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199183158Offeburg, o. V., 1991. 92 S. Gr.-8° Groß-Oktav, Softcover/Paperback
195035962ABBerne, Monotype Corporation Limited, um, 1950. 16 S. Engl. O-Broschur.
1993144475Fellbach, Bauer, 1993. 1, Aufl. 30 Bll. 8°, OBrosch. mit Schutzumschlag.
78110o. O., o. V., o. J. o. S: 4° Quart, Softcover/Paperback
146173Amsterdam, van Gelder Zonen, o. J. 1. Aufl. Mit einigen Abbild. 79 S. 4°, OBrosch.
1971EEZZ7527Salzburg, Residenz (1971). 22 x 23 cm, 201 (1) S., durchgehend u. teilweise farbig illustriert, farbig illustr. OKart., außen leichte Alterungsspuren, ansonsten gut erhalten. I Ausstellungskatalog, wichtig für Pichlers bedeutendste Schaffensjahre. Die Photos stammen von Friedl Bondy-Kubelka, Marina Faust, Karin Mack, Padhi Frieberger, Carl Pruscha, Christian Skrein, Spence u.a
18703401532Leipzig, Brockhaus, 1870. LXIV, 344 S. Hlwd.
19621130473Graphische Gewerbe Stuttgart, Jahresgabe 1962). OPp.
200970204Mainz: Verlag Hermann Schmidt 2009. 99 Seiten. Mit Perforation und zahlreichen Abbildungen. Quer Gr. 8° (22,5 -25 cm). Orig.-Pappband. [Hardcover / fest gebunden].
197754674ABStuttgart, Fachhochschule für Druck, 1977. 4° (25x16) 63 S., mit zahlr. meist farb Abb., ill OPbd (Linson), ohne Gebrauchsspuren, offensichtlich ungelesen, [= Fachhochschule für Druck Stuttgart; 30],
19924368Brne, Moravska galerie, 1992. 8°. 304 S., mit zahlreichen, teils farbigen Abbildungen. Orig.-Pappband.
53250Hamburg, ohne Jahr, 180x250mm, reliure à anneaux. Recueil d’échantillons de papier.
1965446Berlin, Staatliche Museen, 1965. 8°. 52,(4) S., mit zahlreichen Abbildungen Orig.-Karton.
192820952München, 1928. (3),32,(3) Blatt. Orig.-Pappband im Orig.-Schuber.
1998123524Prot Galaxy 1998 Livre en anglais. In-4 reliure éd. sous jaquette 28 cm sur 22,2. 204 pages. Jaquette en mauvais état. Bon état d’occasion.
198697031986 Paris, Ramsay / Caractère, 1986; in-folio broché, couverture blanche imprimée en noir , sous étui imprimé.des centaines de vignettes sont reproduites en noir par thème.
1992DEMO006065IStatesboro GA: The Boxwood Press 1992. First Limited edition. Hardcover. Fine. In a mahogany and copper scroll case with vertical slot and hidden crank handle; with a protective velvet cloth <br/><br/>Only 16cc.Remarkable bilingual presentation / re-interpretation of this Biblical work placing it in the the Reagan / Bush era. Illustrated with 16 color etchings by Bernard Solomon the translator and etcher. He realized there were remarkable parallels between the Biblical story of Esther and that of Anita Hill Clarence Thomas and the U.S. Senate Judiciary Committee. This interpretation unfolds sequentially as each leaf is unrolled from the 33 in. high scroll holder. The body of the scroll holder is one of the original copper plates used for the etchings which is why it is limited to an edition of only 16. The top and bottom of the handcrafted minaret-style case is finely shaped and polished mahogany by Anthony V. Mann. Designed with a hidden crank to rewind the scroll into the case. Altogether remarkable! The Boxwood Press hardcover
17910005591Worcester & Boston: Isaiah Thomas 1791. First edition. Hardcover. Good. With two of the 50 copperplate engravings from the folio edition plates 29 & 48. Royal quarto 1310 pages contemporary blindstamped full sheep repaired joints and head and foot spine panels replaced and with new endpapers; The frontispiece has been tipped-in on the new endpaper; rear cover very scuffed foxing and spots throughout edgeworn <br /> <br /> a few minor marginal tears and chips some leaves imperfectly sewn in. The Family Record leaves have extensive handwritten notes of the families of Gen. Joseph Badger Jr. Signed by him of Gilmanton Belmont NH father of Gov. Wm. Badger 1834-36. & Charles Jacobs of Gilmanton. <br/><br/>Isaiah Thomas whom Benjamin Franklin called 'the Baskerville of America' was one of the notable publishers during the early days of the Republic.He made every effort to ensure accuracy of the text by comparing some thirty different editions and having the text carefully examined by several clergymen and others who compared it with eight Bibles - Herbert 1353." The First Illustrated Bible printed in America is the 1791 folio Bible by Isaiah Thomas "The most sumptuous American Bible of the eighteenth century" : thus this quarto-sized version of that work is the Second Illustrated Bible printed in America and the first Royal Quarto Bible in English published in American both editions were announced as "completed" on the same date altho vol. 2 of the folio was still in progress. Rumball-Petre 172; Sabin 5173 variant; O'Callaghan pp. 40-42; Hills 30. Evans 23185 states that some copies were issued with no Concordance and 48 additional plates. This state however has only two copperplates as frontispieces of the 50 copperplate engravings from the folio edition plates 29 & 48 . Included are 200 pages of Tables Apocrypha and Family Records Index etc. The subscription price was $7 but half the price could be paid in wheat rye Indian corn butter or pork! It is believed that 1500 copies of each format were printed. "The two Thomas Bibles of 1791 were without doubt far in advance of any other publications of the same kind that had appeared in America in point of typography excellence of paper binding and general execution - Wright EARLY BIBLES OF AMERICA." Isaiah Thomas hardcover
11801Paris Musée d'Art Moderne de la Ville de Paris / ARC 1990 in 4 (30x24) 1 volume broché, couverture illustrée rempliée, 220 pages. 75 illustrations en couleurs, 150 en noir et blanc. Texte en langue anglaise. Henk Puts: El Lissitzky (1890-1941), his life and work; Yves-Alain Bois: Axometry or Lissitzky mathematical paradigm; S.O Chan-Magomedov: A new style, three-dimensional suprematism and prounen; Kai-Uwe Hemken: Pan-Europe and German Art, El Lissitzky at the 1926 International Kunstausstellung in Dresden; Jean Leering: Lissitzky's dilemma, with reference to his work after 1927; Peter Nisbet: Lissitzky and photography; El Lissitzky: Photography (fotopis'); M.A. Nemirovskaya: The work of L.M. Lissitzky in the Tretiakov Gallery; Henk Puts: The Lissitzky Collection at the Van Abbemuseum; bibliography; index. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
192352547ABChicago, The Chicago Tribune, 1923. 64 S. Orig.-Kartoniert mit montierter Deckelillustration.
In -4°, pp. Cb, 25, 3 pp. bb., cartonato con tassello al dorso che racchiude la brossura editoriale. Sulla falsariga delle proposte cinquecentesche del Trissino, il marchese Luigi Malaspina di Sannazzaro pubblica questo curioso volume in cui si propone un sistema per evitare l’ambiguità nei casi in cui un grafema esprima più di un fonema (C, G, E, etc.). L’opera, discorsiva, comprende alla fine due tavole in cui si vuole normalizzare l’accento di E e O nelle voci ambigue e alla fine una lettera esemplificante, di Annibal Caro, in cui lo stesso testo viene rappresentato coll’alfabeto corrente e quello proposto (la lettera diventa di “Annibal Karo”, per esempio). Raro (due copie in Iccu) e curioso. A XIX century project to reform the Italian Alphabet.
1948250370Chicago: The Caxton Club 1948. First Limited edition. Hardcover. Very Good/issued without. 4to tan cloth 287 pages spine darkened <br/><br/>Text & drawings by McCutcheon. Limited. to 1000 copies with a unique bawdy Bruce ROGERS tail-piece featuring a dog and one of Rogers' thorn bushes. Printed by The Lakeside Press CCXLVI. McCutcheon was a Pulitzer Prize-winning editorial cartoonist for half a century at The Chicago Tribune. The Caxton Club hardcover
c6213Paris, Ancienne Maison Quantin, Librairies et Imprimeries Réunies, 1891; in-8°, broché, couverture beige imprimée en noir et rouge; ( 6), 2pp., 128pp.; avec 125 pages imprimées en couleurs d'ornementation de la lettre, gravures de Provost-Blondel.Couverture jaunie, avec petits manques angulaires, bon état intérieur.
23836Lausanne 1957 in 8 (21,5x12) 1 volume broché, couverture imprimée en rouge, 141 pages [1]. Specimen of types assembled by John Dreyfus for his paper on trends in type design at the Ninth International Congress of Master Printers, 5 June 1957. Manuaires; Humanes; Garaldes; Didones; Réales; Incises; Linéales; Mécanes; Scriptes; index. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
in-12, pp. 62 pagine, con numerose immagini in xilogr. nel testo, in antiporta tavola che ritrae la statua di Gutemberg a Magonza, broch. edit. tiolo in nero entro cornice al piatto anteriore. Il nome dell'Autore è dichiarato in fine. Simpatico manualetto sulla storia della tipografia, graziosamente illustrato; facente parte della collezione: Biblioteca del Popolo, n. 301. Buon esemplare.. .
