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Very Good Good Turkish Original bdg. Dust wrapper. Cr. 8vo. (20 x 14 cm). In Turkish. 444, [2] p. DJ's extremities slightly chipped, fading on DJ's spine. Otherwise a good copy. Signed and inscribed by Kisakürek as 'Sevgili müdürüm Zeki Açabay'a ihtiramla, 8/3/61'. Kisakürek was a Turkish poet, novelist, playwright, and Islamist ideologue. He is also known simply by his initials NFK. He was noticed by the French philosopher Henri Bergson, who later became his teacher. In his own words, he was born in "a huge mansion in Çemberlitas, on one of the streets descending towards Sultanahmet" in 1904. His father was Abdülbaki Fazil Bey who held several posts including deputy judge in Bursa, the public prosecutor in Gebze, and finally, a judge in Kadiköy. His mother was an emigree from Crete. He was raised at the Çemberlitas mansion of his paternal grandfather Kisakürekzade Mehmed Hilmi Efendi of Maras; he was named after his great-grandfather Ahmed Necib, as well as his father, Fazil. He studied in many schools during his primary education, including the French School in Gedikpasa, Robert College of Istanbul, as well as the Naval School. He received religious courses from Ahmed Hamdi of Akseki and science courses from Yahya Kemal at the Naval School but he was actually influenced by Ibrahim Askî, whom he defined to have "penetrated into deep and private areas in many inner and outer sciences from literature and philosophy to mathematics and physics". Ibrahim Askî provided his first contact with Sufism even at a "plan of skin over skin". "After completing candidate and combat classes" of Naval School, Kisakürek entered the Philosophy Department of Darülfünûn and graduated from there (1921-1924). One of his closest friends in philosophy was Hasan Ali Yücel. He studied in Paris for one year with the scholarship provided by the Ministry of National Education (1924-1925), until the scholarship was canceled. After returning home in 1926, he worked at Holland, Osmanli and Is Banks (1926-1939), and gave lectures at the Faculty of Linguistics and History and Geography and the State Conservatoire in Ankara and the Academy of Fine Arts in Istanbul (1939-1942). Having established a relationship with the press in his youth, Kisakürek quit civil service to earn his living from writing and magazines. Necip Fazil's life took a turn in 1934 when he met Abdülhakim Arvasi, a sheik of the Sufi Naqshbandi order. He became one of his most notable disciples, remaining a follower until the sheik's death in 1943. Appropriating his anti-semitic ideas from Europe, Kisakürek regarded Jews as the corrupting element within Western civilization and described them as the originator of Marxism and capitalism. He held them responsible for the early conflicts between Muslims and the decline of the Ottoman Empire. Kisakürek's publications included the Turkish translation of The Protocols of the Elders of Zion and praise for Henry Ford's The International Jew, as well as a political program in which he wrote: "Chief among these treacherous and insidious elements to be cleansed are the Dönmes and the Jews." Necip Fazil was awarded the First Prize of C.H.P. Play Contest in 1947 with his play Sabir Tasi (Stone of Patience). Kisakürek was awarded the titles of "Great Cultural Gift" by the Ministry of Culture (25 May 1980) and "Greatest Living Poet of Turkish" by the Foundation of Turkish Literature upon the 75th anniversary of his birth. Kisakürek sought to replace the Kemalist secular notion of nationalism with an Islamist one. Within Turkish Islamism, he represented the concept of "Islamization from above" through the capture of government. Since the late 1970s, Kisakürek has been an icon for Turkish Islamists. (Wikipedia).
15939Paris, Presses de Louis Jou, 1934-1936 ; 3 tomes in-4 raisin (25 x 33 cm), brochés sous couverture crème rempliée illustrée, chemise demi-toile noire, titre repris du portefeuille d'origine or sur fond rouge, étui noir bordé de toile noire (étuis renouvelés avec titres conservés) ; composé de plus de 1200 pages, 3 couvertures, 3 titres, 3 portraits, colophons, bandeaux, lettres ornées, culs-de-lampe, etc. ; soit environ 380 gravures ; le tirage est en noir et rouge et, selon les besoins, or et camaïeu, le blason à fond bleu et meubles dorés.
1617LCPCLIT-0044(Les Essais de Montaigne en reliure strictement de l'époque. L'exemplaire d'un membre de la famille De Calonne) MONTAIGNE MICHEL EYQUEM DE. (Bordeaux, 1533 - Saint-Michel-de-Montaigne, 1592) "LES ESSAIS DE MICHEL SEIGNEUR DE MONTAIGNE. EDITION NOUVELLE ENRICHIE DANOTATIONS EN MARGE : CORRIGEE ET AUGMENTEE D'UN TIERS...". 1617, Rouen, I. Osmont (N. L'Oyselet sur la dernière page). 1 fort volume in-8° (173x115 mm) (dimensions pages 166x107 mm) (1) titre frontispice gravé par E. Charpy, (2) pp. (avis), (3) pp. (table des chapitres), (7) pp. (biographie), (1) f. avec le portrait de Montaigne, non signé, gravé par Thomas de Leu, 1129 (i.e. 1087 pp.), (1) pp. (fautes et sauts de numération aux pp. 698-609 et 739-740), (17) ff. (table). (a8, A-Z8, Aa-Zz8, Aaa-Yyy8, Aaaa-Bbbb8, Cccc2) Reliure strictement de l'époque en vélin rigide à rabats. Rare et jolie édition, réimpréssion des éditions de Paris de 1608 et 1611. Tout petit manque de papier à l'angle inférieur du f. M1 sans atteinte. Cahier Aa très très légèrement et partiellement dérelié. Traces de lacets en soie sur les plats. Très bel exemplaire, frais et en reliure du temps. "Cette édition a été partagée entre plusieurs libraires rouennais" (Tvili, 421). Provenance : Un ex libris manuscrit "De Calonne" sur le premier f. de garde. Très probablement l'exemplaire d'un membre de la famille du célèbre ministre des finances de Louis XVI. (Tchémerzine, IV, 889)
1985C51858New York: Wildenstein Gallery. As New. 1985. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION.104 pages illustrated in colour and b/w 27 color plates 92 black & white -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Wildenstein Gallery paperback
19145833Paris, Ferroud, 1914-1918. Grand in-8 (154 x 249 mm), 255 pp., 1 f. n. ch. Maroquin vert janséniste, dos à nerfs, auteur, titre, date et abeilles dorés, doublure de maroquin olive ornée d'abeilles avec un encadrement végétal composé de fers dorés et à froid et de maroquin mosaïqué bordeaux, rouge, vert et brun, gardes de soie décorées de motifs végétaux, tranches dorées, dos et couvertures conservés, dos avec légères marques de frottement et légèrement et uniformément passé ; p.156 : suite sur Chine en couleurs : petit trou dans la planche (René Aussourd, 1919).
191235222ABBerlin, S. Fischer Verlag, 1912. Gross-8° (24,5 x 17 cm). [6] Seiten, S. 897-1343, [1] S.; S. 1345-1783, [1] S. Bibliotheks-Halbleinenband und dazu passender Halblederband mit Rückentitel. 2 Bände. Innendeckel mit Stempel bzw. Exlibris "Akademischer Verein Hütte Berlin", Titelblatt bzw. erstes Textblatt von Band 4 oben sauber gestempelt "Der Büchereiverwalter..." u. nummeriert. Leicht gebräunt, Schnitte etwas stärker, Ränder u. Vorsätze teils ein w
186920752London: Tinsley Brothers 1869. First Edition. Hardcover. Very good. Two volumes. 8vo pp xii 443; viii 478 2 ads each with engraved frontispiece and title page vignette folding map in Volume II. Publisher's green cloth ruled in blind with gilt figure on each front board. Account of Burton's journey from Rio to the rich mining area of Minas Gerais via Tres Barras River Velhas Penedond Paulo Afonso Falls. He canoed down the entire 3000 kilometer length of the previously uncharted Sao Francisco River to the Atlantic. Borba de Moraes I p. 110; Penzer pp. 78-79. Corners bumped some scuffing to upper spines foxing to first and last few leaves of each volume. With the bookplates of British Civil Engineer Leveson Francis Vernon-Harcourt we believe prominent early Los Angeles physician Walter Lindley and his son Francis Haynes Lindley. Tinsley Brothers hardcover books
197922158PARIS: Editions De La Reunion Des Musees Nationaux. As New. 1979. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 325 pages -- Clean and crisp tight and bright pages with no writing or markings to the text. -- -- Choose us for the information you need. Text in French. -- with a bonus offer--; 4to - over 9¾" - 12" tall . Editions De La Reunion Des Musees Nationaux hardcover
200334966United Kingdom: Duckworth Pub. New. 2003. Paperback. 0715631691 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 320 pages; 5 3/8 x 8 1/2 inches -- In 1839 the Tractatus Coislinianus a summarised treatise on comedy was published from a tenth-century manuscript. Its discoverer suggested that it derived from the lost second book of Aristotles "Poetics" which inaugurated the systematic study of comedy but it was soon condemned as an ignorant compilation verging on forgery and thus matters stood until the first publication of "Aristotle on Comedy" in 1984. Richard Jankos edition of the text is accompanied by a facing translation interpretive essays reconstruction and commentary. The book is now made available in paperback for the first time with a new Preface and additional bibliography. -- REVIEW: "This is a splendidly vigorous book. Janko presents his case with enthusiasm and panache. He is forthright in expressing his own views and in denouncing the errors of other scholars. His arguments some of them complex are invariably clear - and often deliciously clever. Whatever the truth about TC Tractatus Coislinianus Jankos conclusions must be taken seriously. . No reader will be able to stay silent about this fascinating book." ----Jonathan Barnes "Phronesis" -- with a bonus offer-- . Duckworth Pub paperback
200034272Germany: Hatje Cantz Pub. New. 2000. Hardcover. 3775708790 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY PRISTINE NEVER OPENED -- 384 pages-- DESCRIPTION: Paul Cezanne 1839-1906 after studying law in Aix attended the Academie Suisse in Paris. He met the Impressionists through his boyhood friend Emile Zola and exhibited with them in 1874 and 1877. For a long time Cezanne's paintings which were invariably rejected by the Salon jury were bought only by a few people. Because of this from 1881 he lived in seclusion in Aix-en-Provence. After his first big exhibition in Paris in 1895 he slowly gained a reputation among adherents of modern art. Product Description: Edited by Felix Baumann Evelyn Benesch Walter Feilchenfeldt Klaus Albrecht Schroder. Essays by Friedrich Teja Bach Felix Baumann Evelyn Benesch Gottfried Boehm and Walter Feilchenfeldt. The story of Cezanne's fame and influence would be incomplete without taking into account the impact of his unfinished paintings. Immediately following his death these works were already held in high regard both by Matisse and the Fauves and by Picasso and the Cubists. This book looks at these paintings a crucial aspect of Cezanne's body of work and thus a signpost in 20th century art that pointed the way to the future right up to Abstract Expressionism. Cezanne aimed to renew painting on the basis of classicism and to establish Impressionism so that it would hold a prominent place in museums. But no other artist has created so many seemingly unfinished works. Examining his paintings and watercolors including the monumental still lifes and the late paintings from Montagne Sainte-Victoire this book shows clearly that what is 'unfinished' in Cezanne's work is not a sketch not a preparatory study. Detailed essays that compare finished paintings with so-called unfinished ones provide a completely new insight into the creative process of the father of modernism. -- with a bonus offer-- . Hatje Cantz Pub hardcover
198551349MOMA; NY Graphic Society; Little Brown. As New. 1985. Hardcover. 0870705962 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block pristine pages tight to spine - 264 page monograph; 84 color illustrations; 207 black and white illustrations. -- with a bonus offer-- . MOMA; NY Graphic Society; Little Brown hardcover
35297MUS. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 520- FLAWLESS COPY BRAND NEW NEVER OPENED; 62pp. color plates -- Manfred Bischoff is one of the foremost contemporary European goldsmiths. Born in 1947 in Germany Bischoff lived and worked in Munich and Berlin before relocating to Tuscany Italy where he is currently based. The art of Manfred Bischoff is both surprising and mesmerizing. His exquisite objects are encased in a sense of isolation and phychological uncertainty. Though tiny they are charged with intellectual complexity and indeed with monumentality. Bischoffs themes are universal-fear love mortality and sexuality. Working primarily in gold silver coral and occasionally jade and diamonds Bischoff makes sculptures of intimate simplicity that barely hint at the complexity from which they arose. -- with a bonus offer-- . MUS paperback
198753202New York: New York Historical Society. As New. 1987. Paperback. 0916141004 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - 172 pages -- with a bonus offer-- . New York Historical Society paperback
199234660New. 1992. Hardcover. 0300052405 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY -- 424 pages 250 black-and-white and color illus. - Published in 1992 this scholarly catalogue documents 140 tables and 47 mirrors from one of the largest and most important collections of American decorative arts ever assembled. Dating from the 1670s through 1990 these pieces are organized by style and presented with detailed information about structure condition and provenance. The essays offer keen insights into the social context and historic meaning of these noteworthy species of Americana. -- with a bonus offer-- . hardcover
199635413Cumberland Rhode Island U.S.A.: Yale Univ Pr. New. 1996. Paperback. 0300067739 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW FLAWLESS COPY NEVER OPENED - 400 pages. -- with a bonus offer-- . Yale Univ Pr paperback
199635412Cumberland Rhode Island U.S.A.: Yale Univ Pr. New. 1996. Hardcover. 0300067720 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW FLAWLESS COPY NEVER OPENED - 400 pages. -- with a bonus offer-- . Yale Univ Pr hardcover
37780Detroit Inst of Arts. New. Paperback. 0895581523 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . Detroit Inst of Arts paperback
200350248New. 2003. Paperback. 0300100048 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 72 pp. 17 color plates with numerous smaller color illus. - Catalogue for the exhibition organized by Jennifer R. Gross presented at the Yale University Art Gallery January 14-May 18 2003 - Edited by Jennifer R. Gross with essays by Suzanne Boorsch Susan P. Casteras Jill DeVonyar Aruna DSouza Susan D. Greenberg Richard Kendall and Edgar Munhall. This catalogue celebrates Yales expansive holdings of Degas paintings etchings drawings and bronze and wax sculptures. Portraying such modern subjects as ballet dancers bathers and horse races the artist graduated from skilled copyist to influential innovator. Degas defined the edges of the modern writes Gross because he worked at the fringe of his society and worked away at the limits of the artificiality and truth telling of his art. -- with a bonus offer-- . paperback
200254472University of Pennsylvania Press. New. 2002. Hardcover. 0812237005 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Description: xxii 340 p. : col. Ill. ; 32 cm. Bibliography: Includes bibliographical references p. 315-326 and index -- with a bonus offer-- . University of Pennsylvania Press hardcover
35302Gardner Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW NEVER OPENED; 63 pp. black and white plates. -- Cuban-born Abelardo Morell is best known for his large-scale black-and-white photographs of interior spaces using a camera obscura and his fascination with capturing everyday things. Often shown at different angles or with manipulated perspectives his work infuses ordinary objects with a sense of mystery and elegance. As an Artist-in-Resident in 1998 Morell spent most of his time getting to know the Museums collection and staff and exploring the relationship between them through his photographs. The resulting large-format works were featured in the exhibition Face to Face on view at the Museum from September 18 1998 through January 3 1999. This catalogue includes 28 images from the exhibition along with an essay by Jennifer Gross and Pulitzer Prize-winning poet Charles Simic who explores the love of imaging he and photographer share as both strive to reveal the ordinary in their work. -- with a bonus offer-- . Gardner Museum paperback
200134667Univ. New. 2001. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY - AVAILABLE IMMEDIATELY WHY WAIT -- 251 pp. more than 60 black-and-white and color illus. - Catalogue of the exhibition organized by Eric R. Varner presented at the Michael C. Carlos Museum Emory University Atlanta September 16 2000-January 7 2001 and the Yale University Art Gallery January 31-March 25 2001 with essays by Varner Penelope J. E. Davies Diana E. E. Kleiner Harriet I. Flower Susan B. Matheson and Garth Tissol. This exhibition tackled a fascinating topic never before addressed by a museum: the reworking of imperial portrait sculptures in the wake of an emperors fall from grace. Essays delve into the ideals of Roman culture that underpinned this practice focusing on architecture representations of women and analogous transformed images in Ovids Metamorphoses. A lengthy bibliography is included. -- with a bonus offer-- . Univ paperback
34684New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 304 pp. 148 color illus. Catalogue for the exhibition organized by David L. Barquist. with essays by Barquist Jon Butler and Jonathan D. Sarna. - Born in New York in 1723 Myer Myers became the citys leading silversmith during the late colonial period and is now remembered as one of Americas great craftsmen.This catalogue explores his career in the larger contexts of the Jewish community the silversmiths trade and his network of patrons. Large-scale color photographs of his teapots tankards milk pots and candlesticks are presented alongside maps paintings and other illuminating documents. An appendix focuses on the nine signature marks that Myers employed and an extensive bibliography is provided. -- with a bonus offer-- . paperback
200359807New. 2003. Hardcover. 0894670948 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY - AVAILABLE IMMEDIATELY WHY WAIT -- Corresponds to / hardcover edition of ISBN: 0894670948. 192 pp. 134 color illus. With essays by Kane Edward S. Cooke Jr. Glenn Adamson Albert LeCoff Graeme P. Berlyn and Andrew D. Richardson. Biographies by Mary Cheek Mills and glossary by Susan Hagen. - This joint production of the Gallery and Philadelphias Wood Turning Center presents the varied and colorful work of seventy artists along with artist portraits. Ranging from the utilitarian to the whimsical their creations are celebrated in the context of wood turnings history in America technical innovations that have arisen and the physical properties that lend themselves to a seemingly unlimited array of shapes and patterns. -- with a bonus offer-- . hardcover
200334703New. 2003. Paperback. 0894670948 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY - AVAILABLE IMMEDIATELY WHY WAIT -- 192 pp. 134 color illus. Catalogue for the exhibition organized by Patricia E. Kane presented at the Minneapolis Institute of Arts October 21-December 30 2001; Renwick Gallery of the Smithsonian American Art Museum March 15-July 21 2002; Yale University Art Gallery September 10-December 1 2002 with essays by Kane Edward S. Cooke Jr. Glenn Adamson Albert LeCoff Graeme P. Berlyn and Andrew D. Richardson. Biographies by Mary Cheek Mills and glossary by Susan Hagen. - This joint production of the Gallery and Philadelphias Wood Turning Center presents the varied and colorful work of seventy artists along with artist portraits. Ranging from the utilitarian to the whimsical their creations are celebrated in the context of wood turnings history in America technical innovations that have arisen and the physical properties that lend themselves to a seemingly unlimited array of shapes and patterns. -- with a bonus offer-- . paperback
200036096Kunsthaus Zurich / Hatje Cantz Verlag. New. 2000. Paperback. 3775708782 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 408 pages with many colored illustrations. 26x30 cm. "The story of Cezanne's fame and influence would be incomplete without taking into account the impact of his unfinished paintings. Immediately following his death these works were already held in high regard both by Matisse and the Fauves and by Picasso and the Cubists. This book looks at these paintings a crucial aspect of Cezanne's body of work and thus a signpost in 20th century art that pointed the way to the future right up to Abstract Expressionism. Cezanne aimed to renew painting on the basis of classicism and to establish Impressionism so that it would hold a prominent place in museums. But no other artist has created so many seemingly unfinished works. Examining his paintings and watercolors including the monumental still lifes and the late paintings from Montagne Sainte-Victoire this book shows clearly that what is 'unfinished' in Cezanne's work is not a sketch not a preparatory study. Detailed essays that compare finished paintings with so-called unfinished ones provide a completely new insight into the creative process of the father of modernism." -- with a bonus offer-- . Kunsthaus Zurich / Hatje Cantz Verlag paperback