4 418 résultats
190621430London.: Chapman & Hall Ltd. 1906 - 1908. Full contemporary blue crushed morocco banded spines with gilt titles in six compartments turn-ins with decorative gilt borders marbled endpapers blue silk placemarkers t.e.g. 80 vols. 8vo. 235 x 168 mm. Each vol. with leaf with limitation verso half-title and printed title in red and black with publisher's vignette and Arguably the best edition of Dickens' works with the definitive text large type and facsimiles of title pages and original covers etc. Limited to 750 copies.This a deluxe extra-illustrated set with before-letters proof states of most of the wood-engraved plates together with additional hors-texte illustrations many hand-coloured.This set also includes an original ALS from Dickens to George Dolby his manager dated the first of July 1866 in which Dickens tries to fix a date for the two to meet. A truly fine set. Chapman & Hall Ltd. unknown
1937OCB6114Charles Dickens. The Nonesuch Press London 1937 - 1939 23 volumes and a book-form case titled "Plate" containing a woodcut plate entitled "<i>Leaving the Old Curiosity Shop</i>" drawn by George Cattermole for Chapman & Hall Ltd. a print of the woodcut and letter from Chapman & Hall guaranteeing the plate's authenticity. Edited by Arthur Waugh Hugh Walpole Walter Dexter and Thomas Hatton. Limited to 877 copies a limitation based on the number of illustrations in the first editions of Dickens where each set received one of the 877 illustration wood or steel blocks. Each volume with the Ex Libris <b>bookplate </b>of Carlotta and Eugene O'Neill. Carlotta's fourth marriage was to O'Neill; his third marriage. O'Neill had instructed his publisher to wait 25 years after his death before publishing <i>Long Day's Journey Into Night</i> however Carlotta took the play to another publisher whereupon it was published less than 18 months after O'Neill died. The play was produced in 1956 on Broadway and won a Pulitzer Prize for O'Neill posthumously. Bold variant buckram binding leather title plate at spine. In good condition rubbing. The Nonesuch Press hardcover
1952LZ369142121379FZ<b><i>Fine Second Edition and </i></b><b>was </b><b>leather-bound</b><b> and published / with an Introduction by Norman </b><b>Collins</b><b>.</b><br />For many lovers of the author's works DAVID COPPERFIELD ranks as the finest of his writings. "Of all my books" Dickens declared "I like this the best."<br /><b>With an Introduction by NORMAN COLLINS AND GENERAL EDITOR: G.F.MAINE. </b><b>George Frederick Maine</b> is a Scottish author and editor. British Literature Theology.<br /><b>Condition: Very Good: </b> VERY GOOD. Light rubbing wear to cover spine and page edges.<br /><b><i>Leather Bound</i></b>.<b><br /></b><b>Author Charles Dickens 1812-1870 the greatest English novelist of the Victorian age.</b><br /><b>HISTORY:</b><br />If <i>David Copperfield</i> has come to be Dickens's "darling" it is because it is the most autobiographical of all his novels. Some of the most painful episodes of his life are barely disguised; others appear indirectly termed "oblique revelations" by Paul Davis. However Dickens himself wrote to Forster that the book is not a pure autobiography but "a very complicated weaving of truth and invention". <br /><br />Between 1845 and 1848 Dickens wrote fragments of autobiography excerpts of which he showed to his wife and John Forster. Then in 1855 he made an attempt at revising it. This was a failure because as he tells his first love Maria Beadnell now Mrs Winter when he began dealing with his youthful love for her "I lost courage and burned the rest". Paul Schlicke points out that in fact not all the pages have gone through the flames and that as Dickens began writing <i>David Copperfield</i> some pages were unearthed. Proof of this is found in the eleventh chapter of the novel: "I begin Life on my own Account and don't like it" where the story of Dickens's experience at the Warren Shoe Factory is told almost verbatim with the only change "Mr Micawber" instead of "my father". John Forster also published substantial extracts relating to this period in Dickens's biography including a paragraph devoted to Wellington House College which corresponds with the second stage of childhood recounted in the novel. Thus Dickens looks back on his painful past already evoked by the martyrdom of Little Paul in <i>Dombey and Son</i> though voiced by an omniscient narrator in that earlier novel. Until Forster published his biography of Dickens in 1872–1874 no one knew that Dickens had worked in a factory as a child not even his wife until Dickens wrote it down and gave the papers to Forster in 1847.The first generations of readers did not know this part of David Copperfield's story began like an incident in the author's life. COLLINS LONDON AND GLASGOW hardcover
1937180310005Bloomsbury: The Nonesuch Press 1937. Hardcover. Very Good. Publisher's variously-colored buckram with leather spine labels gilt top stains. Complete in 23 volumes plus cloth slipcased original steel plate by Phiz for the illustration "Mr. Moddle is both particular and peculiar in is attentions" from Martin Chuzzlewit a print pulled from it as well as a letter of authenticity signed by an officer at Chapman & Hall Ltd. Also includes clothbound Nonesuch Dickensia and wrappered Sample Pages: The Nonesuch Dickens booklet. Very Good overall with slight sunning to spines a few head and tails slightly frayed especially Printing Plate case and foot of David Copperfield slight shelf wear a few spine labels slightly chipped. An attractive set. An attempt by renowned British private press The Nonesuch Press to create the definitive collection of the works of Charles Dickens with their signature fusion of technologies from different eras of publishing using hand press type and the original printing plates and wood blocks for many of the illustrations herein. The plates and wood blocks were then dispersed one per set creating a limitation of 877. The pleasant rainbow of colors by the bindings the thoroughness of the scholarship etc. made The Nonesuch Dickens an immediate hit with book collectors and it remains so to this day. The Nonesuch Press hardcover books
1937190014London: The Nonesuch Press 1937-39. Including an original steel plate illustrating Dickens's first published story First Nonesuch edition number 51 of 877 sets with an original plate. This example includes the steel plate that was used in the first edition of Sketches by Boz 1836 to illustrate "Mr Minns and his Cousin". The story represents a revised version of Dickens's first published work of fiction "A Dinner at Poplar Walk" The Monthly Magazine December 1833. The limitation matches the 877 original plates that were used for the first editions and kept in the archives of Dickens's publisher Chapman and Hall. Most of the plates were on steel though they also included woodblocks. This plate accompanied by a press pull as issued illustrates a startled Mr Minns "casting a diabolical look at the dog" of his cousin as the canine climbs up the dinner table. The Nonesuch Dickens was the press's largest project and greatest triumph. The publisher boldly claimed that "it will never be possible for a more complete and perfect edition to be put upon the market". Together 25 vols large octavo including the plate volume containing an original steel plate after Cruikshank and the Nonesuch Dickensiana in glassine and orange card box without lid. Illustrated throughout after the original plates. Original buckram in various colours black spine labels top edges gilt on the rough fore and bottom edges untrimmed. Letters I with indent to rear cover. Spines variously sunned wear to a couple of spine labels not affecting lettering cloth occasionally rubbed and with a few marks contents clean. A very good set. Dreyfus 108. hardcover
192989275Chapman & Hall Limited 1929-01-01. Hardcover. Very Good. LIMITED TO 300 150 FOR GREAT BRITAIN AND 150 FOR AMERICA; 40 volumes bound in dark blue cloth with gilt lettering and design; some pages are still uncut; The bottom corner of spine on "Little Dorrit vol. II" is torn; Pictures upon request Chapman & Hall, Limited hardcover
1937140200London: The Nonesuch Press 1937-38. The complete set of Charles Dickens by the Nonesuch Press one of only 877 sets. Octavo 24 volumes original cloth woodcut illustrations original variously colored buckram by Leighton Straker. Edited by Arthur Waugh Hugh Walpole Thomas Hatton and Walter Dexter. In near fine condition. A very sharp set. Founded in 1922 in London by Francis Meynell his second wife Vera Mendel and their mutual friend David Garnett The Nonesuch Press was established in the basement of Garnett's bookshop in Soho. Nonesuch was unusual among private presses in that it used a small hand press to design books and then had them printed by commercial printers. Among the press's best-known editions were the collected works of William Congreve and William Wycherley and translations of Cervantes and Dante. The Nonesuch Press hardcover
191130No DJ. Green cloth boards with gilts titles and an embossed leaf design on the spine. See Photos<br /><br />32 Illustrations throughout the book.<br /><br />Gilt Facsimilie of Dickens' signature on front cover.<br /><br />RARE- Could Not Find Any BOOK that existed on the internet anywhere. This is a RARE find in Perfect condition and a prize for a collector. Chapman & Hall LTD. hardcover
1929226345London: Chapman and Hall 1929. hardcover. very good. 40 volumes. Thick 8vos beautifully bound by Bayntun in full burgundy morocco highly ornate gilt-stamped covers and spines with raised bands several volumes have minor damage at spine ends and several volumes have neat repairs to front joints; uncut edges marbled endpapers and doublures top edge gilt. London: Chapman and Hall 1929. Very good.<br/><br/> An exquisite set which includes 2 volumes of the "Letters and Speeches" and John Forster's "The Life of Charles Dickens" also in 2 volumes.<br/><br/> Chapman and Hall unknown books
19021321394New York: R. G. Newbegin Company 1902. Edition Definitive #a1. Hardcover. Large Octavos 60 volumes; Fair to Good; Bound in contemporary red morocco decorative gilt frames to boards surrounding a central tulip design in gilt with central green morocco onlay green morocco tulip design doublures with red and purple morocco onlays design and turn-ins tooled in gilt green moiré silk free endpapers marbled blanks following; all edges gilt.<br /> <br><br /> <br><br /> Spines faded; the last 16 volumes have significant damage to the bindings primarily the lower edge and 5 other volumes have noticeable chipping or wear; volume 49 has had the lower edge repaired;. This edition was issued with the original frontispieces engraved title pages and etchings by "Phiz" et al printed and mounted on india-proof paper as well as each volume containing an original pen and ink watercolour frontispiece from the original art work by Kyd;. 1321394. FP New Rockville Stock. R. G. Newbegin Company hardcover books
19081599London: Chapman and Hall 1908. The National Edition. Limited to 750 sets printed for England and America. this set unnumbered. Forty large octavo volumes. With approximately 1000 illustrations with plates by Cruikshank Browne Leech et al. Title-pages printed in red and black. With many reproductions or the original parts wrappers on colored paper.<br/><br/>Volume I with an envelope signed by Dickens and an ALS by John Foster Dickens' biographer. On the first blank of volume I is a mounted small envelope addressed by Dickens to Edward Chapman his publisher and signed by Dickens on the lower left corner. Facing that page is a mounted autograph letter signed by John Foster Dickens' friend and biographer addressed to George Cattermole the artist who illustrated The Old Curiosity Shop. Foster letter is on stationery and is dated 21 September 1860. Two sixteenmo pages on one octavo sheet folded.<br/><br/>Set is uniformly bound by Riviere & Son in half brown levant morocco over brown cloth. Morocco double ruled in gilt. Spines lettered in gilt and compartments triple-ruled in gilt. Top edges gilt others uncut. Spines slightly sunned and some occasional minor rubbing and shelfwear. Overall a very attractive and near fine set. Chapman and Hall unknown books
19036510East Aurora: Roycroft Press 1903. First Edition. First Edition. 8vo 9 x 6 inches. David Ogle: OB-003-96 pictured full-page and color on pg. 201. THE ONLY KNOWN SIGNED KINDER BINDING with Kinder's monogram "LK" stampled to inside back cover on the lower dentelle as well as Roycroft's "orb and cross mark" to side dentelle. The signature is a sort of cuneiform mark "made from four sequential impressions of the same binder's tool shaped like the parenthesis symbol. impressed in the order to form an approximation of the initials "LHK. This mark was first discovered in an inlaid full leather specimen of 'The Holly Tree' i.e. our copy and no other examples of the mark are presently known. David Ogle "On a High Shelf" pg 59. A striking Kinder binding in full light green crushed morocco with repeating gilt-tooled circle design motif highlighted by inlaid circles and squares on end in ochre and dark green morocco on both covers. Spine with similar though linear gilt and inlaid motif. #17 of 100 copies on Japan Vellum Signed and Numbered by Hubbard. Colored title-page and full-page border designs by Samuel Warner prominent early Roycroft artist who designed Elbert Hubbard's first personal bookplate. Decidedly a great rarity and certainly a cornerstone to any serious Roycroft collection. Fine condition. Roycroft Press unknown
19371131881937. DICKENS Charles. The Works Nonesuch Dickens. Bloomsbury: Nonesuch Press 1937-38. Twenty-five volumes including wood-engraved plate in clamshell box uniform with 23 text volumes. Tall octavo original full colored cloth original black morocco spine labels. $8000.The famed Nonesuch Dickens one of the best and most sought-after editions of Dickens works one of only 877 sets produced with hundreds of illustrations reprinted from the original wood- or steel-engraved blocks by various artists including Cruikshank Phiz Graves Stone and Tenniel. This set with an original engraved steel plate for the frontispiece The Tower of the Chimes from The Chimes drawn by Daniel Maclise as well as an accompanying proof print and authentication letter housed in clamshell box uniform with the 23 text volumes and the accompanying volume Nonesuch Dickensiana.Dickens ""in his own realm has always been unrivalled His sleepless imagination exaggerated the comic side of everything and developed the suggestions of reality into humorous idealisms far transcending the proportions of ordinary life"" Baker. The Nonesuch Dickens is regarded as the definitive collected edition. In addition to the novels the set includes two volumes of Collected Papers miscellaneous articles and prefaces three volumes of Letters and a volume of Reprinted Pieces The Uncommercial Traveller and eight stories from the Illustrated Library Edition of 1875. The publishers produced 877 sets because this was the number of original steel plates and wood blocks available to include one with each set. The plate comes with a print made from it and a typed letter of authenticity signed by Arthur Waugh. Some illustrations from lost or destroyed blocks have been replaced with images printed from blocks reproduced photographically from first edition plates; some of the plates from the ""Christmas Books"" are printed in color as they were originally issued. Bound as issued in variously colored cloth bindings designed by Leighton-Straker. With the accompanying volume Nonesuch Dickensiana which includes the article ""Charles Dickens and His Illustrators"" by Arthur Waugh ""A Bibliographical List of the Original Illustrations to the Works of Charles Dickens Being Those Made Under His Supervision"" by Thomas Hatton a Retrospectus of Dickens' works and a Prospectus for the Nonesuch Dickens. Blank front free endpaper in Bleak House excised. Owner signatures in Nonesuch Dickensiana only.Interiors fine mild toning occasional faint soiling to spines of original cloth. Near-fine condition. hardcover
193750747Bloomsbury: The Nonesuch Press 1937. Hardcover - as published. Complete Nonesuch Dickens in Very Good condition. Binding is tight and stable on all volumes and illustrations are complete throughout. Color illustrations present in Christmas Carol. Some fading and speckling to the spines. All black morocco leather labels intact. Includes 23 volumes of the works the Nonesuch Dickensiana a "Note on the Format" pamplet a staple bound " A Portrait in Natural Colour of the Nonesuch Dickens" and a clamshell containing the Martin Chuzzlewit frontispiece steel plate with the Chapman and Hall letter of authentication numbered 506. . The Nonesuch Press hardcover
1938552364New York: The Columbia Broadcasting System Orson Welles and The Mercury Theatre on the Air 1938. Hardcover. Near Fine. Quarto. 94 mimeographed leaves printed rectos only. Bound or likely rebound at an early date with quarter canvas spine and thick card boards with typed title labels on front board and spine. Modest evidence of bookplate removal inside front board small chip at the corner of the label on the front board else very near fine. Adapted from the Charles Dickens novel. The Mercury Theatre on the Air produced 22 radio plays based on literary novels plays or short stories in 1938 this was the third play produced. Up until October 1938 all of the adaptations including this one were written by Orson Welles and John Houseman. Overwhelmed by the weekly deadlines Welles also starred in most of the dramas sometimes playing multiple parts they hired Howard Koch to assist - three weeks later they collaborated on The War of the Worlds - arguably the most famous dramatic radio broadcast in history. In A Tale of Two Cities Welles played both Sidney Carton and Dr. Alexandre Manette in this production. In the script page two is blank except for the word "Welles" - presumably Welles would deliver his introduction extemporaneously. The Mercury Theatre on the Air scripts are rare. OCLC locates a single copy of this script Dartmouth. (The Columbia Broadcasting System, Orson Welles and The Mercury Theatre on the Air) hardcover
1911008394London Philadelphia: William Heinemann J.B. Lippincott 1911. Limited Edition . Hardcover. Near Fine. 4to - over 9¾ - 12" tall. RACKHAM Arthur 1867-1939. The deluxe edition & one of 525 copies signed by Arthur Rackham. In the publishers original gilt-stamped pictorial vellum a few faint surface soils to upper cover lacking the cloth ties. Spine gilt titles & illustrations. Internally illustrated endpapers limitation leaf with Rackham signature half title coloured frontis title with coloured illustration 8 ix-xv 1 2 3-147 pp 1 12 coloured plates by Arthur Rackham mounted on brown paper all with captioned tissue-guards illustrations 20 B&W illustrations within text t.e.g. others uncut pencil ownership inscription to fep Townsend occasional very faint edge browning but an excellent example of a title rarely found in as good a condition. 291230 mm 4to Riall p124. Latimore/Haskell p44 Through the intervention of four ghosts Ebenezer Scrooge is shown the spirit of Christmas! This the 1915 Arthur Rackham edition of A Christmas Carol presents Charles Dickens's classic Christmas novella accompanied by richly atmospheric illustrations. The book contains the complete text of Dickens's story first published in 1843 alongside Rackham's distinctive pen and ink drawings and colour plates which reinterpret the tale with dramatic often eerie visual intensity <br/> <br/> William Heinemann J.B. Lippincott hardcover
1915366058London: William Heinemann 1915. First edition Deluxe Issue one of 525 copies signed by Rackham. 12 full page mounted illustrations in color and 20 drawings in black and white by Arthur Rackham. 4to. Original full gilt-decorated vellum t.e.g. Silk ties renewed. Housed in custom vellum backed box with chemise. Rackham Arthur. First edition Deluxe Issue one of 525 copies signed by Rackham. 12 full page mounted illustrations in color and 20 drawings in black and white by Arthur Rackham. 4to. Notes Hudson: "Rackham is not usually remembered as an illustrator of Dickens but A Christmas Carol was decidedly successful for he contrived to adapt the tradition of 'Phiz' and Cruikshank to his own characteristic style in the pictures of Victorian London and at the same time found scope for his fantasy in the ghost scenes. We also find him here developing his special talent for silhouette rare among illustrators. He was well qualified by sympathy to interpret Dickens in certain of his moods" Latimore and Haskell p. 44; Riall p. 124; Hudson p. 106 William Heinemann unknown
198245493WINKLER 1982. 1. hardcover. Sirmkovrilo! WINKLER hardcover
1902002277NY: Chas. Scribner's Sons 1902 1902. 36 vols. 8-1/4" x 6" all illustrations after the originals introduction and notes by Andrew Lang includes the 2 volumes of Forster's "Life Of Dickens" bound in fine 1/2 green morocco ribbed gilt decorated spines top edges gilt by Lauriat Of Boston. Internally clean and bright inner and outer hinges fine head and foot of spines fine no previous ownership markings inscriptions or bookplate spine slightly darkened otherwise A FINE SET. NY: Chas. Scribner's Sons, 1902 unknown
1930312928London: George G. Harrap & Co 1930. Color plate illustrations by C.E. Brock. xx 687 pp. 1 vols. 8vo. Full brown morocco for Asprey of London upper cover centered with large illustration in multi-color morocco onlay after a plate in the book spine lettered in gilt with gilt device of Samuel Pickwick in four panels a.e.g. gilt inner dentelles marbled endpapers. Fine. Brock C.E. Color plate illustrations by C.E. Brock. xx 687 pp. 1 vols. 8vo. George G. Harrap & Co unknown
1915032355London: William Heinemann 1915 4to. original decorated full vellum gilt teg rest uncut some toning and spotting lacks silk ties tiny chip at headcap else clean & bright throughout; pp. xvi last blank 148 last colophon with frontispiece and 11 other colour tipped-in plates tissue-guarded black and white drawings in text. No. 369 of a limited edition of 525 copies signed by the artist. 'Arthur Rackham'. A very good copy. Signed by Artist. First Deluxe. Hard Cover. VG. Illus. by Arthur Rackham. William Heinemann hardcover
1915EEZZ3132London: William Heinemann, Philadelphia: J.B. Lippincott (1915). 29,5 x 23,5 cm. XV, 147 (1) S. Mit 12 Farbtafeln (ikl. Frontispiz) unter betitelten Seidenhemdchen auf schwerem braunem Papier montiert, 20 Schwarzweißbilder im Text., Titelbl. in Rot und Schwarz gedruckt. Gedruckt auf handgeschöpftem Hadernpapier. Nr. 140 von 525 num. Exemplaren. Orig.-Ganzpergamentband, mit Rücken- u. Deckelillustration in Goldprägung, Kopfgoldschnitt. Vorsatzpapiere leicht stockfleckig, ansonsten sehr gut erhalten, der Einband in sehr gutem Zustand. Die Jahresangabe auf dem Titelbl. verso. ?Rackham wird gewöhnlich nicht im Zusammenhang mit Dickens in Erinnerung bleiben, doch seine Illustrationen des Weihnachtsmärchens (1915) waren überaus erfolgreich, denn er verstand es, die Tradition von 'Phiz' und Cruikshank in den Bildern des viktorianischen London in seinen eigenen Stil zu integrieren, und gleichzeitig in den Geisterszenen Raum für seine Fantasie zu finden. Hier entwickelt er auch sein besonderes Talent für Scherenschnitte, das unter Illustratoren selten ist? (Hudson, Arthur Rackham, S. 106). Riall 124 f; Rota 169. - Erste Ausgabe mit den Illustrationen von Rackham, im Druckvermerk vom Künstler signiert u. numeriert.
1939146992N.p.: N.p. 1939. Draft script for the 1939 play. Carbon typescript on onionskin. With the name of actress May Hallatt in holograph ink on front wrapper and holograph annotations in pencil throughout. We could not verify her involvement in the 1939 production although it seems reasonable to infer from this script that the prolific stage and screen actress indeed had been possibly as stand-in for the role of Miss Havisham as many of the annotations in the script relate to that character.<br/><br/>In 1939 during a period of unemployment Alec Guinness with the aid of his wife artist playwright and actress Merula Sylvia Salaman began writing a stage adaptation of the 1861 Charles Dickens classic. Upon completion Guinness shared the manuscript with friends who decided to form an actor's cooperative the Actor's Company with the intention of putting on the production. It was also at this time September 1939 that Great Britain declared war on Germany commencing World War II.<br/><br/>The play premiered in December 1939 under the direction of George Devine at Rudolf Steiner Hall. Marius Goring performed the role of Pip with Martita Hunt as Miss Havisham Yvonne Mitchell as the young Estella Roy Emerton as Magwitch and Vera Poliakoff as the adult Estella. Guinness and Salaman sitting opposite one another on stage were the narrators as well as performing the roles of Herbert Pocket and Biddy respectively. The play received favorable reviews particularly from Sunday Times critic James Agate and did reasonably well but the strain of the war prevented it from moving to a larger theatre and the production as well as the Actor's Company went bust. <br/><br/>The following year a new production of Guinness' "Great Expectations" began but was then abandoned when Guinness refused to take part.<br/><br/>Guinness credits the play for having drawn him from the stage onto film. Upon Salaman's insistence an actress friend of hers Kay Walsh and her husband then thirty-one-year-old film editor David Lean saw the production which directly inspired Lean to take the story to the screen and make the classic 1946 film with Guinness and Hunt reviving their stage roles for the screen.<br/><br/>Brown titled wrapper. Title page present with credits for author Charles Dickens and playwright Alec Guinness. 122 leaves with last page of text numbered 34. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus some creasing and damp staining bound with ribbon. N.p. unknown books
191475760New York: Charles Scribner's Sons 1914. First edition. One of a limited edition of 150 numbered sets each signed on the limitation leaf by the artist and the publisher. Additionally signed by Smith on the print "Coffee-Room George Inn". 22 loose photogravure proofs. Each matted and housed in the publisher's folder. An excellent set in the original folder. unknown
191529684J B Lippincott. Very Good with no dust jacket. 1915. Limited Edition. Hardcover. Quarto in full vellum covers Limited to 100 copies SIGNED BY RACKHAM #63 tight binding clean text endpapers lightly toned/darkened no foxing pages clean and unsullied deckled-edged contains 12 tipped-in color plates else VG or slightly better. N. B. : The vellum covers have slight bow as usual with these type of covers. A rarity and a classic of printing. ; 4to . J B Lippincott hardcover