7 768 résultats
182453328London: Longman Hurst Reese Orme Brown & Green 1824. Two vols. Thick 8vo. 7 x 4.25 in. Engraved frontisp. each vol. extra-engraved title pages woodcut-engraved borders throughout numerous illusts. diagrams woodcuts. Contemporary diced olive-green calf raised bands on spine gilt decorated red & gilt morocco spine labels fore-edges of textblock speckled red very minor shlefwear slight rubbing & wear to couple corners lower front hinge vol. II a little tender still an excellent set. First edition of this famed set providing an excellent history of the origins of English Printing and typography to 1599 and including an extensive sections on various alphabets including Hebrew Aramaic Greek Russian Irish Old Irish Gothic German and many others. The sections on printing typography forging types typesetting and various presses are extensive and detailed. Johnson 1777-1848 worked for a private press at Lee Priory Kent which published limited editions of poetry prose and pamphlets but eventually failed. Longman, Hurst, Reese, Orme, Brown & Green, hardcover
181123306Oyster Bay Long Island New York: Not Published 1811. Collection includes 17 separate documents all of which reference this court case regarding the petitioner Alexander Peacock an insolvent debtor from Oyster Bay Queens County Long Island NY; appearing before Cary F. Dunn Jr. first judge of the court of common pleas County of Queens; Peacock was ".conforming himself to the directions of the act entitled 'An act for the benefit of insolvent debtors and their creditors'."; the first document partially printed titled No. 1 Petition has been notarized with the blindstamp at top of E. Ely Notary and is addressed to Judge Dunn; the next is the proof of residence deposed and signed by John B. Hicks & the judge; the following is an Account of Creditors a long list of over 30 names and including individuals living in New York Philadelphia and New Jersey the debts amounting to $ 5468.00; next is an accounting of the 6 suits and judgements brought against Mr. Peacock including that of Joseph C. Hornblower of Newark NJ James King and Archibald McKellar of the City of New York and others; the next document is an inventory of the estate of Peacock with a list of 15 people who have notes outstanding owed to him including Benjamin Smith Gilbert Robertson & Co. David R. Floyd Jones Luther Hildreth a Mr. Sibbsone of England Capt. Jones of the United States Vessel Revenge and Louis Jones a Colored man totalling $ 5647.62 - the back of this sheet gives a list of the "Body Clothing Beds & Bedding." Peacock being fairly well-dressed and provided for; other documents here include the Oath certifying the amounts owed; a certification of copies of the documents by James Fairlie Clerk of the Supreme Court; a legal agreement & acknowledgment from Peacock to meet with creditors at the house of Joseph Roe innkeeper in the Village of Jamaica; also is the "Order for Advertisement" document signed by Judge Dunn requesting that the notice of the meeting be published ".in the paper printed by the printer to the State and in the Columbian and Long island Star for six weeks successively requiring his creditors to appear before me at the House of Joseph Roe."; attached here are the printed papers completed in manuscript attesting to the publication of the notice to publicize by the judge from Charles Holt printer of the Columbian and counter-signed by James Campbell Master in Chancery and tipped-on is a printed copy of the actual advertisement as it appeared in the newspaper; with a similar notice from Solomon Allen printer of the Albany Register another from Alden Spooner printer of the Long Island Star both of these also with their samples of notice tipped-on; with a notice signed by the judge assigning all of Peacock's properties excepting his bedding & clothing to his creditors; and an attesting witness of the judge's assignment signed by Edward Parker; with a certifying document with original seals of Peacock's main creditors receiving conveyance of his estate as assignees in satisfaction of the debts signed by Edward Parker John B. Hicks and Christian Truss as witnesses signed & sealed by Wm. Wright David Findlay and Wm. Crow with the verso attested to by the judge; with a notice of oath-taking of Wright & Findlay to uphold the decision of the court; and a similar oath by Wm. Crow and signed by Judge Dunn; each page is signed by Alexander Peacock; originally these were all sealed or adhered to each other at the top of the sheets to make one continuous 'case' of materials - some of the old glue has given way and now there is separation of the pages; varying sizes from 6 3/4" x 8" to 8 1/2" x 13 1/2" size sheets; most of the paper of very good quality chain-laid some with the paper makers' watermark; some edge tips wear and chipping to edges some darkening and old fold lines; in very good condition overall and a collection offering a glimpse of the process for relieving debt in this case substantial especially useful for outlining the entire process under the law in the early days of the American Republic; interesting legal history documentation. Noteworthy individuals mentioned in this case are: Joseph Coerten Hornblower 1777 - 1864 American lawyer and jurist from Belleville New Jersey Chief Justice of the New Jersey Supreme Court; Alden Spooner 1783-1848 who ".has the distinction of being a printer in two Long Island towns Sag Harbor and Brooklyn. It was natural that he chose to be a printer as his father Judah Paddock Spooner was the pioneer printer of Vermont and his uncle Timothy Green was a printer in New London Connecticut." Spooner also started Brooklyn's first daily newspaper Doggett Long Island Printing; Judge Carey Dunn Jr. Revolutionary War veteran; Commodore Jacob Nicholas Jones 1768 - 1850 officer in the United States Navy during the Quasi-War with France the First Barbary War and the Second Barbary War and the War of 1812. Manuscript. Not Bound. Good. Not Published Paperback books
16-6149Paris: Alexis Eymery 1826. Oblong 8vo 19 x 11.7cm. Morocco-backed boards slightly rubbed. Additional engraved title and 23 plates by Martinet all hand-coloured contemporary ink ownership inscription to front free endpaper some light foxing and spotting.â‚ A rare and charming moral book aimed at children with finely coloured scenes of families amidst French landscapes and interiors. Only one previous appearance at auction at Sotheby's in 1968.Morgan Library Accession numberPML 87036;OCLC Number / Unique Identifier:14755252:xi 140 pages 24 unnumbered leaves of plates : illustrations ; 14 x 20 cm Paris: Alexis Eymery, 1826 hardcover
193195612Little Rock Arkansas; Dayton Ohio; et al. 1931 through 1932. 1931. 1931. - A collection of 12 letters penned by E. Harold Hugo addressed to Parker Breese Allen President of the Meriden Gravure Company chronicling Hugo's sales trips on behalf of the printing company. Hugo's letters are preceded by a March 27th 1931 Inter-Office letter from Parker Allen to E. Harold Hugo initialed by Allen. At the bottom of this one-page typed letter is a 25 word annotation penned by Allen about the "Manning-Bowman" job. Hugo's subsequent letters are penned or penciled on 34 pages the first 3 of which are on 9-1/4 inch high by 5-7/8 inch high hotel stationery including that of the Southwest Hotels in Little Rock and The Dayton-Biltmore in Ohio. The very last letter is penned on 11 inch high by 8-1/2 inch wide Lord Baltimore Hotel stationery. All of the other letters are written on The Meriden Gravure Co.'s 11 inch high by 8-1/2 inch wide "Inter-Office Correspondence" stationery. The letters are as follows:<p>1 April 20 1931. A 4 page Autograph Letter Signed from Hugo to "Parks" Parker Allen on Little Rock Hotel letterhead. Hugo has met with the State of Arkansas geologist George Casper Branner. "He was very much interested is sold on the process and plans to use us on some of his fossil publications."<p>2 April 21 1931. A 2 page Autograph Letter Signed from Hugo to Parker Allen on Dayton Ohio's "The Dayton-Biltmore" hotel letterhead. Hugo met with the Kentucky State geologist Willard Rouse Jillsen "rather a hard-boiled chap & his father is in the engraving business. However he had to admit the superiority of our work."<p>3 April 22 1931. A two page Autograph Letter Signed from Hugo to Parker Allen on "The Dayton-Biltmore" letterhead. Hugo met with the American geologist and paleontologist August F. Foerste who "gave me a couple of leads." "Foerste liked our work immensely."<p>Subsequent letters are from Hugo's 1932 sales trip. The letters probably date from January but we have not been able to precisely pin down the exact sequence. All but the last one are written on "The Meriden Gravure Co. Inter-Office Correspondence" stationery. Deducing from the content they go at least through March.<p>4 A 4 page Autograph Letter Signed penned in Chicago addressed to Parker Allen. Hugo met with Albert C. McFarland who was the manager of the Manufacturing Department of the University of Chicago Press. He receives information on where the work is done for the press. "Mac Farland sic seemed like a nice fellow and says he'll remember us and I believe he will . as far as I can see Mac Farland is the Dictator." He also met with Carey Croneis the curator of paleontology at the Walker Museum. "Croneis likes our stuff very much and will recommend it."<p>5 A 2 page Autograph Letter Signed and a note written from Urbana Illinois to Parker Allen. He met with Dorothy Rose the editor of scientific publication for the University of Illinois at Urbana-Champaign. "We are certain to get their next book on fossils." i.e. J. Marvin Weller's Doctoral Thesis.<p>6 A 4 page Autograph Letter Signed to Parker Allen from Nebraska. Hugo met with Dr. Erwin Barbour director of the Nebraska State Museum and "a classmate of your Dad's at Yale." He then met with Dr. George Condra director of the Conservation and Survey Division of the University of Nebraska. "He promised us his next job of 1500 of about 50 plates." Condra arranged a meeting with Hugo of men in the Experimental Agronomy Dept mis-spelled "Agrenamy". ".excellent reception here . By golly our stuff just sells itself with a little persuasion."<p>7 A 3 page Autograph Letter Signed from Kansas to Parker Allen. Hugo met with Ray C. Moore of the University of Kansas. Moore initiated the massive "Treatise on Invertebrate Paleontology" the definitive encyclopedia of invertebrate fossils. Moore tells Hugo about a company in Canada ". Who are quoting ridiculous prices. I can't figure it out. He'll continue with us however."<p>8 A 2 page Autograph Letter Signed from Norman Oklahoma to Parker Allen. Hugo met with Charles Newton Gould who had organized the geology department at The University of Oklahoma. "I got an original from Gould to proof - a pencil sketch." "The trip is getting a little tiresome but interesting and I think will be very profitable."<p>9 A 4 page Autograph Letter Signed from Chicago to Parker Allen. Hugo meets again with Albert McFarland of the University of Chicago Press. "We will get Byzantine Testament & Papyrus Milbank as soon as they are ready." He refers to the color printer Max Jaffe. "Jaffee ea sic Vienna is doing a color job for them and they are in a mess over it." William Kittredge Director of Design and Typography for the Lakeside Press missed his appointment. Hugo gives a positive report on The Field Museum's gelatin plant. On the verso of this letter Hugo types the copy of a January 20 wire from Allen.<p>10 A 2 page Autograph Letter Signed written while en-route from Detroit. Hugo meets with the historian Eugene S. McCartney at the University of Michigan in Ann Arbor. From him he receives copy for a 15 page publication. From there he goes on to Detroit where he meets with someone from the advertising firm Campbell-Ewald. He calls the man "a bag of air that kept me waiting for an hour and a half." "Detroit was . a disappointment but Ann Arbor took the edge off a little."<p>11 A 2 page Autograph Letter Signed from Cleveland to Parker Allen. Hugo meets with Edd A. Ruggles the Cleveland Museum of Art's photographer from 1916-1941. Ruggles ". is enthusiastic about the process." He can get the OK for "an order for 30M postcards at approx 8.5M soon."<p>12 Later in the year on a different trip Hugo writes to Parker Allen from Baltimore in a 3 page Autograph Letter Signed penned on "Lord Baltimore Hotel" letterhead. In the letter dated October 4 1932 Hugo writes in detail of "8 good interviews at Princeton" . and several "jobs which will come our way eventually." He is told that "the only jobs in production are those started before we entered the Picture."<p>Several of the letters are folded for mailing and all are in generally very good condition.<p>In addition there are 9 typed transcriptions of the letters on poor yellowing copy paper several of which have short tears at the edges and holes from having once been stapled to other correspondence. <p>E. Harold Hugo August 8 1910 - 1985 was only 20 and 21 years old at the time of these letters and sales trips. Hugo had begun working at Meriden in 1924 at the age of 14 while still in High School.<p>According to his obituary published by the New York Times on October 5 1985: "Under Mr. Hugo's leadership the company won international renown for the quality of its art reproductions posters and illustrations for books and catalogues. . He began working part time at the Meriden Gravure Company when he was 14. During World War II he became general manager and in 1950 was named a director. He became president in 1969 and retired in 1975. In 1984 he received the W.A. Dwiggins Award from the Book Builders of Boston for distinction in graphic arts and printing."<p>William J. Glick an associate of Hugo's at Meriden Gravure has documented Hugo's life and work in a personal and scholarly book: "In the Service of Scholarship: Harold Hugo & The Meriden Gravure Company." New Castle Delaware: Oak Knoll Press 2017. Little Rock, Arkansas; Dayton, Ohio; et al. 1931 through 1932. [1931]. unknown
177241086Paris 1772. Pp. 1-12; 17 of 19 copper-engraved plates Goußier del. Benard fecit. 1 vols. Folio. Disbound. A clean bright extract lacking plates I & XIV. Small adhesion of first leaf to later blank wrapper else fine. Pp. 1-12; 17 of 19 copper-engraved plates Goußier del. Benard fecit. 1 vols. Folio. An especially attractive selection of plates from the Récueil de Planches that extraordinary illustrated supplement to the magnificent Encyclopédie of Diderot and d'Alembert. The plates depict every aspect of the art and craft of printing in the late 18th century; the explanatory text is concise yet fully detailed. Printing and the Mind of Man describes the Encyclopedie as "a monument in the history of European thought; the acme of the age of reason; a prime motive force in undermining the ancien régime and in heralding the French Revolution; a permanent source for all aspects of eighteenth-century civilization.". PMM 200; En français dans le texte 156 unknown books
1959002039London: Dent 1959 1959 Full buckram binding with no jacket as issued but fitted with a clear sleeve. First Edition First Impression of this sought after volume issued in memory of the artist. Enclosed is the prospectus for the book and the V & A exhibition notice which coincided with the publication. A vigorous and prolific engraver Gibbings was hugely influential. This superlative work is a great example of book production and it is a fitting tribute to a great talent. Very heavy and will need insurance and extra postage depending on destination. 0.0 0.0 0.0. 1st Edition. Hardcover. Fine/Dust Jacket Included. London: Dent, 1959 hardcover
1483169411N: N 1483. 1 1483 Ulrich Gering Paris. A leaf from Nicolaus de Lyra. Postilla super psalterium. 39 lines of commentary round text roman letter. 19.7 cm. x 13.5 cm. 2 1489 Printer of the 1483 Jordanus de Quedlineburg Georg Husner Strasbourg. A leaf from Vincentius Ferrerius. Sermones de tempore et de sanctis. 53 lines and headline double column gothic letter. 29.2 cm. x 20.6 cm. 3 1494 Martin Flach the Elder Strasbourg. A leaf from Jean Gerson. Opera. 53 lines and headline double column gothic letter. 29.5 cm. x 20.7cm. 4 1496 Printer of the 1483 Jordanus de Quedlinburg George Husner Strasbourg. A leaf from Helias Regnier. Casus longi Sexti et Clementinarum. 52 lines and headline double column. 27.5 cm. x 20.4 cm. 1483-1496. Together:. N unknown
1541184818N: N 1541. 1541-1577. 1 1541 E. Whitchurch London. The Byble in Englysh. S.T.C. 2074. 35.7 cm. x 25.5 cm. 2 1549 J. Daye and W. Seres. The Byble. S.T.C. 2077. 30 cm. x 20 cm. piece torn from lower right hand corner of leaf. This edition of the Matthew's Bible is also known as 'The Bug Bible' and 'The Wife-Beater's Bible'. 3 1561 J. Kyngston. Chaucer's Workes. S.T.C. 5075. 31 cm. x 21.5 cm. 4 1574 H. Bynneman Binneman for Humfrey Toye. John Whitgift. The Defense of the Aunswere to the Admonition. S.T.C. 25430. 27 cm. x 18.5 cm. 5 1577 Lucas Harison. Raphael Holinshed. The Chronicles of England Scotlande and Irelande. S.T.C. 13568. 28.3 cm. x 20 cm. 1541-1577. Together. N unknown
ORD-10950Edition dédiée aux Amateurs de l'Art Typographique. Jules Didot. Dufour et Cie. 1827-1829. 4 volumes in-8 dos basane cerise à 4 nerfs ornés, tranches marbrées. Portrait en frontispice, 5552pp. (pagination continue). Impression minuscule sur 2 colonnes et sur papier Bible. Petits défauts à la reliure et rousseurs parfois importantes. Assez rare complet.
18092111902160200522Matsuba Eaves Board 1809. Soft Cover. Fine. Volume: 1 Matsuba Eaves Board paperback
187858315Paris: V.L. Quetin ca. 1878. Oblong 4to. 11.5 x 7.75 in. 1 leaf lithograph title 94 i.e. 110 lithographed plates 1 leaf of index on blue-tinted paper stock. Quarter-green leather over pebbled green cloth raised bands embossed borders in blind gilt lettering on spine minor scuffing & wear rubbing bumping & wear to couple corners w/o ffep. still VG- copy w/ bright plates from the library of Victor Colas 256 13d Voltaires Paris notation on front marbled pastedown. A well-illustrated printer’s specimen book issued to depict the varieties of Second Empire French furniture featuring styles such as Louis XV Louis XVI and the decorative styles of Napoleon III’s designers. Victor Joseph Quetin 1822-1877 was an entrepreneurial printer who began producing these Furniture style books for Parisian craftsmen cabinetmakers and would sell these volumes of specimen sheets to manufacturers to show their prospective clients. The furnishings shown in these leaves encompass tables chairs toilettes some with bidets built in many with attached mirrors bed frames armoires buffets desks and desks with built-in bookcases. The index which is often missing provides an excellent quick reference to the styles types of furnishings as well as the specific plate. Demand increased as Paris & France underwent tremendous renovations and progress during the Second Empire and many of the furnishings inspired by the designs of Carlin Weisweiler and Riesener were presented to the public at the 1867 Exposition Universelle. His son Victor Leon Quetin b. 1852 would later in the 1870’s take up the family business released the albums under a new imprint of “V.L. Quetin†and also began issuing colour chromolithograph specimen catalogues of elaborate draperies bed curtains window treatments and casements. Also issued was a newspaper Journal le magasin de meubles†which offered details of the specimen catalogues he would assemble subscriptions and pricing with details on colour lithography and hand-colouring as well. His designs were dependent upon using a specialized machine which would enlarge reduce or even alter lithographic designs for clients. See: Victor Quetin De la papeterie a la lithographie D’Avoise a Meung-sur-Loire en passan par les Moulins de Paillard 16e-18e siecle; Alfred Lemercier La lithographie francaise de 1796 a 1896 et les arts qui s’y rattachent: manuel pratique p. 344. V.L. Quetin, hardcover
Second edition, 2 vols., 8vo (215 x 130 mm), xxvii, [9], 522, [10]; xiv, [14], 462, [x]pp., ownership signature torn away from outer upper bank margin of title page, final 3 leaves to vol. I and a couple of gathering from vol. II with waterstain tide mark (not unsightly), recent red half morocco, marbled boards, contrasting green morocco title label to spine, five raised bands, tooled in gilt. Robert Dossie (1717-1777) was a rigourous advocate for the advantages of improved public knowledge. With the publication of this work he provided information and instruction to the reader in a multitude of trades, many never before disclosed outside there trades. As a resource, it was well regarded by eighteenth- and early nineteenth-century artisans and became the standard work for practical techniques of that era.
4to, [xii],14,[2],142pp., engraved portrait on title and 1 engraved headpiece, nineteenth century half calf by Corfmat, marbled covers, spine gilt, t.e.g. uncut, a good copy in nice condition. The second of two editions published in 1789, though according to Brooks it was actually published in 1792. It is almost identical to the first 1789 edition which Renouard described as "l'une des plus belles ?ditions de Bodoni." Beautifully printed, partly in italic type. Brooks 379.
First Edition, 2 parts in one, xiv,[ii],308pp., title printed in red and black, enraged vignette of cherubs and type trays, engraved folding plate, 19th-century marbled boards, morocco label on spine. Reviewing the origin of printing in Italy, he provides a chronological list of books printed in Rome during the fifteenth century. "A folding-plate contains specimens of the types of Sweynheym and Pannartz, two of the earliest Roman printers... Laire was one of the most learned bibliographers of France during the 18th century... At one time he was the librarian of Cardinal Brienne; subsequently he became librarian at the Ecole centrale de l'Yonne, in which position he remained up till his death." ?Bigmore & Wyman, I. p. 416. Brunet III: 774.
First edition, 12mo (154 x 93 mm), 148pp., endpapers renewed, re-cased with new leather spine and corners, original printed boards, uncut, a very good copy. One of the great rarities of local natural history, printed on a home-made printing press at Llanrwst, Conway, Wales. John Jones (1786-1865), printer and inventor, "He kept a paper and bookshop, and printed much miscellaneous work for the locality. Sometime (? before 1817) he constructed three presses to the Ruthven design, so called after its inventor, Alexander Ruthven, which he then used for all his printing work. He also learnt to cast his own type and used many of his own letters and characters for the rest of his life."?(DWB). In 1936 the Science Museum acquired John Jones' press and equipment. Provenance: From the botanical library of Michael Walpole with his bookplate. Freeman, 4015.
1909111076Berlin, Elsner, 1909-34. 4°. M. zahlr. (teils farb.) Abb. OLwd., Hlwd. u. in OBr. Teils Rsign. u. mehr. St. 1921 S. 1269-1272 eingerissen. Es Fehlen: Jg. 11 H. 24 A S. 21-28, 71-76, 79/80, 151/152, 155/156, 159-162, 217-224; 1923 Tl. 2 S. 399/400, 533/34.
19223833FBMünchen, Kurt Wolff Verlag, 1922. 8°. 20,5 x 16 cm. 99 [recte 97] Blatt; 21 Seiten. Original-Halblederband und Original-Broschur in Original-Pappschuber. [4 Warenabbildungen]
Letteratura popolare: un foglio volante stampato in rosso 31x39 cm, capolettera figurato.
1936189212Biberach, 1925-1936. 4°. Hlwd. M. (Resten v.) Rsign. Einbde. etwas berieben. St., u. Sign. a. Tit. Jg. 56 2 Seiten mit etwas Textverlust. Fehlen: Einige TI.
18 ff with large woodcut armorial vignette to title. Marbled half cloth ca. 1800. Marbled edges. Coloured endpapers. 4to. Only edition of this Festschrift (dated 30th December 1565 at rear) for the Emperor's daughter, Johanna von Österreich (1547-78), who had married Francesco I de' Medici exactly two weeks previously. The scholar Francesco Sansovino (1521-83) celebrated the Renaissance princess and Grand Duchess of Tuscany by enumerating her worthy ancestral lineage, which he traced back to the Frankish King Childebert. - Rare; only 4 copies located in Italy by Edit 16. Edit 16, CNCE 47731. Adams S 362. BM-STC Italian 608.
176218193Cambridge J. Baskerville, 1762 ; grand in-12, maroquin rouge, dentelle d’encadrement des plats, dos très décoré et doré, roulette sur les coupes et d’intérieur, tranches dorées (reliure de l’époque), 202 ff. non chiffrés (coll. a, b, c, A-Z, Aa-Hh 6 ; A3, B-I 6, K 1).
176620203Londres, chez Becket et De Hendt, 1766 ; in-8 (216 x 145 mm), broché ; [4], 250, [2] pp., couverture d’attente de papier vert avec les plats contrecollés d’une feuille de passe imprimée en français.
183220457Paris, chez les libraires de la place de la Bourse, 1832 ; in-8, bradel large demi maroquin vert-lierre à grands coins, titre au dos et date en queue dorés, tête dorée sur témoins, couverture beige doublée avec absence du coin supérieur droit, illustrée du bois gravé de la deuxième page, avec la mention fictive de “Deuxième édition”, conservée (Fechoz) ; XXX, [2], 270 pp.
1936030709London 1936 George G. Harrap and Co. Ltd Vellum 1st Edition Signed by Illustrator
199618352Paris, Robert et Lydie Dutrou, (Parly en Puisaye), octobre 1996 : in-8 en feuilles pliées en deux, sous couverture blanche à rabats, titre imprimé dans une cuvette rectangulaire, chemise-étui de toile écrue ; frontispice gravé sur cuivre à l’eau-forte et tiré en noir et bleu.