Bouche (Honoré) :Livre Rare Book
7 768 résultats
19888Avenione (Avignon), I. Piot, 1634 ; in 8, vélin de l’époque ; [8], 287, [27] pp. (signatures : à4 ; A-Q8).
196420478La Bastide-de-Goudargues (Gard), Guy Chambelland, 1964 ; in8, broché (249 mm), 22, [2] pp., 2 hors-texte de Luc Maize tirés sur papier glacé.
170219887Londini, H. Rhodes, 1702 ; grand in 8, veau brun, dos à nerfs muet, décor à froid à la duseuil sur les plats (reliure d’époque) ; portrait gravé par R. White en frontispice, XV, 151, [3] pp.
111483Lyon, Le Cercle Lyonnais du Livre, 1925, 1 volume in-folio de 320 x 255 mm environ, non paginé : (1) f. blanc, (3) ff. (faux-titre, justification, titre), (40) ff., (1) f. (justification du tirage), (1) f. (table), (3) ff. (Liste des Membres du Cercle lyonnais du livre, Achevé d'imprimé). Reliure moderne en pleine peau blonde, dos à 4 nerfs portant titres dorés, tranche de tête dorée, gardes en soie grège encadrées d'une dentelle dorée sur les contreplats, doubles gardes marbrées, couvertures et dos conservés. Tirage limité à 147 exemplaires, présent exemplaire nominatif (Mathieu Varille) complet des 12 lithographies de Charles Guérin, avec une des trentes suites tirées sur Chine et signées par l'artiste. Ex-libris de Jean Varille sur la première garde blanche. Frottements sur les coupes, petits accrocs sur le cuir, parfait état intérieur. Bel exemplaire.
1824000132Paris Lefèvre et Brière 1824
4to. 184 unnumbered ff. (including final blank). With a historiated woodcut initial. Modern boards. First edition. - One of the numerous pamphlets produced by the fiery-tempered Hesshusen, a strict and disputatious Lutheran who never managed to settle anywhere, was evicted from Mageburg in 1562 for the present work and would be dismissed from many more positions due to his "total lack of deference" (cf. ADB). - Slight waterstaining near lower edge. A few 17th-century marginalia. Rare; no copy at postwar auctions. VD 16, H 3155. Adams H 467. Cf. ADB XII, 314. Kosch VII, 1090. Wetzer/Welte V, 1958f.
23262Lugduni, apud Seb. Gryphium, 1539. In-8, 295 pp. (a-s8 t3), veau brun, filets à froid en encadrement sur les plats, fleurons dorés au centre et dans les coins, dos à nerfs orné de filets à froid, tranches jaunes (reliure défraîchie mais solide, quelques taches et rousseurs, pâle mouillure marginale sans gravité, manque dernier f. bl. t4).
1828000714Paris Brissot-Thivars, Imprimerie de H. Balzac 1828
180511223A Parme, imprimé par Bodoni, 1805. In-4 broché de (6)-32 pp.
17739297Aureliae (Orléans), Couret de Villeneuve, 1773. In-16 de (4)-91-(1) pp., maroquin rouge, dos lisse orné, triple filet doré d'encadrement sur les plats, tranches dorées (reliure de l'époque).
186221733Lyon, Scheuring (Imprimerie de Louis Perrin), 1862 ; in-8 écu, demi-maroquin rouge à coins, dos à nerfs, titre et fleurons dorés, caissons à froid, tête dorée sur témoins, couverture grise, illustrée d’un dessin de Pierre Revoil, directeur de l’Ecole des Beaux-Arts de Lyon, conservée (reliure de l’époque) ; XIX, [1 bl.], [4], 48, 33, [2] marque de Perrin N°2, frontispice dessiné par Pierre Revoil, identique à la couverture.
182710276Paris, à la Librairie universelle, de l' Imprimerie d'Honoré de Balzac, 1827. In-12 de 122 pp., demi-basane prune, dos orné à nerfs (reliure de l'époque).
193721634Grenoble, Arthaud (Bellegarde Ain, gravure et impression Sadag), 1937 ; in-8, demi-veau rouge à coins, dos à quatre nerfs encadrant les pièces d’auteur et de titre vert foncé, premier plat et dos en couleurs conservés, non rogné (reliure de l’époque) ; 168 pp., 5 planches hors-texte en couleurs, y compris la couverture et de très nombreuses illustrations de toutes tailles tirées en sépia.
188121761Lyon, Imprimerie Générale, 1881 ; in-8 (200 mm), demi-chagrin bleu marine, dos à nerfs soulignés de filets à froid, titre doré (reliure de l’époque) ; XV, [1bl.], 340 pp., [1] f. de Table, 1 reproduction photographique hors-texte de l’entrée du château de l’Aubépin.
87331860. Relié avant : Essai typographique et bibliographique sur l'histoire de la gravure sur bois par Ambroise Firmin Didot. 1863. Paris, Typographie de Firmin Didot Frères Fils ; trois tomes reliés en deux volumes ; demi-chagrin maroquiné bordeaux, dos à quatre nerfs encadrant l'auteur et le titre dorés, date en queue, les couvertures illustrées et les dos, jaune paille, ont été conservés (reliure postérieure) ; XIV col., (1) p. bl., 316 col., (1) f. bl. ; 9 pp., (1 bl.), (1) p. faux-titre, (234 au tome 1er), 513 planches en tout : les planches de costumes, gravées sur bois, sont présentées sur la page de gauche et le texte qui les accompagne, en italien et en français, en face sur la page de droite, costumes et texte sont dans de grands encadrements décoratifs gravés sur bois ; 18 et 19 pp. de table des matières finissent les tomes 1 et 2.
1967R240104699IMPRIMERIE ROUMAZEILLE. 1918-1967. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. LOT D'ARCHIVES DE 11 REGISTRES MANUSCRITS DES VENTES DE L'IMPRIMERIE J.ROUMAZEILLE DE LANGON (GIRONDE) + ENVIRON 20 FACTURES DE L'IMPRIMERIE - Un agenda d'environ 150 pages années 1936 à 1948 (in-4) + un classeur d'environ 70 pages années 1964 à 1967 + un registre d'environ 360 pages des années 1941 à 1948 + un registre d'environ 100 pages des années 1943 à 1944 + un registre d'environ 100 pages des années 1946 + un registre d'environ 150 pages des années 1953 à 1955 + un registre d'environ 150 pages des années 1948 à 1952 + un registre d'environ 120 pages des années 1948 à 1950 + un registre d'environ 100 pages des années 1946 à 1947 + un repertoire d'environ 20 pages + un registre d'environ 300 pages des années 1918 à 1926 - 15 photos disponibles.. . . . Classification Dewey : 686.2-Imprimerie
Very rare first printing copy of this, one of the earliest titles from Alison Uttley's much loved Little Grey Rabbit Series. Only the bottom inch of backstrip remains. Single piece of beige tape connects boards at top of spine. Average wear and soiling externally otherwise. Front endpaper and several pages bear child's markings in red pencil. We have attempted to erase several of these markings with decent success. We are happy to provide digital images upon request. Contemporary gift greetings atop first blank leaf. Erased lead pencil scribbling to page 98 is lightly visible. Overall, a worthy copy. Book
viii, 94, [2], [1]-120, [4]pp., with half-title. 3 works bound in one (the first named bound last), cont. mottled sheep, worn. The second edition of this poem on the different technical processes involved in printing. This edition was published by Claude Charles Thiboust, his father, Cluade Louis Thiboust, was the author of the poem, and had originally printed it in 1718. The family of Thilboust occupies a distinguished place in the list of French typographers, having started printing in Paris in the middle of the sixteenth century, with successive members of the family being appointed to be Printers to the University. This is followed by two editions of Doissen's poem on engraving. Bigmore & Wyman, III, p. 8; I, p. 183
19884045FBZürich, Belser Verlag, 1988/1989. Krönungszeremoniale: 34 x 24,5 cm. Schachbuch: 22 x 17 cm. Kassette: 41 x 51 cm. [20] Blatt, 57 Seiten; [69] Blatt; 141 Seiten. Krönungszeremoniale: Roter Original-Lederband mit reicher Goldprägung und vier Eckbeschlägen aus geschliffenem Glasimitat. Schachbuch: Original-Lederband auf 5 erhabenen Doppelbünden mit reicher Blindprägung und Rundum-Goldschnitt. Kommentarbände: Original-Leinenbände mit goldgeprägten Rückentiteln. Kassette: Original-Lederkassette mit goldgeprägtem Titel und Innenbezug aus Kunstsamt. [9 Warenabbildungen]
12293Matrice de cuivre (39,7 x 30 cm), sans date (env. 1875), encadrement moderne sous baguette verte (61,5 x 51 cm).
4 Bde. in einem. (24), 88 Bll. (4), 96 Bll. (4), 112 Bll. (4), 59 Bll. (ohne das letzte w. Bl.). Mit 4 (wdh.) Holzschnittdruckermarken an den Titeln und einigen (darunter 3 größeren) Textholzschnitten. Pergamentband der Zeit mit goldgepr. Rückenschildchen und Deckelblindprägung (Fileten, Eckfleurons, maureskes Mittelornament). 4to. Italienische Ausgabe des berühmten, in zahllosen Auflagen, Ausgaben, Übersetzungen und Bearbeitungen verbreiteten Fürstenspiegels (EA 1529) mit Lebensregeln für den Tagesablauf zu allen denkbaren Anlässen. Die erste italienische Ausgabe erschien 1546 (verkürzt). "In Guevaras Werk werden Verhaltensregeln für den Fürsten an Hand einer Pseudobiographie Mark Aurels aufgestellt" (KLL VII, 33). - Titel mit mehreren getilgten hs. Besitzvermerken des 17. und 18. Jhs. Durchgehend etwas gebräunt; stellenweise leicht wasserrandig. Einige Bll. mit kl. Wurmspur im unteren Innenrand. Palau² 110.159. Edit 16, CNCE 22278. Vgl. BM-STC Italian 320 (Ausg. Venedig 1584). Adams G 1482 (Ausg. Venedig 1562). Haym 166, 4-6.
Two volumes, complete. The "goig" is a typical Catalan art form ("gozo" in Spanish), dating back to the 16th century. It is a broadsheet with a printed poem dedicated to a specific saint, and illustrated with woodcuts or metalcuts. During the 20th century Ricard Vives Sabate was the only artist who kept this tradition alive. These two portfolios contain ten of his goigs, dedicated to those saints most venerated in Catalonia: Sant Jordi (St. George), La Nostra Senyora de Montserrat (Our Lady of Montserrat), Santa Eulalia, Santa Cecilia, Sant Ricard, La Mare de Deu de la Merce, Santa Anna, Sant Josep Oriol, Sant Oleguer, and Sant Lluis. Each of the goigs is printed by hand and illustrated with several metalcuts. From a total edition of 255 copies, each of these portfolios is one of only FIVE copies with the goigs printed on parchment and beautifully hand-illuminated in color and heightened with gold. Furthermore, each of the goigs is signed by the artist. Folio, hand-made paper wraps (also decorated with hand-illuminated metalcuts). Fine and bright, with no defects.
18001744c.1800. Eight decorative writing sheets of laid paper with elaborate engraved decorative borders with hand-colouring each contemporaneously mounted to card with pink and blue coloured paper edges and a blank sheet of laid paper affixed to the rear. The group including five different designs. Each measuring between 36.5 x 26cm and 33 x 24cm. Three apparently unused the other five with contemporary cut blank paper sections affixed to the central panels presumably to cover previous manuscript text/signs of use. There is rubbing to the coloured paper edging and some occasional light finger marking and dust soiling otherwise condition is very good indeed. A visually striking collection of writing sheets dating to the close of the eighteenth century most likely French decorated with vibrantly hand-coloured engraved Rococo borders incorporating fairies cherubs and sphinxes. Their particular use in this instance is somewhat unclear although being mounted to stiff card and with some having replaced sections to the blank panel it possible that they were being utilised as menu cards. unknown
502510 August 1915 to 23 November 1917. Clowes is an eminent firm of English printers founded in London in 1803 and still thriving in Suffolk. The twelve typed letters are each one page quarto on the firm's Duke Street letterhead. The autograph letter is one page 12mo with mourning border. The collection in good condition overall with a few items aged and lightly creased. Most items docketed and bearing the Society's stamp. All items except the circular signed by 'W A Clowes' who he informs Wood in his first letter has taken over from his cousin Captain W. C. Knight Clowes whose copy of the First Folio was subsequently bought by William Foyle. The collection provides an fascinating insight into the effect of the Great War on the printing trade with Clowes reluctantly announcing repeated increases in costs. In the third letter 21 October 1915 he states: 'We wish to wait and see what the effect of Lord Derby's recruiting scheme will be on the printing trade because if many more men are taken from it the cost of production will again be greatly increased . I am glad to say that for the moment we have a stock of the old Journal paper at the usual price'. Letter four 14 August 1918 warns of 'another large rise in wages in the London District in the near future' and letter five 27 March 1918 confirms 'the large increase in wages that the printing and binding trades have been compelled to grant their workpeople. All materials used in printing and binding have again risen and are still rising . we shall be obliged to raise our prices to you for printing and binding by a considerable percentage'. Letter six 20 March 1918 responds to a complaint from Menzies regarding the printing of the Journal's wrappers: 'I . cannot in any way defend the printing. I was having the matter thoroughly looked into before your letter came and the type renovated'. He complains that 'labour is so scarce' but promises that he will be 'keeping an eye on it until it is done properly'. Letter of 13 June 1917 announces '15% extra on composition machining and binding owing to the increases in wages which took place previously to October 1916 and the large increase that took place then and the still larger increase which had to be paid on this June 1st'. A printed circular announces another rise of 15% from 31 October 1917 'owing to the further increases in War Bonuses and the never ceasing increases in the cost of all materials'. On 28 March 1917 Clowes warns that the firm has 'only sufficient paper in stock to take us to about June 30th' and that 'prices will rise very sharply immediately owing to the great scarcity of materials'. In the handwritten letter which ends the series Clowes thanks Menzies for his 'kind letter of sympathy with us on the sad loss we have sustained by the death of my Cousin Mr Knight Clowes. I note with pleasure that you intend to insert a short obituary notice of him in your Journal. You may have seen the one in "The Times" for Wednesday last'. 10 August 1915 to 23 November 1917. unknown
185313061'A TRIUMPH OF PRINTING<br />AS WELL AS OF ILLUSTRATION AND TYPOGRAPHY'<br />IN AN APPROPRIATE SCOTTISH BINDING<br />first edition thus 12mo. in sixes collates a-d6 B-Z6 AA-KK6 a-z6 AA6 that is 720 pages printed in Caslon type title page printed in red and black within a deep and striking woodcut border representing the Tree of Jesse full-page woodcut of Queen Elizabeth on verso of title page text inside varied and complex decorative and pictorial woodcut borders throughout by Mary Byfield decorative initial letters contemporary dark purple morocco over bevelled boards signed on verso of front free endpaper "Orrock Binder Edinb." sides blocked with 8 nesting borders of blind fillets and rolls some crossing at the corners to make small corner compartments with a leaf tool in blind in each spine with raised bands and blind tooling direct lettered gilt all edges gilt purple ribbon marker some very minor and scattered light foxing some light rubbing else a nice copy. Handsome copy of a most attractive book.<br /><br />GRIFFITHS <i>Bibliography . Book of Common Prayer</i> 1853 22<br />"The cuts harmonize perfectly with the type and this small tome is a triumph of printing as well as of illustration and typography" R. McLean <i>Victorian Book Desig</i>n 1972 p.12.For this book Mary Byfield 1795-1871 who spent most of her life working for the Chiswick Press cut over 100 wood blocks. These blocks many of great beauty were in the main based on early designs by Holbein Dürer Tory &c. copied from Queen Elizabeth's Book of Christian Prayers London 1581 and 1590 but they also included some based on contemporary designs by Charlotte Whittingham although to distinguish the old from the new is virtually impossible.<br />This edition was afterwards reissued by other publishers. William Pickering [printed by C. Whittingham at the Chiswick Press] hardcover
