829 résultats
193711977Paris: Éditions Arts et Métiers Graphiques 1937. Softcover. Schall. 4to. 58pp. Original photographic wraps. Frontispiece. Photographic work on Paris profusely illustrated with reproductions in photogravure. Preface by French artist Jean Cocteau. Photographs by Roger Schall. Text in French. Front and rear wrapper detached. Spine torn parts of backstrip missing. Wraps in poor interior in overall very good condition. Éditions Arts et Métiers Graphiques unknown
192076164Editions de la Sirene 1920. hardback - paperback. very good condition with some wear- this is the original paperback bound in marbled boards with a leather spine no dust jacket- the cover of the original paperback has a few pieces missing for the top of the front cover Editions de la Sirene hardcover
LC737Tarascon Editions S.O.D.I.A. Soft cover. Very Good/No Jacket. Suite des lithographies: Visage Les amoureux D apres/visage de profil L homme poisson Homme à la couronne de laurier and four more. Tarascon Editions S.O.D.I.A. 14 x 18 cm. Signed on the stone. Envelope with 8 b&w lithographs. Some foxing on all but one L homme poisson which is near fine. Overall very good. The Book Cellar & Henschel. <br/> <br/> Tarascon, Editions S.O.D.I.A. paperback
1953003291NY: The John Day Company 1953. 1st Edition . Hardcover. Very Good/Very Good. NY: The John Day Company 1953. First edition no additional printings noted. vii 212pp; 16 b&w plates; index. Brown cloth; dust jacket. Softened spine ends mild smudging to fore-edge strip of offsetting to ffep; very good in a price-clipped jacket with moderate soiling toning and wear. With errata slip tipped in at rear noting several objections to the text raised by the widow of Vaslav Nijinsky. American first edition of this uncommon memoir by Russian-born pianist and arts patron Misia Serts 1872-1950 noted for her opulent Belle Époque Parisian art salon where she counted among her regular guests Debussy Satie Mallarmé Toulouse-Lautrec et al; Sert also furnished the basis for the entwined characters of Madame Verdurin and Princesse Yourbeletieff in Proust's La recherche du temps perdu. Jacket design by Jeanyee Wong incorporating a drawing of Sert by Jean Cocteau whose literary portrait of Sert appears here both as introductory excerpt and later in full. <br/> <br/> The John Day Company hardcover
1993BRB1751st edition 1st impression. Both book and D/J Fine with no inscriptions tears creases or wear. Not price cut Peter Owen hardcover
195369524Paris: Grasset 1953. Fine. Grasset Paris 1953 12 x 19 cm broché First edition one of 52 copies on Montval laid paper deluxe copy. Handsome copy. Grasset unknown
193236506Paris: Gallimard 1932. Fine. Gallimard Paris 1932 12 x 19 cm broché First collected edition one of 82 numbered copies on pur fil the only large paper copies. A very good copy. Gallimard unknown
2395Paris Édition des Quatre Chemins 1928. Édition des Quatre Chemins Paris 5/30/1928. First edition. 8mo. 1 of 2875 numbered copies on Rives à la forme there were 11 on Japon 25 on Holland and 64 on Annam de Rives. Includes 5 drawings illustrated by de Chirico. Uncut. In fine condition with the exception of a minor repaired tear at the bottom of the spine. unknown
16-4542Paris : Stock. 1923. . 8vo. 12 x 18/5 cm. Original wraps. Presentation copy signed and dated Juin 1923.Paul Lefèvre-Geraldy dit Paul Géraldy né à Paris 18e le 6 mars 1885 et mort à Neuilly-sur-Seine le 10 mars 1983 est un poète et dramaturge français.1 volume in-8 brochage . Envoi autographe signé de l’auteur à Paul Geraldy.Expertise by Pierre Prevost 75 rue Michel-Ange 75016 Paris. Paris : Stock. 1923 paperback
1965009112New York: Fleet Publishing Corporation 1965. Book. Very Good. Cloth. First American Edition. 8vo - over 7¾" - 9¾" tall. Stated First Printing of the First American Edition first published in France in 1959 as L'Exile de Capri and first published in English in 1961 by Secker & Warburg London. SCARCE in the American edition and in dust jacket. Very Good green top stain dulled slisht foxing at end papers and edges in a Very Good dust jacket front flap bottom corner price-clipped light wear at edges. Fleet Publishing Corporation Hardcover
192598244Paris : au Sans Pareil 1925. 235x175mm. frontispice en couleurs 11 planches en couleurs complet des 12 dessins fac-similÂŽ brochÂŽ. couverture rempliÂŽe. Dos lÂŽgÂrement insolÂŽ et trÂs petites accrocs sur le haut et le bas du dos autrement bel exemplaire intÂŽrieur propre. Edition originale sur papier vÂŽlin ˆ la forme de Montgolfier dÕAnnonay numÂŽrotÂŽe n.¡ 271 / 440. 445 au Sans Pareil unknown
1949039407New York: Duell Sloan And Pearce 1949. 1st Edition 1st Printing. Hardcover. Near Fine/Near Fine. 245 Pp. A Much-Enlarged Edition Of Armitage's 1936 Book Which Was The First English Language Book About Stravinsky With Much New Material Added. Black Cloth Printed In Yellow. End Sheets By Carlos Dyer And Edward S. Stevens Jr. Designs And Drawings By Merle Armitage And Executed By Al Ewers. Portrait Photographs By Edward Weston John Vachon Fred Plaut Arnold Newman; Portraits Of Stravinsky By Klee Pablo Picasso Russell Cowles J E Blanche Marc Chagall Pasquale Giovanni Napolitano; Drawings By Carlus Dyer And E S Stevens. Inscribed From Merle Armitage His Wife And His Daughter To Dorothy Brett. "Editor And Book Designer Merle Armitage Wrote A Book About This Time In New Mexico. Taos Quartet In Three Movements Was Originally To Appear In Flair Magazine But The Magazine Folded Before Its Publication. This Short Work Describes The Tumultuous Relationship Of D. H. Lawrence His Wife Frieda Dorothy Brett And Mabel Dodge Sterne A Wealthy Patron Of The Arts. Armitage Took It Upon Himself To Print 16 Hardcover Copies Of This Work For His Friends. Richard Pousette-Dart Executed The Drawings For Taos Quartet That Was Published In 1950." Wikipedia. A Near Fine Example With Just A Trace Of Rubbing At Corners. Dj Complete Not Price Clipped No Fading Slight Browning And Faint Splash Marks On Spine Panel 1/4" Closed Tear At Center Of Top Edge Of Spine. <br/> <br/> Duell, Sloan And Pearce hardcover
81488Paris IDES éditeur 1963. . Eins von 1000 Exemplaren auf vélin d'Arches. Die Schrift erschien anläßlich der Aufführung von Bachs h-Moll-Messe zu Ehren des im Oktober 1963 verstorbenen Jean Cocteau 1889-1963. Der Tod ereilte ihn an dem Tag als Cocteau einer Aufführung der Messe hatte beiwohnen wollten. Er hatte die Messe geliebt und außerdem eine enge Verbindung zu der Kirche Saint-Eustache und dem dortigen Pfarrer Emile Martin gepflegt. Die "Hommage" enthält neben einem Zwiegespräch zwischen Cocteau und Martin über die einzelnen Stationen der Messe und Bemerkungen des Dichters zur Wirkung der Bach'schen Musik die Wiedergaben zweier Illustrationen Cocteaus und den Text "Jean Cocteau aimait la Messe en Si" von Jean Marais. - Wenig angestaubt. Monogramm "JC" verso durchschlagend und mit Abklatsch [Paris, IDES éditeur, 1963]. unknown
19963112343Paris: Marval. Fine in Fine dust jacket. 1996. First Edition; First Printing. Hardcover. INSCRIBED & dated in 1998 by Lucien Clergue over the entire half-title page. Fine in dust jacket. unpaginated 9" X 9" Text in French. Black & white images. ; 8vo 9" - 9" tall; Signed by Photographer . Marval. hardcover
1924251553Paris: Librairie Stock 1924. First trade edition . Troisième édition. 130 plates by Cocteau. 272 pp. 4to. Half brown morocco with original yellow printec wrappers bound in head chipped joints rubbed . Bookplates of Alice Lee and Richard Myers and Louis Auchincloss. First trade edition . Troisième édition. 130 plates by Cocteau. 272 pp. 4to. Librairie Stock unknown
1959302484Milano: Vanni Scheiwiller 1959. Hardcover. Fine/Near Fine. First edition. 12mo. 60pp. Flexible cloth fine in near fine dustwrapper. Number 129 of 2000 copies. Vanni Scheiwiller hardcover
193512142Paris: Editions Bernard Grasset 1935. Limited Edition. Three-quarter leather. Fine. 8vo. Pp. 249. Top edge gilt. Text in French. Illustrations by the author. Stamped number 343 of 660 copies on Alfax Navarre. Bound in three-quarter brown leather over marbled boards spine lettered in gilt spine slightly dulled. Original wraps bound in. A beautiful copy. Cocteau looks back at the Belle Époque capturing the faces and personalities of the artists aristocrats dancers and eccentrics who shaped his early life. Editions Bernard Grasset unknown
1947169356Paris: Revue Internationale D'Art Dramatique 1947. First edition. Hardcover. Text in English French and Spanish with contributions by Jean Cocteau Roger Lannes and D'Irene Lidova. Includes 100 black and white images by Serge Lido. A clean near fine copy in red boards in a very good plus dust jacket with some small edge tears minor edge wear and an archival tape repair to the top of the spine and price correction on the rear panel. A nicely printed book that is fairly uncommon in the hardcover format. Revue Internationale D'Art Dramatique unknown
16-4939Frankfurt/M: 1959. Letterpress on card stock. 35.5 x52 cm.14" x 19 7/8" broadside. Philip Hofer. Broadside of an Alphabet with quotes by Douglas C McMurtrie Jean Cocteau and Emanuel Geibel about letters and the alphabet in a variety of languages. Calligraphed by Hermann Zapf and commissioned by Philip Hofer. Printed in 7 colors. The colophon line is in German and can be translated as "For Philip Hofer in Cambridge written by Hermann Zapf Frankfurt am Main 1959". Hermann Zapf pronounced “tsáff†born November 8 1918 was a German typeface designer who lived in Darmstadt Germany and was married to calligrapher and typeface designer Gudrun Zapf von Hesse.Zapf’s work which includes Palatino 1948 named after 16th century Italian writing master Giambattista Palatino and Optima 1952 a flared sans-serif released by Stempel in 1958. Zapf disliked its name which was invented by Stempel’s marketers has been widely copied often against his will. The best known example may be Monotype’s Book Antiqua which shipped with Microsoft Office and was widely considered a “knockoff†of Palatino. In 1993 Zapf resigned from ATypI Association Typographique Internationale over what he viewed as its hypocritical attitude toward unauthorized copying by prominent ATypI members.In 1935 Zapf attended an exhibition in Nuremberg in honor of the late typographer Rudolf Koch. This exhibition gave him his first interest in lettering. Zapf bought two books there using them to teach himself calligraphy. He also studied examples of calligraphy in the Nuremberg city library. In 1938 Zapf designed his first printed typeface for D. Stempel AG and Linotype GmbH of Frankfurt a fraktur type called Gilgengart.In 1976 the Rochester Institute of Technology offered Zapf a professorship in typographic computer programming the first of its kind in the world. He taught there from 1977 to 1987 flying between Darmstadt and Rochester. There he developed his ideas on digital typography further with the help of his connections in companies such as IBM and Xerox and his discussions with the computer specialists at RIT. Zapf used his experience to begin development of a typesetting program called the “hz-program†which Adobe Systems acquired and later incorporated in their InDesign program.Expertise by: Dominique COURVOISIERExpert de la Bibliothèque nationale de France. Membre du Syndicat Français des Experts Professionnels en œuvres d’art5 rue de Miromesnil 75008 Paris.Provenance: from the estate of Raymond Gid who died Sunday November 12 2000 in Paris. Born on November 25 1905 Raymond Gid became first known through his posters after having studied at les Beaux-Arts. As a film enthusiast he designed many movie posters for example Vampyr de Dreyer photomontage 1932 Le Silence de la mer by Melville 1949 Les Diaboliques by Clouzot 1955. But a meeting with Guy Levis Mano editions GLM editor and typographer soon directed Gid towards the book. In 1935 he publishes together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats Chiens by Ylla. It is an intensive period of his life period: he meets Dufy Corbusier Hake Lurcat and receives the gold medal for a poster at the International exhibition of Paris 1937. He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre « bete-a-bon-Dieu » of the Resistance Raymond Gid began to design liturgical texts. Apocalypse Six an extract of the biblical text of Saint John appeard after the war. It is one of his major works composed in the Peignot typeface which was designed by Cassandre in 1937. He designs several post-war period posters for example Week of absent a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure Provence in 1954 Raymond Gid participates in discussions on typography particularly with Maximilen Vox Charles Peignot Roger Excoffon. Raymond Gid puts on page and illustrates the Dialogues of the Carmelite nuns by Bernanos 1954 then some pages in Caractere Noel 1955 dedicated to his friend Jan van Krimpen the creator of dutch type faces. He plays with the breathing of the text in the manner of Mallarme as in his Book of hours 1959 or his Apocalypse 1964 adapting medieval text to present day tastes. He also designs posters like those for the Club Mediterranee 1961 Bally 1976 or heavier fare like that of Amnesty International 1973. During his whole life Raymond Gid remained attached to the typographical arts. He liked to try out new characters in his compositions mixing them with his very free drawings as for example in Messidor published by the Imprimerie nationale 1989. Jean-Francois Porchez type designer; translated from french by Babelfish and cleaned up a bit. Links Art and Poster Bally posters Chicago Center for the Print Bally posters Poster Auctions International New York Catalogue from the personal exhibition at the Bibliotheque Forney Paris in 1992. Frankfurt/M: 1959 unknown
1950384132-UE8Paris : Musée national d'art moderne 1950. Softcover. Fair. Paperback numerous illustrations in colour and b/w text in French unpaged 8vo.; Spine discoloured front and rear cover discoloured along the edges and lightly spotted several small creases to front and rear cover spine lightly damaged at top end foxed on cut. Paris : Musée national d'art moderne paperback
1923119471Paris : Librairie Stock Delamain Boutelleau et Cie. 1923. 285x130mm. 130 planches en n/b collation effectue reliure dÕamateur demi-toile. Couvertures et dos conservs. Achev dÕimprimer sur les Presses de Kapp a Vanves le 20 juin mil neuf cent vingt quatre. Un des 400 exemplaires sur papier vlin pur fil Lafuma numrote n.¡ 519 / 575 sign par lÕauteur. 1414 Librairie Stock, Delamain, Boutelleau et Cie. unknown
192596291Drager Freres 1925. 38.5 x 31.0 cm. Pp. 6 pages of brief text by Cocteau plus 8 of 11 hand-coloured through stencil plates by Charles Martin Original paper-covered boards with spine and edges frayed. With it booklet of the English translation. 1st. Hardcover. Poor/No Jacket. Illus. by Charles Martin. Drager Freres Hardcover
199546199Montpellier: Fata MorganaEdouard Dermit 1995. Fine. Fata Morgana Edouard Dermit Montpellier 1995 14.50 x 22.50 cm broché First edition one of 33 numbered copies on Johannot wove paper head print. Illustrated book of 4 drawings by the author. Beautiful copy. Fata MorganaEdouard Dermit unknown
1926281356London: Faber and Gwyer 1926. Hardcover. Very Good. First English edition. Two small stains on the boards and corners a bit bumped else very good or better lacking the dustwrapper. Eslanda Goode Robeson's copy with her ownership Signature. Robeson was an anthropologist author reviewer and the wife of Paul Robeson. Faber and Gwyer hardcover
34451<p>Leather spine shows some wear. Book is written in Frence. Black and white drawings. No date. Pictures on request</p> Delamain & Boutelleau hardcover