Philippe de LA HIREBiblio.com
315 résultats
177753029à Paris: Chez Panckoucke 1777. Fine. Chez Panckoucke à Paris 1777 10 x 17 cm 2 tomes en 2 volumes reliés Edition illustrated with 16 folding plates 8 per volume. Contemporary full marbled brown calf bindings. Spines with raised bands decorated. Red morocco title labels and black wax volume labels. Head of volume I with headcap partly missing. One hole along the upper joint of volume I. 2 corners slightly bumped. Worming throughout the first volume in the lower margin the holes progressively becoming galleries then reverting to holes. Good set overall. Notable articles to be retained in each of the mentioned sections include: Remarks on the construction of geometric loci & equations by M. de La Hire; General construction of magic squares by M. Sauveur; Use of a given integral by M. le Marquis de L'hôpital by M. Varignon; On breaking points of figures by M. Parent; General method for the construction of circular arcs by M. de La Hire; Observations on bezoar by M. Geoffroy; Remarks on the movement of planets by M. de la Hire. Numerous astronomical observations by Cassini Maraldi. Chez Panckoucke hardcover
175053039à Amsterdam: Chez Pierre Mortier 1750. Fine. Chez Pierre Mortier à Amsterdam 1750 10 x 17 cm 2 tomes en 2 volumes reliés Illustrated edition with 16 folding plates 8 per volume. Contemporary full marbled brown calf bindings. Raised band spines with gilt ornaments. Red morocco title-labels and black wax volume labels. Small lack to head of volume I. One corner slightly bumped. Rubbing. Last errata leaf frayed at margin. Good copies. Notable articles to be retained in each of the mentioned sections include the following: On beam resistance by M. Parent. On conchoids in general by M. de La Hire. Observations on coral analysis by M. Geoffroy. Reflections on magnetic variations by M. Houssaye. General method for finding an infinity of new curved lines by M. Réaumur. Physical explanation of the vertical and natural direction of plants by M. de La Hire. Method for describing large arcs of conic sections by M. de La Hire. Conjectures on the position of the island of Meroë by M. Delisle. Numerous astronomical observations by Cassini Maraldi. Chez Pierre Mortier unknown
174753054à Amsterdam: Chez Pierre Mortier 1747. Fine. Chez Pierre Mortier à Amsterdam 1747 10 x 17 cm 2 tomes en 2 volumes reliés Second edition statement illustrated with 26 plates most of them folding including a frontispiece. Title pages in red and black. Contemporary full marbled brown calf bindings. Decorated raised band spines. Red morocco title labels and black wax volume labels. One lack at head of volume I. One corner bumped. Rubbing. Good copies. Among the remarkable articles mentioned in each section we note the following: Reflections on spaces more than infinite by M. Wallis by M. Varignon. Observations on the methods of Maximis & Minimis where the identity & difference of that of the analysis of the infinitely small with those of M. Fermat and Hudde is shown by M. Guisnée. Continuation of the establishment of some new genera of plants by M. Tournefort. Reflections on the appearances of the body of the moon by M. de La Hire. Discovery of a new star by M. Maraldi. Supplement to the memoir on voice and tones by M. Dodart. Observations on iron under burning glass by M. Homberg. Solution to the problem proposed by Bernouilli by M. Bernouilli his brother. On honey and its chemical analysis by M. Lemeri. Treatise on roulettes by M. de La Hire. Different ways of finding the osculating radii of all sorts of curves by M. Varignon. Various astronomical and meteorological observations for the year 1706. Chez Pierre Mortier unknown
174569377S. n. | Londres 1745 | 10 x 17 cm | relié
175655334Paris, l'Imprimerie Royale, 1756-58. 4to. 2 contemp. full mottled calf. Raised bands. Richly gilt spines. A tear to joint at lower compartment on volumeStamp on title-pages. CLXXV,372,VIII,614 pp. Faint scattered brownspots. Frontispiece lacks.
177020119Paris, De l'Imprimerie Royale, 1770-1783. 9 volumes in-4, plein veau moucheté brun, dos à nerfs joliment ornés de filets, fleurons et oiseaux dorés, pièce de titre beige ou rouge, tranches rouges.
175126466Paris Nyon 1751 2 volumes In-12 incomplet, Tome 2 et Tome 3 seuls, une carte du golfe de Naples déchirée sans manque , 572 et 512, coiffe arrachée pour un volume avec pièce de Tomaison manquante et état moyen avec des manques de cuir pour l'autre
177089949Imprimerie royale | Paris 1770-1783 | 20 x 26.4 cm | relié
177631753Paris, de l'Imprimerie de Goetschy, 1821. Un vol. au format in-12 (172 x 108 mm) de 1 frontispice gravé n.fol., xii - 286 pp. et 1 f. n.fol. Reliure de l'époque de demi-basane glacée fauve, dos lisse orné de filets gras dorés, fleurons dorés, titre doré, tranches mouchetées.
178654226Chez Brocas, Libraire 1786 In-12. Reliure de l’époque plein veau raciné, dos à 5 nerfs, caissons ornés de fers dorés, 12 + 485 pp. Coiffes frottées, coins émoussés et usés, surtout en pied. Exemplaire en assez bon état. évêque de Rodez, puis archevêque de Paris, Hardouin de Péréfixe 1606-1671 fut un ennemi acharné du jansénisme. Précepteur de Louis XIV, il jouira toute sa vie de la faveur du roi. Il rédige à l’attention du dauphin cette ‘Histoire du Roi Henri le Grand” qui paraît en 1661 et connaîtra un grand nombre d’éditions.
17201067A AMSTERDAM. AUX DEPENS DE LA COMPAGNIE. 1720. 3 VOLUMES IN-4 (12,5 X 26 X 15 CENTIMETRES ENVIRON) DE (98) + 672, (26) + 663 ET (24) + 642 PAGES, RELIURE D'EPOQUE PLEIN VEAU MARBRE, DOS A CINQ NERFS ORNE DE CAISSONS A FLEURONS DORES, TITRE DORE SUR ETIQUETTE MAROQUIN VERT, DOUBLE FILET DORE SUR COUPES, TRANCHES ROUGES. ILLUSTRE DE 14 PORTRAITS HORS TEXTE, DONT 3 PLACES EN FRONTISPICES. QUELQUES TRACES D'USURE EXTERIEURE AVEC PETITS MANQUES DE CUIR AUX COINS, SINON BON EXEMPLAIRE.
177753029Chez Panckoucke | à Paris 1777 | 10 x 17 cm | 2 tomes en 2 volumes reliés
175053039Chez Pierre Mortier | à Amsterdam 1750 | 10 x 17 cm | 2 tomes en 2 volumes reliés
174753054Chez Pierre Mortier | à Amsterdam 1747 | 10 x 17 cm | 2 tomes en 2 volumes reliés
1780176421780 PARIS, Imp. de la Valleyre - 1780 - Grand in-8 - Broché - Tiré à part - Frontispice - 56 pages - Propre
1776176571776 PARIS, 1776 - Grand in-8 - Broché - Tiré à part - Frontispice - Paginé de la page 401 à 462 - Propre
1777176601777 PARIS, 1777 - Grand in-8 - Broché - Tiré à part - Frontispice - Complet, Paginé de la page 662 à 718 - Propre
177757071777 A Amsterdam chez D. J. Changuion et A Rotterdam chez Bennet et Hake, 1777, reliure cartonnée, 11x17 cm, X+ (XXXV à XLII, table des sommaires) +310 pages + (V à XII table des sommaires) +410 pages + (V à XII table des sommaires) + 176+138+45 pages d'appendix. Portrait de Philippe II en frontispice du tome I.
17372<p>Original edition of this essential book where Rameau continuing his theoretical demonstrations about music theory and harmony takes strong positions.</p><p>A very decent copy.</p><p>Génération harmonique ou Traité de musique théorique et pratique. Par M. Rameau. A Paris Prault fils MDCCXXXVII. In-8 195 x 121 mm veau marbré dos orné à 5 nerfs pièce de titre de maroquin vieux rouge roulette sur les coupes tranches rouges Reliure de l'époque. 16 227 17 pp. et 12 planches dépliantes hors-texte. Première édition d'un des plus importants ouvrage théoriques de Jean-Philippe Rameau. Diverses petites restaurations à la reliure coiffes coins haut des plats charnières. Coups taches et petites griffures. Deux petits manques à la pièce de titre. Ouvrage sain. Découpe comblée à la page de titre qui a enlevé un ex-libris manuscrit sans manque au texte imprimé. Intérieur frais. Quelques feuillets brunis salissures à la page de titre. Bon exemplaire dans l'ensemble.</p> Prault hardcover
180016234Ouvrage contenant une connoissance exacte du Cheval, et la manière de distinguer et de guérir ses Maladies.Ensemble, un Traité de la Ferrure qui lui est convenable. Par M. Lafosse, Maréchal-Expert.Avec des Figures en Taille-douce.A Avignon, Chez Chambeau et Comp. - 1800 - xij et 396 pages. 10 planches dépliantes marquées 9 (deux planches 6 : 6a et 6b).Reliure pleine basane de l'époque. Dos à nerfs orné et doré. Tranches rouges. Reliure frottée avec des manques de cuir. Bel exemplaire dans sa première reliure dont le papier est resté parfaitement frais. Pas de rousseur. Bon état intérieur. Format in-8°(22x13).Philippe-Étienne La Fosse (1738-1820), est un hippographe et vétérinaire français. Auteur de nombreux ouvrages sur l'anatomie et la pathologie du cheval, il acquit une renommée internationale. Le Guide du Maréchal est un de ses meilleurs ouvrages.
17372674DB1737. Paris Prault 1737. 4°. 16 201 13 S. Mit 12 Kupfertafeln. Grässe VI 20. - MGG dtv X 1904. - Eitner VIII 120. - Fétis VII 175. - Erste Ausgabe. - "Hatte Rameau im Traité Zarlinos 'duale' Theorie mit der nach unten gehenden Reihe zur Erklärung der Mollharmonie scharf zurückgewiesen und dafür den schwachen Versuch unternommen die Lage der Terz zwischen den beiden bestimmenden Eckpfeilern von Grundton und Quinte willkürlich zu vertauschen so greift er in der 'Génération' zum Zwecke einer befriedigenderen Abteilung der Mollharmonie auf die sympathetische Vibration von Saiten und eine sich daraus ergebende arithmetische Proportion zurück was praktisch eine Anerkennung von Zarlinos ursprünglicher Erklärung bedeutet" MGG. - Gioseffo Zarlino 1517-1590 ital. Musiktheoretiker und Komponist. - Papier zu Beginn etwas gebräunt und stockfleckig. Mit alten Besitzereinträgen auf dem Vorsatz. Einband berieben. unknown
17372674DBParis, Prault 1737. 4°. (16), 201, (13) S. Mit 12 Kupfertafeln.
179541061Paris 1795. Uncolored oval bust portrait of a bespectacled Benjamin Franklin. 8-1/4" x 9-3/4" on a 10-1/2" x 13-3/4" sheet. Portrait surrounded by a black oval border. The portrait is captioned "Francklin." Directly beneath the oval border in small type is printed "Vanloo Pinxt" to the left and "P.M. Alex Sculpt" to the right. Very Good. <br /> <br /> According to Sellers's BENJAMIN FRANKLIN IN PORTRAITURE the engraving was done after an original portrait by the famed French painter Charles Philippe Vanloo in which Franklin was wearing fur-trimmed costume. The original portrait was painted while Franklin resided in Paris a "life portrait" dated between 1777 and 1785 and is now in the collection of the American Philosophical Society which was founded by Franklin. <br /> Sellers discusses our print: "the substitution a simple gray coat for the fur-trimmed costume of the original was undoubtedly in deference to the revolutionary feeling." It is one of a series of portraits begun in July 1790 and finished in September 1797. The 'Francklin' was exhibited in 1795 so the estimated date of the portrait is between July 1790 and 1795. This print was engraved after Vanloo's portrait by the noted French engraver Pierre-Michel Alix who was known for his portraits of leading French citizens and prominent personalities. Sellers Charles Coleman: BENJAMIN FRANKLIN IN PORTRAITURE Yale University Press: 1962 pp. 393-394.<br /> Charles Philippe Amedee Vanloo 1715 -1795 was the member of a Flemish family of painters that settled in France. He was known for painting landscapes and portraits and he had an affinity for scientific subjects. Pierre-Michel Alix 1762-1817 was a French engraver and printmaker specializing in multiple-platecolor printing. He studied under Jacques-Philippe Le Bas and was best known for his portraits of notable figures during the French Revolution and First French Empire. unknown
1790WRCAM45754Paris: Marie Francois Drouhin 1790. Handcolored oval mezzotint portrait 10 x 8 1/4 inches on a 12 1/2 x 9 1/4-inch sheet. Sheet lightly browned more so around the edges. Overall very good. Matted. An attractive mezzotint portrait of Benjamin Franklin with delicate contemporary coloring. The engraving was done after an original portrait by the famed French painter Charles Philippe Vanloo sometimes spelled Van Loo. The original portrait was done while Franklin resided in Paris in the years during and after the American Revolution and is now in the collection of the American Philosophical Society which was founded by Franklin. Sellers asserts that it is "beyond question a life portrait" done between 1777 and 1785. In Vanloo's original portrait Franklin wears a fur coat. In this print of the painting the fur coat has been replaced by a simpler cloth coat. Franklin wears glasses his hair is long and gray and he has a slight smile on his face. In the caption below the image his name is spelled "Francklin." "The substitution of a simple gray coat for the fur-trimmed costume of the original was undoubtedly in deference to revolutionary feeling" - Sellers. This print was engraved after Vanloo's portrait by the noted French engraver Pierre-Michel Alix who was known for his portraits of leading French citizens and prominent personalities. A handsome contemporary portrait of the American who dazzled France as a diplomat scientist philosopher and gentleman of society. SELLERS BENJAMIN FRANKLIN IN PORTRAITURE p.394. Marie Francois Drouhin hardcover books
179713514London: Published by P. J. de Loutherbourg and Sold by V. & R. Green No 14 Percy Street Bedford Square 1797. Coloured aquatint. Printed on wove paper watermarked 1794. In excellent condition. Image size: 9 1/2 x 15 3/4 inches. A wonderful early separately published impression of Loutherbourg's celebrated image of fishermen on Brighton Beach.<br/> <br/>This delicate aquatint is an early separately published state of a print which was later included in Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." The print which was re-engraved in 1801 by J. C. Stadler was enlarged and re-titled "Brighthelmstone Fishermen Returning." This early example of Loutherbourg's work wonderfully shows his skill as an artist. The composition and arrangement of the image provides a fluidity to the picture that is truly compelling and demonstrates Loutherbourg's abilities as a draftsman. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Published by P. J. de Loutherbourg, and Sold by V. & R. Green, No 14 Percy Street, Bedford Square unknown books
