571 résultats
19481168376Bern: A. Francke AG Verlag 1948. Octavo; good/none; gray spine with no text; front panel black text; shelf wear and bumping; text block clean; light toning; 48 pp.; numerous closed tears along the edges split along front hinge near spine head; sunned; else very good; ---TEXT IN GERMAN.<br /> <p>shelve box A in Netdesk office. 1168376. Shelved Rockville Bookstore. A. Francke AG Verlag unknown books
19641341457Paris: Librairie Jules Tallandier 1964. Hardcover. Quarto oblong; G; Hardcover; Spine tan with gold print; Slipcase in blue cloth mostly faded to tan mild wear to corners blemishes to front and rear shelfwear; Boards in blue cloth with gold print toning to spine blemishes on spine else clean and strong; Text block clean and tight; Signed in ink by Gavin on the half-title page; Text in French; 34 pages unnumbered leaves of color plates with captions on facing pages. <br /> <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1341457. FP New Rockville Stock. Librairie Jules Tallandier hardcover books
2004120979New York and London: Bloomsbury 2004. First edition of Bourdain's classic French bistro cookbook. Octavo original pictorial boards pictorial endpapers illustrated with photographs by Robert Discalfani. Signed by the Bordain on the title page with an original drawing of a chopping cleaver "To Blair Merry Christmas! Cooks Rule! Anthony Bourdain." Fine in a fine dust jacket. Jacket design by Helicopter. Jacket photograph by Robert Discalfani. Before stunning the world with his bestselling Kitchen Confidential and A Cook's Tour Anthony Bourdain spent years serving some of the best French brassiere food in New York. With its no-nonsense down-to-earth atmosphere Les Halles matched Bourdain's style perfectly: a restaurant where you can dress down talk loudly drink a little too much wine and have a good time with friends. Here Bourdain has put together a cookbook like no other: candid funny audacious and full of his signature charm and bravado. Bloomsbury hardcover books
2004140941314New York and London: Bloomsbury 2004. First Edition. Near Fine/Near Fine. First edition first printing. Signed by Anthony Bourdain on the title page in black marker; with notation in an unknown hand at the top of the title page denoting where the signing took place "a Sur la Table dimanche le 17 Octobre 2004". Near Fine with light shelf wear in a Near Fine unclipped dust jacket with light crimping and light shelf wear. Bloomsbury unknown books
2012174433Bristol England: Sansom & Company 2012. Softcover. VG corners slightly bumped small nicks/stain to back wraps. Gray and white wraps with color illustrations on front and back 108 pp profusely illustrated in color and bw. Text in English and French. Published to accompany the exhibition held 24 Mar. - 9 June 2012 at the Penlee House Museum and 30 June - 30 September at the Musée Départemental Breton. Includes bibliographical references. Sansom & Company paperback books
6378GROSLIER Bernard Philippe. ANGKOR HOMMES ET PIERRES. Paris: Arthaud 1956. 4to. Cloth dust jacket. 230 2 pages. First edition. Photographic study of the great collection of ruins in Indo-China known as Angkor. Abandoned before 1450 they were rediscovered by the French in 1861. Very good. unknown books
2654762006: Orchid Press Bangkok. Hardcover. First edition of this translation into English hardcover in 10x7 inch brown boards gilt in the fine color-map dust jacket. Find several more maps modern monochromes showing the city's water supply &c one folded. Except that a corner-tip of the folded map is dog-eared book is simply as new casebinding and dust jacket both. Groslier writing in French is the go-to guy for this material. Orchid Press hardcover books
20019003011New York: Thames & Hudson 2001. 1st. Hardcover. Fine/fine. With 280 color illustrations. Bound in the publisher's original black cloth with the front cover stamped in blind and the spine stamped in silver. Dust jacket. <br/><br/> Thames & Hudson hardcover books
1930017662Seattle: University of Washington Book Store. Very Good. 1930. First Edition. Softcover. Cesious blue wrapper over cardstock is in very good condition. Minor fading along spine and edges of wrapper. Soiling present on front of wrapper. Small closed tear on wrapper front. Pages uncut. ; University of Washington Chapbooks; Vol. 38; 7.25" x 5"; 23 pp . University of Washington Book Store paperback books
2005UROGAME00MELUniversity of Chicago 2005. Very Good. Roger Philippe. American Enemy: The History of French Anti-Americanism. Chicago: University of Chicago 2005. 518pp. Indexed. 8vo. Hardcover. Book condition: Very good with spine slightly indented at head and ends gently bumped. University of Chicago hardcover books
182740378Bruxelles: Ph. Vandermaelen 1827. First edition. Very good bright copies a few minor spots or marginal finger soiling. 2 sheets. Hand-colored lithographic maps. 46 x 51 cm and 46 x 54 cm. Large scale map of Baja. Map 58 includes parts of Baja California Sonora Sinaloa and Chihuahua. Map 65 includes the tip of Baja California and the "Iles Revillagigedo" and a text box: Note sur le Mexique . de Humboldt. Sheets from Phillipe Vandermaelen Atlas universel de geographie physique politique statistique et mineralogique. a magnificent and ground breaking six volume atlas of the entire world which was the first Atlas to use lithography to show the entire world using such a large uniform scale approcimately 26 miles to the inch and which was designed to be joined together into a three-dimensional globe with a diameter of approximately 25 feet. Phillips 749. Sabin 43762. [Ph. Vandermaelen] unknown books
182740379Bruxelles: Ph. Vandermaelen 1827. First edition. A very good sharp copy. 1 sheet. Hand-colored lithographic map. 47 x 57 cm. Shows the ranges of eight Indian tribes. Covers parts of Utah Colorado and northern Arizona and New Mexico. Includes text: Note sur le Mexique. At a time when American map publishers were virtually ignoring the western United States Vandermaelen's large scale work -which includes sections of Utah Wyoming Arizona and Nevada then still considered part of Mexico along with the location of Indian tribes and shows Lake Timpanagos- was a landmark in the history the cartography of the Transmississippi West. Large text box on the left entitled: Note sur le Mexique by A. Delavault. From Phillipe Vandermaelen Atlas universel de geographie physique politique statistique et mineralogique. a magnificent and ground breaking six volume atlas of the entire world which was the first atlas to use lithography to show the entire world using such a large uniform scale approximately 26 miles to the inch and which was designed to be joined together into a three-dimensional globe with a diameter of approximately 25 feet. Wheat Transmississippi 378. Sabin 43762. Phillips 749. [Ph. Vandermaelen] unknown books
182740377Bruxelles: Ph. Vandermaelen 1827. First edition. Very good bright copies a few minor spots or marginal finger soiling. 2 sheets. Hand-colored lithographic maps. 46 x 53 cm and 50 x 56 cm. Large scale map of Haiti; map 68 also includes parts of Cuba and the Bahamas and has a text box entitled: Iles Bahamas ou Lucayes; map 74 includes the southern and remaining portion of Haiti plus Aruba Bonaire and small parts of Puerto Rico and Venezuela. Text box entitled: Republique d'Haiti. Redigee par A. Delavault. Sheets from Phillipe Vandermaelen Atlas universel de geographie physique politique statistique et mineralogique. a magnificent and ground breaking six volume atlas of the entire world which was the first Atlas to use lithography to show the entire world using such a large uniform scale approximately 26 miles to the inch and which was designed to be joined together into a three-dimensional globe with a diameter of approximately 25 feet. [Ph. Vandermaelen] unknown books
187122250Paris 1871. unknown books
1970179779New York: Farrar Straus & Giroux 1970. Hardcover. Very Good/Very Good. First edition. Very good in very good dustwrapper. Dustwrapper and book are slightly rubbed and faded along the edges and at the corners. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information. Farrar, Straus & Giroux hardcover books
1970226393New York Farrar Straus & Giroux 1970. 1970. First American edition. 8vo. Introduction by Edmund Wilson. Translated by Eva Thoby Marcelin. Dust jacket unclipped. Good water stains to covers. 1st Edition. Hardcover. Good/Good. New York, Farrar, Straus & Giroux [1970]. hardcover books
19881325359Paris: Richer-Hoa-Qui 1988. Hardcover. Large Octavo; pp 126; G/G-; ivory cream spine with black text; dust jacket shows light toning to rear edges; slight dings to edges; light toning to flap edges; cloth has noticeable sunning to exterior; strong boards; text block has lightly toned interior edges; frontispiece; profusely illustrated; text in French;. 1325359. FP New Rockville Stock. Richer-Hoa-Qui hardcover books
2005161737New York: Rizzoli 2005. Hardcover. G Ex-art library with marks on spine and small tears from past labels i.d. marks on book block edges and outermost pages; slight wear to dj edges; page edges are beginning to tan; otherwise crisp and clear. Black stamped cloth black and color illus. dust jacket illus. flyleaves 256 pp. profusely illus. in color. Showcases the work of Moroccan-born French designer Alberto Pinto 1945-2012 presenting 51 specific finished bedrooms. "Under Pinto's direction the bedroom becomes a fantasy-like oasis that can be adorned with fine damasks and brocades gorgeiously colored mosaics luminously polished antique woods soothing fountains or neoclassical columns. The resulting bedrooms are contemporary yet sufused with a sense of the classic and the timeless." dj Highly illustrated as you may imagine. Rizzoli hardcover books
2006049312New York: Rizzoli 2006. 255 1p. dj large quarto format. Rizzoli unknown books
200256449NY:: Rizzoli. Fine in Fine dust jacket. 2002. Hardcover. 0847824659 . Color photographs throughout. Translated from the French by William Wheeler. First printing thus. Fine in a fine dust jacket. . Rizzoli, hardcover books
200656461NY:: Rizzoli. Near Fine in Fine dust jacket. 2006. Hardcover. 0847827917 . Color photographs throughout. Translated from the French by William Wheeler. First printing thus. Slight spine slant else fine in a fine dust jacket. . Rizzoli, hardcover books
199246092Paris: Michel Aveline Editeur 1992. Hardcover. Very Good. 301pp. Slight spine lean else a very good hardack in a very good dustjacket that has some minor wear to the extremities. Text in French. <br/><br/> Michel Aveline Editeur hardcover books
199246424Paris: Michel Aveline Editeur 1992. Hardcover. Very Good. 301pp. Very good hardback in a jacket that shows just the lightest wear at the extremities and has a closed tear to the bottom of the front panel. Text in French. <br/><br/> Michel Aveline Editeur hardcover books
1984176214Paris: Editions Promodis 1984. Softcover. VG covers have light shelf-wear/scuffs. corners rubbed; back corner creased. light mark to bottom of textblock. textured tan paper wraps w/ red printing. 250 pgs w/ illustrations. Text In French. Of 1000 copies. Hand-numbered 301. Editions Promodis paperback books
19472187Princeton NJ: Halsman 1947. Photograph. Fine. ONE OF THE MOST FAMOUS IMAGES OF EINSTEIN. Philippe Halsman's now iconic 1947 photograph of Einstein has become not only one of the most celebrated images of Einstein but one of the most recognizable images of the twentieth century. It was used to a 1966 US postage stamp of Einstein and was featured on the cover of Time Magazine honoring Einstein as the "Person of the Century".

 The photographer Halsman in his book Philippe Halsman: A Retrospective explained the circumstances of the photo: I admired Albert Einstein more than anyone I ever photographed not only as the genius who single-handedly had changed the foundation of modern physics but even more as a rare and idealistic human being.
 Personally I owed him an immense debt of gratitude. After the fall of France it was through his personal intervention that my name was added to the list of artists and scientists who in danger of being captured by the Nazis were given emergency visas to the United States.
 After my miraculous rescue I went to Princeton to thank Einstein and I remember vividly my first impression. Instead of a frail scientist I saw a deep-chested man with a resonant voice and a hearty laugh.
 The question of how to capture the essence of such a man in a portrait filled me with apprehension. Finally in 1947 I had the courage to bring on one of my visits my Halsman camera and a few floodlights. After tea I asked for permission to set up my lights in Einstein's study. The professor sat down and started peacefully working on his mathematical calculations. I took a few pictures. Ordinarily Einstein did not like photographers whom he called Lichtaffen light monkeys. But he cooperated because I was his guest and after all he had helped save me.
 Suddenly looking into my camera he started talking. He spoke about his despair that his formula E=mc2 and his letter to President Roosevelt had made the atomic bomb possible that his scientific search had resulted in the death of so many human beings. "Have you read" he asked "that powerful voices in the United States are demanding that the bomb be dropped on Russia now before the Russians have time to perfect their own" With my entire being I felt how much this infinitely good and compassionate man was suffering from the knowledge that he had helped to put in the hands of politicians a monstrous weapon of devastation and death.
 He grew silent. His eyes had a look of immense sadness. There was a question and a reproach in them.
 The spell of this moment almost paralyzed me. Then with an effort I released the shutter of my camera. Einstein looked up and I asked him "So you don't believe that there will ever be peace"
 "No" he answered. "As long as there will be man there will be wars." Silver prints of this photograph have been printed in different sizes over the years. This photograph is an official Halsman silver print with his copyright hand-stamp on the verso measuring approximately 10x13 inches. Princeton NJ. Silver print. Taken 1947; printed 1970s. Image: 13x10 inches 33x25.4 cm. Archivally matted and framed under UV-protecting museum glass to an overall size of 18.5x22 inches. A stunning piece in fine condition. Halsman unknown books