Noel P G RoegesBiblio.com
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1994x-0471939986John Wiley & Sons Inc 1994. Hardcover. New. 340 pages. 9.50x6.50x1.00 inches. John Wiley & Sons Inc hardcover
1900103748George Bell and Sons. 1900. First edition thus. The publisher's 'Endymion' series printed at The Chiswick Press. Original pictorial cloth boards decorated and lettered in gilt many b&w illus by W.Heath Robinson both full page and text illus title page printed in red and black illus endpapers top edge gilt other edges untrimmed pp xxxvii 225. Previous owner's signature dated 1901 some lightly pencilled notes reverse of front free endpaper otherwise clean. Rubbed and frayed to the top of spine very small rubbed loss bottom edge corners lightly lightly bumped and rubbed. Good condition. Beautiful edition of Poe's poetry and some prose lavishly illustrated by Heath Heath Robinson. Both the illustrations and the binding are in Arts and Crafts style. 'Endymion' series scarce thus. 1st edition thus. Decorated Cloth. George Bell and Sons hardcover
1962329416London: Heinewmann 1962. First Edition. 537 pp. 8vo. Cloth in VG dj foxing. First Edition. 537 pp. 8vo. Inscribed for Blanche Blackwell: "For Blanchermo Many happy returns. Noel. " <br /> Blanche Blackwell was a famous hostess neighbor in Jamaica of Fleming and Coward and friend of Noel's also the mother of Island Records founder Chris Blackwell. Her brother Roy sold Coward the land for his Jamaican houses. Heinewmann unknown
1956329421London: William Heinemann Ltd 1956. First edition. 96 pp. 12mo. Blue cloth rubbed. First edition. 96 pp. 12mo. Inscribed: "For Blanche with love Noel".<br /> Blanche Blackwell was a famous hostess neighbor in Jamaica of Fleming and Coward and friend of Noel's also the mother of Island Records founder Chris Blackwell. Her brother Roy sold Coward the land for his Jamaican houses. William Heinemann Ltd unknown
1965329418Garden City New York: Double Day & Company Inc 1965. First American Edition. 227 pp. 8vo. Green and blue cloth. Fine in VG dj. First American Edition. 227 pp. 8vo. Inscribed for Blanche Blackwell: "For Blanchermo with my dear love Noel".<br /> Blanche Blackwell was a famous hostess neighbor in Jamaica of Fleming and Coward and friend of Noel's also the mother of Island Records founder Chris Blackwell. Her brother Roy sold Coward the land for his Jamaican houses. Double Day & Company, Inc unknown
1962329422London: Heinemann 1962. First edition. 507 pp. Thick 8vo. Blue cloth some fading to spine. VG with some foxing in VG dj. First edition. 507 pp. Thick 8vo. Inscribed: "For Blanchermo Happy Christmas with love Noel".<br /> Blanche Blackwell was a famous hostess neighbor in Jamaica of Fleming and Coward and friend of Noel's also the mother of Island Records founder Chris Blackwell. Her brother Roy sold Coward the land for his Jamaican houses. Heinemann unknown
449252 vols. XVII 466 XVIII 455 pp. text discussing the Byzantine remains found at the Northern African site including discussions of burials coins and architecture extensive scholarly notes appendix bibliography indices 639 text illustrations some full-page showing images from photographs and floor plans 8 fold-out plates with maps of the site and floor plans of various basilicas. Small 4to. Cloth. Paris Edition E. de Boccard 1971-1973. Recherches Archéologiques a Sbeitla 1 & 2; Bibliothèque des Écoles Françaises d'Athènes et de Rome 218. unknown
184873987London: Longman & Co. 1848. First edition. Small octavo. 28 pages entirely and brightly chromolithographed after Humphrey's designs plus iv Marks of the Illuminator and index. Publisher black gutta-percha binding with gilt turn-ins each cover with six historiated medallions marbled endpapers all edges gilt. Small chip to upper spine not affecting anything. A very good copy. Longman & Co. unknown
1947154857Paris: Gaumont 1947. Three oversize photographs of director Jacques Becker and actors Claire Maffei and Roger Pigaut on the set of the 1947 film. Manuscript annotations and stamp of Gaumont Eagle-Lion on the versos. <br /> <br /> A working class couple in Paris find their dreams of a life free of financial hardship about to come true when they win the lottery only to have the dream snatched away when they lose the ticket on the Metro.<br /> <br /> Shot on location in Paris. <br /> <br /> 12 x 9 inches. Near Fine. Gaumont unknown
2013SONG3642310117Springer 2013-07-24. 2013. hardcover. Used: Good. 9.80x2.00x12.50. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
195713148Cambridge: Privately Printed 1957. One of 500 copies. 11 wood engravings 9 of which were printed from the original blocks in the Ashmolean including a page in colour form The Queen of the Fishes the opening four block colour print from Riquet a la Houppe the five block engraving from C’est Aucassin et de Nicolette and the four colour with gold roundel from the Livre du Jade. Pp. 52. 8vo. original quarter grey paper with Eragny floral paper covered boards Pissarro’s name printed in blue on the spine with two printer’s ornaments. An extremely good fresh copy with one small mark on the upper cover.Brooke Crutchley wrote of this remarkable fine Cambridge Christmas book that “it may well be the best of the series†being a tribute to the great printing work of Lucien Pissarro. The text is printed here for the first time having been found in the papers of James Bolivar Manson onetime Director of the Tate Gallery. 9 of the wood engravings were printed from the original blocks including four and five block engravings Privately Printed hardcover
1818184242London: John Murray 1818. First edition first issue with all the requisite readings given by Wise. The bibliographer says of first issue copies: "The Fourth Canto of Childe Harold has hitherto been regarded as the least uncommon of the first editions of Byron's poems. As a fact the correct book is one of the scarcest" Wise p. 60. The concluding canto to Byron's long poem follows Cantos I-II 1812 and III 1816. Octavo 218 x 134 mm pp. xvi 258. Late 19th-century red half morocco spine lettered in gilt floral gilt device in compartments marbled sides and endpapers top edge gilt others uncut. Spine a little darkened abrasion from removed label on spine occasional light foxing. A very good copy. Wise pp. 58-60. unknown
1926114998London: Ernest Benn Limited 1926. First edition first impression in the very scarce jacket. This early Noel Coward play was written in 1922 but not produced until 24 August 1926 when it premiered at the St Martin's Theatre. This first edition was printed as Volume L in the Contemporary British Dramatists series. Octavo. Original blue boards title labels to spine and front. With dust jacket. Very light rubbing to ends and corners faint spotting and partial toning to endpapers an excellent copy in the jacket with small chips to corners and small loss to head of spine panel tanning to spine and around edges a few minor marks. hardcover
193912479London: Heinemann 1939. A first edition first printing published by Heinemann in 1939. A near fine book small patch of glue residue to the front endpaper SIGNED to 'For Marie Louise/with my love/Noel/Paris 1939' on the half title page. In the near fine unclipped wrapper with wear and rubbing to the edges. Marie Louise Wilson was an actress and starred in Coward's 'Sweet Potato' which debuted in 1968. Rare signed. Heinemann unknown
1953056692New York: Doubleday / Bernard Chester Middleton 1953. First American Edition 1st Printing. Hardcover. Fine. Color Plates And B/W Illustrations. 661 Pp. First Printing 1953 New York Stated. In A Deluxe Black Full Morocco Binding Gilt Red Morocco Spine Label Elaborate Gilt Turns Marbled Endpapers All Edges Gilt. Also With A Christmas Card From Dora And Bernard Middleton And His Calligraphic Note Apologizing For A Delay In Sending This Book. Per Wikipedia Bernard Chester Middleton Mbe 1924 - 2019 Was A Preeminent British Restoration Bookbinder. He Was Regarded As One Of The Foremost Book Craftsmen And Trade Historians Of Modern Times Lecturing And Teaching In Europe Belgium Switzerland And The Netherlands And The Americas Brazil The United States And Venezuela. He Authored Two Major Works A History Of English Craft Bookbinding Technique 1963 And The Restoration Of Leather Bindings 1972 Which Became Essential Reading For Professional Bookbinders Scholars And Collectors. In The Trade He Was Known As "The Great Man". He Was Elected A Fellow Of The Royal Society Of Arts In 1951 And In 1986 Was Awarded An Mbe For Services To Bookbinding. His Gold-Tooled Bindings May Be Seen In The British Library The Victoria And Albert Museum The Royal Library Windsor And The Wormsley Library And In Other Major Libraries Worldwide. <br/> <br/> Doubleday / Bernard Chester Middleton hardcover
198134820DEUTSCHER BÜCHERBUND 1981. 1. softcover. Per Anhalter durch die Galaxis DEUTSCHER BÜCHERBUND paperback
1741LRB73Commercy: Chez Henry Thomas 1741 CHOMEL Noël MARRET J. - Dictionnaire oeconomique contenant divers moyens d'augmenter son bien et de conserver sa santé . Commercy Chez Henry Thomas 1741 . in-folio 522 460 pp. reliures plein veau d'époque dos ornés à six nerfs tranches jaspées coiffes et coins abimés. Les 2 volumes. Sans les suppléments. Couverture rigide. Satisfaisant. Chez Henry Thomas hardcover
mon0000213175Heinemann 1931-01-01. Paperback. Acceptable. in x in x in. Ex-library book usual markings. Well read copy with some spine wear but still very usable. Colouring of pages due to age. Heinemann paperback
193027948Heinemann 1930. 8vo. First Edition; original blue cloth gilt back a very good bright clean copy in unclipped dustwrapper printed in blue the latter mildly dust-soiled rather more heavily so at backstrip chipped at head and head and tail of backstrip with small hole affecting lettering at cente of backstrip and small closed tear on rear panel. VERY SCARCE IN THE DUSTWRAPPER Heinemann, hardcover
1954219800No Publisher 1954. First Edition. Paperback. The photograph is in a good condition. There are some slight edge nicks and tears. The reverse of the photo is somewhat dust-toned and marked and there is a typed note and ink stamp: ""Photograph supplied by The Topical Press Agency. London."" Remains particularly well-preserved overall. ; 8vo 8"" - 9"" tall; 1 pages; A rare photograph of Noel Coward and Marlene Dietrich SIGNED by Noel Coward. A typed note on the back of the photograph reads: ""Marlene Dietrich at the Palladium: Marlene Dietrich joined Noel Coward at the Palladium today where she rehearsed for the forthcoming All-Star Midnight Matinee at the famous home of variety. Photo shows: Marlene Dietrich and Noel Coward on the stage of the Palladium this afternoon in rehearsal. 23/6/54."" Photo dims.: 22 x 17cm. Noel Coward has signed his name along the leg of his trousers. No Publisher paperback
1937453299London : Heinemann 1937. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat worn with spine uniformly sun-toned. Interior is bright and clean. This copy SIGNED and inscribed by the author to Ann Haldin. Physical description; 7 431 pages 30 pages of plates leaf of plate : illustrations ; 23 cm. Subjects; Coward Noël 1899-1973 -- Biography. Dramatists English -- 20th century -- Biography. Actors -- Great Britain -- Biography. Entertainers -- Great Britain -- Biography. London : Heinemann hardcover
183900507800John Murray 1839. First Edition. Leather Binding. Very Good/No Jacket. 8vo - over 7¾" - 9¾" This set is extensively extra-illustrated by the insertion of over 200 additional engraved plates portraits views etc. relating to the text most remargined to size. This set is 6 volumes bound in 7 Vol. I being split into 2 parts to accomodate the extra-illustrations each of those volumes featuring specially printed title pages; the set is lacking the final 2 volumes which were 'Don Juan'. Bound in full brown 19th-century polished calf spines with raised bands and contrasting red and green morocco labels and elaborate gilt floral tooling within gilt-ruled compartments covers bordered with twin gilt rules all edges gilt spines darkened with rubbing to spines edges and corners; some foxing.B/w Illustrations. Very Good; Book VI is Good with the front board detached but present. John Murray unknown
1964164256N.p.: N.p. 1964. Five vintage borderless reference photographs from the 1964 film including one of director Jean-Luc Godard pushing longtime cinematographer Raoul Cotard seated in a wheelchair on the set. Layout annotations in ink and pencil on the versos and one with a Télérama stamp. <br /> <br /> Godard used a cameraman seated in a wheelchair instead of a camera dolly in several films including "Breathless" 1959.<br /> <br /> During a period of romantic tumult a woman discovers she is pregnant with two possible fathers. After premiering at the Venice Film Festival the film was briefly banned in France for its scandalous depiction of infidelity and was only passed by the censors after forcing Godard to make several small changes including changing the film's title from "The Married Woman" to the slightly less inflammatory "A Married Woman." <br /> <br /> Four photographs 7.25 x 9.5 inches one photograph 5 x 7 inches. Very Good plus to Near Fine. <br /> <br /> Masters of Cinema 80. N.p. unknown
1932317251932. Mit einem Geleitwort von Prof. E. Meirowsky. - Leipzig Johann Ambrosius Barth 1932 8° 71 pp. 112 Abb. orig. kart. Einband; Titelseite etwas fleckig. First German Edition of "La Chirurgie Esthétique"! Noël's "famous book" Wallace marked the end of the 'pioneering period' of cosmetic surgery and that since then surgeons have only been concerned with 'technical variations and improvements in the operations of their predecessors'. Suzanne Noël known to her colleagues as Madame Noël was the first and most famous woman to practice cosmetic surgery working in France at the beginning of last century. She was also a feminist: a suffragette an advocate of women's right to work and one of the founders of soroptimism an international women's organization. She wrote one of the first medical handbooks about cosmetic surgery in 1926 thereby laying the groundwork for the profession as we know it today Rogers 1971. Suzanne Blanche Marguerite Gros was born in 1878 in Laon France of well-to-do parents. As the only surviving daughter of four children she was doted on by her parents and received the usual education reserved for middle-class girls: classics embroidery and painting. At 19 she made a 'good marriage' to a doctor 9 years older than she Henri Pertat. In 1905 she embarked on her medical studies; studies which she probably could not have undertaken without the consent and active support of her husband Jacquemin 1988:13. Noël later claimed that she became a doctor in order to work with her husband in his dermatology practice. She excelled in her studies and following an illness and the birth of her daughter passed the highly competitive 'Internat des Hospitaux de Paris' in 1912 as the 4th of 67 students. This was an exceptional performance for a woman - one which as her official biographer notes 'could only have been achieved by extremely hard work and a brilliant intelligence' Jacquemin 1988:16. In 1919 her husband died and she remarried a fellow student in dermatology André Noël who had just returned from the front. He quickly finished his 'Internat' graduating at the bottom of his class and handed in a thesis which was probably based on work which his wife had been doing on the 'douche filiforme' an installation for bathing patients with skin problems. Their marriage was short-lived. Following the death of Suzanne's daughter André became severely depressed and in 1924 he threw himself into the Seine in front of his wife. Devastated Suzanne Noël turned to her work for solace and it was to remain her passion until her death in 1954. Noël first became interested in cosmetic surgery in 1912 when she noticed that the famous actress Sarah Bernhardt returned from her American tour miraculously rejuvenated. Bernhardt was at that time well over sixty. Curious Noël began experimenting by pinching the skin of her own face in different places to see if she could get the same effect. Surprised at what she was able to accomplish she began to experiment more seriously operating on anesthetized rabbits whose skin is similar in 'delicacy and elasticity to human skin'. The advent of World War I allowed Noël to gain expertise in treating wounded soldiers for facial injuries and in 1916 she undertook further surgical training for operating on disfiguring scars as well as her old 'hobby' the rejuvenation of wrinkled faces. Noël situates the beginning of her devotion to cosmetic surgery in one of her first face-lift operations on a woman who 'due to her age was not able to earn her own living' - an operation which was apparently so successful that the patient was immediately able to find a job. Noël claims to have been so impressed by this fortuitous result that she decided to make cosmetic surgery her vocation and from that point on did not look back. Noël's medical career spanned the period from 1916 to 1950 and can be separated into two distinct periods. When she started practicing plastic surgery was not an established specialty and hospitals did not admit surgeons who did exclusively plastic surgery. Noël set up her own clinic at home becoming one of the first cosmetic surgeons in France. Her operations were limited to minor surgery most notably face-lifts and eyelid corrections. She apparently quickly became well-known drawing many 'world-renowned persons of the fashion world and of the European aristocracy' Regnault 1971:134. With the onset of World War II she gave up her private clinic and performed operations in the Clinique des Bluets in Paris where she could do major surgery. According to her student Regnault Noël was a versatile surgeon who performed many different and often quite bold interventions - reshaping the breasts slimming the abdomen and arms excising fat from the legs and or eliminating wrinkles in the hand by injecting a sclerosing solution into the blood vessels. Although she is credited with initiating the Biesenburger method of mammoplasty in France it is her technique of face-lifting in particular the 'petite opération' or 'mini-lift' for which she continues to be known today see for example Stephenson 1970; Rogers 1971; Gonzlez-Ulloa 1985. At a time when women were struggling to gain a foothold in the medical profession Noël appears to have won considerable recognition for her work. She was awarded the Legion of Honour from the Foreign Office in 1928 for being a 'doctor of unusual skill' whose lectures and methods were a credit to her country Jacquemin 1988:33. In addition to writing a widely-read book about cosmetic surgery which was translated into German in 1932 Die Äesthetische Chirurgie und ihre soziale Bedeutung physicians from all over the world visited Paris to observe her work. She traveled extensively in the USA Germany and Austria giving lectures and demonstrating her surgical techniques. In 1930 two documentary films showing Noël operating were made in the Charité in Berlin and later written up in Medizinische Welt. She was the first woman in France to become the president of a medical society - that of aesthetic morphobiology. Her name is included in most historical accounts of modern cosmetic surgery where she is referred to as 'the world's first famous female cosmetic plastic surgeon' Rogers 1971. - cf. Cosmetic Surgery in a Different Voice: The Case of Madame Noël by Kathy Davis unknown
199450377ULLSTEIN LEOPOLD 01/1994. 11. softcover. Per Anhalter durch die Galaxis ULLSTEIN, LEOPOLD paperback
