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Finding List Central Library Vol. 3
0428838537.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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0209H202353Leather Bound. Good. American Book Exchange 1880.Good 3/4 leather 8vos. 3 volumes complete. Also includes Leipsic edition of the Life and Letters of Lord Macaulay by his nephew TREVELYAN> two volumes in one 3/4 leather Marbled boards top edge gilt. Scuffing of leather and 2" chip of spine leather missing from volume III. Insides tight and clean Hinges tight. Top edges gilt. No reader's marks. A handsome set. hardcover
0428838537.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334905258.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19842022103Tucson AZ: The University of Arizona Museum of Art. ExCat. From the Collection of the University of Arizona Museum of Art. Preface by Peter Bermingham. Paper 60 p 9 pp text selected bib and chronology lists describes and illustrates in b&w 42 wks 4 b&w illus . Very Good. Soft cover. 1984. The University of Arizona Museum of Art paperback
1333729154.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1935058539New York: E. Weyhe / Lynton R. Kistler 1935. 1st Edition . Soft cover. Very Good. Illustrations Of Title Pages; Design By Merle Armitage. 14 Pp. Covers. Stapled Folded Sheets. Essays Plus Descriptions Of The Eleven Books By Means Of Short Reviews Mostly Published Previously. Some Browning At Edges; Two 3/16" Tears At Top Of Rear Cover. Also Included Is The Promotional Flyer For The Exhibitions In New York City Washington Chicago And Los Angeles 1935 Printed On One Side By Kistler And With An Original Ink Drawing By Pasquale G. Napolitano Of A Motorcyclist On The Otherwise Blank Reverse. Napolitano Studied At Chouinard And Otis In 1922-925 Engaged In Work On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Buildings As Bullocks Wilshire Los Angeles City Hall The Palm Beach Biltmore Etc.; Studied Pottery In Ny And Mural Painting In Germany 1929-1931 Returned To Architectural And Other Work In The U.S. Completed Many Wpa Murals In Southern California 1934-1938 And Some Private Commissions Illustrated Many Books For Merle Armitage 1935-1960 Worked As A Set And Prop Designer And Artist In The 1940'S And Notably Did Church Art Work For Th Next Twenty Years Including Full Church Interiors Monumental Sculptures Etc. He Is The Subject Of The Monograph "Napolitano" 1934 By Merle Armitage. <br/> <br/> E. Weyhe / Lynton R. Kistler paperback
35302Gardner Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW NEVER OPENED; 63 pp. black and white plates. -- Cuban-born Abelardo Morell is best known for his large-scale black-and-white photographs of interior spaces using a camera obscura and his fascination with capturing everyday things. Often shown at different angles or with manipulated perspectives his work infuses ordinary objects with a sense of mystery and elegance. As an Artist-in-Resident in 1998 Morell spent most of his time getting to know the Museums collection and staff and exploring the relationship between them through his photographs. The resulting large-format works were featured in the exhibition Face to Face on view at the Museum from September 18 1998 through January 3 1999. This catalogue includes 28 images from the exhibition along with an essay by Jennifer Gross and Pulitzer Prize-winning poet Charles Simic who explores the love of imaging he and photographer share as both strive to reveal the ordinary in their work. -- with a bonus offer-- . Gardner Museum paperback
2003ABE-596944660Kehrer Verlag Heidelberg 2003. 4to. 134pp. Text & full-page b&w illustrations. Text is in German & English. Wrappers. Soft cover. Fine. Kehrer Verlag Heidelberg Paperback
199622993Addison Gallery of American Art ; Distributed by D.A.P./Distributed Art Publishers Andover Mass. 1996. Hardcover. Fine in NF dust jacket. Thick oversize hardcover in bright red cloth with bright gilt stamping very clean with no faults to note; tightly bound clean and unmarked. Dust jacket has minor wear. 512 pages illustrated. A beautiful copy. NOTE:This volume published to commemorate the museum's sixty-fifth anniversary reflects the special qualities of the Addison Gallery and the outstanding quality and breadth of its holdings. Now numbering over 12000 works the Addison's collection includes significant American paintings prints works on paper sculpture decorative arts and photography by generations of artists from colonial times to the present. Addison Gallery of American Art: 65 Years is the first extensive documentation of the museum and its collection The catalogue that follows focuses on over three hundred significant works from the collection and is fully illustrated in color and duotone. Brief discussions of more than ninety specific works in the catalogue were contributed by forty-seven nationally recognized scholars as well as curatorial staff members <br /> <br /> <br/><br/>Experienced full-time bookseller since 1994 selling online since 1998. Images may be added by request. Questions welcome. Addison Gallery of American Art ; Distributed by D.A.P./Distributed Art Publishers, Andover, Mass., hardcover
2008011342NEW YORK PUBLIC LIBRARY. Brand new. Never been read. . Fine. Hardcover. 1st Edition. 2008. NEW YORK PUBLIC LIBRARY hardcover
1987000542Little Brown and Co in assocaiation witht he Brandywine River Museum U.S 1987. Edition Unstated. Softcover. Fine. 209 pp inc index bibliography photos numerous plates 8vo oblong fine copy with minor crease on rear cover. Size: Octavo standard book size. Quantity Available: 1. Pictures of this item not already displayed here available upon request. Inventory No: 000542. . Little, Brown and Co in assocaiation witht he Brandywine River Museum paperback
20051119958NY NY: Adelson Galleries. ExCat Adelson Galleries NY Nov 1 2004- Jan 14 2005.Paper 133 pp.34 pp text with 10 fig. illus 2 pp foreword by Warren Adelson preface by Marc Rosen and Susan Pinsky Essays by Jay E. Cantor & Pamela A. Ivinski 48 color illus. . Very Good. Soft cover. 2005. Adelson Galleries paperback
844534109X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004LCB82989London: Gagosian Gallery. 2004. First Edition. Hardcover Original Cloth . Very Good in No Dust Jacket dust jacket. Light wear to spine covers and corners. 2 water marks on spine edge front please see pictures. Exhibition Gagosian Gallery - October 14 - November 27 2004. ".the most heavy-duty pieces are Vera Lutter's monumental studies of Battersea power station. Lutter uses a converted shipping container as a camera obscura: alchemical it may be but you'd have difficulty slipping one of those into your handbag." Alfred Hickling 25 Jan 2007 The GuardianGagosian Gallery is pleased to announce an exhibition of Vera Lutter's monumental camera obscura photographs. The exhibition features the highly anticipated Battersea Power Station project as well as significant projects completed over the past eight years.Battersea Power Station designed by Giles Gilbert Scott is a remarkable relic of the Industrial Age having provided London with electricity for nearly 50 years until its closure in 1982. Since then this historical landmark has stood dormant for over two decades until now as construction is currently underway to redevelop the site into an entertainment and leisure destination. Fascinated by the future duality of the Power Station Lutter has selected the site a remnant of the past before its impending transformation. Using room-sized structures Lutter often inhabits the camera during the long exposures which can last hours days or even weeks. The camera obscura works with the premise that when light passes through a small hole into a darkened chamber it produces an inverted image on the opposite wall and projects Lutter's inverted subjects onto photographic paper allowing each photograph to be developed as a unique negative. The ethereal images that result from this process allow an extraordinary interpretation of the industrial landscape for the viewer. Vera Lutter's photographs have been exhibited at the Kunsthaus Graz Austria; the Kunsthalle Basel; Dia Art Foundation New York; Museum of Modern Art New York; Whitney Museum of American Art New York among other locations here and abroad." Gagosian Gallery; 33.5 x 28.5cm; 66 pages; Exhibition Gagosian Gallery - October 14 - November 27 2004. ".the most heavy-duty pieces are Vera Lutter's monumental studies of Battersea power station. Lutter uses a converted shipping container as a camera obscura: alchemical it may be but you'd have difficulty slipping one of those into your handbag." Alfred Hickling 25 Jan 2007 The GuardianGagosian Gallery is pleased to announce an exhibition of Vera Lutter's monumental camera obscura photographs. The exhibition features the highly anticipated Battersea Power Station project as well as significant projects completed over the past eight years.Battersea Power Station designed by Giles Gilbert Scott is a remarkable relic of the Industrial Age having provided London with electricity for nearly 50 years until its closure in 1982. Since then this historical landmark has stood dormant for over two decades until now as construction is currently underway to redevelop the site into an entertainment and leisure destination. Fascinated by the future duality of the Power Station Lutter has selected the site a remnant of the past before its impending transformation. Using room-sized structures Lutter often inhabits the camera during the long exposures which can last hours days or even weeks. The camera obscura works with the premise that when light passes through a small hole into a darkened chamber it produces an inverted image on the opposite wall and projects Lutter's inverted subjects onto photographic paper allowing each photograph to be developed as a unique negative. The ethereal images that result from this process allow an extraordinary interpretation of the industrial landscape for the viewer. Vera Lutter's photographs have been exhibited at the Kunsthaus Graz Austria; the Kunsthalle Basel; Dia Art Foundation New York; Museum of Modern Art New York; Whitney Museum of American Art New York among other locations here and abroad." Gagosian Gallery . 1932598073 . Gagosian Gallery hardcover
2013021525-ZGermany: Steidl 2013. Book. Illus. by Edward Burtynsky. Very Good. Hardcover. Signed By Photographer. 1st Edition. Folio - over 12 - 15" tall. 1st. Edition 2nd. Printing 2013 Blue cloth hardcover with white letters to the front board and spine with the dust jacket 225 page book. This now out of print book is signed only by Edward Burtynsky on the main title page . Illustrated with 219 color and black & white full page plates by Mr. Burtynsky. Condition : Very Good with a clean tight binding with 9 pages with very small dog ear folds not near any images . Dust jacket is Very Good with edge rubs and light creases. See all book images . NOTE : This book is a very heavy and large and will need extra postage. NO INTERNATIONAL SALES. . Steidl Hardcover
447413TASCHEN. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. When German artist Charlotte Salomon 1917-1943 handed her gouache series Life or Theater over to a friend she beseeched him to take good care of it it is my entire life. A few months later the five-months pregnant Charlotte was picked up by a Gestapo truck deported to Drancy and then on to Auschwitz where she died upon arrival at the age 26.The work Salomon left behind is in a very real sense her pice de rsistance - in her own words something wildly eccentric. A cycle of nearly 1300 autobiographical gouaches it combines creative force with pioneering personal narrative into one shattering document of self-expression.Divided into three sections the gouaches unveil a vivid self-portrait spanning across all facets of Charlotte's existence: from a complicated family life marked by the suicides of nearly all female relatives; growing up in Berlin; her close relation to singing teacher Alfred Wolfsohn; the rise of the Nazis; to her exile to France in 1939. Throughout the artist challenges these destructive forces by deploying playful pseudonyms and fantastical elements alongside emotional candor remarkable observation and a meticulous visual memory. Her film strip-like sequences are interspersed not only with words but also musical suggestions making Life or Theater the storybook for a whole musical years before the heyday of that genre.Without comparison the gouaches are a triumph of personal truth and individual expression. Published here with a selection of the 450 most important pieces Life Or Theatre is an unrivaled opus magnum from a great and ambitious artist dark with her early death but luminous with her precision her lyricism and her courage. TASCHEN hardcover
13636Paperback. Very Good Plus. Oversize trade paperback with light cover wear; black remainer stripe on bottom edge some writing on the title page else clean and unmarked. 182 pages illustrated. Text in Spanish. Uncommon <br/><br/>Exhibition catalogue published in conjunction with show held May 26 - June 29 1979. Introduction by Robert Natkin. Includes exhibition checklist and selected biography. paperback
1992KOS00200174RIZZOLI 1992. Soft Cover. Fine. KOS00200174 RIZZOLI paperback
2001137434Univ. Good; No markings. 2001. Paperback. Univ paperback
200134667Univ. New. 2001. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY - AVAILABLE IMMEDIATELY WHY WAIT -- 251 pp. more than 60 black-and-white and color illus. - Catalogue of the exhibition organized by Eric R. Varner presented at the Michael C. Carlos Museum Emory University Atlanta September 16 2000-January 7 2001 and the Yale University Art Gallery January 31-March 25 2001 with essays by Varner Penelope J. E. Davies Diana E. E. Kleiner Harriet I. Flower Susan B. Matheson and Garth Tissol. This exhibition tackled a fascinating topic never before addressed by a museum: the reworking of imperial portrait sculptures in the wake of an emperors fall from grace. Essays delve into the ideals of Roman culture that underpinned this practice focusing on architecture representations of women and analogous transformed images in Ovids Metamorphoses. A lengthy bibliography is included. -- with a bonus offer-- . Univ paperback
1986L3 box817 a3<p>Individuals: A Selected History of Contemporary Art 1945-1986. Essays by Kate Linker et al; Organized by Julia Brown Turrell; Edited by Howard Singerman. 1986 Abbeville Press. Paperback 371 pp.</p> Abbeville Press. paperback
2913323782.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987L3 box765 a2<p>New book.</p> Abbeville Press. hardcover
1882790308.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2018001889Roberts Projects 2018. Hardcover. As New. Beautiful catalogue from an exhibition by the artist at the Saint Louis Art Museum. <br/> <br/> Roberts Projects hardcover
