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18439027004London: Chapman and Hall 1843. 3rd edition. Hardcover. Near fine. Bound in publisher's original red orange cloth with blind stamped covers and front cover and spine stamped in gilt. Four hand-colored plates by John Leech and four black and white wood engravings by W. J. Linton. A Christmas Carol has had an involved publishing history much to the delight of bibliographical detectives. According to John Eckel it was publishedon December 19th 1843 and sold 6000 copies on the first day. Before the end of the year eleven days later it was in the third edition with the combined number of copies of the second and third editions being estimated at only two to three thousand copies. This means that the second and third editions were at least two to three times scarcer than the first although not as complicated with the three states and trial copies that distinguished the first edition. During the haste of the early stages of production Dickens was trying to determine exactly how he wanted the book to appear and experimented with the color of end papers with red blue green and yellow eventually settling on yellow. On the title page he experimented with red green and blue eventually settling on red and blue as his preference. There were many textual errors corrected mostly in the second edition although not entirely. Binding variants were yet another issue. This copy has the title page printed in red and blue with the words "Third Edition" printed in blue. The end papers are yellow. This copy has the heading "Stave I" which was eventually changed to "Stave One." An error on page 49 line 2 was uncorrected remaining so in the third edition. It involved "and-bye ways" the hyphen being misplaced. <br/><br/> Chapman and Hall hardcover books
1843125019London: Chapman and Hall 1843-48. Complete set of Charles Dickens' Christmas Books. Octavo 5 volumes original cloth with gilt titles and tooling to the spine and front panels all edges gilt. A Christmas Carol in Prose. Being a Ghost Story of Christmas is a tenth edition with the half-title printed in blue title-page printed in red and blue verso printed in blue hand-colored etched frontispiece and three hand-colored etched plates by John Leech four wood-engravings in-text by W.J. Linton after Leech 2pp. publisher's advertisements at rear. Second edition of The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year with the half-title engraved frontispiece and pictorial vignette title page. First edition of The Cricket on the Hearth: A Fairy Tale of Home with half-title frontispiece and vignette title page second state ad leaf. First edition of the Battle of Life: A Love Story with half-title advertisements frontispiece and fourth state vignette title page. First edition of The Haunted Man and The Ghost's Bargain: A Fancy for Christmas-Time with advertisements frontispiece and vignette title page. Each volume is in near fine condition. Housed in a custom half morocco clamshell box. A very nice set. A Christmas Carol "may readily be called the Bible of Christmas It was issued about ten days before Christmas 1843 and 6000 copies were sold on the first day"Eckel 110. "It was a work written at the height of Dickens great powers which would add to his considerable fame bring a new work to the English language increase the festivities at Christmastime and contain his most eloquent protest at the condition of the poor" John Mortimer. "Suddenly conceived and written within a few weeks A Christmas Carol was the first of Dickens Christmas books a new literary genre thus created incidentally it was an extraordinary achievementthe one great Christmas myth of modern literature." Chapman and Hall hardcover books
1861170808003London: Chapman & Hall 1861. First Edition Second Impression. Hardcover. Very Good. First edition second impression. Stated "Second Edition" on all title pages. 344; 351; 344pp. Complete in three volumes. Contemporary leather with gilt ruling and lettering on spine. Bound without ads quite likely as issued. Bibliographer Walter E. Smith describes printings two through five as indistinguishable except for their title pages which may have been printed at the same time to give the impression of brisk sales. All had the same textual errors etc. Bindings edge-worn leather starting to split along spine edges hinges a bit tender gilt barely legible. Internally Very Good with some light corner creasing stray light stains and foxing. A very nice set of the classic novel. Chapman & Hall hardcover books
18361906007Carey Lea and Blanchard 1836. 1st Edition. Hardcover. Very Good. Five volumes complete. The true first edition of Dickens's first book Pickwick Club which came out as a book in the US before the first UK book edition. Like most of Dickens' novels this novel was issued in shilling installments before being published as complete volumes. All five volumes are in the first state very rare thus. We are aware of no other complete first state sets for sale on the market. Very good original condition unrestored. This is the first printing of the first published book by Dickens. Housed in a handsome custom-made collector's clamshell case with leather spine. Carey Lea and Blanchard hardcover books
18591609040London: Chapman and Hall 1859. 1st Edition. Hardcover. Very Good. Original maroon cloth covers rebacked with matching leather spine. With Illustrations by H.K. Browne. 1859. First edition second state with title-page still dated 1859 but with corrected pagination on page 213 and no signature "b" on the list of plates. Octavo. i-viiviiiix-x 12-254 pp. Sixteen inserted plates including frontispiece and vignette title by Browne 'Phiz'. From the silk manufacturing family empire of George Courtauld signed and dated 1859 by George Courtauld unclear if the father or the son on the front free endpaper and with the bookplate of son or brother Sydney Courtauld on the front pastedown. A vestige of British history. Far more desirable with the original cloth instead of the far more common complete rebinding. Housed in a custom-made collector's slipcase. London: Chapman and Hall hardcover books
1859110251London: Chapman and Hall 1859. First edition first issue of one of Dickens' most enduring works with p. 213 misnumbered "113" the signature mark "b" at the foot of the plate list and the misspelling "affetcionately" on line 12 p. 134. Octavo bound in three quarters leather over marbled boards gilt titles and tooling to the spine raised bands marbled endpapers. Sixteen plates after H.K. Browne including frontispiece and title vignette. In near fine condition. Ownership signature. The most famous and possibly the most popular of Dickens's novels A Tale of Two Cities shows a master of dramatic narrative extracting gold from the ore of history. If the bloody tableau of the French Revolution were not in itself sufficient for a dozen novels Dickens added to it a professional resurrectionist an authentic ogress and an antihero as convincingly flawed as any in modern literature. "Dickens had always admired Carlyle's History of the French Revolution and asked him to recommend suitable books from which he could research the period; in reply Carlyle sent him a 'cartload' of volumes. So great was Dickens' enthusiasm for the story that it had indeed 'taken in possession' of him. The force of the novel springs from its exploration of darkness and death but its beauty derives from Dickens' real sense of transcendence from his ability to see the sweep of destiny" Ackroyd 858. The last of Dickens' books to be illustrated by H.K. Browne "Phiz" with 16 engraved plates by him. "Browne for 23 years responsible for all the etchings which had so successfully embellished these Dickens' books produced his last drawings for the present work. Bradbury and Evans the printers of all and publishers of five of Dickens' works as issued in monthly parts had ceased to act in this dual capacity after completion of Little Dorrit. resulting in the return of Chapman and Hall as publishers of this and all succeeding works" Hatton & Cleaver 333. Chapman and Hall hardcover books
1845121293London: Chapman and Hall 1845-60. First edition early printings of all five of Charles Dickens' Christmas Books finely bound. Octavo 5 volumes bound in full calf with elaborate gilt tooling to the spine in six compartments within raised gilt bands black and green morocco spine labels lettered in gilt double gilt ruled panels gilt turn-ins and inner dentelles all edges gilt marbled endpapers. Illustrated with sixty-three engravings altogether four in color by Leech Maclise Stanfield Doyle and Landseer. In fine condition. An exceptional set. A Christmas Carol "may readily be called the Bible of Christmas It was issued about ten days before Christmas 1843 and 6000 copies were sold on the first day the number of reprintings have been so many that all attempts at the figures have been futile. Altogether 24 editions were issued in the original format" Eckel 110. "It was a work written at the height of Dickens' great powers which would add to his considerable fame bring a new work to the English language increase the festivities at Christmastime and contain his most eloquent protest at the condition of the poor" John Mortimer. "Suddenly conceived and written within a few weeks A Christmas Carol was the first of Dickens' Christmas books a new literary genre thus created incidentally it was an extraordinary achievement--the one great Christmas myth of modern literature." Chapman and Hall unknown books
09175London January 1843-July 1844: Chapman & Hall. First Edition. Original Wraps. Publisher's Presentation Copy with "With The Publisher's Compliments" stamped onto front wrapper of part IV. ALL wrappers are correct. ALL ads and slips are present as called for by Hatton & Cleaver except for the rare "Foreign Travel" slip in part VII which is known in only 6 copies. Annotated by Thomas Hatton in part VIII on the verso of plate #15 thus: "M - C / Part 8 / A" and in part XVI on the verso of plate #32 thus: "Part 16 / A " as was his custom on certain ads and plates. First issue of the text conforming in all points to Smith pp. 65 - 67. Errata is 13 lines and the British Pounds symbol follows "100." The text in parts V and part VIII is UNOPENED therefore unread. Illustrated by Hablot K. Browne. The plates in part XXVIII are lightly age-toned all others are very good to fine; tissue guards are in place. Octavo i-viiviiiixx-xiixiiixivxv-xvi 12-624. An outstanding set in every respect internally very clean and bright; minor soiling to a few wrappers; neat subscriber's name on front wrap of part XI; spines expertly renewed on most parts. Armorial bookplate on slipcase. Housed in a custom quarter-leather slipcase with chemise. Provenance: The Hatton & Cleaver collection the Heritage Bookshop Charles Parkhurst Rare Books Inc. Hatton & Cleaver pp. 185-212. <br/><br/> Chapman & Hall paperback books
18371409508Chapman and Hall London 1837. 1st Edition. Hardcover. Very Good. First edition in book form. Otavo. MDCCCXXXVII 1837 stated on the title page. With 43 illustrations by R.Seymour and Phiz London including the second state of most of the Seymour plates the Phiz replacement plates for the Buss plates with captions instead of numbers below images and mixed early states of the remaining Phiz plates all prior to Phiz's major re-engravings with the early page numbers instead of the later captions and imprints below the images including simultaneous steels of the frontispiece and vignette title. As expected in the first edition in book form the text points are in the second state showing corrections. Some wear a few small tears on pages some darkening of pages foxing. Housed in a custom-made collector's slipcase. Smith Dickens I 3. HBS 36100. Chapman and Hall, London hardcover books
190010271Var. nd circa 1900. Unique. Hardcover. Very Good. Light shelf/edge wear age toning to some leaves creases to some two bookplates at front pastedown ephemera laid in else tight bright and unmarred. Full tan leather binding two raised bands gilt lettering and decorative elements dentelles marbled endpages. 8vo. np. Illus. b/w plates. comprised of three parts see below <br/><br/>Bookplate of renowned author and librettist Harry Bache Smith. Also bears armorial bookplate of Claire Mendel noted German Consul and collector. <br />A bit of background on Lord Bateman: "An adaptation of the traditional ballad attributed to Thackeray British Library Catalogue with preface and notes by Dickens. George Cruikshank regaled a dinner of the Antiquarian Society with a rendition of the ballad. On "hearing Cruikshank mournfully intone the word's of the Turks' daughter to the imprisoned LordÂ… Dickens offered to polish it into an even more solemn absurdity. He told Cruikshank to ask his sister Fanny to take down the music and 'to be sure to mark the shades and the expression.' And although he kept his part in The Loving Ballad secret he not only wrote a burlesque introduction and notes but altered lines and substituted a new last verse." Johnson p. 260. It has also been suggested that Thackeray arranged the old ballad Dickens is thought to have contributed the 'scholarly' notes and Cruikshank provided the illustrations. <br />This volume is comprised of four parts the first is an engraving of Thackeray of unknown origin the second is Dec. 1892 Harper's Magazine article by Anne Thackeray Richie considering the history of the story's origin and arguing that her father was responsible without Dicken's contribution. The third part is 4 mss pages in Harry Bache Smith exploring his Bateman holdings and its history and noting a direct contradiction to Richie's argument. Finally and notably there are 3 4-up fo leaves which appear to be maquettes of Cruikshank's illustrations for the 1939 first edition.no other such set is known to exist. <br />An unusual and genuinely significant collection. hardcover books
18591804045Chapman 1859. 1st Edition. Hardcover. Very Good/No Jacket. A very good first edition first issue rebound in leather with all first issue points. As Hatton and Cleaver note in their bibliography A Tale of Two Cities has "practically no 'points' sufficiently outstanding to distinguish the earlier printings." However both H&C and Smith agree that copies with the misprint on page 213 corrected and lacking the signature "b" on page ix are decidedly second printings. This copy has the first issue points. Foxing all plates and some pages have been inserted. All plates and pages are present except no publisher's catalog which is not present in all copies. Housed in custom-made collector's cloth slipcase. Chapman hardcover books
09019London April 1838 - October 1839: Chapman & Hall. First Edition. Hablot K. Browne Phiz. In the original monthly parts; 20 parts in 19. From the famed Hatton & Cleaver collection and annotated by Thomas Hatton who has written in pencil on the rear wrapper of part VI: "No. 920 - clean and perfect." Additionally Mr. Hatton has written in pencil in part VI on page 192 the final page of text "CNP . TH." "CNP" meaning "clean and perfect." Original green printed wrappers - ALL wrappers are correct. FIRST ISSUE of the text with part IV having the misprint "visiter" for "sister" on page 123 line 17 and part V having the misprint "latter" for letter on page 160 line 6 up. FIRST STATE of the plates having the publisher's imprint beneath the illustrations in parts I and II and FIRST STATE of plate 29 in part XV with the long title and the signature "PHIZ" in caps a dot preceeding the letter "P" and another dot between the last two letters. Part XI has the Charles Tilt ad as cited by Hatton & Cleaver: "In many copies seen there is to be found pasted within the front wrapper a small yellow slip 4 1/2" x 3" issued by Charles Tilt Fleet Street. On one side it is headed "New books for Children/Tales of Shipwrecks & Disasters at Sea" and on verso "Unique Present" - Substantially all the ads and slips are present with the following exceptions: part II lacks the Mechi slip and two leaves of the Advertiser; part III lacks the scarce Joseph Amesbury ad; part VIII lacks only the scarce Tyas "Heads of the People" ad. All other ads are present as called for by Hatton & Cleaver. Part XIX/XX has the scarce "Hill's Seal Wafers" ad without the seals. The plates are very good to fine; tissue guards are present. Spines are expertly renewed on parts I VI and perhaps a few others. Subscriber's names or initials on front wraps of parts IX XII XIII XVI and XIX/XX. Small repair to fore-corners of part I front wrapper. Bookplate of Mortimer L. Schiff on page 1 of Advertiser of part I; armorial bookplate of Charles Parkhurst on inside of slipcase and chemise. Octavo i-viiviii-xxixii-xivxvxvi 12-624 with 39 plates by Phiz and the frontis by Maclise. The present set is exceptional in many ways: both the text and plates have the FIRST ISSUE points; it is annotated by the bibliographer Thomas Hatton and is from the Hatton & Cleaver collection; all parts are complete with the exceptions of II III and VIII as noted above. Housed in a handsome purple quarter-leather slipcase with chemise. Provenance: The Hatton & Cleaver Collection The Heritage Bookshop Charles Parkhurst Books Inc. <br/><br/> Chapman & Hall hardcover books
1843104873London: Chapman and Hall 1843-48. Complete set of Charles Dickens' Christmas Books. Octavo 5 volumes bound in the original cloth with gilt titles and tooling to the spine and front panels all edges gilt. A Christmas Carol in Prose. Being a Ghost Story of Christmas is a sixth edition with the half-title printed in blue title-page printed in red and blue verso printed in blue hand-colored etched frontispiece and three hand-colored etched plates by John Leech four wood-engravings in-text by W.J. Linton after Leech 2pp. publisher's advertisements at rear. In very good condition with a contemporary gift inscription to the verso of the front panel. First edition of The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year with the advertisement half-title engraved frontispiece and additional first state pictorial vignette title page. In near fine condition. First edition of The Cricket on the Hearth: A Fairy Tale of Home with half-title frontispiece and vignette title page with tissue guard present first state ad leaf. In near fine condition with ownership inscriptions. First edition of the Battle of Life: A Love Story with half-title advertisements frontispiece and fourth state vignette title page. In near fine condition with an autograph letter bound in and period catalogue descriptions affixed to the half-title. First edition of The Haunted Man and The Ghost's Bargain: A Fancy for Christmas-Time with advertisements frontispiece and vignette title page. A nice set. A Christmas Carol "may readily be called the Bible of Christmas It was issued about ten days before Christmas 1843 and 6000 copies were sold on the first day"Eckel 110. "It was a work written at the height of Dickens great powers which would add to his considerable fame bring a new work to the English language increase the festivities at Christmastime and contain his most eloquent protest at the condition of the poor" John Mortimer. "Suddenly conceived and written within a few weeks A Christmas Carol was the first of Dickens Christmas books a new literary genre thus created incidentally it was an extraordinary achievementthe one great Christmas myth of modern literature." Chapman and Hall hardcover books
1859118558London: Chapman and Hall 1859. First edition first issue of one of Dickens' most enduring works with p. 213 misnumbered "113" the signature mark "b" at the foot of the plate list and the misspelling "affetcionately" on line 12 p. 134. Octavo bound in full morocco gilt titles to the spine raised bands inner dentelles marbled endpapers. Sixteen plates after H.K. Browne including frontispiece and title vignette. In near fine condition. An exceptional presentation. The most famous and possibly the most popular of Dickens's novels A Tale of Two Cities shows a master of dramatic narrative extracting gold from the ore of history. If the bloody tableau of the French Revolution were not in itself sufficient for a dozen novels Dickens added to it a professional resurrectionist an authentic ogress and an antihero as convincingly flawed as any in modern literature. "Dickens had always admired Carlyle's History of the French Revolution and asked him to recommend suitable books from which he could research the period; in reply Carlyle sent him a 'cartload' of volumes. So great was Dickens' enthusiasm for the story that it had indeed 'taken in possession' of him. The force of the novel springs from its exploration of darkness and death but its beauty derives from Dickens' real sense of transcendence from his ability to see the sweep of destiny" Ackroyd 858. The last of Dickens' books to be illustrated by H.K. Browne "Phiz" with 16 engraved plates by him. "Browne for 23 years responsible for all the etchings which had so successfully embellished these Dickens' books produced his last drawings for the present work. Bradbury and Evans the printers of all and publishers of five of Dickens' works as issued in monthly parts had ceased to act in this dual capacity after completion of Little Dorrit. resulting in the return of Chapman and Hall as publishers of this and all succeeding works" Hatton & Cleaver 333. Chapman and Hall hardcover books
09051London January 1843-July 1844: Chapman & Hall. First Edition. Original Wraps. Publisher's Presentation Copy with "With The Publisher's Compliments" stamped onto front wrapper of part V. ALL wrappers are correct. Substantially all ads and slips are present as called for by Hatton & Cleaver with the following exceptions: the rare "Foreign Travel" slip in part VII which is known in only 6 copies; the "Pride of London slip in part XI and the "Temple of Fashion" slip in part XVI. Annotated by Thomas Hatton in part I on margin of the "Tea" add "M.C. I" and on margin of the "Extracts from the Britannia" ad on page 1 "M.C. I" and on page 3 "MC. at end of Pt I" - also annotated on the front wrap of the Wyld's Globes ad "M.C. I" as was his custom on certain ads. Laid in to part XI is a manuscript note by Thomas Hatton: "Martin Chuzzlewit / Part XI / 7 copies - Incomplete / Text only." First issue of the text conforming in all points to Smith pp. 65 - 67. Errata is 14 lines the 13 line errata was correct but changed to balance the format. Illustrated by Hablot K. Browne. All plates are very good to fine; tissue guards are in place. Octavo i-viiviiiixx-xiixiiixivxv-xvi 12-624. An outstanding set internally very clean and bright; minor soiling to a few wrappers; subscriber's name on front wrap of parts XIII and XV; most parts have spines expertly renewed. Armorial bookplate. Housed in a custom quarter-leather slipcase with chemise. Provenance: The Hatton & Cleaver collection the Heritage Bookshop Charles Parkhurst Rare Books Inc. Hatton & Cleaver pp. 185-212. <br/><br/> Chapman & Hall paperback books
18392259London: Chapman and Hall 1839. First edition. Very Good. Bound in the original publisher's deluxe full green morocco binding gilt titles stamped in gilt and blind yellow end papers all edges gilt. A Very Good copy with creasing and wear to the spine one short tear at the head some foxing to the plates. Armorial bookplate of Henry Gillett on the front paste-down. Bound without the half-title otherwise complete with the engraved frontis and 39 plates by Phiz.<br/><br/>Nicholas Nickleby Dickens' third novel was originally serialized in monthly parts then issued as a book in cloth. The publishers also had a small number of copies bound up in the present morocco both for presentation - a census of copies inscribed by Dickens on publication show them all to be in the green morocco binding - and for sale to the public at a higher price. This copy with most of the issue points outlined in Smith but with a few typographical errors corrected.<br/><br/>"Dickens' third novel has always been a favourite with the general public. Indeed it was the book's huge sales that enabled Dickens to give up parliamentary reporting and become a full-time writer.The theatricality of the novel attracted new and more appreciative critical attention and it demonstrates the inextricable link between public and private" Bannerjee. A satire tackling the injustices faced by both women and men within the Victorian class system that relied so heavily the social status of the patriarch the novel follows Nicholas Nickleby as he seeks to support his mother and sister after his father's death. When Nicholas' father dies after losing all of the family's money it is up to the young man to emerge as the new and more morally sound patriarch. Dashing and likable Nicholas ultimately prevails dodging shady characters along the way and securing a respectable life in Devonshire for his extended family. A favorite among Dickens' works Nicholas Nickleby has been adapted into a much-loved film. Very Good. Chapman and Hall unknown books
03743London: Richard Bentley 1838. Charles Dickens Unromantic Portrayal of Criminals and Their Sordid Lives<br/><br/>DICKENS Charles. Oliver Twist. By Charles Dickens. Author of "The Pickwick Papers" In Three Volumes. Vol. I. II. III. London: Richard Bentley 1838. <br/><br/>First edition of Dickens' second novel. The "Charles Dickens" issue with the title-page authorship credit to Charles Dickens instead of "Boz" and with the "Church" version of the final plate. First state of volume III with "pilaster" instead of "pier" or "pedestal" on page 164. Almost all the internal flaws according to Smith present. <br/><br/>Three octavo volumes 7 15/16 x 4 7/8 inches; 202 x 124 mm. Volumes I and III in twelves volume II in eights. iv 12-331 1 blank 4 advertisements; iv 12-307 1 blank; iv 12-315 1 blank pp. No half-title called for in Volume III. Twenty-four engraved plates by George Cruikshank. Small piece 3/4 x 3/8 inch torn away from upper corner of second plate in volume II repaired tear to top margin of following pages 61/62; E7. <br/><br/>Original Smith primary binding; Carter binding variant B reddish brown fine-diaper cloth front and back covers stamped in blind with an arabesque design spines ruled in blind and lettered in gilt original pale yellow coated endpapers. Some light foxing to plates as usual some light occasional marginal soiling. Spine ends and inner hinges of volume three expertly and almost invisibly repaired spines very slightly faded but gilt still bright. Armorial bookplate of Adrian Hoffman Joline on front paste-downs bookplate for volume two removed. Housed in a quarter brown morocco clamshell case. An excellent and very attractive set. <br/><br/>For this novel Dickens's first in the standard three-volume form Bentley divided the printing task between two firms: Volume I was printed in a twelvemo format by Samuel Bentley; Volume II in octavo format by Whiting; and Volume III preliminaries and signatures A-F and probably G by Whiting with the remaining text by Samuel Bentley again in twelvemo format. The three-decker publication date was 9 November 1839 and within a week at Dickens's insistence the title-pages were changed to include his name and the "Church" version of the final plate was substituted for the "Fireside" version. <br/><br/>Smith I 4. <br/><br/>Oliver Twist is the second novel by Charles Dickens and was first published as a serial 1837-39. The story is of the orphan Oliver Twist who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London where he meets the Artful Dodger a member of a gang of juvenile pickpockets led by the elderly criminal Fagin.<br/><br/>Oliver Twist is notable for its unromantic portrayal by Dickens of criminals and their sordid lives as well as for exposing the cruel treatment of the many orphans in London in the mid-19th century. <br/><br/>"My dear child' said the old gentleman moved by the warmth of Oliver's sudden appeal 'you need not be afraid of my deserting you unless you give me cause.' I never never will sir' interposed Oliver."<br/><br/>In this early example of the social novel Dickens satirizes the hypocrisies of his time including child labor the recruitment of children as criminals and the presence of street children. The novel may have been inspired by the story A Memoir of of Robert Blincoe 1832 an orphan whose account of working as a child laborer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own youthful experiences contributed as well.<br/><br/>Oliver Twist has been the subject of numerous adaptations for various media including a highly successful musical play Oliver! and the multiple Academy Award-winning 1968 motion picture which featured Mark Lester as Oliver Jack Wild as the Artful Dodger Ron Moody as Fagin and Oliver Reed as Bill Sykes. London: Richard Bentley, 1838 unknown books
1842123046Paris: L. Curmer 1842. First edition of this collection which Carteret considers to be one of the most important illustrated books of the 19th century. Octavo elaborately bound in full red morocco with elaborate gilt titles and tooling to the spine in six compartments within raised gilt bands elaborate gilt ruling and stamping to the front and rear panels gilt turn-ins and inner dentelles elaborately decorated green morocco doublures hand-stitched patterned endpapers all edges gilt with intricate botanical carvings illustrated with eleven frontispiece titles by Trimolet Charles Jacque Penguilly etc. and numerous vignettes throughout the text. In fine condition. Rare and desirable. "This collection of ten short narratives mostly Gothic or exotic from the literatures of several countries is one of the most charming books of the Romantic period" Ray. L. Curmer unknown books
08572London March 1852-September 1853: Bradbury and Evans. First Edition. H. K. Browne Phiz. First edition in the monthly parts 20 parts in 19 in the original green printed wrappers. ALL wrappers are correct. ALL the ads called for by Hatton & Cleaver are present. An outstanding set with parts VII and XII unopened and parts II and IX partly unopened. FIRST ISSUE OF THE TEXT uncorrected thus: in part I page 19 line 6 with "elgble" - part VII page 209 line 23 with "chair" - part IX page 275 line 22 with "counsinship." The plates in parts XIV and XIX/XX are lightly tanned at edges not affecting images; one plate in parts XIV XV and XVII with light off-setting from facing the dark plate; all other plates are very good to fine. Tissue guards are in place. Several spines have been expertly renewed; small loss at some spine ends. Octavo i-viiviii-xxixii-xivxvxvi 12-624. Housed in a handsome tan quarter-leather slipcase with chemise. Hatton & Cleaver pages 275-304. <br/><br/> Bradbury and Evans hardcover books
1859119569London: Chapman and Hall 1859. First edition first issue of one of Dickens' most enduring works with p. 213 misnumbered "113" the signature mark "b" at the foot of the plate list and the misspelling "affetcionately" on line 12 p. 134. Octavo bound in full morocco gilt titles to the spine raised bands inner dentelles marbled endpapers. Sixteen plates after H.K. Browne including frontispiece and title vignette. In near fine condition. A very nice example. The most famous and possibly the most popular of Dickens's novels A Tale of Two Cities shows a master of dramatic narrative extracting gold from the ore of history. If the bloody tableau of the French Revolution were not in itself sufficient for a dozen novels Dickens added to it a professional resurrectionist an authentic ogress and an antihero as convincingly flawed as any in modern literature. "Dickens had always admired Carlyle's History of the French Revolution and asked him to recommend suitable books from which he could research the period; in reply Carlyle sent him a 'cartload' of volumes. So great was Dickens' enthusiasm for the story that it had indeed 'taken in possession' of him. The force of the novel springs from its exploration of darkness and death but its beauty derives from Dickens' real sense of transcendence from his ability to see the sweep of destiny" Ackroyd 858. The last of Dickens' books to be illustrated by H.K. Browne "Phiz" with 16 engraved plates by him. "Browne for 23 years responsible for all the etchings which had so successfully embellished these Dickens' books produced his last drawings for the present work. Bradbury and Evans the printers of all and publishers of five of Dickens' works as issued in monthly parts had ceased to act in this dual capacity after completion of Little Dorrit. resulting in the return of Chapman and Hall as publishers of this and all succeeding works" Hatton & Cleaver 333. Chapman and Hall hardcover books
08238London May 1864-November 1865: Chapman & Hall. First Edition. Original Wraps. In the original monthly parts 20 parts in 19. Original green printed wrappers; ALL wrappers are correct. ALL the ads called for by Hatton & Cleaver are present except for the rare ad "The Economic Life Assurance Society" following the plates in part 14. FIRST ISSUE of the wrappers without the imprint at the foot of front wrapper of part 1. In the Advertiser of part 10 Hatton & Cleaver states "In a few copies seen p. 13 was misprinted "31." The present copy has this misprint. The plates are very good to fine; the text and wrappers are clean and bright and without repair. Part 15 with text unopened. Most spines are expertly and invisibly renewed. Our Mutual Friend has more of the Advertiser ads than any of Dickens' other works having 320 pages and 89 insets and slips in the rear of the parts. Altogether a brilliant set lacking just one rare ad and having the first issue points in the wrappers and a rare misprint in the Advertiser of part 10. This fine set is the best we are likely to find and it has a pedigree - it is from the famed Thomas Hatton & Cleaver collection. Housed in a handsome green 3/4 leather solander pull-off-top slipcase with chemise. <br/><br/> Chapman & Hall paperback books
1859TB29375London: Chapman & Hall 1859. First Edition. First Issue Professionally re-backed preserving much of the original back strip and the blind embossed red cloth covered boards with new end sheets. An octavo of 8 3/4 by 5 1/2 inches. Overall in very good plus condition with slight foxing to the engraved title pages. Page 243/244 has a 1 1/2" closed tear at the lower edge which has been repaired. The plate facing page 72 has been professionally reattached; however its extreme lower edge is soiled. The top edge of the text block is soiled. 254 pages of text followed by the publisher's Catalogue of Books 32 pages dated November 1859. With 14 plates and the frontispiece and the vignette titlepage by H. K. Browne 'Phiz'. The list of plates shows the signature letter "b" the page number error on 213 is present as is the misspelling of "affectionately" on page 134 line 12 all of which evidence this copy as a first issue. Eckel p.86 Podeschi A143; Smith 13 Chapman & Hall hardcover books
1849145501849. the Younger of Blunderstone Rookery. With Illustrations by H.K. Browne. 20 monthly serial parts in 19. London: Bradbury & Evans 1849-1850. Original pictorial light blue-green wrappers. First Edition in the original serial parts issued monthly beginning in May 1849 and ending with a double number in November 1850; the same sheets were then issued in book form using the preliminaries supplied in the last part on 14 November 1850. COPPERFIELD was Dickens's most autobiographical novel written in the first person; along with OLIVER TWIST and A CHRISTMAS CAROL it remains one of his best-loved today. This set has all the proper wrappers with the exception that the wrappers of Part II are from another Part I; also the rear wrapper of Part VIII is actually from another Part XV but the original Part VIII rear wrapper is loosely included -- torn in half and then stitched together with thread as was done 120 years ago. All 19 parts include the proper "Copperfield Advertiser" preliminary ads although four parts have one or more "Advertiser" pages missing. Of all the various terminal ads this set lacks only three: "Lett's Diaries" in VIII as is often the case "Eliza Cook" in XVIII and part of "Cundall & Addey" in XIX/XX. Four of the announcement slips following the plates are lacking. All of the 40 plates by "Phiz" are of course present though about half have some darkening around the edges. Condition is generally very good with minor wrapper edge-wear and soil; the wrappers' spines of some parts are restored at the ends with paper of similar color; in the case of the first two parts and the last double-part the entire spine is so restored. Most of the parts have the same early penciled signature at the top of the front wrapper -- a plus. COPPERFIELD was issued with fewer copies than most of Dickens's other serials of the period such as BLEAK HOUSE and LITTLE DORRIT; as Eckel wrote of COPPERFIELD almost 90 years ago "Comparatively the printing was small and the parts were much read and roughly handled so it is that fine clean and unrepaired copies are difficult to procure." This is not a fine set but it is accordingly not priced in five figures. Eckel pp 77-78; Hatton & Cleaver pp 253-272; Podeschi/Gimbel A121; Carr B220. Housed in a cloth clamshell case. unknown books
1844140941524New York: Carey & Hart 1844. First Edition. Very Good. First American edition first printing. Bound in publisher's original brown cloth with covers decorated in blind and spine stamped in gilt illustrated with four hand-colored lithograph plates and four uncolored. Very Good with lean to spine. Cloth a little mottled and rubbed edge-worn with shallow chipping at spine and some loss to joints. Former owner names to preliminary pages and two owner bookplates to front paste down. Pages toned and occasionally spotted one uncolored illustration is creased. Carey & Hart unknown books
1869267671Gads Hill Place 1869. 8 lines in blue ink on conjugate leaf of letterhead of The Times. 1 vols. 8vo. Framed double glass. About fine. 8 lines in blue ink on conjugate leaf of letterhead of The Times. 1 vols. 8vo. A Recommendation from Charles Dickens. Mowbray Morris 1819-1874 manager of The Times newspaper from 1847 to 1873 wrote Charles Dickens on 23 November 1869 thanking him for the "recommendation of Adolphus Trollope. It is an infinite comfort to a man who is charged with the difficult task of fitting holes with their appropriate pegs to have the assistance of any one so competent as you are. I think we shall give Mr. Trollope a trial ."<br/>Dickens wrote a note on the blank "My Dear Trollope I received the note on the other side from Mowbray Morris this morning and immediately post it on to you. Very affectionately yours Charles Dickens" signing with a fine flourish.<br/>Dickens had written to Morris on 20 November; Trollope did not take up the position at The Times. Published in Pilgrim Edition vol. 12 on the basis of 1935 description in T.A. Madigan catalogue unknown books