Hansen AlMareMagnum
16 159 résultats
Testi: Hansen Al. F.to: 14x21; pagg. 140; BN; rileg. rigida. Editore: Something Else Press, New York, 1965.
19491207581949 Année 1949 complète - 44e année - Dunod, Editeur - Revue bimensuelle illustrée - In-folio, reliure pleine toile noire; Titre, année et filets dorés au dos - 358 pages + Supplément contenant la table des matières reliée en fin d'ouvrage - Très nombreuses illustrations et reproductions photographiques en N&B - Année complète avec les couvertures d'origine reliées en fin d'ouvrage
16827Paris, Gallimard, 20 février 1955. Fort in-12, broché, non coupé, 432 pp.
19456986Mexico [Paris], Poésie et Révolution [Alain Gheerbrant], 1945. In-12 (140 x 195 mm), 14 ff. n. ch. Broché, couverture ivoire imprimée d'éditeur, dos et marges des plats légèrement roussis, petites usures au dos, marges légèrement roussies sans atteinte au texte.
1983100136399OXFORD UNIV PR 1983 102 pages 14 5x22 4x2cm. 1983. Relié. 102 pages.
327 pages. Index. "Offers for the first time in English a number of essays, originally produced in various German periodicals, in which the author first elaborated his insight into the social dimensions of thinking." - from dust jacket. Light wear to clean unmarked book. Somewhat above-average wear to dust jacket. Prior owner's name clipped from top corner of first two pages. A sound copy. Book
365 pages. A public health inspector spends twenty-five frustrating years trying to be of service to his community (Victoria, British Columbia). At fifty he resigns and goes in search of a more satisfying life. He finds it in tropical Northern Queensland. This is his story. It is a novel and an anthology. Essays, verses, short fiction, travel, observations, character sketches. It is the compellingly written, informative, enlightening, thought-provoking, always entertaining experience of a man with intelligence, wit, and humour. The reader will find that she/he is seeing himself and his own community, because this book is not just about a small Canadian city or one corner of the sunny South Pacific. Nor is it just about one man's escape from a frustrating job. It is a forthright assessment of a society in trouble by a man who has a wider view because he deliberately stepped outside. Average wear. Unmarked. Book
29x23.5 cm. 287 pages. Hardcover in dust jacket. Writing in pen on white front page. Else as new.
18480094Paris, Guillaumin & cie, 1848. 2 vol. Troisième édition, sans carte. 213 x 140 mm, 492 + 448 pp. Reliés demi-maroquin, premier volume à dos sombre sans nerf avec une étiquette en queue, pièce de titre taupe à deux filets dorés avec nom d'auteur, titre et n° de volume en doré, second volume avec dos à nerf à fleuron en coiffe et en queue et nom d'auteur, titre et n° de volume sur un entrenerf chacun, sans pièce de titre ni étiquette. Les deux volumes ont les mêmes plats jaspés bleutés. Livres issus des bibliothèques de l'Assemblée législative de Rio de Janeiro, puis du service financier de l'État de Rio de Janeiro. Étiquette de bibliothèques aux premiers contreplats, tampons de bibliothèques aux premières pages. Premier volume : piqûres d'insecte en queue de l'ouvrage, début et fin d'ouvrage, rousseurs et papier jauni sur les 200 premières pages et à partir de la p. 400, quelques rousseurs aux marges, sans perte au texte. Deuxième volume : papier jauni et rousseurs à travers l'ouvrage, la première moitié de l'ouvrage présente de nombreuses taches d'humidité, sans perte au texte. Morsures d'insectes aux mors des deux volumes, plats frottés.
3791346229.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1969907058Hamburg: Claassen. 1969. 132 Seiten. 30x21,5cm. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Hinterdeckel hat lichtrandige Bereiche; Schutzumschlag, hier Pergaminumschlag fehlt; Ohne Schuber; Numeriertes Exemplar (131/1000), vom Künstler Hermann Naumann im Impressum handsigniert; Der Band enthält insgesamt 14 Punzenstiche Judaica, alle von Hermann Naumann handsigniert; Ppbd.
189095458Paris: Vives 1890. XXXI, 606; (4), 544; (4), 588, (1); (4), 691 Seiten. 4° (26,5 x 19,5 cm). Orig.-Halblederbände mit Lederecken. [Hardcover / fest gebunden].
0436273608.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
8vo., First Edition, neat signature on front free endpaper; blue cloth, gilt back, a very good, bright, clean copy in dustwrapper, the latter lightly age-soiled and with or two short closed tears. Collects twelve essays from the eminent proponent of logical positivism. VERY SCARCE IN THIS CONDITION.
8vo., on laid paper, a few leaves with short tears at fore-edge, title to Essay on Man mounted, some moderate age-staining, neat nineteenth century signature on front free endpaper; contemporary full roan, red sprinkled edges, boards moderately scuffed and faded, joints rubbed, backstrip chipped at head and tail else a firm, sound working copy in wholly unrestored contemporary binding. Includes Essay on Man; Epistles to Several Persons; Eloisa to Abelard; The Rape of the Lock; Messiah. A Sacred Eclogue; The Temple of Fame; Ode for Music on St. Cecilia's Day; Ode on Solitude; Essay on Criticism. The Universal Prayer. The works are separately titled; pagination is separate as follows: Essay on Man [with] The Universal Prayer; Epistles [with] Eloisa; The Rape of the Lock [with] Messiah; The Temple of Fame [with] Odes; Essay on Criticism.
201628852Los Angeles:: Getty Research Institute 2016. First Printing of the First Edition. A Fine tight unread copy in a Fine dust jacket. Man Ray 1890 –1976 was a pioneer of the Dada movement in the United States and France and a central protagonist of Surrealism. Man Ray: Writings on Art fills a conspicuous gap in scholarship on the artist and his period. It brings together his most significant writings many of them published here for the first time. These occasionally quixotic texts which include artist books essays interviews letters and visual poems reveal the incredible scale of the artist’s output and the remarkable continuity of his aesthetic and political beliefs. This volume offers a long overdue vision of Man Ray as someone who used words both as a creative medium and as a means of articulating ideas about the nature and value of art. With richly reproduced illustrations it provides powerful insight into art history. Getty Research Institute, unknown
201628097<p>Los Angeles:: Getty Research Institute 2016. First Printing of the First Edition. A Fine tight unread copy in a Fine dust jacket. Man Ray 1890 -1976 was a pioneer of the Dada movement in the United States and France and a central protagonist of Surrealism. Man Ray: Writings on Art fills a conspicuous gap in scholarship on the artist and his period. It brings together his most significant writings many of them published here for the first time. These occasionally quixotic texts which include artist books essays interviews letters and visual poems reveal the incredible scale of the artist's output and the remarkable continuity of his aesthetic and political beliefs. This volume offers a long overdue vision of Man Ray as someone who used words both as a creative medium and as a means of articulating ideas about the nature and value of art. With richly reproduced illustrations it provides powerful insight into art history.</p> Getty Research Institute, hardcover
193428299New York:: Doubleday Doran 1934. First Printing of the First US Edition. A Near Fine copy with one corner slightly bumped in a Very Good plus bright dust jacket with some light edgewear to the spine and chips to the corners. The 25 contributors of the tribute to the legendary avant-garde photographer include Sherwood Anderson Gertrude Stein Dorothy Brett William Carlos Williams and Jean Toomer. There are 120 illustrations including works by Stieglitz Picasso Cezanne John Marin and others. Doubleday Doran, hardcover
196429183<p>A Near Fine copy in a Fine extremely bright unclipped dust jacket. In this essay collection Ralph Ellison examines his antecedents and in so doing illuminates the literature music and culture of both black and white America. His range is virtuosic encompassing Mark Twain and Richard Wright Mahalia Jackson and Charlie Parker The Birth of a Nation and the Dante-esque landscape of Harlem—"the scene and symbol of the Negro's perpetual alienation in the land of his birth." Throughout he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.Not only is Ellison a great writer of fiction but he truly excels as an essayist as he displays in this fine collection of some of his best work in a non-fiction role. He is one of the most cogent and articulate writers in the arena of ideas and assessments of culture and the arts.</p> Random House, hardcover
197527850Boston :: Godine 1975. First Printing of the First Trade Edition. A Fine tight copy in a Fine unclipped dust jacket. This is one of only 3000 copies of the trade edition. The color blue is the most suitable color of interior life.the one color that moves easily through our various states of feeling. Blue pencils blue noses blue movies laws and stockings. The dumps Mondays; the ocean the sky and the deep deep ice. The Whale and the grass in Kentucky. This essay into the "world of blue" is at the heart of Gass’s oeuvre. Godine, unknown
200246829Durham NC: North Carolina Central University Art Museum 2002. Very Good . Durham NC: North Carolina Central University Art Museum 2002. First Edition Wrapper Issue. Quarto 29cm; publisher's glossy pictorial card wrappers; 199pp.; illus. throughout chiefly full color. Light wear and creasing at wrapper margins else Very Good or better.<br /> <br /> Uncommon exhibition catalog featuring the oils watercolors and drawings of one of the youngest artists of the Harlem Renaissance Malvin Gray Johnson 1896-1934. This exhibit was the first to showcase Johnson's works since his premature death at the age of thirty-eight. North Carolina Central University Art Museum unknown
198829494<p>New York:: Scribner's 1988. First Printing of the First US Edition. A Fine tight unread copy in a Fine bright clipped dust jacket. This copy is signed and inscribed by Lopez. This volume collects 14 naturalist essays by the author of Arctic Dreams and River Notes. In Crossing Open Ground writer Barry Lopez offers beautiful and thought-provoking reflections on how the natural world can define and illuminate our sense of self. Whether he's traversing the Arctic tundra or the deserts of the American Southwest recalling the devastating beaching of forty-one sperm whales along the Oregon coast or reveling in the remarkable migrations of wild geese Lopez shows readers the world's special places its remarkable people and stunning natural events. He thoughtfully explores humankind's place in this vast natural scheme and opens our eyes to its breathtaking complexity.</p> Scribner's, hardcover
198829278Livingston:: Clark City Press 1988. First Printing of the First US Edition. A Fine copy of this paperback original in a Fine unclipped dust jacket. Russell Chatham is best known as a painter of the highest quality. But he is also a fine writer with a painter's eye for detail.In this volume Chatham writes on a variety of subjects including Roderick Haig-Brown the lore of flies culinary delights drinking iand fly fishing in various locales ranging from Baja California New Zealand Montana France and British Columbia. Clark City Press, paperback
1993292553Daytona Beach Florida: The Museum of Arts and Sciences 1993. First. hardcover. fine. Chihuly. Beautifully illustrated in color throughout. 142 pages 4to orange silk cloth. Daytona Beach Florida; The Museum of Arts and Sciences 1996. First Edition. A fine copy lacking the dust wrapper.<br/><br/> Large presentation by the artist on the half-title.<br/><br/> The Museum of Arts and Sciences unknown books
1993292553Daytona Beach Florida: The Museum of Arts and Sciences 1993. First. hardcover. fine. Chihuly. Beautifully illustrated in color throughout. 142 pages 4to orange silk cloth. Daytona Beach Florida; The Museum of Arts and Sciences 1996. First Edition. A fine copy lacking the dust wrapper.<br/> <br/> Large presentation by the artist on the half-title.<br/> <br/> The Museum of Arts and Sciences unknown
