829 résultats
192076164Editions de la Sirene 1920. hardback - paperback. very good condition with some wear- this is the original paperback bound in marbled boards with a leather spine no dust jacket- the cover of the original paperback has a few pieces missing for the top of the front cover Editions de la Sirene hardcover
1920D17609Paris: Editions de la Sirene 1920. Paperback. Very Good. Tall 8vo. Original wrappers lightly worn. Copy 371 of a total edition of 1032. Uncommon in spite of limitation. <br/><br/> Editions de la Sirene paperback
194445211Amsterdam 1944. First separate edition; one of 200 copies. original printed wrappers. Wrappers tanned at the edges with a few tiny spots. 8vo. unknown
73957St. Martin 1974. 128 x 905 cm Zustand A Mise en scene de Jean Marais. - Les Parents terribles est un film français réalisé par Jean Cocteau et sorti en 1948. 010 St. Martin, 1974 unknown
1923120246Paris : Librairie Sotck 1923. 185x120mm. broch. Bel exemplaire sur papier Lafuma numrot n.¡ 116 / 135. 64 Librairie Sotck unknown
16-4542Paris : Stock. 1923. . 8vo. 12 x 18/5 cm. Original wraps. Presentation copy signed and dated Juin 1923.Paul Lefèvre-Geraldy dit Paul Géraldy né à Paris 18e le 6 mars 1885 et mort à Neuilly-sur-Seine le 10 mars 1983 est un poète et dramaturge français.1 volume in-8 brochage . Envoi autographe signé de l’auteur à Paul Geraldy.Expertise by Pierre Prevost 75 rue Michel-Ange 75016 Paris. Paris : Stock. 1923 paperback
192378240Paris: Librairie Stock 1923. Fine. Librairie Stock Paris 1923 12 x 19 cm relié First edition on ordinary paper. Full bright blue morocco binding with mosaic decoration signed at the bottom of the slipcase by Jadis. Marbled paper slipcase matching the endpapers. Smooth Jansenist spine with author's name in full. Boards with mosaic decoration featuring a red fillet crossed by 3 rectangles in cream grey and pink; title in black on the cream cartouche. Original pink wrappers preserved. Inscription from Cocteau to Marc Dantzer: à Marc coeur de sommeil Jean. Marc Dantzer was a French actor who pursued his career from 1929 to 1957 he ran the restaurant at the Elysée-Matignon where cinema personalities would gather. A friend of Cocteau there was correspondence between the two men. Superb copy in perfect condition. Marc Dantzer bookplate stamp. Second bookplate with the cipher of Jean Paraf. Librairie Stock hardcover
1962326429Cannes: Galerie Madoura 1962. First. paperback. very good. Picasso. Exhibition catalogue illustrated with 13 b/w drawings printed on cream background. Poem by Jean Cocteau and an essay by Douglas Cooper. Slim 4to green pictorial wrappers staple-bound. Cannes: Galerie Madoura 1962. Just a bvit of scuffing and toning to wrappers still a very good clean copy of this uncommon catalogue printed by Arnera in Vallauris.<br/> <br/> Galerie Madoura unknown
1959210905011Tudor Pub Co 1959-01-01. Hardcover. Very Good. 10x9x0. Cover has some minimal shelf wear. Book: Like-New Inside! Clean & Crisp Pages. E-mail for more info. Tudor Pub Co hardcover
1962D17822Monaco: Éditions du Rocher 1962. First Edition. Paperback. Near Fine. Inscribed and signed by Cocteau for editor Jean Denoël with a drawing at the front and signed by Picasso and Cocteau on the colophon. Among a number of copies on Rives reserved for collaborators from a total edition of 255. 24 original lithographs 11 of them hors-texte including the front wrapper and 2 double-page by Picasso printed in black by Mourlot. Folio contents loose as issued in original wrappers with cut-out design revealing title on front cover; 1/4 calf gilt-backed chemise and board slipcase split. Contents are fine. Prospectus laid in. "On the occasion of Picasso's 80th birthday Pierre Bertrand who was Cocteau's publisher assembled eleven of the poet's texts which reflected his friendship with Picasso. The latter illustrated these texts with 24 lithographs some of which are drawn in Cocteau-esque style "---Cramer 117; Monod 292; Bloch 1037-1060. <br/><br/> Éditions du Rocher paperback
17-2949New York : Tudor Publishing Co. 1960. 4to. ca 50 pp. Good. Hard Cover. Illustrated cloth covered boards. Minor toning along edges. Dust Jacket Good. DJ present with multiple tears and losses and foxing along spine. Previous owner’s name on half-title page. Else pages fine. 27 Color plates tipped in. From the Collection of the Art Historian Peter Selz 1919-2019. New York : Tudor Publishing Co., [1960]. hardcover
191778126Paris 1917. Fine. Paris 1917 6.30 x 8.60 cm une photographie Original photograph likely unique and unpublished of Pablo Picasso at the Casa di Marco Lucrezio Pompeii spring 1917 Paris 1917 63 x 86 cm one photograph Original photograph depicting Pablo Picasso in the spring of 1917 at the Casa di Marco Lucrezio in Pompeii holding a twig in front of a wall on which there is a Pompeian fresco. Contemporary silver print perhaps unique from Jean Cocteau's personal archives then the Maurice Sachs collection. Exceptional almost undiscovered and probably unpublished photograph taken by Jean Cocteau during the stay. On 16 April 1917 Picasso visits Pompeii accompanied by Jean Cocteau and Léonide Massine to prepare the ballet Parade the first work described as surrealist by Guillaume Apollinaire for the new season of Serge de Diaghilev's Ballets Russes. On his return this initiatory journey inspired his monumental painting: the Parade stage curtain a real visual signature of the ballet marking the beginnings of Picasso's neo-classical period and today preserved at the Musée national d'Art Moderne Georges Pompidou. Pierre Daix in his bibliography dedicated to the painter recounts the aesthetic shock caused by the discovery of the Pompeian frescoes: Giovanni Carandente to whom we owe the best studies on this trip highlights that Picasso was strongly struck by the animation and the sensuality that the cataclysm of the year 79 AD had brutally destroyed. If it is true as he wrote to Gertrude Stein that he immediately drew many Pompeian fantasies which are a little daring attracted as he was by the erotic elation that emerges from these licentious paintings . these memories settled in him to emerge with force thereafter. . Everything that had made up the Pompeian universe was preserved on the site as well as in the National Archaeological Museum of Naples . In its singularity this universe contributed to enriching Picasso's cultural heritage with something more alive more trembling than he had gained from his museum visits until then. He particularly loved the conciseness of the paintings: two or three years later the impressions felt in Pompeii were to translate into a real creative explosion a series of paintings which all bore traces of these never buried memories. This source was to remain alive until La Danse of 1925. Pierre Daix Picasso. Unique and early original photograph of Picasso taken and printed by his friend Jean Cocteau in a mythical place that will influence his aesthetic for the long-term. Provenance: Jean Cocteau's personal archives then the Maurice Sachs collection and Max-Philippe Delatte. unknown
192374316Paris 1923. Fine. Paris s. d. 1923 14.50 x 9.50 cm une photographie Original photograph showing in bathing attire and on a beach the group of friends formed by Bolette Natanson Valentine Hugo Jean Cocteau and Georges Auric the only one in street clothes. Vintage print. A very fine photograph showing in full relaxation Jean Cocteau Georges Auric Valentine Hugo and Bolette Natanson away from the Parisian artistic effervescence in which they actively participated. The two other men have been identified thanks to the research of Philippe Mianes whom we thank. Through cross-referencing drawings from auction catalogues or exhibitions related to Jean Cocteau and Jean Hugo depicting this same context and characters he was able to complete the story. Indeed Jean Hugo in Le Regard de la Mémoire indicates that the scene takes place on the Arcachon Basin at Piquey beach where Cocteau had his habits. ""We were seven"": thus from left to right we identify Valentine Hugo Jean Hugo Jean Cocteau Georges Auric Bolette Natanson and. Raymond Radiguet. If the latter whose face is veiled by his hat is difficult to recognize he does indeed appear in this excerpt from Jean Hugo's memories. Chloé Radiguet Raymond Radiguet's biographer confirms that her uncle indeed habitually wore the same light-colored wide-brimmed hat. A moving memento of Radiguet's last summer under the sun of Cap Ferret where he completed Le Diable au corps. Provenance: Bolette Natanson collection. hardcover
194375328S. n. 1943. Fine. S. n. 1943 29 x 22.80 cm une photographie Large photographic portrait of Jean Cocteau inscribed by Cocteau to Willy Michel 1943 29 x 22.8 cm one photograph Extremely rare photographic portrait of Jean Cocteau in contemporary silver print produced during the shooting of Serge de Pologny's film Le Baron fantôme for which he wrote the dialogues. Beautiful signed autograph inscription in the upper margin of the photo to which Cocteau has added his famous little star: à mon cher willy Michel. Souvenir très amical de nos complicités cinématographiques. Le Baron fantôme Jean Cocteau. 1943 To my dear Willy Michel. Very fond memory of our film-making complicity. Le Baron fantôme Jean Cocteau. 1943 Some tiny lacks in the left margin of the photograph. Magnificent large photographic portrait offered to the photographer Willy Michel who installed the first photo booth in France in his studio and became famous for his selfies with all the artists actors and writers of his time. With this superb highly expressive photograph in costume Cocteau offers this bibliophile patron of artists and accustomed to cinema sets an item of choice for his famous collection of portraits and artists' signatures. A wonderful highly expressive portrait of which we have not found any other copy in international public collections. S. n. unknown
1965LD17674Paris: Nouveau Cercle Parisien du Livre 1965. First Edition. Hardcover. Very Good. Large folio. Copy 103 of 150. With 10 original etchings by Léopold Survage. Publisher's pictorial wrappers with contents loose as issued. Housed in publisher's slipcase a bit dusty; corners split. Some foxing to front wrap but with contents very bright and clean. Another of the many ambitious Cocteau book publications. <br/><br/> Nouveau Cercle Parisien du Livre hardcover
2011ID132Ubud Indonesia: Arung Rai Museum of Art 2011. First edition. Hardcover. New. A collection of paintings by the Swiss born award winning artist who since 1997 has divided his time between Europe and Bali. His expressionist style has earned him a reputation as being a master of Indo-European art. New Hardback. First edition. 114 pages with numerous colour reproductions of the artist's work. For further details please see the scanned contents page. Weight 1kg. Post free within Malaysia Arung Rai Museum of Art hardcover
1990Q-0413633403Methuen & Co. LTD 1990-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Methuen & Co. LTD hardcover
1988Q-0151712913Harcourt 1988-10-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Harcourt hardcover
1988Q-0156713608Mariner Books 1988-10-31. Paperback. New. In shrink wrap. Looks like an interesting title! Mariner Books paperback
199013970London United Kingdom: Methuen. New. 1990. Hardcover. 0413633403 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fine -- with a bonus offer-- . Methuen hardcover
1987Q-0151712891Harcourt Brace Jovanovich 1987-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Harcourt Brace Jovanovich hardcover
1963111910Paris Match 1963. Softcover. Very good/No jacket. Issue with a Farewell to Edith Piaf with an homage by Jean Cocteau. Shelfworn. Paris Match unknown
1950B-2022-0915Photographs by Izis Bidermanas. Edition Clair Fontaine Lausanne Switzerland 1950. Texts in facsimile by Cocteau Pierre Emmanuel Blaise Cendrars Paul Eluard Andre Breton and others. <br />Very good. Please ask for complete conditions repor Edition Clair Fontaine hardcover
1937R13GLTBLK31GParis: Arts et Metiers Graphiques 1937. Hardback recent black cloth gilt title to spine. Text in French. 62 b&w photographs. Slighest wear. A splendid copy. r13. Hard Cover. Very Good. Arts et Metiers Graphiques Hardcover
193711977Paris: Éditions Arts et Métiers Graphiques 1937. Softcover. Schall. 4to. 58pp. Original photographic wraps. Frontispiece. Photographic work on Paris profusely illustrated with reproductions in photogravure. Preface by French artist Jean Cocteau. Photographs by Roger Schall. Text in French. Front and rear wrapper detached. Spine torn parts of backstrip missing. Wraps in poor interior in overall very good condition. Éditions Arts et Métiers Graphiques unknown
