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09152London April 1840-November 1841: Chapman & Hall. First Edition. Twenty monthly parts in the original blue-green wrappers; an outstanding set having ALL the ads called for by Hatton & Cleaver except for the quite scarce Tyas ad in part 1; ALL wrappers are correct. Large octavo in sixes i-viii 12-306; i-vvi 12-306; i-vvi 12-426. Original wrapper design by Cattermole; 2 frontispieces 130 woodcuts and 25 initials by Browne; 1 frontispiece and 38 woodcuts by Cattermole; 1 woodcut each by S. Williams and Maclise. Parts 2 and 10 are unopened therefore unread. Most spines are expertly renewed; neat subscriber's name on margin of front wrap of parts 11 and 16. Part 1 wrapper with some spotting; parts 1 and 20 front wrappers with minor repair. Comprises first editions of "The Old Curiosity Shop" and "Barnaby Rudge." Housed in a handsome quarter-leather slipcase with chemise. Provenance: The Hatton and Cleaver collection The Heritage Bookshop Charles Parkhurst Books Inc. <br/><br/> Chapman & Hall hardcover books
18530104408Bradbury & Evans London 1853. 1st Edition. Hardcover. Very Good. First Edition in original cloth. Front and back hinges almost loose; some spots on covers; some foxing; overall a very good copy. Comes in custom-made slipcase. Bradbury & Evans, London hardcover books
1845253749Leipzig: J.J. Weber 1845. First German-language editions translated by E.A. Moriarty. Frontispiece and 7 etched plates by John Leech. 3 - 128 pp.; frontispiece and 3 plates by John Leech 3 - 128 pp. 12mo. Publisher's cloth-backed green marbled boards spotting to frontispiece and title page of the second work else near fine. First German-language editions translated by E.A. Moriarty. Frontispiece and 7 etched plates by John Leech. 3 - 128 pp.; frontispiece and 3 plates by John Leech 3 - 128 pp. 12mo. The first German editions of Dickens' first two Christmas books. Not in the Gimbel collection and rare on the market. Gimbel/Podeschi D4 for later collected German ed. but see note for this ed. J.J. Weber unknown books
1850295520London: Bradbury & Evans 1850. First. hardcover. fine. Illustrated by H.K. Browne. 8vo early 20th century full dark blue crushed morocco by Sotheran with gilt spine & dentelles raised bands all edges gilt & portrait of Dickens on the front cover. London: Bradbury & Evans 1850. First Edition.<br/><br/> With most of the first issue points except "screamed" on p. 132. Engraved vignette half-title with date and errata page present. The plates are exceptionally clean with very occasional light foxing.<br/><br/> Bradbury & Evans unknown books
188299841London: Curtis Guild 1882. First Curtis Guild extra-illustrated edition of one of Dickens' greatest works. Octavo two volumes bound in full morocco by F.P. Hathaway with gilt titles and elaborate gilt tooling to spine in six compartments within raised gilt bands elaborate gilt ruling to the front and rear panels inner dentelles silk endpapers. With 53 illustrations by Seymour and Phiz extended by insertion of the Seymour Buss Onwyhn and Croquil plates and illustrations including 24 etchings by Pailthorpe 4 steel engravings by Darley the Buss plates and many other illustrations some in color. In near fine condition. From the library of American author and actress Cornelia Otis Skinner with her bookplate to the pastedown of each volume. An exceptional example of this elaborate presentation of one of Dickens greatest works with noted provenance. Few first novels have created as much popular excitement as The Pickwick Papers a comic masterpiece that catapulted its twenty-four-year-old author to immediate fame. Readers were captivated by the adventures of the poet Snodgrass the lover Tupman the sportsman Winkle and above all by that quintessentially English Quixote Mr Pickwick and his cockney Sancho Panza Sam Weller. From the hallowed turf of Dingley Dell Cricket Club to the unholy fracas of the Eatanswill election via the Fleet debtors prison characters and incidents sprang to life from Dickenss pen to form an enduringly popular work of ebullient humour and literary invention. Curtis Guild unknown books
1876313201London: Chapman and Hall 193 Piccadilly Philadelphia: J. B. Lippincott & Co 1876. Illustrated with plates after the originals by "Phiz" Hablot Knight Browne George Cruikshank Frederick Walker Edwin Landseer Daniel Maclise John Leech Marcus Stone George Cattermole and Luke Fildes. Printed by Virtue & Co. London. 30 vols. 8vo. Bound in three quarter green morocco t.e.g. by Stikeman & Co. for Charles Scribner's Books. Fine. Illustrated with plates after the originals by "Phiz" Hablot Knight Browne George Cruikshank Frederick Walker Edwin Landseer Daniel Maclise John Leech Marcus Stone George Cattermole and Luke Fildes. Printed by Virtue & Co. London. 30 vols. 8vo. "This the best edition of my books is of right inscribed to my dear friend John Forster biographer of Oliver Goldsmith in affectionate acknowledgment of his counsel sympathy and faithful friendship during my whole literary life" dedication leaf in Volume I of The Posthumous Papers of the Pickwick Club. Chapman and Hall, 193, Piccadilly, Philadelphia: J. B. Lippincott & Co unknown books
184696177London: Bradbury & Evans 1846-48. First edition in the scarce original parts of Dickens tale of the fortunes of the Dombey shipping firm with "delight" for "joy" on page 284. Octavo original wrappers with 40 etchings by Halbot Knight Brown containing all advertisements as issued. In very good condition. Housed in a custom full morocco and chemise pull-off case. Scarce and desirable. Dombey and Son "was well received by its readers and is considered to be the first novel that reflects Dickens's artistic maturity. Dickens told his first biographer 'It was to do with Pride what its predecessor Martin Chuzzlewit has done with Selfishness" Schlicke 280. The work "has a sense of the numinous is more profoundly touched by the sense of last things than any of Dickens' previous novels. It is larger in conception so that human life is seen in terms of its beginning and its end so that grief and forgiveness become more powerful forces within it. Dickens is aware of its status as art and provides here a simulacrum of human life touched by majesty and purpose" Ackroyd 526. The original serials contain the first of Browne's "dark plates" "On the dark Road" in part 18 created by the engraver's lining machine and roulettes that tint the etched plate creating heightened contrast Johannsen Phiz 309. Bradbury & Evans unknown books
187341499London: Chapman and Hall 1874 1873 1874. Hardcover. Very good/No dust jacket. Vol. 1 1812-1842; Vol. 2 1842-1852; Vol. 3 1852-1870. London: Chapman and Hall 1874 1873 1874. 3 vols. Envelope addressed to the Garrick Club signed by subject Dickens laid onto front free endpaper. Extra illustrated with the inclusion of 137 engravings not normally included. xvii 398 6; xx 464; xv 552 pp. Hardcover. 8vo. Full tan calf. 5 raised bands gilt ruled and elaborately tooled devices in compartments with contrasting leather titles in gilt; all volumes professionally rebacked with original spines laid on; all boards and turn-ins gilt ruled with gilt corner devices; all top edges gilt; fore and bottoms edges untrimmed with light to moderate foxing; minor light foxing scattered through text. A nice and unique set. The Garrick Club was instituted for the general patronage of drama; for the purpose of combining the use of a Club on economic principles with the advantages of a literary society; for bringing together supporters of drama; and for the formation of a theatrical library with works on costume. Very good/No dust jacket. Multiple volumes - extra shipping charges apply Insurance required to ship this item. Chapman and Hall hardcover books
1846133191846. a remarkably fine set Wholesale Retail and for Exportation. With Illustrations by H. K. Browne beginning with the 6th part: With Illustrations engraved on Wood by J. W. Orr from designs by H. K. Browne. New York: Wiley and Putnam beginning with the 18th part: John Wiley 1846-1848. Twenty monthly parts in nineteen in the original brownish-grey wrappers printed in black.<br/><br/> First American Edition in the original parts. The English parts ran from October 1846 through April 1848 and each Wiley & Putnam part was issued immediately after its English counterpart. As Wilkins observes "At the bottom of the first page of each number was printed 'The Illustrations for this Number will be given with the Next' the text probably being set in type as soon as the English number was received and printed at once without waiting for the engraving of the plates for that number so that the plates were always one number behind the text. The Phiz plates were redrawn and engraved on wood by J. W. Orr and it is remarkable how closely the spirit of the original etchings was reproduced in wood engravings." The Wiley & Putnam parts contain a total of 36 plates two in each part except for the first; not included were the four plates that accompanied the English 19/20th part because of the one-month lag in reproducing the engravings . Part I includes a title page and the final part includes the other preliminaries necessary to facilitate the binding of the parts into two volumes 38 plates are listed in these preliminary leaves: the final two were later available upon application to the publisher. Two other American publishers also issued DOMBEY in parts. Bradbury & Guild of Boston issued a very similar set of parts likewise with 36 plates running a month behind in wrappers that were exact facsimiles of the English ones. Priority between this issue and the Wiley & Putnam one is unknown as it probably was measured in hours not days. Lea & Blanchard of Philadelphia also issued parts but not as quickly: they waited for plates to be engraved so that all 40 could be included they advertised it as "the only edition which presents the plates accompanying the text to which they refer." This is A REMARKABLY FINE SET. Most of the parts are virtually flawless other than trifling wear at the very tips of the spine; Part I has a chip in its rear wrapper and Parts XV and XVII have minor wear at the spine but overall the condition of this set is amazing. The rarity of American Dickens in parts can hardly be over-emphasized; it is no exaggeration that one encounters hundreds of English sets in parts for every single American set of parts. Housed in a morocco-backed slipcase bearing the wrong date and inner chemise. Podeschi Yale A104; Wilkins p. 25. unknown books
18503315London: Bradbury & Evans 1850. First edition. Near Fine. H.K. Browne. Bound by Bayntun in full red polished calf Dickens' portrait stamped in gilt on the front board blue and green morocco spine labels all edges gilt marbled end papers. Tipped in to the first blank is an envelope signed by Charles Dickens. Internal contents are in excellent condition clean and bright. Slight wear to the outer joint of the front board still holding well. A lovely copy of one of Dickens' best and his most autobiographical novel. <br/><br/>"David Copperfield has always been among Dickens' most popular novels and was his own 'favorite child.' The work is semi-autobiographical and although the title character differed from his creator in many ways Dickens used him to relate early personal experiences that had meant much to him -- his work in a factory his schooling and his emergence from parliamentary reporting into successful novel writing" Britannica. Like many of Dickens' novels David Copperfield uses an individual tracing his widening system of relationships as he moves through life to explore the interconnectedness of humans the way race gender and class can affect their paths and the degree to which we have free-will. Near Fine. Bradbury & Evans unknown books
18381704204Richard Bentley 1838. 1st Edition. Hardcover. Very Good. Three volumes first edition first issue with "Boz" as author and "fireside" plate in Vol. 3. Rebound in handsome decorated leather binding. Repair to hinge in volume 1 volume 2 has some pages cut at the bottom not affecting text. With the bookplate of Ralph Clutton probably Rev. Ralph Clutton vicar of Horsted Keynes whose family later created a prominent real estate business still in operation today. Richard Bentley hardcover books
18544125London: Bradbury & Evans 1854. First edition. Fine. A Fine copy in original cloth with publisher's marbled edges and endpapers. Slight bit of sunning to spines but overall in beautiful unsophisticated condition. Collation and issue points conforming to Smith. Bookplates of two previous owners to front pastedowns of each. Internally clean and unmarked. Housed in a custom quarter morocco slipcase with chemise. A superior copy accompanied by an early James F. Drake description.<br/><br/>As the only book Dickens wrote specifically for children it occupies a unique place in his' oeuvre. "Dickens' intention for the book was made manifest in the dedication at the beginning of the first volume to his 'own dear children: Whom I hope it may help bye-and-bye to read with interest larger and better books on the same subject.' This makes the purpose clear. Dickens did not intend the book to supplant or rival those books by Keightley or Macaulay that preceded it. The book rather is intended by Dickens as an exciting or interesting study of the subject which will whet his children's -- and other children's -- appetites for English history and is designed to act as a springboard to discovery" Tearle. Thus while Dickens doesn't break new ground in uncovering or analyzing history he uses his novelistic abilities to make past figures feel more real more exciting and more present and to cast long-ago events as relevant to life in his own time. Fine. Bradbury & Evans unknown books
15085Famed English Victorian novelist. 2 page Autograph Letter Signed and dated Tuesday the 26th of March 1844. Writing to The London Magazine Dickens praises the poetry of contemporary writer and magazine editor Thomas Hood as well as committing to send new work to be published in the magazine. This letter was written during the same period when Dickens was writing the final installments of Martin Chuzzlewit the novel that he would ultimately call his best work.<br/><br/>From Devonshire Dickens writes in his hand in full<br/><br/>"Dear Sir<br/>It is quite unnecessary for me to say that I have a great respect for Thomas Hood and hold his genius in high estimation.<br/><br/>I cannot promise to render any but the slightest assistance with his magazine in case it should receive consequences of its late appearance this month. But if it should and if it should be within the hands of the Spottiswoodes publishing house I will certainly write something for the next number. It will necessarily be very short and will most probably refer to its starting under new and favorable circumstances. But in the case I have put I will do that much with sincere pleasure -- and would do much more if my engagements permitted."<br/><br/>He signs boldly " Charles Dickens."<br/><br/>Dickens' lengthy novels were each published as magazine serials prior to their final release in book form and this letter provides an important glimpse into how he retained these important relationships with editors while negotiating the balance between creating much-loved literary masterpieces and meeting the demands of magazine deadlines. Deeply engaged in the composition of his novel Martin Chuzzlewit which Dickens would call his best work Dickens admits to the editor his desire to submit work but his concern at missing a deadline and holding up publication of the upcoming issue. Rather than inconvenience the editor or bring about the dissatisfaction of subscribers Dickens commits to "writing something for the next issue" if the current issue is already "within the hands of the Spottiswoodes" publishing house. Given Dickens' "great respect" for the position of Thomas Hood who was both a famed writer and one of the magazine's editors he guarantees a strong piece and assures his correspondent that he is "writing under new and favorable circumstances." Such conditions could be credited to the near-completion of Martin Chuzzlewit as well as to the birth of Dickens' third son in the same year.<br/><br/>An important letter providing a glimpse into Dickens' publication and writing. With minor age related toning. In very good condition with bold clean signature. unknown books
09141London December 1855-June 1857: Bradbury and Evans. First Edition. Original Wraps. H. K. Browne. First edition in the original parts; 20 parts in 19. Bound in the original blue/green printed wrappers - ALL wrappers are correct and ALL the ads called for by Hatton & Cleaver are present. First issue of the text "Rigaud" for "Blandois" in part XV. Part XI with text UNOPENED; part XIV with Advertiser partly UNOPENED. Annotated in pencil by Dickens bibliographer Thomas Hatton on page 467 mentioning the "Rigaud" for "Blandois" error on pages 469 470 472 and 473 and the slip inserted in part XVI pointing out this error. Plates are very good to fine; tissue guards are in place; plates tanned at edges not affecting illustration are IV V IX XII XIV and XVII; light off-setting on a few plates but still very good. Title page and frontis in part XIX/XX with light spotting at edges not affecting images. Spines expertly renewed on several parts; light soiling to a few wrappers. Small corner loss to rear wrap of part XIX/XX. Internally clean and bright. An outstanding set with everything including a pedigree - it is from the famed Hatton & Cleaver collection. Armorial bookplate. Housed in a quarter-leather slipcase with chemise. Provenance: The Hatton and Cleaver collection The Heritage Bookshop Charles Parkhurst Books Inc. Hatton & Cleaver pp. 307-330. <br/><br/> Bradbury and Evans paperback books
09104London 1840-41 i. e. 4 Apr. 1840 - 2 Nov. 1841: Chapman & Hall. First Edition. Original Wraps. Quarto. First issue large octavo in sixes; the 88 weekly parts; i-viii12-306; i-vvi 12-306; i-vvi 12-426. Original printed wrappers by Cattermole 2 frontispieces 130 woodcuts and 25 initials by Browne; 1 frontispiece and 38 woodcuts by Cattermole; 1 woodcut each by S. Williams and Maclise. A very handsome set now scarce on the market. All wrappers are correct; a very good set internally clean and bright; Light soiling to front wrap of part 1 and the rear wrap of part 88. Housed in a handsome quarter leather slipcase with chemise. Overall an outstanding set in collectible condition. <br/><br/> Chapman & Hall paperback books
1837880691837. Phiz. DICKENS Charles. THE POSTHUMOUS PAPERS OF THE PICKWICK CLUB. London: Chapman and Hall 1837. First edition in book form extra illustrated and finely bound. Octavo. iii-xvi 609 pp.; lacks half-title. This special copy has a duplicate hand-colored set of the original plates by Robert Seymour and "Phiz" Hablot K. Browne 2 hand-colored plates by Robert William Buss a small set of 7 hand-colored plates by Phiz a hand-colored plate of Sam Vale the original of Sam Weller by George Cruikshank a hand-colored plate of Sam Weller by F. W. Palthorpe a hand-colored portrait of Serjeant Talfourd and portraits of Dickens Robert Seymour and Hablot K. Browne "Phiz" and "Nemo". The uncolored plates by Phiz are earlier than the colored ones; they are not titled but each is signed when called for and contains a page location number except the last sixteen which Hatton and Cleaver p. 63 claim are the earliest state of the original and duplicate plates for these illustrations and of course the frontispiece and vignette title-page. The frontispiece and vignette title-page are both "second plate" from the second version of the printing plate. There is a total of 101 plates of which 55 are colored. Handsomely bound by Bayntun in full green crushed morocco with a black leather inlaid border gilt facsimile of the author's signature on upper board inner leather dentelles marbled endpapers all edges gilt. An old bookseller's description is tipped-in at the first fly-leaf. Fine. Smith v. I 3. unknown books
183946402Philadelphia: Lea and Blanchard Successors to Carey & Co 1839. 1st US edition American Imprints 55385; Smith AMERICAN 3 p. 85 - 87. Original publisher's rose-colored quarter cloth over drab boards both volumes rebacked at some point in the past. Printed paper title labels to spine. Now housed in a handsome quarter-leather custom chemise/slipcase. Wear & soiling. Volumes a bit cocked with title labels mostly worn away. Usual foxing. Evidence of bookplate removal. Vol I with paper repair to preliminary blank and lacking rfep. Vol II with period pencil pos to ffep. Withal a Good set of this important and rare US 2 volume edition housed in a handsome Fine condition slipcase. 2 adverts first state iv 224; iv 196 16 publisher catalogue pp. 12mo. 7-3/8" x 4-5/8" <br/><br/>A rare set infrequently offered on the market. Lea and Blanchard, Successors to Carey & Co hardcover books
1893108369Two volumes in one. St. Petersburg: F. Pavlenkov Publishers 1893. Two volumes in one 4to iv 992 4 pp. printed and numbered in two columns with typographic headpiece to page one text in Russian Cyrillic script. Rebound in modern full dark-brown calf with title in gilt to backstrip. A sprinkle of minor foxing and some small scuff marks to boards; otherwise in very good bright condition. § First edition thus. An exceedingly rare translation with no complete sets noted in any library. Simon Beattie notes: “Yours item 38 comes from the first Russian collected edition 10 vols 1892-7; Fridlender & Katarskii Charl’z Dikkens bibliografiia russkikh perevodov … Moscow 1962 5. F. Pavlenkov Publishers hardcover books
1939146992N.p.: N.p. 1939. Draft script for the 1939 play. Carbon typescript on onionskin. With the name of actress May Hallatt in holograph ink on front wrapper and holograph annotations in pencil throughout. We could not verify her involvement in the 1939 production although it seems reasonable to infer from this script that the prolific stage and screen actress indeed had been possibly as stand-in for the role of Miss Havisham as many of the annotations in the script relate to that character.<br/><br/>In 1939 during a period of unemployment Alec Guinness with the aid of his wife artist playwright and actress Merula Sylvia Salaman began writing a stage adaptation of the 1861 Charles Dickens classic. Upon completion Guinness shared the manuscript with friends who decided to form an actor's cooperative the Actor's Company with the intention of putting on the production. It was also at this time September 1939 that Great Britain declared war on Germany commencing World War II.<br/><br/>The play premiered in December 1939 under the direction of George Devine at Rudolf Steiner Hall. Marius Goring performed the role of Pip with Martita Hunt as Miss Havisham Yvonne Mitchell as the young Estella Roy Emerton as Magwitch and Vera Poliakoff as the adult Estella. Guinness and Salaman sitting opposite one another on stage were the narrators as well as performing the roles of Herbert Pocket and Biddy respectively. The play received favorable reviews particularly from Sunday Times critic James Agate and did reasonably well but the strain of the war prevented it from moving to a larger theatre and the production as well as the Actor's Company went bust. <br/><br/>The following year a new production of Guinness' "Great Expectations" began but was then abandoned when Guinness refused to take part.<br/><br/>Guinness credits the play for having drawn him from the stage onto film. Upon Salaman's insistence an actress friend of hers Kay Walsh and her husband then thirty-one-year-old film editor David Lean saw the production which directly inspired Lean to take the story to the screen and make the classic 1946 film with Guinness and Hunt reviving their stage roles for the screen.<br/><br/>Brown titled wrapper. Title page present with credits for author Charles Dickens and playwright Alec Guinness. 122 leaves with last page of text numbered 34. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus some creasing and damp staining bound with ribbon. N.p. unknown books
18442101009Harper & Brothers 1844. first. wrappers. very good. First US edition. Rare in original wrappers. Closed tear at left edge of front cover to spine from bottom to middle. Pieces missing at rear cover and last two pages some wear. Item very good. Harper & Brothers unknown books
08984London: October1846 - April 1848: Bradbury and Evans. First Edition. 20 parts in 19 original printed wrappers. The present set has ALL the correct wrappers and ALL the ads called for by Hatton & Cleaver except for the scarce Letts Son & Steer ad in parts X and XI and the Gilbert's Dictionary ad in part IX. Part VIII is partly unopened. First issue of text with the word "Delight" instead of "Joy" mentioned twice on page 284 with "Capatin" in the last line of page 324 part XI and the word "if" is absent in part XIV page 426 line 9 page number is present on page 431. Part XIX/XX with first issue title page showing Captain Cuttle's hook on his left arm and with the 8 line errata. Letts Son & Steer ad in part XV with 6 diary specimens. Plates are very good to fine with light edge toning to a few. Booksellers' ticket on front wrap of part X. Spines are expertly renewed on some parts. Light soiling to wraps of some parts; faint owner name on front wrap of part XII. There are a couple of "firsts" in Dombey and Son: the plate "On the Dark Road" in part XVIII is the first of what became known as the "dark plates" - also this is the first appearance of the "horizontal plates" on which the subject is rotated 90 degrees. Altogether a superior set appealing to the eye and lacking just three ads. Housed in a handsome quarter-leather slipcase with chemise. Armorial bookplate on chemise and inside the slipcase. Hatton & Cleaver pp. 227-250. <br/><br/> Bradbury and Evans hardcover books
7611Philadelphia 1861: T. B. Peterson and Brothers. Hard Cover. Peterson's Uniform Duodecimo Edition 523 pages illustrated with 34 illustrations by John McLenan; complete in one volume. Original brown cloth binding stamped in gilt and blind. Light general foxing; cloth worn through at corners small loss at spine ends; yellow coated endpapers. One of the earliest American editions. <br/><br/> T. B. Peterson and Brothers hardcover books
1854003014London: Bradbury & Evans 1854. Dickens Charles. HARD TIMES. For These Times. London: Bradbury & Evans 1854. First Book Edition first state of the binding. A FINE copy in original publisher's light olive green moiré horizontally-ribbed cloth the front and back covers contain a two-line border and an ornamental rectangular frame both stamped in blind. Title lettered in gilt with 5/- at bottom. Facing endpapers are yellow as called for. Belfast bookseller's contemporary label to front paste-down. Collates exactly per Smith pp. 87-88. A FINE copy virtually unworn as nice as we've seen. Two exceedingly tiny nicks to the spine ends else superb. Spine and covers with a trace of fade as almost always. Inner hinges tight text block tighter. Further this copy still has sheen and gloss to the covers great eye appeal! HARD TIMES appeared in 20 numbers of "Household Words" through August 12th 1854. This copy was published on August 7th 1854. In a matching green felt-lined custom folding box. First Edition. Decorative Cloth. Fine. Bradbury & Evans Hardcover books
185268464Early Playbill Starring Charles Dickens DICKENS Charles. "Not So Bad As We Seem" Playbill. Manchester: The Amateur Company of the Guild of Literature and Art 1852. Matted framed and glazed. Playbill measures 19 x 8 3/4 inches and possibly larger under the mount. Frame measures 25 1/2 x 15 1/4 inches. Printed in black and red. With some minor creasing and a small pencil notation. Some very light offsetting and toning. Beautifully framed. Overall about fine. This playbill tells us that the Manchester staging of Not So Bad As We Seem is the twelfth performance of the charity production. Dickens Douglas Jerrold Wilkie Collins John Tenniel Mark Lemon and others appear in the cast with Dickens taking director and producer credit as well. "Free Trade Hall Manchester. On Wednesday Evening February 11th 1852 The Amateur Company Guild of Literature & Art; To encourage Life Assurance and other Provident habits among Authors and Artists; to render such assistance to both as shall never compromise their independence. Will have the honor of Performing for the Twelth Time A New Comedy in five acts by Sir Edwin Bulwer Lytton Bart. Called Not So Bad As we Seem: Or Many Sides to A Character As originally presented before her Majesty at Devonshire House." "The Performance to Conclude with for the ninth time an Original Farce in One Act by Mr. Charles Dickens and Mr. Mark Lemon entitled Mr. Nightengale's Diary. The Whole Produced under the Direction of Mr. Charles Dickens The Local Arrangements under the the superintendence of a committee of the Manchester Athenaeum." HBS 68464. $3500 The Amateur Company of the Guild of Literature and Art unknown books
1850121748London: Bradbury and Evans 1850. First edition of "the most perfect of all the Dickens novels" Virginia Woolf. Octavo bound in full morocco by Bayntun gilt titles to the spine raised bands gilt medallion portrait of Dickens on the front panel gilt signature on the back panel inner dentelles all edges gilt marbled endpapers. In fine condition. Illustrated with 38 etchings by Hablot Knight Browne. An exceptional presentation. "Charles Dickens and Hablot Knight Browne are the most celebrated author-artist team in the history of English book illustration" and Copperfield was their "most popular success" Hodnett 111-12. Bradbury and Evans hardcover books