1 337 résultats
173694387Romae, Typis Antonii de Rubeis, 1736. [12] Bl., 560, [14] Bl. Mit gestoch. Titelvignette und 7 TextKupfern sowie zahlr. gestoch. Zier-Initialen. 24 cm. Späteres HPgt m. goldgepr. Rückenschild.
1949000877Paris Aux dépens d'un ami ((Albert Skira) 1949 In-4 En feuilles, couv remp., étui Ed. originale
1928015391Paris Pierre Fénis - Collection de " La Revue du Centre". 1928 In-4 Broché, couverture illustrée rempliée
162167367O. O. [Lugdunum/Lyon], Johann Tornaesius (fil.), 1621. 8 Bll., 698 S., 62 Bll.; 12mo. Pgt. d. Zt. mit hs. RTitel.
1904260651904. Librairie de la Collection des Dix, A. Romagnol, Paris. Illustriert von Frabcois Courboin. Dekorativer Ledereinband mit reicher Vergoldung und Ganzgoldschnitt sowie Innenkantenvergoldung und mit Seide bezogenen Vorsätzen. [10], 192, [8] Seiten. 26,5 x 19 cm.
111076Paris, Poulet-Malassis et de Broise, Imprimeurs-Libraires-Editeurs, 9, rue des Beaux-Arts, 1858, 1 volume in-12 de 195x115 mm environ, 1f.blanc, frontispice, titre en rouge et noir avec vignette à la marque et devise de l'imprimeur, 1f. (Préface), 230 pages, 1f. (médaillon à la marque et devise de l'imprimeur), chagrin vert sapin, dos à 4 nerfs portant titres dorés, orné de caissons à motifs dorés, coupes et tranches dorées, dentelles dorées sur les chasses, plats encadrés d'un double filet doré et un large filet noir. Troisième édition avec 27 poèmes au lieu de 18 dont 9 poèmes en édition originale (Odelette anacréontique, Fumée, Apollonie, L'Aveugle, Lied, Fantaisies d'hiver, La Source, L'Art, Buchers et tombeaux). Un ex-libris de G. Rivet sur le premier contreplat. Début de fente sur les mors, infimes et rares rousseurs, sinon bon état. Edition illustrée d'un beau frontispice dessiné et gravé à l'eau-forte par Emile Théodore THEROND, représentant un portrait de l'auteur, enrichie de 26 bandeaux et 26 culs-de-lampe gravés sur bois par le même artiste. Tirage à 1000 exemplaires dont quelques-uns rares sur vélin fort comme celui-ci.
6611in 8 plein maroquin caramel à nerfs,titre et date en pied, dorés.Faux-titre,portrait de l’auteur en frontispice, titre,255 pages,tranches dorées, non rogné.Double filet doré sur coupes.10 fines gravures d’Adrien Moreau dont 8 hors-texte.Contreplat en maroquin vert,filet doré en encadrement,Garde en soie imprimée.Reliure signé de NOLHAC. Couverture orange,plats et dos,conservés.Paris Librairie L. Conquet 1887.Ouvrage tiré à 500 exemplaires.Exemplaire numéroté à la plume sur petit papier vélin du Marais, filigrané.Quelques petites rouseurs très éparses,sinon très bel exemplaire
1928009939Edition Martine Paris 1928 In-8 Broché
1955010701Paris Gallimard, NRF 1955 In-12 Broché
1929008312Marseille Les Cahiers du Sud 1929 In-8 Broché, couverture rempliée illustrée
1945006641Paris Bruxelles A l'enseigne du cheval ailé 1945 In-12 Broché Edition originale Dédicacé par l'auteur
1920010841Paris Aux éditions du Sagittaire 1920 In-8 Broché
1938CSP-1335FÉLIX KELLER, Paris XVIe, 1938. Président de la Société des Collectionneurs de Figurines Historiques. Membre perpétuel du Comité de la Société d'Etudes des Uniformes le Passepoil. Membre de La Sabretache.
1853010067Paris Marchant Alliance des arts 1853 En feuilles
15551186Lyon, Jean de Tournes et Guillaume Gazeau, 1555, in-16 ; plein vélin ivoire, titre manuscrit (reliure de l'époque) ; (24) feuillets (titre, dédicace, index des plantes en grec, latin, français, italien), 976 pages, (8) feuillets d’explications.
1977016067Paris Editions de l'Ermitage 1977 In-4 carré En feuilles, couverture à rabats, emboitage toilé éditeur
1945005935Paris Seghers- Collection des 150 1945 In-16 Broché
1945005936Paris Seghers - Collection des 150 1945 In-16 Broché
1956009289Paris Glm 1956 In-8 Broché, couverture à rabats
1952015764Paris Pierre Seghers 1952 In-4 Broché à la japonaise Signé par l'auteur
1924260701923, 1924. Les Editions d`Art Davampez, Paris. Mit 20 farbigen Illustrationen von Pierre Brissaud. Illustrierte Originalbroschuren im Schuber. [10], 289, [3] - [8], 295, [3] Seiten. 25 x 17 cm.
ST12668bLNortheastern France probably Arras late 15th century. 146 x 95 mm. 5 3/4 x 3 3/4". Single column 15 lines in a pleasing bâtarde hand. <br/> Attractively framed leaves with full borders showing one side only and the leaf with images of saints in double-sided glass frame showing both recto and verso. All leaves with rubrics in red and one- and two-line initials in brushed gold on a red or blue ground some leaves with three-line initials on orange or green ground. Each leaf WITH EITHER A FULL BORDER OR PANEL BORDER WITH BRUSHED GOLD GROUND AND VERY PRETTY ILLUSIONISTIC FLOWERS AND FRUITS the leaf with the panel border also FEATURING TWO SMALL MINIATURES OF SAINTS. Headlines written in French in a later 18th century calligraphic hand. ◆Brushed gold a little faded in places otherwise excellent specimens generally clean and smooth.<br/> <br/> From a charmingly decorated 15th century prayer book these beautifully framed leaves are ready to hang on the wall or give as a gift to a lucky recipient. Two types of leaves are offered here: the first consists of a full border with illusionistic flowers fruit and at least one insect or creature; the second contains a panel border and two small miniatures depicting St. Anthony often called the Father of all Monks and the lesser known St. Eligius patron saint of metalworkers. For unframed leaves from this same manuscript please check our website. unknown
ST18310cGermany ca. 1100. 130 x 204 mm. 5 1/8 x 8". Single column 13 extant lines in a late Caroline hand. <br/> Rubrics in red. ◆Recovered from a binding and thus noticeably browned stained and vaguely wavy one side somewhat faded several small holes just two touching any letters other imperfections but still a very presentable specimen the ink especially dark on one side and legible on both.<br/> <br/> This is an early fragment in a distinctive hand lacking the heaviness of other scripts of the period and with a feeling of the elongated grace of the humanistic. Despite having previously been used as a binding scrap the fragment remains definitely readable partly because of the clarity of the scribal hand. Elected pope in 590 Gregory I ca. 540-604 also known as Gregory the Great was one of the most influential pontiffs in the history of the Church. In addition to revising liturgical worship he wrote extensively on theology offering homespun wisdom rather than esoteric debates. His "Homilies on the Gospels" were intended to be preached to common people rather than a monastic audience and as a consequence were greatly admired for their straightforward language and pastoral relevance. unknown
ST18310bGermany ca. 1100. 120 x 200 mm. 4 3/4 x 8". Single column 21 extant lines in a late Caroline hand. <br/> ◆Recovered from a binding and thus noticeably browned and stained several small holes costing perhaps 30 letters other imperfections but still a very presentable specimen the ink dark and with loss of legibility in only one small place.<br/> <br/> This is an early fragment in a distinctive hand lacking the heaviness of other scripts of the period and with a feeling of the elongated grace of the humanistic. Despite having previously been used as a binding scrap the fragment remains extremely legible partly because of the clarity of the scribal hand. Elected pope in 590 Gregory I ca. 540-604 also known as Gregory the Great was one of the most influential pontiffs in the history of the Church. In addition to revising liturgical worship he wrote extensively on theology offering homespun wisdom rather than esoteric debates. His "Homilies on the Gospels" were intended to be preached to common people rather than a monastic audience and as a consequence were greatly admired for their straightforward language and pastoral relevance. unknown
1413Paris, Calmann-Lévy, 1929 14 x 20, 271 pp., non coupé, broché, très bon état