Cocteau, JeanBiblio.com
JEAN COCTEAU (1889-1963).Biblio.com
MALE NUDE WITH ARMS RAISED.
37351. Pencil on paper 10½ x 8¼ in 27 x 21 cm. unknown
Robert Frew Ltd · Royaume-Uni2 000,00 £GB≈ 2 283,60 €
829 résultats
1926D1873Paris: Editions Briant-Robert 1926. Limited Edition. Paperback. Near Fine. Number 383 from a limited edition of 200 copies "sur velin 180 sur arches 20 sur rives" signed by Cocteau on the limitation page. Total limitation 500 copies. <br/><br/> Editions Briant-Robert paperback
37351. Pencil on paper 10½ x 8¼ in 27 x 21 cm. unknown
4280Couverture rigide. Bon/1977. in-8. Paris Jean-Marie Place 1977 in-8 155pp reliure éditeur jaquette Très bel exemplaire unknown
1981196981poeSan Francisco: Man-Root 1981. 1st editions. wrappers. Very Good/no dj's as issued. Manroot. Complete run<br /> <br /> Nos. 1-12. San Francisco 1969 - 1981. Gay literary periodical edited by Paul Mariah and Richard Tagett. Softcovers sizes vary: 22.5 x 17 cm/ 21 x 13 cm 84 pp/ 192 pp. <br /> Laid into vol. 1 is a type-written poem by James Hietter On Going To Bed With Duncan dated Dec 26 1968. Vol 4 has a 'Dear Subscriber' note signed by Paul Mariah.<br /> <br /> Original illustrated wrappers some spines mildly faded generally a very good set.<br /> <br /> Contributions mostly poetry by Kathy Acker Jack Spicer Paul Eluard Jean Cocteau Frank O'Hara Robert Desnos James Broughton Denise Levertov Andre Breton Jean Genet Arthur Rimbaud Allen Ginsberg et al. Illustrations by Marie Wilson Martin Izquierdo Robert Berner José Laffitte Diego Rivera. <br /> No.8 themed 'Manroot Womanhood'<br /> No.10 is a special 'Jack Spicer' issue. <br /> No.12 features 'The complete Poems of Jean Genet' <br /> No.6/7 is a double issue. total 11. Man-Root unknown
192073134Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 18 x 24 cm relié Set of eight original color engravings printed on laid paper and signed at the lower right and left of the plates. The plates are introduced by a text signed by Jean Cocteau and depict costumes for Shakespeares play two Shepherdesses Paulina and Time. Bradel binding in full decorative paper smooth spine brown shagreen title-piece binding signed by Goy & Vilaine. Original engravings created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the twentieth century celebrating the talent of French designers and artists at the height of the Art Deco movement. A celebrated fashion periodical founded in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with an interruption between 1915 and 1920 due to the mobilization of its editor-in-chief. It comprises 69 issues printed in only 2000 copies and is illustrated with 573 color plates and 148 sketches depicting designs by leading couturiers. From the outset these luxurious publications were addressed to bibliophiles and worldly aesthetes Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016. Printed on fine laid paper they employed a typeface specially created for the review by Georges Peignot the Cochin type later revived by Christian Dior in 1946. The engravings were produced using the pochoir technique hand-colored and in some cases heightened with gold or palladium. The venture began in 1912 when Lucien Vogel a man of fashion and societyalready involved with the magazine Feminadecided with his wife Cosette de Brunhoff sister of Jean the father of Babar to establish La Gazette du bon ton subtitled Art modes et frivolités. Georges Charensol reports the words of the editor-in-chief: In 1910 he observed there was no fashion magazine truly artistic and representative of the spirit of its time. I therefore thought of creating a luxury magazine with genuinely modern artists . I was certain of success for in matters of fashion no country can rival France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no.133 May 1925. The success of the review was immediate not only in France but also in the United States and South America. At the outset Vogel brought together a group of seven artists: André-Édouard Marty and Pierre Brissaud soon joined by Georges Lepape and Dammicourt; and finally his friends from the École des Beaux-Arts George Barbier Bernard Boutet de Monvel and Charles Martin. Other talents quickly joined: Guy Arnoux Léon Bakst Benito Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Maggie Salcedo. Most of these artists were unknown when Vogel first engaged them yet they would later become emblematic and highly sought-after figures in the art world. These same illustrators also created the advertisements for the Gazette. The plates highlighted and exalted the creations of seven designers of the period: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. For each issue the couturiers provided exclusive designs. Nevertheless some illustrations did not reproduce actual models but rather conveyed the illustrators vision of contemporary fashion. La Gazette du bon ton represents a decisive stage in the history of fashion. Combining aesthetic refinement with visual unity it brought together for the first time the leading talents of art literature and couture imposing through this alchemy an entirely new image of womanhoodslender independent and boldfurther embodied by the new generation of designers such as Coco Chanel Jean Patou and Marcel Rochas. Taken over in 1920 by Condé Montrose Nast La Gazette du bon ton greatly influenced the new composition and aesthetic choices of the little dying magazine Nast had acquired a few years earlier: V Lucien Vogel éditeur unknown
1929182923Paris: Editions des Quatre Chemins 1929. Softcover. Good- taped spine heavy wear to wraps foxing spots. Tan wraps with red and black lettering; 20 pages 51 1 leaves of plates; chiefly portraits. Black and white portrait frontispiece. This edition is numbered 179 of 525 copies. Text is in French. The rear lists the plates by artist and includes: Bonnard Bosshard Bourdelle Braque Chagall Chas La Borde Chirico Cocteau Delaunay Derain Despiau Edzard Favory Foujita Friesz Goerg Gromaire Henri-Matisse Hermine David Kisling Kramstyck Laboureur Laprade Laurens Le Fauconnier Leger Lhote Lurcat Manievitch Man Ray Marcoussis Marval Max Band Max Jacob Marquet Mika Mikoun Orloff Ozenfant Papazoff Pascin Per Krohg Picabia Poiret Raoul Dufy Rouault Soutine Souverbie Van Dongen Valadon De Waroquier Zadkine. Editions des Quatre Chemins paperback
dola808Paris: Éditions des Quatre Chemins 1929. First Edition: Hors-Commerce copy on vélin de Rives printed for M. Berthold Held total edition: 605. Lani a Polish Jew arrived in Paris in 1928 proclaiming to be a silent film star from Berlin. She quickly managed to enlist an impressive group of contemporary artists to produce portraits of her that were to be used on the set of a projected film. Picasso refused to collaborate. The film was never made but an exhibition of the portraits travelled to galleries and art centres in New York Chicago London Berlin Paris and Rotterdam. 4to. pp. 24. frontis. portrait by Lipnitzky & 51 reproductions of portraits of Lani by Bonnard Braque Chagall De Chirico Derain Foujita Matisse Man Ray Dufy Rouault & others. contemporary calf light wear to extremities Paris: Éditions des Quatre Chemins, [1929] unknown
1964503414Paris and Rome: Michelangelo Editions - International center of Art 1964. Book. Near Fine Book Condition. Hardcover. Signed and Inscribed By Seymour Mayne. First Edition. An excellent copy with minor tanning to edges as usual. White pictorial dustjacket has several short closed tears. Overall a very nice copy. Text clean binding strong. 13"x10". Text in English and Italian. Inscribed and signed by artist with signed note laid-in. Michelangelo Editions - International center of Art Hardcover
16-5386Milano: 1991. 4 printed pages 29.7 x 21cm. . Gualtiero Marchesi nasce a Milano nel 1930. Il suo approccio con la gastronomia avviene in giovane età quando comincia a far pratica nella cucina del ristorante dell'albergo "Mercato" di proprietà dei genitori.La sua formazione professionale inizia al Kulm di St. Moritz e alla scuola alberghiera di Lucerna in Svizzera 1948- 1950.Tornato in Italia lavora all'albergo "Mercato" dove propone una cucina d'avanguardia che attinge ai testi classici.Successivamente perfeziona le sue tecniche culinarie in alcuni dei migliori ristoranti francesi quali il "Ledoyen" a Parigi "Le Chapeau Rouge" a Digione e il ristorante dei fratelli Troisgros a Roanne e anche grazie a questa esperienza Gualtiero Marchesi si dimostra come sempre attento all'evoluzione che anima l'alta cucina.Ritorna in Italia nel 1977 e inaugura a Milano il suo ristorante di via Bonvesin de la Riva riscuotendo un immediato successo: una stella della guida Michelin due stelle nel 1978.A due anni dall'apertura i gastronomi Gault e Millau nel corso di un'intervista al Time lo annoverano tra i quindici ristoranti al mondo da loro preferiti.Le migliori guide lo propongono ai vertici della ristorazione e nel 1985 la Michelin per la prima volta in Italia attribuisce al suo ristorante le tre stellProvenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris. Milano: 1991 unknown
16-5389Erbusco Bs: 1991. 4 printed pages 29.7 x 21cm. . Printed menu in Italian with manuscript notes in French.Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris. Erbusco (Bs): 1991 unknown
16-5390Milano: 1991. 4 printed pages 24 x 14cm. . Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris. Milano: 1991 unknown
16-5387Milano: 1991. 4 printed pages 29.7 x 21cm. . Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris. Milano: 1991 unknown
16-5392Paris: Ritz 1991. 8 printed pages 29 x 22cm. on Arches. Green tassle.Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris. Paris: Ritz, 1991 unknown
16-5391Bruxelles: Villa Lorraine 1990. 8 printed pages 29 x 22cm. on Arches. Green tassle.Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris. Bruxelles: Villa Lorraine, 1990 unknown
16-5388Modena: 1991. 4 printed pages 29.7 x 21cm. . Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris. Modena: 1991 unknown
05-0811Paris: 1960. Collotype reproduction. 39 x 29 cm. Signed & dated in the plate. Paris: 1960. unknown
68-7501Paris France: Le Carte Du Grand Vefour ca. 1990. Folio. Menu. Decorative boards with folded folded page within string bound. Very Good En Francais.Provenance: Collection of M. Denis Schneider ancien Chef de Cuisine 1980s - 1990s Copenhague Maison du Danemark. 142 Ave. des Champs-Elysees 75008 Paris. Paris, France: Le Carte Du Grand Vefour, [ca. 1990]. hardcover
68-3575Paris France: Relais & Chateaux ca. 1950. . Printed Menu. 22.5 x 31.5 cm. Folded Cardstock with folded printed menu within. Very Good. Illustrated. Text En Francais. Paris, France: Relais & Chateaux, [ca. 1950]. unknown
68-7531Paris France: Le Grill Drouant ca. 1990. Folio. Folded sheet. Good with tiny tear at tail of spine else Very Good. En Francais.Provenance: Collection of M. Denis Schneider ancien Chef de Cuisine 1980s - 1990s Copenhague Maison du Danemark. 142 Ave. des Champs-Elysees 75008 Paris. Paris, France: Le Grill Drouant, [ca. 1990]. unknown
75-0901Hamburg DE: Kunstzentrum Leonardo 1999. Brochure. 8vo. 4 pp. Very Good.German text. Color and black and white plates.Invitation for April 22 1999 event at Galerie des Kunstzentrums. Hamburg, DE: Kunstzentrum Leonardo, 1999 unknown
1953003291NY: The John Day Company 1953. 1st Edition . Hardcover. Very Good/Very Good. NY: The John Day Company 1953. First edition no additional printings noted. vii 212pp; 16 b&w plates; index. Brown cloth; dust jacket. Softened spine ends mild smudging to fore-edge strip of offsetting to ffep; very good in a price-clipped jacket with moderate soiling toning and wear. With errata slip tipped in at rear noting several objections to the text raised by the widow of Vaslav Nijinsky. American first edition of this uncommon memoir by Russian-born pianist and arts patron Misia Serts 1872-1950 noted for her opulent Belle Époque Parisian art salon where she counted among her regular guests Debussy Satie Mallarmé Toulouse-Lautrec et al; Sert also furnished the basis for the entwined characters of Madame Verdurin and Princesse Yourbeletieff in Proust's La recherche du temps perdu. Jacket design by Jeanyee Wong incorporating a drawing of Sert by Jean Cocteau whose literary portrait of Sert appears here both as introductory excerpt and later in full. <br/> <br/> The John Day Company hardcover
19582092902137305564Bijutsu shubbansha 1958. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
19632092902138901400Bijutsu shubbansha 1963. Soft Cover. Fine. Number of books: 1 book Bijutsu shubbansha paperback
18-7587Paris: Fernand Hazan 1950. 12mo. 24 pp. Very Good. Soft Cover. Illustrated paper wraps with French folds. Some shelf wear. Starting at head and tail of spine. Slight toning of wraps. Pages and plates fine. Color plates throughout. Collection of Amedeo Modigliani's paintings and notes by Jean Cocteau. Text in French. From the Collection of the Art Historian Peter Selz. Paris: Fernand Hazan, 1950. paperback
COD-03917Harry N. Abrams. Hardcover. Good. Good condition with dust jacket with wear. Harry N. Abrams hardcover
