341 résultats
1822BB1085London: Published By R. Ackermann At The Repository Of Arts 101 Strand London; And To Be Had Of All The Booksellers In The United Kingdom 1822. Full Leather. Very Good . First Edition of the "last of the genuine or 'authorized' Syntax books" Abbey first issued in eight monthly parts. Royal 8vo 236 x 1452mm: iv267pagination irregular but text complete1pp with 24 hand-colored aquatints by Thomas Rowlandson. Contemporary straight-grain morocco gilt boards framed in gilt and in blind with leaf-and-flower rolls rebacked with part of original spine and red morocco lettering piece laid down marbled end papers. A Very Good or better copy generally clean and bright with first and final leaves including title page foxed usual offsetting from plates very occasional finger-soiling. Abbey Life 268. Tooley 413. Grolier Rowlandson 48. Martin Hardie 174-75. As early as 1809 the publisher Ackermann had hired Combe to write the letterpress to accompany many of Rowlandson's most successful illustrations including those for the final volume of the "Microcosm of London" and perhaps especially for the illustrations that resulted in the series of comic poetry for which Combe is still most famous and which earned him his nickname Doctor Syntax: The Tour of Doctor Syntax in Search of the Picturesque and its two sequels 1812 1820 1821 The English Dance of Death 1815 1816 The Dance of Life 1817 and finally The History of Johnny Quae Genus the Little Foundling of the Late Doctor Syntax 1822. "Combining light-hearted satire of William Gilpin's theory of the picturesque in art with a central character modelled on Cervantes' Don Quixote and Henry Fielding's Parson Adams Combe created a lovable eccentric whose misadventures on the road structure the Tour. For over a century the many editions and numerous imitations of the Tour attested to the popularity of Combe's humorous hero." ODNB N. B. With few exceptions always identified we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine Editions Ltd is a member of the Independent Online Booksellers Association and we subscribe to its codes of ethics. Published By R. Ackermann, At The Repository Of Arts, 101, Strand, London; And To Be Had Of All The Booksellers In The United Ki unknown
190965456Boston and New York: Printed at The Riverside Press for Houghton Mifflin Company 1909. Limited Edition. Hardcover. Very Good. SIGNED. 332pp. Quarto 28.5 cm Black cloth spine with green paper over boards with ornamental gilt stamping. Deckled fore and bottom edges. Printed on English handmade paper. With areas of fading to the head and foot of the backstrip. The most prominent area of fading is to the foot of the backstrip measuring approximately 2 inches tall by 1 and 3/4 inches wide. Internally bright and fresh. Publisher's prospectus laid in. Prolific engraver Geofroy Geoffroy Tory 1480-1533 was primarily responsible for the French Renaissance style of book decoration and played a leading role in popularizing the Roman letter over the prevailing Gothic letter in France.<br /> <br /> Number 270 in an edition of 370 copies designed by Bruce Rogers. This copy is signed by Bruce Rogers on the limitation page. American typographer and book designer Bruce Rogers 1870-1957 was highly influential in fine book design in the United States during the early 20th century. Rogers began his career as an illustrator for an Indianapolis newspaper. He moved to Boston in 1895. There he met a number of men who were revolutionizing the book publishing industry including George Mifflin of Houghton Mifflin who put him to work at the Riverside Press. The press opened a limited editions department in 1900 and Rogers was put in charge and given the responsibility of designing and printing fine books. During the next 12 years he produced over 100 Riverside Press editions which are still held in high esteem today. Information from Britannica.com. Printed at The Riverside Press for Houghton Mifflin Company hardcover
19379872AB1937. Portfolio with 6 prints by The Typophiles. New York 1937. 23 : 155 cm. With 6 booklets. Original cardboard portfolio. Portfolio of the Typophiles for the dinner party given for the british book-designer and author Beatrice Ward how wrote under the pseudonym of Paul Beaujon. There were published only very few portfolios of this type of this then young society of book-designers authors and book-lovers under the leadership of Pau. A. Bennett. They were all designed and produced by and for the members of the club. Contains: Paul A. Bennett Greetings - Paul Beujon Betrice Warde - The battle of the Century Beaujon verses Typophiles - Beatrice L. Warde Printing should be invisible - Stags and a few Dears A Souvenir - Alicis Paul Beaujon A portriat of him. - Very rare. unknown
193239018Paris: Editions du Belier 1932. A PERFECT COPY ON IMPERIAL JAPANESE PAPER of this beautifully-illustrated edition of Dante´s Paradiso with art déco typography by François-Louis Schmied. 141 pp. From a total edition of 500 copies this is ONE OF ONLY 54 COPIES ON IMPERIAL JAPANESE PAPER WITH AN EXTRA SUITE OF COSTETTI'S WOOD-ENGRAVINGS PRINTED WITHOUT THE TEXT ON FINE CHINESE PAPER. Laid in is a cordial handwritten letter dated 1932 from Maurice Tahon co-founder with Schmied of Editions du Belier to the original purchaser of this volume. 4to. Sewn in original printed wraps. Suite of wood-engravings loose as issued. FINE AND BRIGHT WITH NO DEFECTS in the original board chemise and slipcase. <br/><br/> Editions du Belier paperback
19594604New York / Basel SW: Hastings House / Teufen Ar. A. Niggli 1959 . First edition. Hardcover. Very Good/issued without. Square octavo 248 pages clothbacked boards rear joint repaired in publisher's worn slipcase. Scarce. <br/><br/>"This international pictorial survey takes modern graphic art from its origins through the present-day achievements and concludes with a look into the future. Although 'graphic art' is limited here to art in the service of advertising there is no limit to the artistic value of the means employed - this is a selection of the best work in the field past and present. Contemporary graphic art - work done since the end of the World War II - is presented in the second and more comprehensive part of the book. It includes a wide range of media and techniques among which are: Newspaper advertisements leaflets catalogues posters displays lettering packages business stationery trade markes and devices." Trilingual text in Englilsh German and French. 432 illustrations of which 12 are in full colour. Printed in Switzerland. "Gerstner is one of the most important innovators in typography commercial art and corporate design - Swiss National Library." Includes treatments of trade marks book jackets posters magazines etc. Hastings House / Teufen, Ar., A. Niggli hardcover
19780007014Boston & Lexington KY: D. R. Godine 1978. First Limited edition. Hardcover. Fine/issued without. Quartos 57 213 pages quarter brown morocco brown cloth covered boards in matching cloth slipcase. <br/><br/>These are copies XXXII of 50 deluxe copies of printings of 500 and 550 copies. The second title carries the imprint of The Anvil Press 1981. Both volumes were designed by Martino Mardersteig and printed at his Stamperia Valdonega Verona Italy. These two companion volumes were later joined by VICTOR HAMMER: AN ARTIST'S TESTAMENT. Sir John Rothenstein was the Director of London's Tate Gallery. His volume includes 19 color plates. Hammer''s volume includes bibliographies of Victor Hammer and his four presses. D. R. Godine hardcover
192855499München: Albert Langen 1928. First edition. Softcover. Good- to good condition. Quarto. 251pp. Original tan wraps with brown lettering on cover and spine. Dedicated to E. H. F. Porsche. Cover by E. A. Enders. Font and typography similar to the Bauhaus book-series.<br /> <br /> 'Style seen strictly aesthetically demands foremost a consistent uniform character of an object or matter. We know that because we easily detect violations against this rule finding the objects violating it tasteless in bad style;' this is how Kollmann opens his introduction. Therefore Kollmann concludes: "Style is a basic aesthetic demand that is to say that of unity not to be confused with the delight humans take in the decorative. <br /> <br /> An extensive treatise of industrial architecture and design including factories bridges cranes masts ships airplanes and Zeppelins cars trains machines and their pats. The book is profusely illustrated with 151 b/w reproductions of photographs and some technical drawings. Contains notes on text and pictures and bibliography at rear. Text in German. Light wear along edges of covers. Minor foxing of endpapers and foredge of block. Previous owner's stamp on half-title. Albert Langen unknown
1822BB0354London: Printed for Samuel Richards and Co. 3 Grocers'-Hall Court Poultry; and T. Mason & Sons 2 Great Russel Street Bloomsbury 1822. Paper-Covered Boards. Very Good . The "best scandalous chronicle of the day" complete in three volumes. Tooley 12mo: viii319; 321; 326pp with 12 hand-colored plates engraved by Maddocks E. F. Burney and W. Read. Uniformly rebound to style by Fitterer with period marbled paper-covered boards and modern paper labels top edges gilt end papers renewed with laid paper. Bindings pristine; some gatherings foxed in volume I otherwise a very good or better set with only sporadic foxing and offsetting from the plates which are generally fresh and bright. Tooley 283 for 1821 octavo edition. Originally published pseudonymously in 1760 in two volumes. This Johnston's chief work spelled variously Johnston Johnson and Johnstone "appeared in four volumes between 1760 and 1765. The first and second volumes were written during a visit to the earl of Mount-Edgcumbe in Devon and had already gone through three editions before Johnstone was prevailed on to write the concluding two and the whole work was frequently reprinted during the eighteenth century and translated into French. An excoriating satire that won Johnstone respect as a wit but few friends the novel is set roughly during the period of the Seven Years' War 1757–63 and pretends to reveal political secrets and to expose the private profligacy of many of the well-known—and highly colourful—public characters of the time." ODNB N. B. With few exceptions always identified we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine Editions Ltd is a member of the Independent Online Booksellers Association and we subscribe to its codes of ethics. Printed for Samuel Richards and Co. 3, Grocers'-Hall Court, Poultry; and T. Mason & Sons, 2, Great Russel Street, Bloomsbury unknown
191058183New York: The Century Co. 1910. 8vo. xi 3 477 1 pp. With 100’s of text illustrations type specimens diagrams woodcut engravings 1 in colour historiated vignettes decorated initials. Brown publisher’s cloth gilt lettering on spine gilt & red morocco spine label t.e.g. minor bumping to corners edgewear some rubbing still a VG copy. Second edition of this classic and surprisingly scarce printer’s manual originally issued in 1904 and the third title in De Vinne’s unexcelled series on typography. This work devoted to mechanical methods of book composition encompasses chapters on equipment composition of books composing & printing mathematics and music books foreign languages such as Greek Hebrew & German stone work and more. De Vinne 1828-1914 was often designated the “Dean of American Printers†founded the Grolier Club collaborated with Robert Hoe to advance fine printing and presses and embraced the concept of the book as objet d’art. The Century Co., hardcover
DADAX0385093268Doubleday 0000-00-00. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Doubleday paperback
1965mon0000181694William Clowes & Sons 1965-01-01. Paperback. Good. in x in x in. Ex-Library usual stamps and markings. Hardback/Hardcover. Well read copy with some spine wear but still very useable. EXACT EDITION AND DATE OF PUBLICATION IS UNKNOWN. William Clowes & Sons paperback
19476456Los Angeles: Wendell W. Fish 1947. Revised Edition. 4to 12.5x9.5" 83pp. Specimens printed in black on a variety of stock with decorative page borders of different colors. Original tan cloth covers with 3-brad binding spine lettering and fish logo in red with blue lettering on front cover. Some toning to pages single marginal tear to page 64. Boards bumped and worn. Very good. <br /> <br /> Attractive specimen book from Wendell Wilbur Fish a native of Bakersfield who in 1920 opened his first office in L.A. becoming one of the earliest "advertising typographers" in the area. In The Pacific Printer and Publisher October 1922 we find a review of some of Fish's work:<br /> <br /> <br /> "Fish. has made a special study of good typography. He is recognized as an authority on the subject of typographical treatment of financial advertising for newspaper purposes. But he has also put into type some of the largest campaigns for firms of national repute a versatility of treatment and design enabling him to get the highest utility as well as appropriateness into the printed message."<br /> <br /> We find little mention of Fish outside of these trade journals from the 20s and 30s. He must have been somewhat prominent for quite some time with this revised edition of his collection of type appearing some 25 years after he began in the trade. OCLC cites 5 holdings for 3 likely only 2 versions of this specimen book with just 1 on the revised edition at the Wolfsonian Library FIU. . Wendell W. Fish unknown
1923109496Bologna 1923. In 8° piena pelle coeva muta con due nervi al dorso e motivo geometrico da cartone fustellato ricoperto al piatto anteriore. Frontespizio entro ricca cornice azzurra pp. 150 non numerate con il catalogo della campionatura del completo corredo tipografico della Merlani. Tutte le pagine entro cornice a filettino semplice azzurro. Ottimo e raro esemplare con tagli a raspa in false barbe Bologna unknown
193150817New York: Doubleday Doran and Co. 1931. limited edition. Hardcover. Very good /fair. 9 x 12 in. 415 pp. Edition of 750 copies this is numbered 703 on the limitation pg. Gray cloth boards. Numerous color and B&W plates. Comes with a letter about the book by Harry Peters dated 1936. In it he recounts an amusing story about the first print in the book. Condition is VERY GOOD ; covers very clean no wear at all to edges. The covers have a touch of bowing due I believe more to the size and weight of the book than from wear. Binding tight and text/plates spotless. The original gray DJ is FAIR ; torn with numerous tape repairs. The original slipcase is very good - some wear and scuffing to surface wear at edges but no loss or splits. The copy number is inked on the lower end. A very nice copy with a signed letter. Art. RGR. Doubleday, Doran and Co. hardcover
20010008965London: Printed For Presentation To The Roxburghe Club 2001. First Limited edition. Quarter Morocco. Fine. Quarto quarter green morocco <br/><br/>Copy no. 107 of only 200 copies. Printed by Mardersteig at his Stamperia Valdonega. Excellent plates in color. Printed For Presentation To The Roxburghe Club unknown
18930006882London & Boston: Elkin Mathews / Copeland & Day 1893. First edition. Hardcover. Good. 8vo decorated boards October 1893 Elkin Mathews catalogue at rear tips of spine chipped rebacked with original spine laid down top board bumped front endpaper reattached with archival tape. Ex libris Francis Wilson famed actor and bibliophile. Scarce <br/><br/>One of only 500 copies of the first printing of Thompson's first book. Kraus 5 . " Robert Frost took a book off the shelf in the front sitting room and said 'You should have this.' It was the copy of Francis Thompson's POEMS to which Robert made frequent reference over the years in his readings and lectures - Jack Hagstrom in the Dartmouth College Library Bulletin April l1996." Thompson was a lauded poet clearly with the distinction too of being a nominee as Jack The Ripper ! Co-published by Copeland & Day in its first year of operation. Frontispiece and cover design by Laurence Housman. Elkin Mathews / Copeland & Day hardcover
21332Very Good. Nice clean copy with a tight binding! Mild cover shelf wear. unknown
1998AR-80Tokyo Japan: Graphic-sha Publishing 1998. Comprehensive text presents a complete collection of the the 1304 works entered and 347 works selected in the annual Applied Topography awards for 1998. Categories include: visual identity; logotypes symbols marks; typefaces; pictograms; diagrams; graphics; editorial; packaging; display & environment; visual & digital media; research & investigation; special feature; grand prix; and best work. 303 pgs. Illustrated. Dustjacket in mylar. First Edition. Hard Cover. Fine/Fine. 4to - over 9¾" - 12" tall. Graphic-sha Publishing Hardcover
2006298952006. S.l. Librairie Paul Jammes / Editions des Cendres 2006. Un fort vol. au format in-4 332 x 252 mm de 393 pp. Plein cartonnage d'ÂŽdition sous jaquette illustrÂŽe. Tirage limitÂŽ ˆ 1.000 exemplaires. L'ouvrage s'agrÂŽmente d'une abondante iconographie. ''Le chercheur qui examine les feuilles volantes les affiches les produits commerciaux de l'imprimerie les pamphlets politiques les ÂŽtiquettes et autres productions quotidiennes dÂŽcouvre un foisonnement de caractÂres de vignettes d'ornements d'encadrements qui ne se rencontrent pas dans les livres mise ˆ la disposition des habituÂŽs des bibliothÂques''. TrÂs belle condition. b42961 unknown
1i294Struttura Materiale e uso dei Caratteri da Stampa. Editrice Raggio Roma 1947. 298 S. mit zahlr. Tafeln. original Leinen. quart. etwas fl. Enciclopedia Poligrafica unknown
044911930 Santpoort C.A.Mees. coverdesign by Margaret Kropholler - 325 x 325 cm - 36 pgs - original cover bindingtype japanese held together with raffia - ills on work by Staal - Le Coultre 10-5/6 1929 - nice copy <br /> 1930 Santpoort C.A.Mees
044901929 Santpoort C.A.Mees. coverdesign by Chris Lebeau - 325 x 325 cm - 18 pgs - original cover bindingtype japanese held together with raffia - illustration: works in glass by Lebeau - Le Coultre 10-2 1929 - nice copy <br /> 1929 Santpoort C.A.Mees
PJH54802Self - Published Munich 1918 - 20. Near Fine Set in original wrappers bound in faded cloth backed decorated boards. Attractive Brochures each with a different Typographic Design. Self - Published (Munich) 1918 - 20 hardcover
2000TYPOGRAP014734Hyphen Press London. 2000. First edition. Edited with introduction commentary bibliography etc by Robert Kinross. Two volumes. Royal octavo. pp 254; 271. Illustrations. Card wrappers. Anthony Froshaug 1920-1984 was a typographer and designer much influenced by the work of Jan Tschichold.Fine in fine printed card slipcase. Hyphen Press, [London]. unknown
1929039396Los Angeles: Jake Zeitlin 1929. 1st Edition 1st Printing. Soft cover. Fine/Near Fine. One Of 500 Copies Printed By The Mayers Company Published By Jake Zeitlin. Black Card Wrappers With Black Dj With Printed White Cover Label. This Example With The Bookplate Of Merle Armitage Signed By Him. In A Specially Made Folding Case Red Cloth Red Morocco Spine With Armitage's Name Title And Date In Gilt. Book Very Clean Spine Split At Ends. <br/> <br/> Jake Zeitlin paperback