COCTEAU, JeanBiblio.com
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1926281356London: Faber and Gwyer 1926. Hardcover. Very Good. First English edition. Two small stains on the boards and corners a bit bumped else very good or better lacking the dustwrapper. Eslanda Goode Robeson's copy with her ownership Signature. Robeson was an anthropologist author reviewer and the wife of Paul Robeson. Faber and Gwyer hardcover
1926007604London: Faber and Gwyer 1926. RARE in dust wrapper and this one quite nice Near Fine a hint of toning to end pages prior owner name front end page in a Near Fine dust wrapper tiny chips at head of spine small old tape mends internally at fold edges. Written between the years 1918 and 1926 and including "Cock and Harlequin" "Professional Secrets" and other critical essays. With a frontispiece titled "A portrait of the artist by himself". . First Edition. Cloth. Near Fine/Near Fine. 8vo - over 7¾" - 9¾" tall. Faber and Gwyer Hardcover books
PHO01COCTEAUC11997 chez The Mit Press. In-8, relié, 99 pages. Riche iconographie en noir et blanc. Exemplaire en bon état. La jaquette présente de légères marques d'usages. Intérieur frais et agréable.
69-4359Cambridge Massachusetts: The MIT Press 1997. Oblong 8vo. Hardcover with dust-jacket 108 pp. B&W Plates. Very Good.Provenance: Richard A. Lorenz 1952 -2001 author art conservator curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer. Cambridge, Massachusetts: The MIT Press, 1997 hardcover
1998LIQ-2835Montpellier, Luis Casinada 1998. In-4° à l'Italienne, en ff sous couverture blanc cassé remliée, gardes or et noires.
43528Montpellier Luis Casinada 1998 in 8 oblong (18x33) 1 volume broché, non paginé, illustré de 4 compositions hors texte de Karen Thomas rehaussées à la main de gouache. texte inédit de Jean Cocteau. (Edition printed on Japon paper and limited to only 45 numbered copies, each signed by the artist and editor). Edition tirée à 45 exemplaires imprimés sur papier Japon, numérotés, signés par l'artiste et l'éditeur, dont 20 hors commerce. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
23237Montpellier, Luis Sasinada 1998, 180x330mm, Couverture imprimée. Tirage limité à 45 exemplaires sur papier Japon Sanmore, dont 20 h-c. comportant 4 illustrations originales tirées sur Japon Dosabiki et réhaussées de gouache par le peintre qui à signé et justifié chaque exemplaire avec l’éditeur, XXX/VL. Bel exemplaire.
199823237Montpellier : Luis Sasinada 1998. 180x330mm. Couverture imprime. Tirage limit 45 exemplaires sur papier Japon Sanmore dont 20 h-c. comportant 4 illustrations originales tires sur Japon Dosabiki et rhausses de gouache par le peintre qui sign et justifi chaque exemplaire avec lÕditeur XXX/VL. Bel exemplaire. 185 Luis Sasinada unknown
1957h00403Paris: Olympia Press 1957. First edition thus. 12mo. 93 pp. Very Good. Slight shelfwear to extremities of wraps. Traveller's Companion #51. Paperback. Very Good. Olympia Press paperback
1957000014Paris: Olympia Press 1957. Book. Very Good. Soft cover. 1st Edition. 12mo - over 6¾ - 7¾" tall. 94pp. Green sotfcover white field with black titles on spine black titles on front panel. Slight wear along edges of spine but binding remains sturdy spine straight. Pages clean and unmarked throughout. Preface and illustrations by Jean Cocteau and despite the pretense of its anonymous authorship text by Cocteau as well. . Olympia Press Paperback
1943008079En France à l'intérieur des terres [Saint-Maurice d'Etelan] [Pierre Bettencourt] 1943 in-8° Broché, couverture rempliée
16-4939Frankfurt/M: 1959. Letterpress on card stock. 35.5 x52 cm.14" x 19 7/8" broadside. Philip Hofer. Broadside of an Alphabet with quotes by Douglas C McMurtrie Jean Cocteau and Emanuel Geibel about letters and the alphabet in a variety of languages. Calligraphed by Hermann Zapf and commissioned by Philip Hofer. Printed in 7 colors. The colophon line is in German and can be translated as "For Philip Hofer in Cambridge written by Hermann Zapf Frankfurt am Main 1959". Hermann Zapf pronounced “tsáff†born November 8 1918 was a German typeface designer who lived in Darmstadt Germany and was married to calligrapher and typeface designer Gudrun Zapf von Hesse.Zapf’s work which includes Palatino 1948 named after 16th century Italian writing master Giambattista Palatino and Optima 1952 a flared sans-serif released by Stempel in 1958. Zapf disliked its name which was invented by Stempel’s marketers has been widely copied often against his will. The best known example may be Monotype’s Book Antiqua which shipped with Microsoft Office and was widely considered a “knockoff†of Palatino. In 1993 Zapf resigned from ATypI Association Typographique Internationale over what he viewed as its hypocritical attitude toward unauthorized copying by prominent ATypI members.In 1935 Zapf attended an exhibition in Nuremberg in honor of the late typographer Rudolf Koch. This exhibition gave him his first interest in lettering. Zapf bought two books there using them to teach himself calligraphy. He also studied examples of calligraphy in the Nuremberg city library. In 1938 Zapf designed his first printed typeface for D. Stempel AG and Linotype GmbH of Frankfurt a fraktur type called Gilgengart.In 1976 the Rochester Institute of Technology offered Zapf a professorship in typographic computer programming the first of its kind in the world. He taught there from 1977 to 1987 flying between Darmstadt and Rochester. There he developed his ideas on digital typography further with the help of his connections in companies such as IBM and Xerox and his discussions with the computer specialists at RIT. Zapf used his experience to begin development of a typesetting program called the “hz-program†which Adobe Systems acquired and later incorporated in their InDesign program.Expertise by: Dominique COURVOISIERExpert de la Bibliothèque nationale de France. Membre du Syndicat Français des Experts Professionnels en œuvres d’art5 rue de Miromesnil 75008 Paris.Provenance: from the estate of Raymond Gid who died Sunday November 12 2000 in Paris. Born on November 25 1905 Raymond Gid became first known through his posters after having studied at les Beaux-Arts. As a film enthusiast he designed many movie posters for example Vampyr de Dreyer photomontage 1932 Le Silence de la mer by Melville 1949 Les Diaboliques by Clouzot 1955. But a meeting with Guy Levis Mano editions GLM editor and typographer soon directed Gid towards the book. In 1935 he publishes together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats Chiens by Ylla. It is an intensive period of his life period: he meets Dufy Corbusier Hake Lurcat and receives the gold medal for a poster at the International exhibition of Paris 1937. He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre « bete-a-bon-Dieu » of the Resistance Raymond Gid began to design liturgical texts. Apocalypse Six an extract of the biblical text of Saint John appeard after the war. It is one of his major works composed in the Peignot typeface which was designed by Cassandre in 1937. He designs several post-war period posters for example Week of absent a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure Provence in 1954 Raymond Gid participates in discussions on typography particularly with Maximilen Vox Charles Peignot Roger Excoffon. Raymond Gid puts on page and illustrates the Dialogues of the Carmelite nuns by Bernanos 1954 then some pages in Caractere Noel 1955 dedicated to his friend Jan van Krimpen the creator of dutch type faces. He plays with the breathing of the text in the manner of Mallarme as in his Book of hours 1959 or his Apocalypse 1964 adapting medieval text to present day tastes. He also designs posters like those for the Club Mediterranee 1961 Bally 1976 or heavier fare like that of Amnesty International 1973. During his whole life Raymond Gid remained attached to the typographical arts. He liked to try out new characters in his compositions mixing them with his very free drawings as for example in Messidor published by the Imprimerie nationale 1989. Jean-Francois Porchez type designer; translated from french by Babelfish and cleaned up a bit. Links Art and Poster Bally posters Chicago Center for the Print Bally posters Poster Auctions International New York Catalogue from the personal exhibition at the Bibliotheque Forney Paris in 1992. Frankfurt/M: 1959 unknown
19892081502112500767B6 7th edition with cover Film Art Co. 1989. Soft Cover. Fine. Number of books: 1 B6 7th edition with cover Film Art Co. paperback
LITT11COCTEAUC11966 at Miron Grindea. In-8, bound, 200 pages, under jacket. Some black and white illustrations. Copy in good condition. The dust jacket is slightly damaged, it has slight gaps. Fresh and pleasant interior.
c4815(London), Curwen Press, 1963 ; 1 volume in-8°, broché, couverture illustrée de reproduction de dessins de jean Cocteau; 200pp. + feuilllets publicitaires; quelques reproductions et fac-similés d'écriture.
196380401963 Éditions Dynamo, coll. Brimborions Liège 1963. E.O. L’un des 10 ex. sur Hollande antique. Plaquette in-12, état de neuf
195653796Lige Editions Dynamo, Pie 1956 Plaquette in-12 assemble par une cordelette, couverture imprime.Edition originale de ce texte crit par Jean Cocteau la mmoire de la chanteuse et actrice Mistinguett. Elle est illustre de ravissants ornements in texte. Tirage limit 51 exemplaires numrots. Un des 40 exemplaires sur vlin blanc.
195642072Lige Editions Dynamo, Pie 1956 Plaquette in-12 assemble par une cordelette, couverture imprime.Edition originale de ce texte crit par Jean Cocteau la mmoire de la chanteuse et actrice Mistinguett. Elle est illustre de ravissants ornements in texte. Tirage limit 51 exemplaires numrots. Un des 11 premiers exemplaires sur verg de Hollande, seuls comporter les ornements coloris la main.
195682846Couverture souple rouge assemblée par un cordelette.
7027Henri Veyrier - Tchou, 1979. In-4 broché, 252 pp. Nombreuses illustrations et photos en noir.
FOS-1388Nouvelle Revue Française Relié in-12, complet du rhodoïd Très bel état Superbe iconographie
2006866432006 Paris, NRF, Gallimard (Album de la Pléiade n°45), 2006, in 12 relié plein cuir marron de l'éditeur, jaquette rhodoïd, étui illustré, 376 pages ; 305 illustrations.
2006LIQ-2821P. NRF 2006. In-12° pleine peau de l'éditeur sous rodhoïd et emboitage illustré,(petite déchirure au dos du coffet) 370pp.
22441Paris, Henri Veyrier - Tchou, 1979. In-4°, 252p. Broché, couverture illustrée.
35867Paris, Gallimard (coll. "Album de la Pléiade"), 2006. In-8°, 370p. Reliure plein cuir d'éditeur, sous rhodoïd.
