaries. A handsome copy with an important provenance. First and only edition of one of the monuments of typographical bibliography and the most extravagant of all Dibdin's works. It was limited to under 1000 regular and 50 large paper copies. "Its publication was a financial success and doubtless marks the high-water mark of the Dibdinian bibliomania" Windle & Pippin A28. According to Bigmore & Wyman the work is written in the same dialogue manner as Dibdin's Bibliomania with the same interlocutors and may be properly described as a continuation of that work. The Author. By W. Bulmer & Co., Shakespeare Press unknown
181748738London: printed for the author by W. Bulmer & Co. Shakespeare Press 1817. First edition 3 volumes imp. 8vo 37 plates including 2 folding plus many other engraved vignettes and woodcut illustrations and facsimiles in the text several printed in color several mounted plus one mounted red leather label printed in gold; later full tan morocco triple gilt rules on covers gilt-lettered direct on gilt-decorated spines a.e.g.; a few of the plates a bit spotted else a very nice copy. Without the oft-missing "Presentation in the Temple" plate in vol. I. This is the only edition of one of Dibdin's most famous books there were 50 on large paper and certainly one of the best printed. Dibdin destroyed the plates for the book at a meeting of the Roxburgh Club. "This work forms one of the monuments of typographical bibliography. As in the style of its production it is the most sumptuous so in the nature of its contents it may be said to be one of the most interesting books relative to ancient and modern printing" Bigmore & Wyman. "The work is written in the same dialogue manner as the Bibliomania with the same interlocutors and may be properly described as a continuation of it. It is perhaps the most lavish of all Dibdin's works" Jackson. Hart 186: "A bibliographer's classic that marks the beginning of the general recognition of bibliomania as a plaything for wealthy." Bigmore & Wyman pp. 169-170; Jackson 40; Lowndes I 640; Windle and Pippen A28. printed for the author, by W. Bulmer & Co., Shakespeare Press unknown
1817elala189London: Printed For The Author By W.Bulmer And Co. Shakespeare Press; And Sold by G. and W.Nicol Payne And Foss 1817. 1817. 3 Volumes. 8vo. pp. 3 p.l. vi 1 leaferrata ccxxv 410 1 leafcolophon; 2 p.l. 44 1 leaf 45-535 1 leaferrata; 2 p.l. 544 2 leaveserrata & colophon. with half-titles. 37 engraved & woodcut plates 1 double-page. numerous engravings & woodcuts in the text incl. 36 prints on india paper mounted. later full red morocco by F.Bedford gilt-tooled spines & inside dentelles top edge gilt others untrimmed Vols. I-II front covers detached & rear joints cracked rear cover of Vol. III stained intermittent foxing. First Edition. The Bibliographical Decameron written in the same dialogue manner and with the same interlocutors as the Bibliomania "is perhaps the most lavish of all Dibdins works and especially in the Large Paper copies the best printed Its publication was a financial success and doubtless marks the high-water mark of the Dibdinian bibliomania." Windle & Pippin Dibdin destroyed the plates for the book at a meeting of the Roxburgh Club. "This work forms one of the monuments of typographical bibliography. As in the style of its production it is the most sumptuous so in the nature of its contents it may be said to be one of the most interesting books relative to ancient and modern printing" Bigmore & Wyman. The estimated number of copies printed of this regular paper issue ranges from 750 to 900 plus 50 on large paper. As usual this set is without the rare ninth plate listed by Windle in Vol. I which was not ready at the time of publication and occurs in only a few copies. Bigmore & Wyman pp. 169-170. Jackson 40. Windle & Pippin A28. 1st Edition. London: Printed For The Author, By W.Bulmer And Co., Shakespeare Press; And Sold by G. and W.Nicol, Payne And Foss , 1817. unknown