16 276 résultats
198327269Mountain & Sea Publishing 1983 HB NODJ Issued Photographic Cover with Label & Gold Gilt Decorated1983 LATER Edition FINE/F- NOJACKET SIGNED ALOHA TOM BLAKE 1989 on Title pg in Black Ink . Signed by Authors. Hard Cover. Very Good/No Jacket. Illus. by Tom Blake PHOTOGRAPHY. Mountain & Sea Publishing hardcover
1930310071San Francisco: Book Club of California 1930. No 10 of 300 copies printed at the Windsor Press. Decoration by Julian A. Links. 22 pp. 12mo. Original full vellum lettered in gilt paper slipcase with label. Vellum and slipcase a touch toned faint browning to folds of letter. Housed with letter in quarter morocco clamshell box. Links Julian A. No 10 of 300 copies printed at the Windsor Press. Decoration by Julian A. Links. 22 pp. 12mo. With a typed letter signed of Rockwell Kent to Oscar Lewis secretary of the Book Club of California voicing his strong displeasure with the illustrations by Julian Links for this edition. Dated May 13 1930 the letter reads in part: "I am glad that I took the trouble to call the matter to your attention for my complaint does put you in the position of calling the printers to account for what is unquestionably a breach of professional ethics. I am sorry that it is not the policy of the Book Club to supervise more carefully the production of the books that appear within its imprint. I feel the book of Thel irrespective of the plagiarism involved in the illustrations has been very badly illustrated Book Club of California unknown
190323193London 1903. Engraving by Thomas Butts after Blake. Laid paper. First and only state. Hand-written in ink upper right corner "Cent quatre vingt septieme 187" Christ walks over the vanquished Satan.<br/> <br/> This fascinating engraving after a Blake drawing depicts a muscular and single-minded Christ with a bow in one hand and arrow in the other walking on the beard and chest of Satan who despite his lifeless eyes reaches for Christ's bow. Blake's Christ is more reminiscent of Hercules or Gilgamesh than the Christ known to us through church iconography and his Satan reminds us more of Zeus than Christianity's Devil. Archibald Russell in The Engravings of William Blake Houghton Mifflin 1912 writes that this image illustrates a passage in Paradise Lost Bk. VI 763 but was an allegory for the triumph of imagination or creativity over reason. Thomas Butts senior 1757-1845 and junior 1788-1862 were both given drawing and engraving lessons by Blake starting in March 1806. They produced a number of plates from Blake's designs although his level of direct involvement can only be estimated. The present plate was sold by the Butts' descendants at Sotheby's lot 20 24 June 1903. The plate was acquired shortly after the auction by Edward J. Shaw of Walsall. He apparently had printed a number of impressions by December 1903. These are the earliest recorded impressions of this plate other than a single impression sold with the plate at the auction. The plate remained in Shaw's possession until 1925 when it was sold at Sotheby's 29 July lot 158 to Mansfield. The New York dealers E. Weyhe bought a number of impressions and possibly the plate itself as they still had multiple copies for sale as late as 1965. Essick records 18 copies of this print on various paper types but no order of precedence is given and he had not seen any `proof' impressions.<br/> <br/> Essick The Separate Plates of William Blake. unknown
17951077691795. London: Boydell and Company c.1795. <br /> <br /> Oblong large folio on wove paper plate mark 583 x 455 mm on sheet 650 x 490 mm. An exceptionally fine dark impression on bright paper with the original wide margins untrimmed. <br /> <br /> § Third and best state of seven see below of the single plate Blake engraved for Hogarth's Works first published by Boydell in 1790 this state appearing in the second undated edition c. 1795. It was the last state of the plate before hands other than Blake touched up the plate. A remarkably crisp and brilliant impression of Blake's richly detailed rendition of Hogarth's painting showing the famous scene in which Macheath the highwayman stands chained under sentence of death between his two lovers the jailer's daughter Lucy Lockit and the lawyer's daughter Polly Peachum. The plate was next used for an 1822 edition by which time several small changes had been made by another engraver. Bentley BB 475 I. Essick CBI XX. unknown
197886295Putnam. As New. 1978. Hardcover. 0399121528 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 492 pages; 765 illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Graphic Works Putnam hardcover
195693589Emery Walker. As New. 1956. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- 86 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Emery Walker hardcover
185<p>A Limited Edition. Large Folio 6 volumes housed in two slipcases the first housing the text volume and a portfolio of plates including all 21 plates in several states 21 fascicules and the plate-by-plate commentary; the second slipcase housing The Colour Versions of the Book of Job and three separate volumes of illustrations all bound in quarter-morocco with marbled paper covered boards with solander boxes fitted inside each slipcase printed on Arches pure rag paper. Published by the Trianon Press for the William Blake Trust 1987. This particular copy is enhanced for being accompanied with the rarely found two 1987 Prospectuses with the specimen plates inside 4 additional colour plates the original order forms a compliments slip from the William Blake Trust a small envelope; all loosely inserted in the original William Blake Trust envelope.</p><p>A wonderful production of this impressive and important work.</p><p>The condition is near fine; a slight crease to one page in the text volume the prospectuses slightly creased some very minimal wear to the slipcases two small marks to the top edge of one of the solander boxes.</p><p>The finest William Blake production by Arnold Fawcus and the Trianon Press who starting in 1950 produced the famous series of Blake facsimiles. The plates for this work were printed around 1974 but remained unassembled until 1987 when the sheets were bound up in the present form by Smith Settle of Otley Yorkshire. A total of 392 copies of this limited edition were produced although only 387 are in the limitation statement: This copy is Number 23 of 250 copies from the limitation; there were also 115 Roman numeral copies some of which were reserved for the William Blake Trust however there was no difference in the content or presentation though there were 22 lettered copies specially bound with additional material.</p><p>Please contact us for shipping costs if ordering from outside the UK.</p> Published by the Trianon Press for the William Blake Trust hardcover
29886London: Jonathan Cape. 1981. First edition first printing. First edition first printing. Signed by the author. Publisher's original light blue cloth with gilt titles to the spine in the Quentin Blake illustrated dustwrapper. Richly illustrated by Quentin Blake in black and white throughout. A very good or better copy the binding square and firm with a little rubbing and bumping to the extremities the cloth with a touch of toning at the extreme top and bottom edges are otherwise bright and fresh. The contents with a few isolated foxing spots and a little transference from the ink of the author's signature to the front pastedown are otherwise clean throughout and without previous owners' inscriptions or stamps. Complete with the rubbed and creased dustwrapper which again has a faint transference of the ink from the author's signature on the front flap a nick to the top right corner of the upper panel and a closed tear to the edge of the rear flap secured with tape to the underside. The dustwrapper is bright and without fading. Not price-clipped £3.95 net to the lower front flap. Signed by Roald Dahl in black ink on the front endpaper. Dahl's classic children's tale of a young boy's fantastical revenge against his bullying grandmother. Sir Quentin Blake's artistic contributions to Dahl's most popular children's novels have become synonymous with the stories themselves with his illustrations for 'George' receiving particular praise for skillfully softening the author's harsher story elements as pointed out thus by Dahl biographer Jeremy Treglown "Blake lightens things by visually reminding the reader both how small George is and as he wanders around the house looking for ingredients for his medicine how lonely and innocent. His actions come across as prompted more by curiosity than cruelty". Roald Dahl: A Biography p 229. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: Jonathan Cape. 1981 hardcover
21167532013. Queen Anne Press 2013. Folio publisher's cloth boards in the same shade of green as the 1st edition with artwork inset to upper portion; 'Shop at Mog's' in gilt to lower board; dark green endpapers; lettered in gilt to spine; pp. vi 7-173 iii; with numerous colour and black and white illustrations; contained in the custom-made solander box together with an original signed print 84/100 by the illustrator contained in original tissue and card folder; fine. De Luxe edition limited to 100 copies this copy no. 84 signed by Blake to the title. The binding is by Sangorski & Sutcliffe the solander box by Ludlow Bookbinders. Published to mark the centenary of Dylan Thomas' birth and to celebrate a body of work by Peter Blake comprising a richly detailed sequence of 110 watercolours pencil portraits and collages. ""Doyen of British artists"" the Queen Anne Press website states ""his pencil portraits of the myriad characters of Llaggerub collages representing scenes from the book and watercolours depicting the extraordinary dreams combine to make a unique volume.""A sumptuous production. hardcover
2013THOMASDY013323Enitharmon Editions and Queen Anne Press London. 2013. First edition thus: Introduction and profuse illustrations by Sir Peter Blake. Quarto. 173 pages. An ambitious publishing project decades in the gestation with Sir Peter Blake producing more than a hundred artworks using various techniques and full of wit. De Luxe edition: number 34 of 100 copies with a separate signed and numbered original print by Sir Peter Blake entitled ''The Sailor's Arms''. The book is also signed by Blake on the title-page. The print is held in folded card. The book and print are in fine condition and are housed in a blue cloth solander box with a colour portrait of Dylan Thomas mounted on the front. Enitharmon Editions and Queen Anne Press, London. hardcover
17911277661791. First Edition. BLAKE William engraver DARWIN Erasmus. The Botanic Garden; A Poem in Two Parts. London: J. Johnson 1791 1791. Two volumes in one. Quarto contemporary full brown mottled calf rebacked burgundy morocco spine label. $3300.First edition of Part I third edition of Part II of Erasmus Darwin's chief poetical work illustrated with two engraved frontispieces and 18 plates one from a painting by Henry Fuseli five engraved by William Blake.""The chief source of Erasmus Darwin's literary fame during his lifetime The Botanic Garden contains a great deal of important and frequently advanced scientific information in the nearly 300 footnotes and the 115 pages of appendices to its verses. Part I 'The Economy of Vegetation' involves a far-reaching survey of science and technology with significant sections on evolutionary theories and numerous footnotes on electrical phenomena. Part II 'The Love of the Plants' is a 'single-minded catalogue of vegetable sex-life"" Norman. Darwin describes plant reproduction according to the Linnaean system ""by means of a most ingenious and amusing personification of each plant and often even of the parts of the plant. It is significant that botanical notes are added to the poem and that its eulogies of scientific men are frequent"" Britannica. Darwin's Garden is also important for the five plates in Part I engraved by William Blake: ""The Fertilization of Egypt"" engraved after the painting by Henry Fuseli and four engravings of the Portland Vase. Darwin the grandfather of Charles is notable for his ""exposition of the form of evolutionism afterwards expounded by Lamarck"" DNB. Inexplicably Part II was published first in 1789 here present in the 1791 third edition; Part I followed in 1791 present in the first edition. Wilson 343. Hunt II lxvii. Nissen 451. Bentley 450A. Keynes 103. Bookplate; early ink shelf markings to front flyleaf.Occasional spotting or offsetting from plates to text. Some wear to corners and board edges. A very good copy. unknown
198686296Thames & Hudson. New. 1986. Paperback. 0500274088 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - 494 pages; many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Graphic Works Thames & Hudson paperback
18091087411809. Chichester: W. Mason 1809. <br /> <br /> Large 4to 8 416 7 pp. With portrait frontispiece and 11 engraved plates including one by Blake after Romney. Large paper copy in red half calf over marbled paper boards with gilt rules and titling. A very good copy with clean pages and prints throughout just traces of ageing on the first few pages.<br /> <br /> § First edition large-paper copy. Although not substantially bigger than uncut copies of the regular issue the large-paper copies are on heavier paper and the impressions are stronger. The 1-page advertisement at the end for "Epistles to Romney" is not found in the small-paper copies. Blake's plate of the shipwreck incorporates a number of familiar figures from his iconography and is a strong and vivid illustration. Bentley BB 469 Essick CBI XLIX: large-paper issue has an "1807" watermark without a maker's name; the small paper is watermarked "Rye Mill / 1807.". unknown
142114London: Jonathan Cape 1982. First edition early printing of this Dahl classic which has sold over 20 million copies. Octavo original cloth illustrated by Quentin Blake. Presentation copy inscribed by the author on the half-title page "Love Doug Roald Dahl 1984." Additionally signed by Quentin Blake below. Near fine in a near fine dust jacket. Roald Dahl is now considered one of the most beloved storytellers of the twentieth century. Dahl's ability to twist words into a clever and creative new language is fascinating to children and is evident in BFG. The gruesome descriptions of the horrid giants and the subtle allusions to other stories will entertain children young and old. An animated adaptation was released in theatres in 1987 with David Jason providing the voice of the BFG and Amanda Root as the voice of Sophie. It was also the basis for the 2016 film directed and co-produced by Steven Spielberg written by Melissa Mathison and starring Mark Rylance Ruby Barnhill Penelope Wilton Jemaine Clement Rebecca Hall Rafe Spall and Bill Hader. Jonathan Cape hardcover
108664London The Crime Club 1938. . First edition first impression; 8vo; publisher's orange cloth titles to spine in black mild partial browning to the endpapers trace of erasure to front free endpaper with the dust-jacket some mild ghosting to the spine through the jacket but an exceptional copy in the little tanned and very slightly rubbed dust-jacket.<br /> The poet laureate Cecil Day Lewis wrote a number of detective works under the name Nicholas Blake of which this title is by far the best regarded. Copies of this UK printing in this condition with the jacket are extremely uncommon.<br /> London, The Crime Club, 1938. hardcover
178914263London: C. Cooke 1789. 2nd or 3rd edition. Hardcover. Likely to be an original subscriber's copy listed as "Wilson - Crown Court Broad St." likely to be "John Wilson" whose red gilt leather ownership label is mounted into the front board with special blind tooled lines surrounding it. A second or third edition published between 1789 & 1791 according to research by Alan Frost published in the LaTrobe Journal of the State Library of Victoria No. 8 1971. A very bright unsophisticated copy of this work which has become increasingly scarce. Ferguson 59 describes a 1 volume edition & cites only the Mitchell Library copy. <br /> <br /> Many of the illustrations were derived from Cook's Voyages and were the most generally available representations of the natives of the Pacific Northwest Tasmania New Zealand Hawaii & the Pacific accessible to the public at the time. It is these contemporary images which make this work scarce as so many have been broken up. <br /> <br /> Folio. Frontispiece title page verso blank i Royal Licence ii Address to the Reader 1-990 Texts etc. 2 pp Directions to the Binder 2 pp A List of Subscribers Complete with 90 plates & 22 maps the map of Great Britain has original hand color; the map of Europe has been hand colored not unpleasantly but not professionally. Maps and plates are in very good condition with no refolding or cracking which is usual in this work. Bound in period reversed calf red gilt title label on spine. Matching early reverse calf strengthening of outer hinge a couple of splits on leather of spine and very chipped at top and bottom o/w a very nice copy. <br /> <br /> "The geography books which appeared in the closing decades of the eighteenth century. are of considerable significance to students of the history of ideas for the light they shed on English interest in geography and geographical exploration at the end of the eighteenth century. One of the most imposing of these usually quite imposing books is Thomas Bankes Edward Warren Blake and Alexander Cook's A New Royal Authentic and Complete System of Universal Geography. A massive folio volume this was a popular work running to six editions in the ten years from 1787 to 1797."Frost Thomas Bankes's Complete System The La Trobe Journal 1971.<br /> <br /> Extedned title - All the late important Discoveries made by the English and other celebrated Navigators of various Nations in the different Hemispheres from the Celebrated Columbus the first Discoverer of America to the Death of our no less celebrated Countryman Captain Cook & c. and the Latest Accounts of the English Colony of Botany Bay:. C. Cooke hardcover
1920302999London: Wm. Muir 1920. No. 21 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Original printed wrappers. Fine. Brown morocco backed folding case. No. 21 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Bentley Blake Books 249 Wm. Muir unknown
1920303032London: Wm. Muir 1920. No. 16 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Original printed wrappers light chipping to edges else fine. No. 16 of 50 i.e. 32 copies signed by Muir. William Muir facsimile 8 leaves with lithographic illustrations colored by hand. 1 vols. 4to. Bentley Blake Books 249 Wm. Muir unknown
121283London Jonathan Cape 1989. . First edition first impression inscribed by the author on the upper free endpaper 'Sammy Love Roald Dahl'; 4to 255 x 20 mm0; illustrations by Sir Quentin Blake offsetting from Dahl's inscription of upper pastedown and jacket flap otherwise internally bright and near-fine; publisher's boards pictorial dust-jacket just a hint of fading to the spine otherwise a near-fine copy.<br /> A signed first edition of this gleefully malevolent plundering of traditional nursery rhymes a 'wonderful addition to the literature of the absurd.'<br /> Errington A9a London, Jonathan Cape, 1989. hardcover
18261233531826. 1826. <br /> <br /> Folio single sheet 16 1/4 x 11 image inc. platemark 8 1/4 x 6 1/2 ins. Fine.<br /> <br /> § First edition from the printing of 65 sets with the word "Proof" on French wove paper. A fine impression of one of the most affecting plates in this series in which Job laments his unfortunate existence while his friends bear witness to his grief in silence Job 3:3. Illustrations of the Book of Job was Blake's last completed prophetic book. "It was produced while Blake was still working on Jerusalem his most obscure book; yet the illustrations are Blake's most lucid; and they are the supreme example of his reading the Bible in its spiritual sense" S. Foster Damon A Blake Dictionary p. 217. "The modest size of the central panels does not prevent them from ranking with the supreme masterpieces of graphic art" Ray Illustrator and the Book in England #8. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625-641C. Provenance: Sotheby's May 4& 5 1983. unknown
17951262351795. London: Johnson 1795-94. <br /> <br /> 2 vols. in one 4to xx 218 124 2 directions to binder and advertisement; 2 viii 200 2 directions to the binder lacking the errata and ads pp. With a frontispiece to each volume ten plates in vol. I and 8 in vol. II. Early half calf marbled boards newly rebacked in calf with gilt-lettered label. A very good copy if a little aged -- early manuscript note loosely inserted about the Portland Vase copied from the Morning Chronicle c. 1796.<br /> <br /> § Best edition. 6 plates are engraved by Blake the best known being Fertilization of Egypt and Tornado both after Fuseli. The third edition of part one is the only edition to include the striking Tornado plate. At page 87 appears the enigmatic circular image of an African man in chains titled "Am I not a man and a brother." Bentley 450B and C. Essick William Blake's Commercial Book Illustrations XXI.<br /> The Morning Chronicle was a newspaper founded in 1769 in London. It was notable for having been the first steady employer of essayist William Hazlitt as a political reporter and the first steady employer of Charles Dickens as a journalist. unknown
1978C86295Putnam. As New. 1978. Hardcover. 0399121528 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 492 pages; 765 illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Graphic Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Putnam hardcover
18061087511806. London: Richard Phillips 1806. <br /> <br /> 8vo xxiv 270 ii publisher's booklistpp. with Blake's engraved frontispiece of Sir Joshua Reynolds design "The Graphic Muse." Original blue-grey boards spine slightly darkened and worn at edges. <br /> <br /> § First edition a very scarce book especially in boards. With the bookplates of Gilbert Redgrave and George Goyder; there are also signatures of Sir Edward Hoare an early owner on the title page and other pages. Bentley Blake Books 474. Essick William Blake's Commercial Book Illustrations XLVIII. unknown
18031241491803. Chichester: J. Seagrave for T. Cadell and W. Davies 1803. <br /> <br /> Large 8vo 22.7 x 14.2 cm. xii 165 pages. With 6 engraved plates by William Blake after Maria Flaxman. Contemporary mottled calf gilt titled backstrip marbled edges minor rubbing to backstrip and corners faint darkening to preliminary & final leaves otherwise an excellent copy with wide margins.<br /> <br /> § A large-paper copy unusually clean and with fine dark impressions of the plates. First edition of Blake's engravings after these dreamy and slightly surreal illustrations by Maria Flaxman.<br /> Provenance: Brackenburn book label of Hugh Walpole and book label of Pamela and Raymond Lister. Bentley Blake Books 471A. Essick William Blake's Commercial Book Illustrations XLIII. unknown
18031044001803. Chichester: J. Seagrave for T. Cadell and W. Davies 1803. <br /> <br /> Roy. 8vo 9.5 x 5.75 ins. xii 165 pp. With 6 engraved plates by William Blake after Maria Flaxman. Later half green morocco gilt top other edges untrimmed an excellent copy with wide margins.<br /> <br /> § A large-paper copy unusually clean and with fine dark impressions of the plates. First edition of Blake's engravings after these dreamy and slightly surreal illustrations. Bentley BB 471A. Essick CBI XLIII. DNB notes of Hayley: "Possibly his greatest achievement however was his didactic poem Triumphs of Temper 1781 which 'was to reform the entire feminine mind of England by the advice' Bishop 53. This allegorical work aspired in rhyming couplets to teach young women the virtues of a pleasant nature. Its advice was heeded by some: Emma Hamilton thanked Hayley 'for the lessons she had learnt from the poem' P. Jaffe Drawings by George Romney 1978 44 and asked Romney to inform Hayley that his poem 'made me Lady H. . for Sir W. minds more temper than beauty' ibid. Triumphs of Temper ran into fourteen editions and proved to be the most durable of all his publications.". unknown