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Second edition, with large additions and corrections: To which is prefix'd a short Account of the Author, &c. folio (313 x 195 mm), [12], 366, [10]pp., folding engraved map of the county, engraved by Michael Burghers (with neatly repaired closed tear), 16 engraved plates, publisher's adverts to verso of final leaf, marbled endpapers, nineteenth-century calf by Francis Bedford, rebacked preserving original gilt-decorated spine and title label (chipped), all edges gilt. A very clean copy of this posthumously revised and enlarged second edition adorned with a life of Plot by his stepson John Burman. Provenance: Presentation inscription to front endpaper 'G. H. & E. A. Morrell from Mother, Christmas, 1884.' Upcott, p.1069-1070; Cordeaux & Merry, 4.
Folio (440 x 270 mm), title followed by 111 leaves printed on one side only, 7 leaves with small area excised, 1 leaf torn in half with remaining portion loosely inserted, 1 leaf torn across centre, title-page printed with elaborate wood-engraved decorative border, some light fraying to blank margins of several leaves, orig. half calf, re-cased, title stamped in gilt on upper cover, corners rubbed. Figgins had issued specimens as early as 1792, but these were in small pamphlet form. By the 1820s they were issuing specimens in a 8vo book form, these were followed by quarto specimens in the early 1840s. "The Quarto Specimen Book was supplemented in 1847 by the 'Epitome of Specimens,' which contains a selection of antiques, blacks, and jobbing types, with flowers, borders, and ornaments, the book and news founts being shown in small paragraphs."?Bigmore & Wyman. This book was continually added to until 1871, when it became too large and heavy for the post, thereafter the specimens issued by Figgins were issued in a smaller condensed form. All edition of this folio specimen are rare. Bigmore & Wyman I p. 218; Gray, p. 185.
First edition, royal 8vo (258 x 164 mm), xiv, [2, errata leaf], 136pp., with list of subscribers, 11 lithograph views and plates, all but one hand-coloured, 3 large folding maps (two with minor repairs) and 30 lithographed route maps, one coloured plate with small stain and some light offsetting to maps, other a very nice clean copy, new endpapers, recent half calf, marbled boards, spine tooled in gilt, red morocco lettering piece. A rare Calcutta printing on the Nilgiri Mountains which form part of the Western Ghats mountain range in Southern India. The fine maps are signed by J. B. Tassin, who started one of Calcutta's earliest lithographic presses in 1830, and later moved in San Francisco. In the preface the author gives full costings for the production of the book and states that 500 copies were printed. Also contains "A list of plants gathered on the Neilgherries, particularly in the environs of Ootacamund, by the Rev. Mr. [B.] Schmid.": p. 129-136. Not in Abbey.
1861134<b>MINING CLAIM CERTIFICATE. </b><b>MORRIS DISTRICT K.T. </b><b>Dated: </b><b>March 25th 1861</b><br /><br /><b>Clear Creek County </b><b>KANSAS TERRITORY </b><b>later and briefly Jefferson Territory </b><b>and then </b><b>COLORADO TERRITORY</b><br /><b><br /></b><b>Imprint: </b><b>DENVER MOUNTAINEER </b><b>PRINTING ESTABLISHMENT. </b><b>Printer listed in Burt & </b><b>Berthoud's ROCKY MOUNTAIN </b><b>GOLD REGIONS 1861 but was </b><b>not long after bought out by </b><b>William N. Byers' News </b><b>Printing Company Denver City </b><b>Jefferson Territory</b><br /><b><br /></b><b>Claim by Robert Lanilere </b><b>for No. 5 West of the </b><b>Elmira Lode. </b><b>O. D. Montgomery President </b><b>of the Morris District</b><br /><b><br /></b><b>Dimensions: 8-5/8 inches by 3-3/4 inches</b><br /><br /><b>Condition: very good plus </b><b>to near fine; light folds most </b><b>likely done in 1861; tiny chip </b><b>to upper right-hand corner of certificate.</b><br /><b><br /></b><b>Not listed in McMurtrie & Allen's </b><b>EARLY PRINTING IN COLORADO </b><b>With a Bibliography of the Issues </b><b>of the Press 1859 to 1876</b><br /><b>inclusive and a record and </b><b>Bibliography of Colorado Territorial </b><b>Newspapers. </b><b>Hirschfeld Press 1935</b><b><br /></b><br /><b>Beyond exceedingly scarce </b><b>Kansas - Colorado Territory </b><b>imprint!!!</b><b><br /></b><br /><b>COLORADO ARTIFACTUAL<br /></b> DENVER MOUNTAINEER PRINTING ESTABLISHMENT
194315313Brooklyn NY: Consolidated Lithographing Corp. 1943-1958. Hardcover. Near fine. Elephant folio. Grey cloth screw-bound boards. Measuring approximately 24" x 16.5" containing 350 color lithographed and chromolithographed paper packaging elements in a wide variety of sizes adhesive mounted recto and verso to 38 paper leaves. Additional 65 leaves blank. Top board stamped "Consolidated Lithographing Corporation." Pencil notations recording catalog numbers and dates throughout. Mild handling wear to exterior. Penned notation to cover notes "Set 5 Book 5." Likely one volume from larger company archive. Contents clean well preserved and apparently complete. Near fine overall. <br/><br/>An enormous scrapbook of chronologically-arranged printing samples from the Consolidated Lithographing Corporation of Brooklyn preserving the company's packaging work for the undergarment industry. Labels include bands tags wraps and labels from predominantly women's products: stockings hosiery lingerie bras panties and the like. Men's and children's products also represented however socks undershirts etc. The printing processes evident in the samples evolve from chromolithography to color lithography to photo mechanical in the later examples - all vivid and exhibiting elegant postwar design. Hundreds of brands and products in total: Regent Hosiery Artemis Underthings Treo Undergaments Spick and Span Hosiery Lowenstein Fabrics Sport-Wear The Lone Ranger and Superman Branded Socks among many others. Consolidated Lithographing Corporation was founded by Jacob A. Voice around 1925 and operated as one of the finest and most prolific American commercial printers of the era specializing in cigar labels dust jackets for Doubleday liquor labels garment packaging and more. This rich archive likely containing the only extant examples of numerous works offers numerous worthy avenues for future study: from commercial printing methods to mid-century design and marketing. Consolidated Lithographing Corp. hardcover books
ST15039bBMcMinnville Oregon: Phillip J. Pirages 2019. ONE OF 84 COPIES in floral-patterned cloth from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in floral-patterned cloth after a Morris design by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with multiple six-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown
Very Good French Original wrappers. Demy 8vo. (22 x 14 cm). In French. 33, [1] p., tables, and plates. First and only edition of this extremely rare treatise on How Kufic script is applied to print, a brief history of Kufic script, its use in ancient and modern times, examples of writing accompanied by illustrations, typesetting on the keyboard for linotype printing, its use on typewriters, its use in telegraphy (with Arab and international typesettings), etc. Ali Kenan (?-1962), married Emine Nemika Sultan (1888-1969) in 191 and became a groom to the Ottoman palace and the royal family. Only one copy can be traced in OCLC 1065045158, in The British Library, St. Pancras.
194160043Tokyo, Nihon Bijutsu Hanga Kenkyu Kai, 1941, March 10th. Folio (355 x 260 mm). In the original silkcovered sewn boards binding with blue title-label pasted on to front board. 50 woodblock reproduction of Ukiyo-e art all with printed tissueguards describing (in both English and Japanese) the artist and artwork. A very fine copy.
194160043Tokyo Nihon Bijutsu Hanga Kenkyu Kai 1941 March 10th. Folio 355 x 260 mm. In the original silkcovered sewn boards binding with blue title-label pasted on to front board. 50 woodblock reproduction of Ukiyo-e art all with printed tissueguards describing in both English and Japanese the artist and artwork. A very fine copy. <br/><br/><em>A fine work showing the rich tradition Ukiyo-e art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties kabuki actors and sumo wrestlers scenes from history and folk tales travel scenes and landscapes flora and fauna and erotica. The term 'ukiyo-e' translates as "pictures of the floating world". Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century particularly the landscapes of Hokusai and Hiroshige. From the 1870s onwards Japonisme became a prominent trend and had a strong influence on the early Impressionists such as Edgar Degas Édouard Manet and Claude Monet as well as having an impact on Post-Impressionists such as Vincent van Gogh and Art Nouveau artists such as Henri de Toulouse-Lautrec. </em> hardcover
154414383Parisiis, Ex officina Rob. Stephani, 1544. In-8 de 394-(14) pp. (sign. aa-zz, AA, BB8, CC4), vélin ivoire, étiquette ancienne sur le dos (reliure de l'époque).
168143386Correriae, Per Laurentium Gilibert, typographum Juratum apud Gratianopolim, 1681. Petit in-8 de 339-(41) pp. 48 pp. (8)-91-(1) pp., index, errata (signatures: A-Aa dernier blanc, A-C a-f ), veau granité, dos orné à nerfs (reliure de l'époque).
Folio (230 x 334 mm). (14), LXXXIV, II, LXXXV-CCXCVII (but: 300) ff. (4), CXCIX (but: 197) ff., last bl. f. Title page printed in red and black. With a full-page woodcut portrait and numerous initials. Contemp. blindstamped pigskin over wooden boards on four raised bands. Ms. title to spine; 2 clasps. Second edition of the collection of Council reports, "la première qui ait été éditée" (Hoefer, NBG XXXV, 82). With woodcut portrait of Emperor Charles IV at the end of pt. 1 (as always, one coat of arms stopped out during printing). - Contemporary handwritten ownership note on title-page overwritten in 17th century. A few contemporary marginalia and underlinings near beginning. Slight worming to front cover. A fine copy. The roll-tools display a hunter with bow and arrow, hidden in the foliage, and the probably apotropaic motif of a demon sitting on a chamber pot, holding up a mirror. From the collection of Franke Parker, Rector of Luffincott, Devon, and bequeathed by him to the Bishopric of Cornwall (cf. the bookplate on front pastedown): thus, in 1883 the volume was acquired by Henry Phillpotts, the Bishop of Exeter (then administrating Cornwall); his library was dispersed in 2006. VD 16, M 4842. Adams C 2766. BM-STC German 225. Sawicki 288. Schulte III/1, 93.
176244592Arles, Jacques Mesnier, 1762. In-12 de (8)-235-(1) pp. maroquin rouge, dos lisse orné, roulette, filet et frise dorés d'encadrement sur les plats, armes et devise dorées de la ville d'Arles frappées au centre, tranches dorées (reliure de l'époque).
157242366In Venetia, , 1572. In-12 oblong (15 x 20,6 cm) de (4) ff. de texte (43) ff., modèles de calligraphie, titre avec vignette gravée sur bois, veau brun, dos orné à nerfs (reliure du XVIIe siècle). Manque 8 feuillets (signatures D 6 à E 5).
1834002750Paris, Vimont, 1834
8vo. (4), 192, (12) pp. With woodcut printer's device to t. p. and four large woodcuts. 18th-c. dark brown calf (damaged). Second edition of the well-known book on Roman dining habits, first published in 1588. Also contains relevant texts by classical authors such as Ovid, Terence, and Propertius. Rare Sanctandreana imprint; usually encountered with Commelin's name on the title page (only two copies thus in VD 16). The large woodcus show various feasts. - Binding rubbed; extremities severyl bumped. Interior somewhat brownstained and with 17th-c. marginalia (trimmed by binder's knife upon rebinding c. 1750); numerous later pencil underlinings. VD 16, ZV 3209. IA 135.411. Adams C 1630. Vicaire 174. Georg 22. Palau 66773. Not in BM-STC German.
180342625Londres, A. Dulau et Prosper, Imprimerie de L. Nardini, 1803. In-4 de XXVIII-199-(1) pp., 5 gravures hors texte, maroquin rouge à long grain, roulette, filets et frise dorés en encadrement, fleuron aux angles, chiffres couronnés au centre des plats, dos lisse orné, tranches dorées (reliure de l’époque).
168441014Sans lieu, , 1684. 5 pièces reliées en 1 vol. petit in-12, maroquin rouge, dos orné à nerfs, plats orné d'un encadrement à petits fers d'écoinçons, filets et roulettes dorés, chiffre couronné sur les plats, dentelle intérieure, tranches dorées (reliure de l'époque).
169042054La Correrie, Claude Faure, 1690. 2 parties en 1 vol. in-8 de (12) pp. (lettre-préface et table) 343-(3) pp., veau brun orné à froid, dos à nerfs, double encadrement et fleurons sur les plats, tranches rouges (reliure de l'époque).
152141475Paris, Jehan Petit, 1521. Petit in-8 gothique à deux colonnes (106 x 165 mm) de CXVI-(5) ff. (sign. a-o8, p4, q5), demi-basane marbrée, dos orné à nerfs, pièce de titre en maroquin rouge, tranches rouges (reliure du XVIIIe siècle).
162441596Metz, Domenge Brecquin, 1624. In-4 réglé de (20)-221 pp., portrait gravé in-texte, vélin doré, dos lisse orné, double filet d'encadrement et motif ornemental sur les plats, tranches dorées (reliure de l'époque).
163914738Douai, Veuve Marc Wyon, 1639. 4 parties en 1 vol. grand in-4 (19 x 30 cm) de XXX-(2)-588-(48) pp. (8) pp. de généalogie entre les pp. 244 et 245, 1 titre-frontispice, 1 carte repliée, 1 portrait de l'auteur, veau fauve, dos à nerfs orné de filets et fleurons dorés, armes de la ville de Valenciennes poussées sur les plats dans un filet d'encadrement doré (reliure de l'époque).
151944686Paris, Jehan de Marnef, 1519. In-8 gothique à deux colonnes de 208-8 ff. (sign. a-π8, A8, le dernier blanc), veau brun estampé à froid, dos à trois nerfs, traces de lacet (reliure de l'époque).
1899002740Paris, Edouard Pelletan, 1899
161015256Valenchienne, Jean Veruliet, 1610. Petit in-8 de (24)-328-(24) pp., titre-frontispice, vélin souple, titre manuscrit sur le dos, traces de lacet (reliure de l'époque).