1 336 résultats
1927013797Paris Henry Floury 1927 In-4 Broché, couverture illustrée rempliée
awd-106458 encres originales sur vélin au format 32/24 cm (dont 40 avec ajouts localisés aux crayons de couleur et 3 signées et datées 9-86) insérées dans un book en skaï gris texturé (35,5/29,2/3,8 cm).
9869Poèmes recueillis et annotés par Pascal PIA et ornés de trente portraites et images divers. In8 broché, couverture ornée d’une vignette, rempliée. Faux-titre, titre, IV, 328 pages, non coupé. Paris Collection de l’écritoire 1933.Edition originale numérotée sur vélin de Vidalon, très bon état.
19719504Dijon, Comité Bourgogne, 1971 ; grand in-4 ; en feuilles sous couverture rempliée blanche imprimée en rouge, chemise de toile rouge, titre doré en long, étui de toile bleue (emboitage d'éditeur) ; 210, [211], (3) pp., 58 pointes sèches d'André Jacquemin protégées par des serpentes.
1922013707Paris Le Livre 1922 Reliure
17229243Ensemble de deux documents manuscrits sur parchemin :– La nomination elle-même, sur parchemin (29,5 x 48,5 cm), scellé du grand sceau de cire jaune sur simple-queue, signé "Louis" et "par le Roi le Duc d'Orléans Régent Présent, signé Le Blanc" (Claude, secrétaire d'État du département de la Guerre), en date du 31 mai 1722.– Le brevet de réception du sieur de Gauville, mestre de camp de l'Infanterie française, par Louis d'orléans, Duc de Chartres, Premier Prince de Sang, colonel général de l'infanterie française et étrangère, Gouverneur et Lieutenant Général par le Roy dans la province de Daufiné, Grand Maitre des Ordres Militaires de Notre Dame du Mont Carmel et de St Lazare de Jérusalem, à Versailles, le 17 juin 1722. Signé Louis d'Orléans et plus bas du secrétaire, scellé sur simple queue du sceau de cire jaune aux armes des Orléans.
192365703Berlin, Euphorion Verlag, 1923. 49 S. Mit 20 Illustr. (davon 10 ganzseit.). 4to (ca. 27,5 x 19 cm). OHPgt. mit VDeckel-Illustr.
10074deux tomes en deux volumes in 8 broché, couverture à rabats avec titre. Tome 1 : faux-titre, titre, 368 pages, non coupé. Paris Bernard Grasset éditeur 02 avril 1930. Tome 2 : faux-titre, titre, 361 pages, 1 page de table des matières, non coupé Paris, Bernard Grasset éditeur 12 avril 1930 Exemplaire sur vélin pur chiffon Lafuma.
369Paris, Grasset, 1935 14 x 20, 267 pp., non coupé, très bon état
9471Paris, Grasset, 1935 15 x 20, 267 pp., reliure dos/coins cuir, tête dorée, couverture conservée, très bon état
1787Paris, Flammarion, 1920 12 x 19, 246 pp., non coupé, très bon état
1939010255Paris Glm - Collection" Poètes d'aujourd'hui" n° 3 1939 plaquette in-4 Broché, couverture à rabats
1987007167Balbec L'Initiale 1987 In-4 En feuilles, emboitage
014421Paris Maeght 0 En feuilles, couverture illustrée rempliée, chemise éditeur
19481001478081948 in8. 1948. Broché. Les 'Cahiers Charles de Foucauld' sont une publication périodique collectif dédiée à la vie et à l'œuvre de Charles de Foucauld éditée par Arthaud à partir de 1947. Le second volume traite spécifiquement de Charles de Foucauld et de sa 'mission'. Il s'agit d'une édition originale numérotée sur vélin de Rives B.F.K
1954boz_002041Auteur : Donald Windham. Titre : Canicule (The Dog Star) Édition : Gallimard, coll. « Du Monde Entier », Paris, 1954 Tirage : Édition originale. L’un des 66 exemplaires sur vélin pur fil Lafuma Navarre (celui-ci portant le n 53). Seul tirage. Reliure : Volume broché, sous couverture souple d'éditeur. Dos lisse avec titre et auteur en rouge et noir. Exemplaire non coupé. Dimensions : 12 x 19,1 cm État : Bel exemplaire. Intérieur très frais, marges non coupées. Dos insolé. Nombre de pages : 238 pages.
190210924Paris, P. Sevin et E. Rey (Tours, Imprimerie Deslis Frères), 1902 ; in-8 ; demi-maroquin à coins vert foncé, dos à quatre nerfs encadrant les pièces d'auteur et de titre mandarine, tête dorée, couverture prune illustrée d'un hibou sur fond de lune dorée, et dos conservés.
17255LE CHARIVARI,19.04.1842,texte au dos , découpé , marges consevées , ..
195324687Pierre Horay 1953 213 pages collection flore. in-12. 1953. broché. 213 pages.
1958001347New York Findlay Galleries 1958 In-8 à l'italienne En feuilles, couv. illustrée Ed. originale
1910ST14374England ca. 1910. 392 x 287 mm. 15 3/8 x 11 1/4". 32 leaves with text in an attractive italic hand all separated by tissue guards. <br/> SUMPTUOUS OLIVE GREEN STRAIGHT-GRAIN MOROCCO ELABORATELY GILT BY ZAEHNSDORF stamp-signed on front doublure and with their exhibition stamp on rear turn-in covers with densely stippled floral roll border enclosing a large frame formed by drawer handle tools and floral tools on a stippled ground; central panel with large cornerpieces rampant with flower tools circlets volutes and much stippling; raised bands spine compartments heavily gilt in a similar style gilt titling RED MOROCCO DOUBLURES with opulent dentelle frame surrounded by gilt-tooled green morocco turn-ins red watered silk endleaves with gilt edging all edges gilt.ma WITH 76 BLACK & WHITE PHOTOGRAPHIC REPRODUCTIONS OF PORTRAIT MINIATURES BY RICHARD COSWAY ANDREW PLIMER AND OTHERS mounted and enclosed by hand-painted burnished gold frames EACH PORTRAIT WITH HAND-ILLUMINATED TITLE in red blue green and burnished gold. Verso of front endleaf with book label of Thomas Agnew & Sons Old Bond Street Library. A bit of wear to front joint a little rubbing to extremities occasional mild rumpling to head or tail of vellum leaves isolated small marginal smudges otherwise a fine specimen the vellum creamy and bright the illuminations shining and the binding quite sound and lustrous with gold.<br/> <br/> Composed of vellum leaves this is a unique luxurious catalogue of a miniatures collection with delicate script lovely illumination and a stately binding by one of London's foremost workshops. State-of-the-art photographic reproductions of mostly 18th century miniatures are juxtaposed here with calligraphy and illuminations harking back to Medieval bookmaking. Each portrait is surrounded by a gold frame and accompanied by a hand-written description with an illuminated title giving biographical details of known subjects and a physical description of the miniatures whenever they are labelled simply "Portrait of a Lady" or "Portrait of a Gentleman." The scale of this production--which is nearly twice the size of most illuminated manuscripts of the early 20th century--and the splendor of the binding point to a patron of considerable means likely either the proprietors of or a client of the Agnew art dealers. The Agnew firm began as printsellers in Manchester in 1817 but over the course of the 19th century became one of the principal British galleries under the leadership of the founder's son William. A London branch opened in 1860 and the Bond Street flagship in 1875. William Agnew 1825-1910 did much to foster the careers of British artists Holman Hunt Frederick Leighton and Edward Burne-Jones and his clients included Henry Tate whom he encouraged to found the celebrated Tate Gallery. The binding here is a superb example of the work of the Zaehnsdorf firm long a top-ranked English bindery. Born in Pest Hungary Joseph Zaehnsdorf 1816-86 served his apprenticeship in Stuttgart worked at a number of European locations as a journeyman and then settled in London where he was hired first by Westley and then by Mackenzie before opening his own workshop in 1842. His son and namesake took over the business at age 33 when the senior Joseph died and the firm flourished under the son's leadership becoming a leading West End bindery. Over the years Zaehnsdorf employed a considerable number of distinguished binders including the Frenchman Louis Genth who was chief finisher from 1859-84 and trained a number of others including Roger de Coverly and Sarah Prideaux. A family-run business until 1947 the Zaehnsdorf bindery continued to produce consistently attractive and innovative designs executed with unfailing skill. It is generally understood that the firm reserved the use of its oval stamp showing a binder at work seen here for their finest bindings including those entered in exhibitions. unknown
32636Burt Franklin New York. Reprint of the 1822 Edition 1969. 9 Vols. small 4to orig. cloth. "The first bibliography of books printed on vellum; it describes 1750 books owned by what is now the Bibliothèque Nationale Paris and 2750 works which the author traced in other public and private libraries. But it is much more than a mere bibliography of books printed on that precious material; the copious notes make it a valuable bibliography of rare books in many fields." - Breslauer & Folter Grolier Club Bibliography 123. Burt Franklin, New York. (Reprint of the 1822 Edition) 1969 hardcover
1822mon0003529457Chez de Bure Freres 1822. Paperback. Good. . Extremely scarce in any condition. 5 volumes in 4 physical books II and III in one. Fragile but fully intact. Some chipping at edges. Pages clean. Chez de Bure Freres paperback
9 Vols., small 4to, orig. cloth. "The first bibliography of books printed on vellum; it describes 1,750 books owned by what is now the Biblioth?que Nationale, Paris, and 2,750 works which the author traced in other public and private libraries. But it is much more than a mere bibliography of books printed on that precious material; the copious notes make it a valuable bibliography of rare books in many fields." - Breslauer & Folter, Grolier Club, Bibliography, 123.
In 4°; 10 tomi in 9 volumi, completo. Riedizione, anastatica, della prima edizione parigina delle due opere uscite nel 1822-8 e nel 1824-8. Legatura editoriale in piena tela nera con titolo impresso in oro al dorso. Ottime condizioni di conservazione di questa importante opera bibliografica dedicata alle opere stampate su pergamena conservati nella Biblioteca Reale, nella Biblioteca Nazionale di Francia e nelle altre biblioteche francesi. Completo ed in ottime condizioni di conservazione.
