16 161 résultats
2021162766Cambridge: Houghton Library 2021. First Edition. First Edition. Catalog accompanied an exhibition at Harvard University's Houghton Library September 1 2021 through January 7 2022. Extremely scarce.<br /> <br /> Fine and unread in a Fine dust jacket still in publisher's shrinkwrap. Houghton Library unknown
AA/HC/17065<p>Art; Fine Arts; History; This is the Warner Collection of American Fine and Decorative Arts offered by Gulf States Paper Corporation Tuscaloosa Alabama. 224 pages of profusley illustrated photographs in full color of the magnificant Warner Collection. Pictorial Dust Jacket and book in FINE FINE as NEW.</p> unknown
200550902San Francisco: San Francisco Museum of Modern Art 2005. First edition. Quarto 12-1/2" x 11-1/2". 385 3pp. Index & bibliography. White dust jacket lettered in black over raw linen lettered in white. Profusely illustrated with photographs and paintings most in color. Signed on the half-title by Richard Tuttle. Spine of dust jacket lightly toned otherwise a fine as new copy. <br /> <br /> Catalog of an exhibition held at the San Francisco Museum of Modern Art and five other institutions between July 2 2005 and June 25 2007. <br /> <br /> Abstract: "Over the past four decades Richard Tuttle has thrown into question nearly every conceivable artistic convention and critical category to create an enormously inventive body of abstract work - one that embraces and intermingles drawing painting collage book-making sculpture and design. From his spare yet enigmatic forms of the 1960s to his complex multifaceted assemblages and installations of more recent years Tuttle's primary impetus throughout has been to craft unique objects using everyday often ephemeral materials that demand to be confronted on their own terms. The relentless individuality of his aesthetic vision has earned him standing as one of the most provocative and influential artists of his day." "This richly illustrated and strikingly designed catalogue the most authoritative volume ever published on this prolific artist presents nearly four hundred reproductions of artworks from across his oeuvre and documentary photographs of his creative process. Essays by a distinguished group of writers trace the arc of Tuttle's career from its inception in the 1960s to the present day addressing topics such as the philosophical underpinnings of his artistic method; his sensitive handling of diverse materials; his lifelong engagement with drawing and its expansion into three-dimensional space; his groundbreaking solo exhibitions and their critical reception in the United States and Europe; his complex play with the conventions of language; and his innovative artist's books many of which are collaborations with poets."-- Book jacket <br /> <br /> Contents: A universe of small truths /; Madeleine Grynsztejn --; Touching down lightly /; Robert Storr --; Kinesthetic drawing /; Cornelia H. Butler --; Exhibition at the Dallas Museum of Fine Arts /; Charles Wylie --; 1975 exhibition at the Whitney Museum of American Art /; Adam D. Weinberg --; It shows /; Richard Shiff --; As far as language goes /; Katy Siegel --; Framed drawings /; Tara McDowell --; Design projects /; Elizabeth A.T. Smith --; Something is happening /; Richard Tuttle. OCLC. San Francisco Museum of Modern Art unknown
172814496Ou l'on traite de son Existence et de sa Nature. Et où l'on mêle par occasion diverses Réflexions sur la nature de la Liberté, sur celle de nos Sensations, sur l'Union de l'Âme et du Corps, sur l'Immortalité de l'Âme. Et où l'on réfute diverses Objections de Mr. Bayle.A Amsterdam, chez François Changuion 1728 - 300 pages.David-Renaud Boullier, ministre à Amsterdam, ensuite à Londres, né à Utrecht en 1699, mort en 1759.Il se signala par son zèle contre les doctrines philosophiques du XVIIIe siècle, théologien protestant, pour ses sermons érudits, essentiellement dirigés contre les thèses philosophiques et les tendances libérales du XVIIIe siècle; on lui doit une défense de Pascal contre Voltaire, et des Lettres critiques qui répondent aux Lettres philosophiques.Reliure plein veau de l'époque. Dos à nerfs orné et doré avec pièce de titre maroquin rouge. Tranches rouges. Filet doré sur les coupes. Coiffe de tête manquante. Pas de rousseur. Bon état. Format in-12°(16x10).
1 vol. in-8 br., collection Esprit, Seuil, Paris, 1978, 315 pp. Exceptionnel exemplaire enrichi d'une dédicace de Cornelius Castoriadis au grand mathématicien et philosophe français René Thom, "en hommage". Honoré par la Médaille Fields en 1958, le mathématicien français René Thom (1923 - 2002) est le célèbre fondateur de la théorie des catastrophes. René Thom et Cornélius Castoriadis eurent notamment en commun la "critique de l'insignifiance". Bon exemplaire Français
2017500081065ESI 2017 13 97x14 22x3 3cm. 2017. Broché.
192717385Édition originale. Exemplaire sur Alfa numéro 1421.Paris, Librairie Plon, les Petits-fils de Plon et Nourrit - 1927 - 58 pages.Belle reliure demi-maroquin à grain long framboise, à coins, signée Charles Lanoë. Dos lisse orné de fleurons et de filets dorés. Date en pied. Filet bordant les plats. Tête dorée sur témoins, non rogné. Couverture et dos conservés. Étui carton de protection. Pas de rousseur. Parfait état. Format in-8°(20x15).
19221196841922 Année 1922 complète - 18e année - Dunod, Editeur - Revue bimensuelle illustrée - Fort in-folio, demi basane noire; 4 nerfs, Titre, année, et filets dorés au dos - Pagination non continue - Très nombreuses illustrations et reproductions photographiques en N&B - Relié sans les couvertures d'origine, mais avec les pages de publicité - Relié avec le Supplément à la livraison N° 745 du 10 Janvier 1922, contenant Table des matières et sommaires des livraisons parues pendant l'année 1921 (N° 721 à 744 inclus)
195215121952 Paris, Vialetay, 1952. 32 x 24 cm, in-4, 88 pp. - 3 ff. n. ch. - 10 planches hors texte en couleurs sous serpente, 4 culs-de-lampe en noir, en feuilles sous couverture blanche rempliée imprimée en bleu et illustrée, chemise et étui bleu de l'éditeur.
Mm 240x280 Due volumi in copertina rigida con sovraccoperta, custodia editoriale, cartone protettivo muto; 608 pagine complessive profusamente illustrate in nero e a colori lungo l'intero testo redatto in italiano ed inglese - English-Italian texts. Opera in condizioni di nuovo - brand new in original shrink wrap. Spedizione in 24 ore dalla conferma dell'ordine.
2001BN216560Forlaget Oktober AS 2001. 2001. Hardcover. Summer Light. <br/><br/>Summer Light. Alveng Dag - Kismaric Carole ed. Introduction by Thomas Weski. Essays by Robert Adams Eva Klerck Gange and Thomas Weski. Forlaget Oktober AS hardcover
2008BN208331Prestel Joslyn Art Museum 2008. 2008. Steve Joy. Paintings 1980-2007 - Uncreated Light <br/><br/>Steve Joy. Paintings 1980-2007 - Uncreated Light David Carrier; Kim Carpenter Essays; Nikolaus G. Schneider dt. Übers.; Steve Joy Illustrator Prestel | Joslyn Art Museum unknown
1998BN207870Harry N. Abrams 1998. 1998. Hardcover. Vietnam Reflexes and Reflections <br/><br/>Vietnam Reflexes and Reflections Eve Sinaiko Hrsg.; Sondra Varco Vorwort; Anthony F. Janson; Eve Sanaiko Essays; Michael Tropea Fotos Harry N. Abrams hardcover
2005BN208275Photology 2005. 2005. Hardcover. Loris Cecchini: Monologue Patterns <br/><br/>Loris Cecchini: Monologue Patterns Loris Cecchini Künstler; Risaliti; Jerome Sans; Santiago B. Olmo Essays Photology hardcover
2002BN207522Monacelli Press / Sotheby's 2002. 2002. Hardcover. An American Odyssey. The Warner Collection of American Fine and Decorative Arts <br/><br/>An American Odyssey. The Warner Collection of American Fine and Decorative Arts Tom Armstrong Autor; Amy Coes; Ella Foshay; Wendell Demarco; Bonnie Morrison; Paul Rocheleau Essays Monacelli Press / Sotheby's hardcover
BN213355Bielefeld Kerber 2008. Robert Delaunay - Hommage a Bleriot <br/><br/>Robert Delaunay - Hommage a Bleriot Wetzel R. u.a Texte/Essays by Bielefeld, Kerber, 2008 unknown
2012046504Moose Jaw Saskatchewan: Moose Jaw Museum and Art Gallery 2012. 1st Edition 1st Printing. Cloth. As New/As New. Folio - over 12 - 15" tall. 200pp. Illustrated throughout w colour and bw photographs. Black endpapers. Brick red cloth w blindstamp on cover fine black lettering on spine. No wear to covers or spine. Colour photo illustrated DJ is clean and without wear. Folio: 365 x 290mm. Book is unopened in original shrinkwrap. <br/> <br/>Over 70 colour images of the work of Hansen and Ross as well as 87 archival images and illustrations are accompanied by three essays which explore the breadth and beauty of their work. Moose Jaw Museum and Art Gallery hardcover
2009056459One Man Dog Press / Pasadena Museum Of Contemporary Art 2009. 1st Edition 1st Printing. Hardcover. Fine/Fine. 168 Pp. Olive Boards. First Printing 20065. Fine In Fine Dust Jacket And Fine Clear Plastic Outer Jacket. Signed By The Author On Title Page Without Inscription. <br/> <br/> One Man Dog Press / Pasadena Museum Of Contemporary Art hardcover
2015170025Philadelphia PA: The Barnes Foundation 2015. Hardcover. As New in slipcase. Three volumes in Blue Orange and Green cloth all contained in a yellow cloth slipcase with printed imagery. Profusely illustrated. Contents as follows: Volume 1 : Foreword -- Matisse in the laboratory of Dr. Barnes : how and why Barnes collected Matisse / Claudine Grammont -- Ensembles -- Matisse's awakening / Yve-Alain Bois -- Henri Matisse according to Dr. Barnes / Karen K. Butler ; Volume 2 : Catalogue nos. 1-5 -- Le Bonheur de vivre : 'the work of a superb colorist' / Barbara A. Buckley and Jennifer Mass -- Catalogue nos. 6-49 ; Volume 3 : Catalogue nos. 50-51 -- The dance process -- Catalogue nos. 52-59 -- Notes -- Correspondence around the dance. Publisher states "Despite the reknown of the Matisse holdings at the Barnes Foundation these works have long remained uncatalogued and elusive to many given the Foundation's restrictions on loans and color photography. Generations of scholars have lamented the black-and-white slides of Le Bonheur de vivre that anticlimactically accompanied lectures on the riot of Fauvre color. Matisse in the Barnes Foundation . grew out research on the collection initiated in the 1990s . . Goals for the Matisse project included gathering comprehensive information on the works from external sources the tremendously rich and recently catalogued Barnes Foundation Archives and the insights of curators and conservators and creating for each work an internally consistent record in the Foundation's database part of which could eventually migrate to the Foundation's website"--Foreword pages 21-22. A landmark compendium - the first authoritative publication to cover in its entirety one of the most significant holdings of Matisse in the world. Here is a vibrant celebration - slipcased and beautifully produced - of the Barnes' extraordinary Matisse collection. Composed of fifty-nine works from every stage of the artist's career it is among the most important in the world. At its heart are Matisse's most historically significant paintings Le Bonheur de vivre also called The Joy of Life and The Dance the monumental mural that Albert C Barnes commissioned to fill the lunettes of the Foundation's main gallery transforming both the space and the artist's career. An essay by Yve-Alain Bois addresses the evolution of The Dance and its role in Matisse's career; Karen Butler looks at what Barnes thought of Matisse; and Claudine Grammont's considers how and why he collected his work. The artworks themselves sumptuously reproduced are the subjects of interpretive analyses that tell the stories of their acquisition and address their critical reception. The book includes major contributions by Barbara Buckley and Jennifer Mass on the artists technique and a report on the latest findings on the pigments used in Le Bonheur de vivre. The Barnes Foundation hardcover books
1995TK253761Museum Boymans-Van Beuningen Rotterdam 1995. 1st Edition. SOFTCOVER. Medium size 4to in colour printed card covers 92pp on various types of paper plates in colour and b/w some folding with the semi-opaque half-height printed plastic sleeve. Dual text in Dutch and English __CONDITION : An extremely well preserved AS NEW unread copy in an AS NEW plastic sleeve. An excellent copy. __NOTE. Depending on destination this item may require an extra payment for shipping insurance. If so orders made by card will be completed only after you have approved the extra cost. . . . . . . . . . . . . . To see more of our Art Monographs etc type DBBARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Museum Boymans-Van Beuningen, Rotterdam paperback
2019TH254163Tate Publishing London 2019. 1st Edition. SOFTCOVER. This copy is one of a small number signed for Tate Britain by Frank Bowling as 'F B' his usual signature on the title-page no other marks or inscriptions. Heavy 4to in colour printed stiff card covers 208pp on thick art paper colour plates bibliography index etc __CONDITION : NEW unread and unmarked copy. __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so orders made by card will only be completed after you have approved any extra cost. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Tate Publishing, London paperback
1999K17NS1372ICA / Institute of Contemporary Arts in association with Perrier-Jouet London 1999. 1st Edition. SOFTCOVER. 4to in plastic ring-bound colour printed stiff card covers 104pp on various weights and types of paper plus 8 colour printed interleaved inserts and rear colophon card __CONDITION : A well preserved about FINE clean and tight copy slight creasing to covers at spine slight signs of small label removal from front cover. Scarce. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our books on Design type DbbDESIGN in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS ICA / Institute of Contemporary Arts in association with Perrier-Jouet, London paperback
1979TH232151Studio One Gallery Oxford 1979. 1st Edition. HARDCOVER. No 392 of 500 copies made this one very elegantly inscribed and signed thus 'David Gentleman / a quid pro quo / from Betty Clark'. Published to accompany the exhibition of the same name Museum of Oxford 13 - 27 October 1979 this is a very finely printed selection of 90 engravings from the 250 prints in the exhibition by 27 women artists. Extra Large 4to. in black cloth covered boards gilt lettering to spine and small coloured print to front cover as issued 102pp on thick paper with a clear plastic plain dust jacket __CONDITION : An extremely well preserved FINE very clean and tight unmarked copy spine sunned. cover top edges slightly so in a FINE plain clear wrrapper small neat repair to top edge of rear panel. An excellent copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __We always ship in PROTECTIVE CARD PARCELS Studio One Gallery, Oxford hardcover
199318423Zürich Kunsthaus Zürich, ca. 1993. 399 S. 4° Quart Brosch.
Par l'auteur du livre "Le Monopole universitaire, destructeur de la religion et des lois", 1 vol. in-8 reliure demi-basane verte, Perisse Frères, Lyon, Paris, 1852, xxviii-512 pp. Edition originale de ce titre rare, attribué au P. Deschamps ou au P. Des Garets. Etat très satisfaisant (ancien cachet d'institution religieuse, étiquette de cote en garde, bonne fraîcheur intérieure). Français
