[Essays] Snyder, GaryBiblio.com
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200726458<p>Emeryville:: Shoemaker & Hoard 2007. First Printing of the First US Edition. A Fine copy in a Fine unclipped dust jacket. tTis collection of essays by Gary Snyder blazes with insight. In his most autobiographical writing to date these essays employ fire as a metaphor for the crucial moment when deeply held viewpoints yield to new experiences and our spirits and minds broaden and mature. Snyder here writes and riffs on a wide range of topics from explorations of southwestern European Paleolithic cave art to his own personal poetic history with haiku; from reminiscences of youthful West Coast logging and trail crew days to talks given in Paris and Tokyo on art and archetypes. He honors poets of his generation like Philip Whalen and Allen Ginsberg and meditates on art labor and the making of families houses and homesteads. This is not a collection of essays but a cohesive presentation of Snyder's life and work expressed in his characteristically straightforward prose.</p> Shoemaker & Hoard, hardcover
198629098Lewiston::: Confluence Press 1986. First Printing of the First US Edition. A Fine tight copy in a Fine bright unclipped dust jacket. The thirteen essays in this remarkable collection by the son of poet William Stafford provide the poet's personal vision with a regional evocation of place and character. Kim Stafford writes "with the wisdom of the folklorist and the clarity of the poet." These are wonder-filled stories that nourish and illuminate life. Confluence Press,, unknown
201629032Berkeley:: Counterpoint 2016. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. Long rumored to exist The Great Clod collects more than a dozen chapters several published in The Coevolution Quarterly almost forty years ago when Snyder briefly described this work as “The China Book” and several others the majority never before published in any form. These essays turn from being memoirs of travel to prolonged considerations of art culture natural history and religion. Filled with Snyder’s remarkable insights and briskly beautiful descriptions this collection adds enormously to the major corpus of his work. Counterpoint, unknown
Paris, N.R.F., Bibliothèque de la Pléiade, 1972. In-12, reliure éditeur, bien complet de sa jaquette d'origine illustrée, étui. N° 12. En parfait état.
28181Paris, N.R.F., Bibliothèque de la Pléiade, 1972. In-12, reliure éditeur, bien complet de sa jaquette d'origine illustrée, étui.
Paris, Editions anthropos, 1974. In-8, broché, couverture blanche glacée, 174 pp. Bel exemplaire.
6205Paris, Editions anthropos, 1974. In-8, broché, couverture blanche glacée, 174 pp.
Paris, Edition de la "Revue Mondiale", 1934 ; in-12, broché, 292 pp.
4407Paris, Edition de la "Revue Mondiale", 1934 ; in-12, broché, 292 pp.
36925London Lund Humphries 1957. 4to 193pp. Original cloth in b/w pictorial dustwrapper exhibiting some wear and open tearing to top and bottom edges. Numerous b/w photographic reproductions of the works of Soviet contructivist sculptor Naum Gabo addition to a facsimile of the Realist Manifesto and reprints of other such ephemera. Rear board contains a compartment storing clear plastic 'realist' viewing glasses. . First editon. Contains viewing goggles. London, Lund Humphries, 1957. hardcover
19862020286NY: Rizzoli/ Walker Art Center 1986. 1st printing of 1st edition. Fine hard cover exhibition catalog in fine dust jacket. Essays by Rosemarie Haag Bletter Cosje van Bruggen Mildred Friedman Joseph Giovannini Thomas Hines & Pilar Viladas; 216 pages illustrated. NY: Rizzoli/ Walker Art Center hardcover
Paris, Editions de la Différence, 1988. In-8, broché, bien complet de sa jaquette illustrée, 355 pp. 44 pages d'illustrations photographiques, documents, fac-similés.
23384Paris, Editions de la Différence, 1988. In-8, broché, bien complet de sa jaquette illustrée, 355 pp.
2009153837New York New Haven: Whitney Museum of American Art / Yale University Press 2009. First Edition. First Edition. Published in conjunction with a traveling exhibition which opened at the Whitney Museum of American Art on September 17 2009 and closed at the Georgia O'Keeffe Museum on September 12 2010.<br /> <br /> Near Fine in a Near Fine dust jacket. Light bump to heel. Wrappers with light bumps to heel crown and top right corners and a light crease to bottom of front panel. Whitney Museum of American Art / Yale University Press unknown
Paris, Klincksieck, Théâtre d'aujourd'hui, 1987. In-8, broché, couverture illustrée, 304 pp.
3546Paris, Klincksieck, Théâtre d'aujourd'hui, 1987. In-8, broché, couverture illustrée, 304 pp.
Paris, Gallimard, Cahiers André Gide 2, 1971. In-8, broché, couverture bleue à rabats, imprimée en noir et rouge, 275 pp. (trâce d'adhésif sur la couv). Index. Portrait en frontispice (Gide et Mauriac en 1949).
23769Paris, Gallimard, Cahiers André Gide 2, 1971. In-8, broché, couverture bleue à rabats, imprimée en noir et rouge, 275 pp. (trâce d'adhésif sur la couv). Index.
Paris, Gallimard, Cahiers André Gide 8 1988. In-8, broché, couverture bleue à rabats, imprimée en noir et rouge, 638 pp. Bel exemplaire.
23772Paris, Gallimard, Cahiers André Gide 8 1988. In-8, broché, couverture bleue à rabats, imprimée en noir et rouge, 638 pp.
Paris, Albin Michel, 1951. In-12, broché, non coupé, 282 pp. Bel ex. Edition originale sur papier d'édition (il n'a été tiré de cet ouvrage que 10 ex n°).
23030Paris, Albin Michel, 1951. In-12, broché, non coupé, 282 pp.
Paris, Gallimard, Cahiers André Gide 1, 1969. In-8, broché, couverture bleue à rabats, imprimée en noir et rouge, 410 pp. Avant-propos de Claude Martin. Bibliographie, liste de l'association des amis d'André Gide. Bel ex.
23768Paris, Gallimard, Cahiers André Gide 1, 1969. In-8, broché, couverture bleue à rabats, imprimée en noir et rouge, 410 pp.
Paris, Gallimard, Cahiers André Gide 3, 1972. In-8, broché, couverture bleue à rabats, imprimée en noir et rouge, 410 pp. Avant-propos de Claude Martin. Liste de l'association des amis d'André Gide. Textes de :Marguerite Yourcenar, Dusan Matic, Etienne Woolf, Jean Delay, Robert Mallet, Pierre Lafille, Auguste Anglès, Georges Blin, Roger Bodart, Yvon Belaval, Etiemble, Pierre de Boisdeffre, Albert Memmi, etc, etc. Bel ex.
