Hayley, William Blake, WilliamBiblio.com
18 343 résultats
18091087411809. Chichester: W. Mason 1809. <br /> <br /> Large 4to 8 416 7 pp. With portrait frontispiece and 11 engraved plates including one by Blake after Romney. Large paper copy in red half calf over marbled paper boards with gilt rules and titling. A very good copy with clean pages and prints throughout just traces of ageing on the first few pages.<br /> <br /> § First edition large-paper copy. Although not substantially bigger than uncut copies of the regular issue the large-paper copies are on heavier paper and the impressions are stronger. The 1-page advertisement at the end for "Epistles to Romney" is not found in the small-paper copies. Blake's plate of the shipwreck incorporates a number of familiar figures from his iconography and is a strong and vivid illustration. Bentley BB 469 Essick CBI XLIX: large-paper issue has an "1807" watermark without a maker's name; the small paper is watermarked "Rye Mill / 1807.". unknown
142114London: Jonathan Cape 1982. First edition early printing of this Dahl classic which has sold over 20 million copies. Octavo original cloth illustrated by Quentin Blake. Presentation copy inscribed by the author on the half-title page "Love Doug Roald Dahl 1984." Additionally signed by Quentin Blake below. Near fine in a near fine dust jacket. Roald Dahl is now considered one of the most beloved storytellers of the twentieth century. Dahl's ability to twist words into a clever and creative new language is fascinating to children and is evident in BFG. The gruesome descriptions of the horrid giants and the subtle allusions to other stories will entertain children young and old. An animated adaptation was released in theatres in 1987 with David Jason providing the voice of the BFG and Amanda Root as the voice of Sophie. It was also the basis for the 2016 film directed and co-produced by Steven Spielberg written by Melissa Mathison and starring Mark Rylance Ruby Barnhill Penelope Wilton Jemaine Clement Rebecca Hall Rafe Spall and Bill Hader. Jonathan Cape hardcover
108664London The Crime Club 1938. . First edition first impression; 8vo; publisher's orange cloth titles to spine in black mild partial browning to the endpapers trace of erasure to front free endpaper with the dust-jacket some mild ghosting to the spine through the jacket but an exceptional copy in the little tanned and very slightly rubbed dust-jacket.<br /> The poet laureate Cecil Day Lewis wrote a number of detective works under the name Nicholas Blake of which this title is by far the best regarded. Copies of this UK printing in this condition with the jacket are extremely uncommon.<br /> London, The Crime Club, 1938. hardcover
178914263London: C. Cooke 1789. 2nd or 3rd edition. Hardcover. Likely to be an original subscriber's copy listed as "Wilson - Crown Court Broad St." likely to be "John Wilson" whose red gilt leather ownership label is mounted into the front board with special blind tooled lines surrounding it. A second or third edition published between 1789 & 1791 according to research by Alan Frost published in the LaTrobe Journal of the State Library of Victoria No. 8 1971. A very bright unsophisticated copy of this work which has become increasingly scarce. Ferguson 59 describes a 1 volume edition & cites only the Mitchell Library copy. <br /> <br /> Many of the illustrations were derived from Cook's Voyages and were the most generally available representations of the natives of the Pacific Northwest Tasmania New Zealand Hawaii & the Pacific accessible to the public at the time. It is these contemporary images which make this work scarce as so many have been broken up. <br /> <br /> Folio. Frontispiece title page verso blank i Royal Licence ii Address to the Reader 1-990 Texts etc. 2 pp Directions to the Binder 2 pp A List of Subscribers Complete with 90 plates & 22 maps the map of Great Britain has original hand color; the map of Europe has been hand colored not unpleasantly but not professionally. Maps and plates are in very good condition with no refolding or cracking which is usual in this work. Bound in period reversed calf red gilt title label on spine. Matching early reverse calf strengthening of outer hinge a couple of splits on leather of spine and very chipped at top and bottom o/w a very nice copy. <br /> <br /> "The geography books which appeared in the closing decades of the eighteenth century. are of considerable significance to students of the history of ideas for the light they shed on English interest in geography and geographical exploration at the end of the eighteenth century. One of the most imposing of these usually quite imposing books is Thomas Bankes Edward Warren Blake and Alexander Cook's A New Royal Authentic and Complete System of Universal Geography. A massive folio volume this was a popular work running to six editions in the ten years from 1787 to 1797."Frost Thomas Bankes's Complete System The La Trobe Journal 1971.<br /> <br /> Extedned title - All the late important Discoveries made by the English and other celebrated Navigators of various Nations in the different Hemispheres from the Celebrated Columbus the first Discoverer of America to the Death of our no less celebrated Countryman Captain Cook & c. and the Latest Accounts of the English Colony of Botany Bay:. C. Cooke hardcover
72110An archive of family letters written to Gratia Turnbull Fuller Blake during the mid-19th century covering a wide range of historic topics including the U.S. Civil War slavery yellow fever and a legal dispute over land in New York City. Born in Lawrence Ohio Gratia married Cincinnattus Blake 1830-1918 a farmer Union soldier and Sheriff of Gallipolis Ohio in 1857. Together they raised six sons. This archive contains a six-page letter Gratia received from her sister-in-law Mary B Fuller. Mary's husband Gratia's brother was Captain Emilius Fuller 1815-63 a Confederate Army officer commander of the St. Martin Rangers Company Infantry in Louisiana and captain of a boat called the Queen of the West. He was seriously wounded and taken prisoner when his boat was destroyed in Bayou Teche on April 14 1863. He was transferred to Johnson's Island Ohio where he died on July 25. In her letter dated December 15 1867 Mary's bitter feelings about slavery and the war are still fresh. "I have the most of my work to do myself. I prefer doing it rather than have a free trifling negress around me. Their impudence I cannot ensure" she wrote from her home in St. Martinsville Louisiana. "They are free as they may stave with their freedom for all I care. I can have a woman by feeding her of giving her a cabin or a room to sleep in and that would cost me less than when I owned them for then we had to clothe feed and take care of them when sick. Many of them are getting their eyes opened and say they have had no good times since the Yankees came among them." Along with their personal losses Mary's family is concerned about an outbreak of yellow fever. Her son James wrote to his Aunt Gratia on October 26 1867 about "yellow jack" which caused 1/3 of the St. Martinsville population to flee: "133 names are published of the victims and except for one or two - they all died since September 11 and about 2/3 of the names only are given which would swell the mortuary list to about 200." An undated letter from her sister-in-law Julia Blake Eaton 1836-1927 includes a negative report of her visit to Cincinnati: "I saw too much suffering while there to feel very happy. I saw a great many of the poor fellows that were wounded at Pittsburgh carried off the steamboats. Poor fellows. God help them." This collection contains 15 letters written in 1856-58 by Cincinnatis to Gratia before they were married. In October 1856 he wrote about all he is doing to yield a living from his Ohio farmlands in order tomake a home for his future bride: "If I do not buy a house I shall have to build such as my means will allow. I shall have to earn part of the money if not raise my wagon cover and live under it. If my hut is of cornstalks and brush I shall be happy if Gratia will share it with me." Another group of nine letters was written by Cincinnatis to Gratia in 1877-78 when he was running a steamboat operation taking potatoes from his farm in Ohio to market in New Orleans along with other goods such as coal picked up along the way. "No good news to speak of and a great deal of bad news" he wrote on November 10 1878. "Lost the big boat Trowbridge have only the small boat Blake left us. We can only run a part of a day or night at a time the wind is blowing now . the wind blew so hard that the waves came over the side splashboards . I think this is my last March trip forever and if we get this one down safe I think it a miracle." The collection includes three other letters written to his "boys" and the family during this period. Another group of letters in this archive are related to the ongoing dispute over property in New York with a branch of Cincinnatus Blake's family known as the "Brower heirs". His sister Visalia wrote on March 4 1867 urging him to join other members of the family to cooperatively hire an attorney to pursue their rights: "We will proceed to enter into a contract with the lawyer whom we have selected as our council by which he will be bound to proceed to collect the necessary evidence to prove our heirship and title to the property in question as take such proceedings as may be necessary to enforce that title against the Trinity Church Corporation." Cincinnatus Blake was apparently distantly related to Anneke or Annetje Jans who purchased a 62-acre piece of land in Manhattan which her living children sold upon her death in 1671. A great-grandson of Jans Cornelius Bogardus later claimed his branch of the family had not legally given up its right to the property since his grandfather one of Anneke's six children had been dead at the time of the sale and were owed one-sixth of the sale. After a century of legal dispute the court rejected the claims. This collection includes a dozen other brief notes and letters from friends during the period. The latest letter in this collection is dated 1884 written to Gratia by her son Charles O. Blake 1860-1924 who asks for money as he is stuck in Fairplay Colorado likely trying to cash in on the gold rush: "I am still a prisoner in this dammed town and see no prospect of getting out of it until I borrow money of you." The collection also includes about a dozen mailing envelopes. The materials are housed in mylar sleeves. Most were folded for mailing with some edgewear and occasional soiling. All are legible and in very good condition. A fascinating archive rich in content. unknown books
1935321293Honolulu: Paradise of the Pacific Press 1935. First Edition. Illustrated with 46 Illustrations. 16 iv 5- 95; 32 photographic plates plus other illus. in text. 1 vols. 8vo. Original blue cloth with surfers on upper cover no priority to binding variants cited by DeLa Vega. Very Good. First Edition. Illustrated with 46 Illustrations. 16 iv 5- 95; 32 photographic plates plus other illus. in text. 1 vols. 8vo. First edition of the first title devoted to surfing. Blake was an early 20th century surfing and health food pioneer who conceived and developed the hollow surf board . The first definitive book on surfing by the sport's greatest innovator and the first person to surf Malibu Point along with Sam Reid in September of 1926. "The most important publication in the surfing canon." Dela Vega 200 Years of Surfing Literature. DeLa Vega B28 Paradise of the Pacific Press unknown books
1920302999London: Wm. Muir 1920. No. 21 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Original printed wrappers. Fine. Brown morocco backed folding case. No. 21 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Muir Facsimile. Bentley Blake Books 249 Wm. Muir unknown books
1920303032London: Wm. Muir 1920. No. 16 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Original printed wrappers light chipping to edges else fine. No. 16 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Muir Facsimile. Bentley Blake Books 249 Wm. Muir unknown books
1893WRCLIT68725London: Bernard Quaritch 1893. Three volumes. Large thick octavo. Original green cloth spines and upper covers elaborately decorated in pictorial gilt after designs by Blake t.e.g. others untrimmed. Portrait facsimiles and plates. Some modest rubbing at extremities but a quite bright sound very good or better set. First edition. One of five hundred sets comprising the regular paper issue. Controversial in its interpretation of Blake's texts this work nonetheless remains in this issue and binding something of a landmark of 1890s book production. "The enthusiasm and comprehensiveness of this work are of considerable historical importance" - Bentley. Wade quotes Yeats's inscription in his own copy about the nature of this collaboration: "The writing of this book is mainly Ellis's the thinking is as much mine as his. The biography is by him. He re-wrote and trebled in size a biography of mine. The greater part of the 'symbolic system' is my writing; the rest of the book was written by Ellis working over short accounts of the books by me except in the case of the 'literary period' the account of the minor poems & the account of Blake's art theories which are all his own except in so far as we discussed everything together." WADE 218. BENTLEY 369. Bernard Quaritch hardcover books
19271088114to. London: William Muir 1927. 4to 27 4 plates hand-colored and one uncolored. Original printed gray wrappers brown paper backstrip as issued. § No. 23 of about 50 copies printed. The second Muir facsimile of this title inscribed by Muir “Made in Great Britain Copy No. 23†and signed by him on the front inside wrapper and the same information printed and filled in by hand at the end. The coloring is exceptionally bright and clear in these early copies. They were “facsimiled by Joseph Patrick Trumble Sophia Elizabeth Muir and William Muir from the Beaconsfield Originals in the British Museum with in Experience as an appendix 4 plates from the other British Museum copy. Also one plate for which no colouring is known 'A Divine Image’ which seems to belong to the Songs although not included in them by Blake.†Bentley 144. William Muir unknown books
17911073126 copperplate engraving plates complete. London: Printed for J. Johnson 1791. 6 copperplate engraving plates complete 133 x 74 mm. or so trimmed retaining the top edge text but lacking the imprint below the footer title. Cleaned in very good condition. § First edition second state of plates 1 and 2; a very attractive set of these plates designed and engraved by Blake for Johnson. William Blake’s characteristic illustrations reminiscent in iconography to his designs for his own Songs of Innocence 1789. This collection of didactic tales for youth in part reinforcing the lessons of Wollstonecraft’s first book Thoughts on the Education of Daughters proved her most popular book going through five editions by 1800. Windle Bibliography of Mary Wollstonecraft A3b. Bentley Blake Books 514A. Easson and Essick vol. I no. III. Printed for J. Johnson unknown books
1920302999London: Wm. Muir 1920. No. 21 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Original printed wrappers. Fine. Brown morocco backed folding case. No. 21 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Bentley Blake Books 249 Wm. Muir unknown
1920303032London: Wm. Muir 1920. No. 16 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Original printed wrappers light chipping to edges else fine. No. 16 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Bentley Blake Books 249 Wm. Muir unknown
121283London Jonathan Cape 1989. . First edition first impression inscribed by the author on the upper free endpaper 'Sammy Love Roald Dahl'; 4to 255 x 20 mm0; illustrations by Sir Quentin Blake offsetting from Dahl's inscription of upper pastedown and jacket flap otherwise internally bright and near-fine; publisher's boards pictorial dust-jacket just a hint of fading to the spine otherwise a near-fine copy.<br /> A signed first edition of this gleefully malevolent plundering of traditional nursery rhymes a 'wonderful addition to the literature of the absurd.'<br /> Errington A9a London, Jonathan Cape, 1989. hardcover
2009107743Folio. N. P.: The William Blake Trust 2009. Folio 95pp. Original quarter-maroon calf with black moiré silk-covered boards with gilt lettered maroon-morocco label to top board backstrip likewise stamped in gilt; portfolio in full maroon calf containing 17 of 19 watercolors and one duplicate reproduced in facsimile mounted within framing lines on heavy beige paper black moiré silk-covered double slipcase; illustrated throughout with color reproductions of watercolor drawings as well as engravings. § Out of series trial copy of the de luxe edition limited to 36 copies. The entire edition is out of print. From the announcement: “These watercolor designs which disappeared from the public eye from 1836-2001 came to light in a Glasgow bookshop and were later offered as an entity to institutions and collectors at a price which as it turned out none could afford or at least was prepared to pay. Eventually in the face of much protest the portfolio and the 19 designs were offered for sale in 20 separate lots at Sotheby’s New York in 2006. The drawings are now widely dispersed and it is most unlikely that they will ever again be seen together.†The sale was roundly condemned at the time as an act of cultural crime. This book and the facsimile portfolio are now the only record we will ever have of the original series. Happily the Blake Trust created a superb book which is and will surely remain the single most valuable reference work on these remarkable Blake drawings. The William Blake Trust hardcover books
107255N.p.; n.d.: Probably USA: c. 1932-33. 4to 19 manuscript ff. numbered. Enclosed in a blue cloth box bookplates of Kenneth A. Lohf. § An interesting unpublished manuscript written out for Binyon by his wife Cicily probably being the text of an essay or talk given by Binyon while in the US in 1932/33 for the Norton lectures. Hatcher in his biography of Binyon notes a lecture with the exact title as given here. It has never been published. It was last sold at Christie's East Dec 2 1994 lot 20 $550. Probably USA c. 1932-33]. 4to hardcover books
1233531826. Folio single sheet 16 1/4 x 11 image inc. platemark 8 1/4 x 6 1/2 ins. Fine. § First edition from the printing of 65 sets with the word “Proof†on French wove paper. The plate depicts Job lamenting his unfortunate existence while his friends bear witness to his grief in silence Job 3:3. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. Provenance: Sotheby’s May 4& 5 1983. 3). Bentley unknown books
18261233531826. 1826. <br /> <br /> Folio single sheet 16 1/4 x 11 image inc. platemark 8 1/4 x 6 1/2 ins. Fine.<br /> <br /> § First edition from the printing of 65 sets with the word "Proof" on French wove paper. A fine impression of one of the most affecting plates in this series in which Job laments his unfortunate existence while his friends bear witness to his grief in silence Job 3:3. Illustrations of the Book of Job was Blake's last completed prophetic book. "It was produced while Blake was still working on Jerusalem his most obscure book; yet the illustrations are Blake's most lucid; and they are the supreme example of his reading the Bible in its spiritual sense" S. Foster Damon A Blake Dictionary p. 217. "The modest size of the central panels does not prevent them from ranking with the supreme masterpieces of graphic art" Ray Illustrator and the Book in England #8. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625-641C. Provenance: Sotheby's May 4& 5 1983. unknown
17951262351795. London: Johnson 1795-94. <br /> <br /> 2 vols. in one 4to xx 218 124 2 directions to binder and advertisement; 2 viii 200 2 directions to the binder lacking the errata and ads pp. With a frontispiece to each volume ten plates in vol. I and 8 in vol. II. Early half calf marbled boards newly rebacked in calf with gilt-lettered label. A very good copy if a little aged -- early manuscript note loosely inserted about the Portland Vase copied from the Morning Chronicle c. 1796.<br /> <br /> § Best edition. 6 plates are engraved by Blake the best known being Fertilization of Egypt and Tornado both after Fuseli. The third edition of part one is the only edition to include the striking Tornado plate. At page 87 appears the enigmatic circular image of an African man in chains titled "Am I not a man and a brother." Bentley 450B and C. Essick William Blake's Commercial Book Illustrations XXI.<br /> The Morning Chronicle was a newspaper founded in 1769 in London. It was notable for having been the first steady employer of essayist William Hazlitt as a political reporter and the first steady employer of Charles Dickens as a journalist. unknown
1978C86295Putnam. As New. 1978. Hardcover. 0399121528 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 492 pages; 765 illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Graphic Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Putnam hardcover
1935140940411Honolulu: Paradise of the Pacific Press 1935. First Edition. Very Good. First edition first printing. Bound in original hand-painted tapa-cloth with titles in black on upper board. Very Good with boards lightly splayed nick to spine near foot. Binding lightly shaken with some hinges slightly visible. Pages toned with erased pencil scribble to front free endpaper; small label remnant to rear pastedown with offsetting to adjacent free endsheet. An early book by Tom Blake who is often considered to be one of the most influential surfers in the history of the sport. He is largely credited with transforming surfing from a regional Hawaiian sport to one with national popularity as well as founding California surf culture. Paradise of the Pacific Press unknown books
18861092194to. Edmonton: William Muir 1886. 4to 1 blank 2 Preface 3-23 text 24 On Homer’s Poetry 25 blank. Original wrappers upper wrapper titled in manuscript lower wrapper blank stitched as issued. Bookplate of Templeton Crocker. § Copy #50 of 50 copies numbered and signed by Muir. Includes “All Religions are One†and Muir's own version of the missing plate b5 as in other copies and also the separate plate “On Homer’s Poetry†not found in the other copies above but present in copy #40 for sale at James Cummins. Essick notes: There is No Natural Religion. The "Preface" dated 1886 indicates that the facsimile is based on plates "in the British Museum copy A and from some papers in my own possession copy L." However the printed front wrapper of Muir's Europe facsimile 1887 indicates that "Mr. Burt's copy H--which according to Joseph Viscomi is a forgery" was also used. This would seem to be correct since copies A and L are printed in olive and green whereas plates a1 a2 and b1 in the facsimile are in brown as in copy H. Also includes plate 2 of All Religions are One the original of which is bound into There is No Natural Religion copy M and Muir's own version of the missing plate b5. Delivered to Quaritch 8 Sept. 1886. Note: There is No Natural Religion copy M also printed in brown but it seems unlikely that this was "Mr. Burt's copy" since copy M was in the Tulk family collection until 1956.†BB#249g. Bentley Blake Books 249 G. The Templeton Crocker/Herbert M. Evans copy with the Crocker bookplate at the front and Howell’s note “HME†at the back priced $100. William Muir unknown books
1886302993London: Quaritch 1886. No. 40 of 50 copies signed by Muir. William Muir facsimile. 23 plates including Preface and title all hand colored save for the final plate On Homer's Poetry. 1 vols. 4to. Printed wrappers. Some splitting and marginal chipping internally fine. Brown morocco backed folding case. No. 40 of 50 copies signed by Muir. William Muir facsimile. 23 plates including Preface and title all hand colored save for the final plate On Homer's Poetry. 1 vols. 4to. Muir Facsimile. Includes the title-page and All Religions are One and Muir's own version of the missing plate b5. The "Preface" dated 1886 indicates that the facsimile is based on plates "in the British Museum copy A and from some papers in my own possession copy L."<br/>The last leaf of the facsimile is the single page On Homer's Poetry. Bentley Blake Books 249g Quaritch unknown books
180510791510 volumes. London: C and J. Rivington 1805. 10 volumes royal 8vo with a portrait frontispiece of Shakespeare and 37 separate engravings after drawings by Fuseli by Neagle Cromek Rhodes Dodley and two by William Blake. Original calf rather worn with some hinges cracked. Gilt on raised backstrip also rather worn. Volume 1 has some cracking to spine. Some spotting. Volume 1 has one minor worm hole on the lower margin the goes through a number of pages to the rear pastedown. Volume 3 has a small worm hole that goes through the entire lower margin of the book and becomes two holes that continues to the back pastedown. Volume 9 has some minimal worming at the rear pastedown. The text in all volumes is unaffected. Volumes 1 and 3 have a few untrimmed pages. Each volume has a bookplate from the previous owner Henry Frederick Thistlethwayte at front. Volume 1 is inscribed with with a note from Thistlethwayte to his son Alfred. The plates are fine impressions. § Large-paper issue of the best illustrated collection of Shakespeare’s plays save only the elephant-folio Boydell. This was one of Fuseli’s major projects as a book-illustrator and it succeeds brilliantly; the engravings are dramatic and rich and in this edition well printed. Blake engraved two plates after Fuseli for the book his only illustrations of Shakespeare. Vol. VII for King Henry VIII and vol. X for Romeo and Juliet. There was a nine-volume small-paper issue with greatly inferior printing of text and plates but as Bentley observed “the ten-volume edition is considerably more elegantâ€. Bentley 498. Essick William Blake’s Commercial Book Illustrations XLVII. C and J. Rivington unknown books
18861088104to. Edmonton: William Muir 1886. 4to printed upper wrapper; 1 blank 2 Preface 3-23 text; lower wrapper printed on the inside with the “Programme†dated November 1885. All bound into modern blue buckram red morocco label on backstrip bookplate of Joseph Holland and a Moncure Biddle typed library record at front Houghton Library Phil Hofer manuscript note pasted in at the back. A fine copy. § Copy No. 11 of 50.Includes “ All Religions are One†and Muir's own version of the missing plate b5. Essick notes: There is No Natural Religion. The "Preface" dated 1886 indicates that the facsimile is based on plates "in the British Museum copy A and from some papers in my own possession copy L." However the printed front wrapper of Muir's Europe facsimile 1887 indicates that "Mr. Burt's copy H--which according to Joseph Viscomi is a forgery" was also used. This would seem to be correct since copies A and L are printed in olive and green whereas plates a1 a2 and b1 in the facsimile are in brown as in copy H. Also includes plate 2 of All Religions are One the original of which is bound into There is No Natural Religion copy M and Muir's own version of the missing plate b5. Delivered to Quaritch 8 Sept. 1886. Note: There is No Natural Religion copy M also printed in brown but it seems unlikely that this was "Mr. Burt's copy" since copy M was in the Tulk family collection until 1956.†Bentley BB 249 G. William Muir hardcover books
