3 897 résultats
195312323München 1953. Dt/Franz. Bruckmann 8°. Ln. Literatur unknown
2021188672Seghers Paris, Seghers, 2021. In-Folio sous étui en leporello et papier découpé. Très bon état
1998BN27469Kellner Vlg. Hbg. 1998. 1998. Hardcover. 34 x 244 x 14 cm. A collection of portraits of people permanently at rest. "Schäfer's meditation might be quiet but it still has the power to disturb us. While some his subjects look as if they are merely asleep and having pleasant dreams at that others look very dead and also very troubled. As Schäfer undoubtedly intends we cannot help projecting our own thoughts and fears on these post-mortem portraits - on the final moment that awaits us all." Gerry Badger I remember discovering this work in a bookshop and without reading the title I stumbled into the pictures and put it immediately away. Over the next months returning to the shop I always had to pull it out again and look at it there is a fascination to look at it and at the same time you want to get away the pictures in your head - but you can't. In the end I bought it two years later - up to now the picture of the boy is one of the saddest most peaceful and strongest impression of a photo on me. Zusatzinfo 13 Abb. Maße 340 x 240 mm Einbandart gebunden ISBN-10 3-927623-02-4 / 3927623024 ISBN-13 978-3-927623-02-6 / 9783927623026 Der Ewige Schlaf / visages de morts Gebundene Ausgabe The endless sleep Porträts von toten Menschen. Faces of death. Textbeitrag von Jean Cocteau: Vom Tod. Interview mit Rudolf Schäfer Autor Jean Cocteau Mitarbeiter <br/><br/>post-mortem ISBN-10 3-927623-02-4 / 3927623024 ISBN-13 978-3-927623-02-6 / 9783927623026 Death dead mourier Tote Tod Der Ewige Schlaf / visages de morts Gebundene Ausgabe The endless sleep Porträts von toten Menschen. Faces of death. Textbeitrag von Jean Cocteau: Vom Tod. Interview mit Rudolf Schäfer Autor Jean Cocteau Mitarbeiter A collection of portraits of people permanently at rest. "Schäfer's meditation might be quiet but it still has the power to disturb us. While some his subjects look as if they are merely asleep and having pleasant dreams at that others look very dead and also very troubled. As Schäfer undoubtedly intends we cannot help projecting our own thoughts and fears on these post-mortem portraits - on the final moment that awaits us all." Gerry Badger I remember discovering this work in a bookshop and without reading the title I stumbled into the pictures and put it immediately away. Over the next months returning to the shop I always had to pull it out again and look at it there is a fascination to look at it and at the same time you want to get away the pictures in your head - but you can't. In the end I bought it two years later - up to now the picture of the boy is one of the saddest most peaceful and strongest impression of a photo on me. Zusatzinfo 13 Abb. Maße 340 x 240 mm Einbandart gebunden ISBN-10 3-927623-02-4 / 3927623024 ISBN-13 978-3-927623-02-6 / 9783927623026 Der Ewige Schlaf / visages de morts Gebundene Ausgabe The endless sleep Porträts von toten Menschen. Faces of death. Textbeitrag von Jean Cocteau: Vom Tod. Interview mit Rudolf Schäfer Autor Jean Cocteau Mitarbeiter Kellner Vlg., Hbg. hardcover
1927956Augsburg B. Filser, o.J. (1927). 93 S. 8° Obrosch
KV-SEGC-XU2XHardcover. Very Good. FIRST EDITION Munich: F. Bruckmann 1953. Hardcover in decorated cloth boards tall 8o. laminated cloth binding with color composition and hand-written titles by Cocteau on front panel and spine. Issued without dust jacket. 94 pages illustrated with 17 line drawings by Cocteau plus one facsimile and 20 fullpage reproductions 4 in color. Text in French and German. Faint spotting to end-sheet and one or two pages else very good overall condition. No markings NOT EX-LIBRARY. fprw2 hardcover
1953636Munich: F. Bruckmann 1953. Very Good. Very Good conditon hardcover. F. Bruckmann hardcover
61291Paris, Horizon illimité, 1983. 22 x 25, 120 pp., nombreuses illustrations en N/B et en couleurs, reliure d'édition carton imprimé, très bon état.
83274Paris, Horizon Illimité, sans date, petit in 4°, cartonnage illustré de l'éditeur, 120 pages ; importante iconographie.
0366150170.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
036613549X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
LIT180M2001 / 261 pages. Broché Editions Séguier
ART946C115GAR2001 / 261 pages. Broché. Editions Séguier.
42991Le Sémaphore.1955.Petit in-8 br.Lettre-préface de Jean Cocteau.Ex.n°300/450.E.O. BE.
1924251553Paris: Librairie Stock 1924. First trade edition . Troisième édition. 130 plates by Cocteau. 272 pp. 4to. Half brown morocco with original yellow printec wrappers bound in head chipped joints rubbed . Bookplates of Alice Lee and Richard Myers and Louis Auchincloss. First trade edition . Troisième édition. 130 plates by Cocteau. 272 pp. 4to. Librairie Stock unknown
1924251553Paris: Librairie Stock 1924. First trade edition . Troisième édition. 130 plates by Cocteau. 272 pp. 4to. Half brown morocco with original yellow printec wrappers bound in head chipped joints rubbed . Bookplates of Alice Lee and Richard Myers and Louis Auchincloss. First trade edition . Troisième édition. 130 plates by Cocteau. 272 pp. 4to. Librairie Stock unknown books
1923D17821Paris: Librairie Stock 1923. First Edition. Paperback. Near Fine. 4to original printed wrappers; custom cloth clamshell box. 129 reproductions of his drawings plus an original pen drawing of a dog captioned and initialed by Cocteau on front blank. <br/><br/> Librairie Stock paperback books
22793Paris, Librairie Stock, 1923. In-4, 150 pl., broché, couverture originale imprimée (dos frotté et restauré).
16006Paris, Librairie Stock, Delamain, Boutelleau et Cie, 1924. In-4, 272 pp., parchemin écru, titre et auteur au dos, couverture conservée (taches à la couverture).
45950Paris Librairie Stock. Delamain, Boutelleau et Cie 1924 in 4 (28x22,5) 1 volume broché, 272 pagies [1], avec 130 planches hors-texte reproduisant des dessins de l'auteur. Recueil de nombreux portraits, dont: Noailles, Satie, Auric, Poulenc, Jean Hugo, Radiguet (8), Diaghilev (9), etc. Avec un feuillet préliminaire imprimé de dédicace à Picasso: "Les poètes ne dessinent pas. Ils dénouent l'écriture et la renouent autrement, c' est pourquoi je me permets de te dédier quelques jambages faits sur des buvards, des nappes et des dos d enveloppes. Sans ton conseil je n eusse jamais osé les réunir". Jean Cocteau, 1889-1963. Achevé d'imprimer à la date du 20 juin 1924. Deuxième édition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1924013385Paris: LIBRARIE STOCK 1924. 2nd Edition. Soft cover. Good. Inscribed by Cocteau and dated 1923 by him to influential art critic Louis Vauxcelles on the cover. Title page dated 1924. Presentable copy with a repaired spine that had suffered some loss and was laid back down with covers reattached. Some tape residue from inexpert previous tape repair upper and lower corners of covers where they meet spine. With original glassine that has browned with spine perished. Louis Vauxcelles 1870 - 1943 is credited with coining the terms Fauvism 1905 and Cubism 1908. Jean Cocteau 1889 -1963 was a French poet playwright novelist designer film director visual artist and critic. He was one of the foremost artists of the surrealist avant-garde and Dadaist movements and an influential figure in early 20th century art. This copy represents an important association between two French art figures one the most influential critic of his generation and the other - apart from Picasso to whom Cocteau dedicated this work - the most influential artist of the 20thC. LIBRARIE STOCK unknown
1924FIC DKLIBRARIE STOCK 1924. Book. Fine. Soft cover. Signed by Authors. FIRST. A FINE FIRST EDITION SECOND PRINTING IN GLASSINE INSCRIBED BY COCTEAU ON COVER. LIBRARIE STOCK Paperback
19242785Paris: Librairie Stock 1924. First edition. In very good conditon. First edition. 272 p. Inscribed to André Breton. <p><br /> Mon cher Breton // Je n'écris plus. C'est donc // un lecteur malheureux qui // tient à vous dire combien votre // livre l'a enchanté emporté // loin de son mal.<br /> // Croyez à ma // profonde // reconnaissance // Jean Cocteau // 1924.<p><br /> From the collection of Pierre Berge. Librairie Stock unknown
1924412274Paris: Stock 1924. Hardcover. Near Fine. First edition. Quarto. Quarter cloth and decorated papercovered boards with printed paper title label on front board. Modernist bookplate of Alex de Hass on rear pastedown moderate edgewear on the boards near fine. A collection of Cocteau's pen and ink drawings mostly portraits which was dedicated to Picasso.<br /> <br /> In October of 1946 Cocteau visited Amsterdam to attend the Dutch premiere of his famous film La Belle et la Bête. During this visit he was hosted by the Dutch songwriter and performer Alex de Haas. This volume has two large original drawings by Cocteau one on the front fly the other on the half-title each dedicated by Cocteau to de Haas.<br /> <br /> Additionally affixed to the front pastedown is an original gelatin silver photograph 9.25" x 6.5" of Cocteau speaking at a press conference in Amsterdam as well as a later color portrait of Cocteau from a magazine affixed on the copyright page. Additionally on the recto of the rear fly-leaf is an original drawing by the well-known Dutch caricaturist Eppo Doeve depicting de Haas paying homage to Cocteau on the stage of Tuschinski Theatre 28 October 1946. This copy is referenced in the Dutch literary journal De Parelduiker May 2007 pp.36-44. Stock hardcover
1923ICTssCOC34Paris: Librairie Stock Delamain Boutelleau Et Cie. 1923. 1923. 4to. pp. 2 p.l. 272 2 leavesincl. blank. with half-title. 129 full-page illus. contemporary half morocco t.e.g. others untrimmed original printed wrs. bound in repaired tear to upper edge of 1 leaf. First Edition one of 400 numbered copies on Lafuma wove paper of an edition of 575 50 'hors commerce' signed by Cocteau. Including portraits of Erik Satie Georges Auric Francis Poulenc Raymond Radiguet Pablo Picasso &c. A whole section is devoted to the Ballet Russe with drawings of Diaghilev Nijinsky a backstage scene following 'Spectre De La Rose' and Igor Stravinsky conducting 'Sacre du Printemps'. Signed by Authors. F. Paris: Librairie Stock, Delamain, Boutelleau Et Cie., 1923. unknown
192533815Reliure pleine toile écrue de l'éditeur. Dos lisse orné du nom de l'auteur en long. Couverture doublée avec petites réparations sur le papier. Intérieur propre, jauni aux extrémités des feuilles.