MareMagnum
16 160 résultats
Immediatamente diponibile. € 50.00 — Testi: Ohff Heinz. F.to: 15x21; pagg. 320; BN; rileg. brossura. Editore: Bertelsmann Kunstverlag, Berlin, 1971.
500048461Sans date.
1976101838Paris Flammarion 1976 130p 1 volume In8 broché.
500304347Sans date. Impossible de déterminer le résumé du livre à partir des fragments fournis qui semblent être des extraits de définitions de saints et de lieux plutôt que du contenu de l'ouvrage lui-même
192880332Dresden, Schriftenhauptstelle des Sächsischen Pestalozzi-Vereins, 1928. 82 S. 8° Oktav, Halbleinen
198990158Kassel, Wissenschaftliches Zentrum II für Psychoanalyse, Psychotherapie und psychosoziale Forschung der Gesamthochschule Kassel, 1989. 210 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1984100599o. O., Schwälmer Heimatbund, ca. 1984. 192 S. Gr.-8° Groß-Oktav, Softcover/Paperback
Testi: Pannaggi Ivo. pagg. 366; BN; rileg. brossura. Editore: La Nuova Foglio, Pollenza, 1976.
2011000946National Geographic 2011. Hardcover. Good/Acceptable. in-32°. <br/> <br/> National Geographic hardcover
Testi: Martinetti Sara, Coelewij Leontine. F.to: 17x24; pagg. 560; 417 COL; rileg. brossura. Editore: Buchhandlung Walther König, Köln, 2016.
Jean Cocteau once called the cinema 'that temple of sex with its goddesses, its guardians and its victims'. That remark forms the theme of this three-part study by the Evening Standard film-critic of the role of sex in the cinema. Alexander Walker's goddesses include Mary Pickford, Mae West, Marlene Dietrich, Greta Garbo, Marilyn Monroe and Elizabeth Taylor. 'Why', he asks, 'was each of these so successful in projecting her sex appeal on celluloid?' His answers involve psychology, ethics, biography, film history and finance...and, of course, the 'guardians'. His guardians are simply the censors, British and American, whether as creators of taste or watch-dogs on morals. In his final section, devoted to victims, the author cites the fates of Mastroianni and Rock Hudson as evidence of the steadily falling graph of male supremacy in Italian and Hollywood sex-comedies.
Testi: Gordon Mitchell. pagg. 448; rileg. brossura. Editore: Penguin Books, New York, 1965.
196013643Lauf Rudolf Zitzmann Verlag, 1960. 131 S. 8° Oktav Tb
1956106450Berlin, Rütten & Loening, 1956. 170 S. Gr.-8° Groß-Oktav, Softcover/Paperback
Is art criticism losing ground to the Internet and its rapidly proliferating art blogs? Do people still consider the art critics employed by newspapers and magazines the most important arbitrators of what is worth seeing and reading? Much recent discussion about the changing landscape of art writing, often framed as a crisis in criticism, has revolved around the question, "what is art criticism?" <I>Spaces for Criticism</I>, edited by Pascal Gielen, asks instead, "where is art criticism?" The contributors to this volume explore new ways and new spaces where art critics might interact with works of art, artists, scholars and a varied, increasingly informed public. The authors argue that criticism has shifted to different places and different stages, experiencing both a displacement onto new media and into new geographic regions and new institutional structures. — Testi: Gielen Pascal, Sonderegger Ruth et al. pagg. ple; rileg. brossura. Editore: Valiz, Amsterdam, 2015.
Testi: Chambert Christian, Robins Corinne et al. F.to: 17x21; pagg. 408; BN; rileg. brossura. Editore: The Swedish Art Critics Association Press, Lund, 1995.
198788857Wien, Verband der Wissenschaftlichen Gesellschaften Österreichs, ca. 1987. 163 S. Gr.-8° Groß-Oktav, Softcover/Paperback
VOLUME II ONLY. IN YIDDISH WITH ENGLISH SUMMARY. 310x235 mm. XXVII+515 pages. Hardcover. Cover scratched. Cover edges worn. Cover corners worn. Spine slightly stained. Spine edges worn. Stamp on second white page. Several pages slightly age-stained. Pages yellowing. Else in good condition.
IN HEBREW. SINGLE ESSAY IN ENGLISH. 160X245 mm. 121 pages. Gilt hardcover. In good condition.
178212718Genf o. V., 1782. 403 S. Kl. 8° Klein-Oktav Kart.
182116217Frankfurt Gebrüder Wilmans, ca. 1821. 320 S. 12° Duodez Brosch.
192977544Meißen, Selbstverlag, 1929. VIII + 188 S. Gr.-8° Groß-Oktav, Halbleinen
Throughout the world, the educational field is being transformed into a marketplace in which institutions must compete for students, and are called on to assess their cultural contributions in terms of finance and management. Is there any room left for art in such a system? <I>Teaching Art in the Neoliberal Realm</I> investigates the wide-scale reorganization of art education in the United States, Europe, Asia, Australia, Latin America, Russia and The Netherlands, and seeks to determine both the current impact and future ramifications of market education on the arts and the artist. Most importantly, it provides prescriptions for a positive direction forward, steering between the cynical big business of the art market and the threatened idealism of classic art education. The thematic chapters, interviews and essays adopt both practical and theoretical approaches, and include such contributors as Richard Sennett, Marco Scotini and Dieter Lesage. — Testi: Overbeek Tessa, De Bruyne Paul et al. pagg. ple; rileg. brossura. Editore: Valiz, Amsterdam, 2012.
Madrid, Ministerio de Cultura, 1980, 17,5 x 11 cm., rústica editorial, 348 págs. + 1 h.
197318279Bern Francke Verlag, 1973. 336 S. Gr. 8° Groß-Oktav Ln.
