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25253Lithographie - Planche HT parue dans La Caricature politique, morale, littéraire et scénique, volume 5, 28 mars 1833 (Planche n°259) - Œuvre : Hauteur: 27.3cm x Largeur: 35.8cm - Image : Hauteur: 18.5cmx Largeur: 27.5cm - Titre en bas au centre : « A ton nez d’Arg... ! à ton œil Bartholo ! à vous tous, Ventrus !! » ; indications : en ht à gche : « La Caricature (Journal) N°259. », en ht à dte : « Pl. 125. » (intervertion entre n° pl. et numéro du journal) - Dans la lettre : « Lith. de Becquet, rue Childebert N°9. » [imprimeur], « On s’abonne chez Aubert, galerie véro dodat. » [éditeur]; dans l’image, sur une feuille de papier, signature : « Ch. Invt. AD scul » [Charles Philipon, inventeur du modèle, et Auguste Desperet, dessinateur]
1947014104Paris Cartier 1947 In-4 en feuilles, couverture rempliée
3943Hardcover. Very Good. Published circa 1900 gift inscription dated 1908. 22 pp. Little book measuring apx. 5.5" x 3". Presumably very scarce. The binding is lovely: full vellum with both front and rear panels painted in colors and heightened with gold. Light wear. <br/><br/> hardcover
3943Hardcover. Very Good. Published circa 1900 gift inscription dated 1908. 22 pp. Little book measuring apx. 5.5" x 3". Presumably very scarce. The binding is lovely: full vellum with both front and rear panels painted in colors and heightened with gold. Light wear. <br/><br/> hardcover books
19302370Paris, Librairie des Amateurs, 1930 ; in-4, broché ; (3) ff. (bl., faux-titre, titre), 129 pp., (3) ff. (justification, achevé d'imprimer, bl.) ; 8 illustrations hors-texte dont une en frontispice, chacune en deux états, quelques illustrations en couleurs in-texte ; couverture blanche à rabats illustrée en couleurs.
19422362Paris, Flammarion, Emile Chamontin, 1942 ; in-8, pleine-basane rouge-sang, dos à quatre nerfs, titre doré, couverture conservée (reliure de l'époque) ; (4) ff. (2 bl., faux-titre, titre), 184 pp., (2) ff. (achevé d'imprimer, bl.) ; 8 illustrations en couleurs hors-texte dont une en frontispice, quelques illustrations en couleurs in-texte.
1935009051[Paris] S.n. 1935 In-12 carré en feuilles, couverture rempliée, étui illustré
1953011668Paris N.R.F., Editions Gallimard 1953 In-8 Broché Ed. originale
13302Reconnaissance en assemblée de magistrats à la cour de Revin d’un acte de donation du Prince de CHIMAY en faveur de Marie Magdeleine d’Egmont fille du Prince de GAURE sa future, des terres de FUMAY et de REVIN et d’u revenu annuel de 6000 florins si des enfants naissaient de leur mariage. Manuscrit sur peau de vélin 440x340mm daté 1613 Quatre sceaux ( Il semble en manquer un quatrième)
235Paris, H. Piazza, 1923 17 x 24, 125 pp., non coupé broché, très bon état
1497Paris, Les Belles Lettres, 1929 13 x 20, 131 pp., broché, très bon état
12208Paris, Le Livre Français, 1923 17 x 25, 125 pp., reliure dos/coins cuir, très bon état (couverture conservée)
122866Naples: late 15th century. A cutting 173 mm x 182 mm with historiated initial 'E' doubtless the introit 'Ecce advenit. for Mass at Epiphany 147 mm x 152 mm. Slight spots of rubbing. In an elaborate gold frame. § The Virgin and Child seated on the right with Joseph behind set among green and yellow hills painted in full colors and liquid gold the initial itself in elaborate leafy design in dark red with pink and white heightening entwined with green leaves at the top and bottom set on a burnished gold ground with colored trefoils in each corner flecked blue surround traces of text and music to the right of the initial verso with parts of 2 lines each of text and of music on a 4-line red stave. Large miniature in the style of the Neapolitan illuminator Cristoforo Majorana documented in Naples from 1480 until 1492 cf. F. Avril Dix siecles d'enluminure italienne 1984 pp. 176-7 no. 156. The standing kinds are painted with splendid robes fringed with pearls. The blue flecked border giving the effect of the whole initial hovering above the vellum derived from the classicising illumination of Mantua and Padua and became a feature of Neapolitan manuscripts of the late fifteenth century. late 15th century. A cutting hardcover books
10997<p>NP. ND. . FINE LARGE DECORATIVE VELLUM BINDING. Folio. 14.8 x 12.8 inches. A collection of 211 items of late 19th and early 20th century cards and ephemera including 26 rare 3-D movable lift-up Valentines and Christmas cards each mounted onto a white stiff card page and with multiple pieces of ephemera attached around the page. Attractive late nineteenth century binding of full white vellum. Spine with decorative gilt designs within double gilt ruled lines in compartments. Boards with triple gilt ruled borders to the very edges and elaborate dark brown morocco panels with highly decorative gilt tooling. A thin blue ink line inside and out of the brown panels. Four gilt corner pieces inside the middle panel. Red painted initials with gilt borders to the centre of the front panel. Board edges and turn-ins with decorative gilt rolls. Green and white patterned endpapers. All edges gilt. Inner hinges reinforced with buff cloth strip. A little marking and a couple of small splits to the binding but overall a fine and attractive vellum binding housing an interesting collection of rare unusual and highly decorative items.</p> NP. ND. hardcover
1904ST20796London: Essex House Press 1904. No. 1 OF 140 COPIES all on vellum. 195 x 131 mm. 7 3/4 x 5 1/8". 1 p.l. frontispiece 3-11 2 pp. <br/> Original stiff vellum over thin boards front cover with embossed rose design. In custom-made linen clamshell box with red morocco label on spine. Hand-colored woodcut frontispiece and final tailpiece both by Reginald Savage hand-painted initials in burnished gold red blue or green. Printed in black and red. Front pastedown with red morocco bookplate of William Andrews Clark Jr.; front endleaves with evidence of bookplate and inscription removal. Tomkinson p. 76; Ransom p. 268; Franklin p. 200. A VERY FINE COPY clean bright and free of the splaying that very frequently afflicts the boards of this work.<br/> <br/> This is a most appealing example of the luxurious hand-crafted volumes produced under the auspices of the Essex House Press with our copy coming from the library of a noted Dryden collector. The book is the 11th from the Essex House series of 14 "Great Poems in the English Language" a group of lovely little works all printed on vellum and with delightful colored illustrations and historiated initials. Generally considered to be the best example in English of the choric hymn the present work is set at a feast given by Alexander the Great who finds himself entranced by the poet and lyrist Timotheus. The great leader is lost in reveries of exploits and victory he sighs and cries over battles lost and warriors slain and he finds inspiration for new conquests. Our printer C. R. Ashbee founded the Essex House Press in 1898 by purchasing the presses and other production equipment though not the type formerly owned by the Kelmscott Press which had shut down at the death of William Morris. Ashbee printed books for 12 years with vellum ink and paper identical to that used by Kelmscott in an effort to carry on the tradition Morris had established. But the Essex House Press because it was conceived of and continued as part of a larger enterprise involving various artisans at work in a group of workshops at Ashbee's Guild of Handicrafts located at Essex House in London's Mile End Road always had its own special identity a fact which Cave reflects when he calls it the "Arts and Crafts press 'par excellence.'" The illustrator here Reginald Savage fl. 1886-1904 is deemed by Houfe "a talented and imaginative designer and woodcut artist" and Houfe notes that he was also commended by his fellow illustrator Walter Crane 1845-1915 for his "weird designs." Former owner William Andrews Clark Jr. 1877-1934 put together one of the most distinguished collections of English and French literature of his day. He had strong holdings in many areas but especially in Shakespeare and the other Elizabethans in Dryden in Oscar Wilde and in the French drama. After a fire in his home in 1923 Clark constructed a separate fireproof building to house his collection; in 1926 this library building with its distinguished collection was deeded to the University of California and now serves as a prominent center for literary research. Essex House Press unknown
1892260691892. Librairie des Amateurs, A. Ferroud, Paris. Mit 30 Stichen von Adolphe Lalauze. Grüner Halblederband mit Kopfgoldschnitt und marmorierten Vorsätzen im Schuber. [8], XVI, 84, [4] Seiten.
1833250771833 1833. Planche 274 de La Caricature N° 132.La Caricature, 16 mai, 1833. Lithographie originale sur Velin blanc. . . Belle épreuve en noir et pli vertical,plis;lithographie en noir sur velin blanc,,tirage bien noir malgré l'image jaunie
1927002369Bristol Douglas Cleverdon. En vente à Paris chez G. Crès 1927 In-8 Broché, couv. rempliée Ed. originale
174997683Leipzig, Arkstee & Merkus, 1749. [6] Bll., XXXIV, [6], 916, [70] S., [1] Bl. Mit 2 Kupferstich-Vignetten. 4to. 25 cm. Ganzpergament d. Zt. m. Ganzfarbschnitt.
SLIVCN-9782258211308Presses de la Cité (5/2025)
1626ST19298Antwerp: M. Snyders 1626. FIRST EDITION. 135 x 82 mm. 5 1/4 x 3 1/4". 39 of 40 leaves lacking C4. Two volumes one as issued the other a companion volume containing related plates without any title page. <br/> Very pretty late 18th or early 19th century red morocco covers bordered by delicate cresting roll with leaf cornerpieces smooth spine gilt in compartments with leafy centerpieces gilt lettering turn-in with gilt floral roll pale blue watered silk endleaves all edges gilt. Supplemental volume in late 19th century red half morocco over red paper boards similarly tooled spine. Housed together in a custom-made modern wooden box with sliding panel closure a heart mosaic in multi-colored hard-grain leather on its sides. Amoris Divini WITH engraved title page and 38 of 39; lacking plate XXXIV ENGRAVED PLATES 35 OF THEM ON VELLUM ALL DELICATELY COLORED AND HEIGHTENED IN GOLD plates 19 29 30 31 and 36 bound after text pages for plates 31 36 29 30 and 34 respectively; second volume with 45 plates on paper though without any text including many of these same emblems apparently from a later edition of this work ALL DAINTILY HIGHLIGHTED WITH GILT. Front pastedown of first volume with monogram book label in colors and gilt verso of front free endpaper with oval armorial bookplate "Ex Museo Van Der Helle" see below. De Vries "De Nederlandsche Emblemata" 121; Landwehr "Low Countries" 33; Praz p. 254; Brunet I 240 this copy; Delbergue-Cormont "Bibliothèque de M. Van der Helle" Paris 10 Février 1868 lot 69 this copy. Amoris spine very slightly dulled occasional hints of marginal thumbing but A LOVELY COPY clean and fresh internally with rich colors and glistening gold in a well-preserved binding; supplemental plates with faint marginal browning but excellent internally the engravings gently shimmering with gold and the binding with few signs of wear.<br/> <br/> The main volume here comprises a collection of emblems illustrating concepts of human and divine love; it is made all the more special by being printed on vellum beautifully hand colored and then delicately highlighted with gold. The emblems depict Divine Love as a beardless young man with nimbus who always represents love in its purest form. Human love or worldly love is variously embodied in a winged Cupid sometimes blindfolded who represents erotic love and who is accompanied by symbols of treasure or power that represent worldly desires. Landwehr Praz and De Vries make no mention of a vellum edition but Brunet describes one copy on vellum painted in colors and gold which he says sold at the Duriez auction. That book appeared as lot 3216 in "Catalogue des livres imprimés et manuscrits composant la bibliothèque de feu M. L.-M.-J. Duriez de Lille membre de la Société des Bibliophiles français" Paris J.-S. Merlin 1827 where its binding description matches our copy. Having uncovered no other hand-colored copies on vellum in auction records or in OCLC we think it quite likely that the present volume is in fact the Duriez copy. Louis Duriez 1753-1825 was a Lille lawyer of sufficient skill and cleverness to move without incident from serving as lieutenant provost for his district under King Louis XVI to becoming receiver of the district of Lille after the revolution 1791 and purchasing the estate of an aristocrat which had been seized by the state. He rose to successively more important and remunerative governmental positions and was named Knight of the Royal Order of the Legion of Honor in 1814. In 1820 he was one of the founding members of the Société des Bibliophiles français an elite group limited to 24 scholarly collectors. After his death his collection of more than 5000 carefully chosen works was dispersed at 59 auctions held between 22 January and 1 April 1828 at Maison Silvestre in Paris. A perusal of the lots on offer finds a strong emphasis on fine bindings works on vellum and illustrated books many noting hand coloring. The emblems in the second thinner book here on paper without coloring--but with gold highlighting allow the reader to experience the pleasure to be found in comparing the degrees of decoration and opulence of the two volumes. These illustrations likely come from one of the later printings of this title each of which added new emblems to the original 39 called for in Landwehr and Praz. It is not clear when or by whom this second volume was wedded to the first. After its presumed residence in the Duriez collection our copy of the 1626 edition and perhaps its sidecar volume moved to another distinguished library--that formed by the scholarly and erudite French collector M. Van Der Helle of Lille who amassed a collection particularly rich in illustrated books and works on vellum. In the catalogue for the sale of his library in 1868 Paris auction house Delbergue-Cormont described him as a bibliophile "of the school of Renouard . . . who only liked irreproachable copies." We bought this item without being warned that it is slightly defective but given its distinguished provenance and the many other features it has going for it we did not ask the seller to take it back. M. Snyders unknown
1924260701923, 1924. Les Editions d`Art Davampez, Paris. Mit 20 farbigen Illustrationen von Pierre Brissaud. Illustrierte Originalbroschuren im Schuber. [10], 289, [3] - [8], 295, [3] Seiten. 25 x 17 cm.
1974009654Alès PAB 1974 Feuillet recto plié en trois, 8,2 x 9,2 cm.
19052407Paris, Librairie des Amateurs, Ferroud, 1905 ; petit in-8, broché ; (3) ff. (bl., faux-titre, titre), 45 pp., (2) ff. (achevé d'imprimer, bl.) ; 10 illustrations en noir et trois états ; couverture beige à rabats imprimée en rouge et noir.
1929001209Paris Editions Kra 1929 In-8 Broché Ed. originale
