19 566 résultats
188114351London: Published by Chapman and Hall 1881. Comprising 8 pen and ink drawings by Mahoney signed with monogram M; and 1 gray wash drawing and 2 watercolor drawings by Green signed CG. 1 vols. Various sizes. Matted and bound into an oblong folio album of red morocco gilt by Rivière & Sons front hinge repaired. A few of the drawings show some minor foxing otherwise fine. Comprising 8 pen and ink drawings by Mahoney signed with monogram M; and 1 gray wash drawing and 2 watercolor drawings by Green signed CG. 1 vols. Various sizes. Cf. Podeschi H1150; H1816a Published by Chapman and Hall unknown
1862263DickensNorth2<p><strong>FROM THE LIBRARY OF CHARLES DICKENS. </strong></p><p>Two books from his library.</p><p>With two original bookplates of Charles Dickens.</p><p>Complete in two volumes.</p><p>Both volumes have Dickens' bookplates.</p><p>Some sets from Dickens' Library only have his bookplate in volume one.</p><p>Some books from the Gadshill sale don't have Dickens' actual bookplates.</p><p>This set has 2 Charles Dickens bookplates.</p><p>Protected in a custom case.</p><p><br /><br /></p><p>Provenance:</p><p>Original bookplates of Charles Dickens in both volumes.</p><p>Original bookplates from the Gadshill sale.</p><p>Provenance records from the Sotheran / Gadshill dispersal sale the Stonehouse catalogue and the Charles Dickens Junior catalogue as shown in picture 24</p><p><br /><br /><br /><br /></p><p>First Edition.</p><p>The bindings are original.</p><p>Protected in an archival custom bound leather case with folding chemise insert.</p><p><br /><br /></p><p>Bound in cloth.</p><p>These are the original Victorian bindings.</p><p>Intricately gilded bindings.</p><p><br /><br /></p><p>This set is in good condition.</p><p>The bindings are original.</p><p>Quality rag paper.</p><p>Internal hinge paper is splitting.</p><p>Generalized abrasion.</p><p>Looseness from use.</p><p>Some foxing.</p><p>Some pencil provenance dealer marks upfront.</p><p><br /><br /></p><p>The books are approximately 8 inches tall.</p><p><br /><br /></p><p>Charles Dickens's Copy with his bookplates.</p><p>Christopher North: A Memoir of John Wilson</p><p>Printed in 1862.</p><p>First Edition</p><p>Complete in Two Volumes</p><p>With Dickens's Personal Bookplates and 1870 Gadshill Library Dispersal Labels.</p><p>A superb association set from the personal library of Charles Dickens bearing both his engraved lion‑and‑cross bookplate and the original June 1870 Gadshill Place dispersal label—the very tag used when Dickens's belongings were sold shortly after his death.</p><p>First edition. Edinburgh: Edmonston & Douglas 1862. Two volumes 8vo. original blue cloth with gilt portrait bust and titling 734 pp. total. Housed in a custom slipcase with matching chemise.</p><p>A Genuine Dickens Library Book — With Both Provenance Markers Present</p><p>Each volume's front pastedown carries:</p><p>Dickens's personal bookplate: the gold lion couchant holding a Maltese cross adopted from the dormant 1625 coat of arms claimed by his father John Dickens. Though Dickens mocked social pretension in his fiction he embraced this heraldic device in his own life—using it on bookplates letterhead and household items.</p><p>The 1870 Gadshill Place sales label: "From the Library of Charles Dickens Gadshill Place June 1870." This label was created specifically for the posthumous auction of Dickens's personal effects and is one of the most authoritative indicators of authentic Dickens provenance.</p><p>Bibliographic & Historical Notes - Dickens's lion‑and‑cross emblem evolved over time as various engravers interpreted it differently. In 1840 Dickens clarified the design in a letter to cabinetmaker John Overs specifying that the lion should hold a Maltese cross not a cross patonce and even supplied a sketch. The bookplate seen here reflects that corrected form—one of the key identifiers used by bibliographers to authenticate volumes from his library.</p><p>Provenance -This exact copy appears in:</p><p>Sotheran's Price Current of Literature vols. CLXXIV 30 Nov. 1878 & CLXXV 31 Dec. 1878</p><p>J. H. Stonehouse Catalogue of the Library of Charles Dickens from Gadshill Place 1935 — Ref. S118.6c</p><p>Bibliographic Details from the catalogue -</p><p>Author: Mary Wilson Gordon</p><p>Title: Christopher North; A Memoir of Prof. John Wilson; from Family Papers etc.</p><p>Publisher: Edmonston & Douglas Edinburgh</p><p>Date: 1862</p><p>Format: Post 8vo blue cloth gilt‑stamped first edition two volumes</p><p>Illustrations: Portraits and "Hogarthian Sketches" by J. G. Lockhart and others</p><p>Original Price: 8 shillings</p><p>From Charles Dickens Jr.'s Catalogue — Ref. C016.03 location RR2</p><p>Condition - Good plus. Cloth shows edgewear; spines darkened; hinges cracked; scattered small stains. No dust jackets as issued. A handsome set in a custom slipcase with the two critical provenance markers cleanly affixed and well‑preserved.</p><p>Books from Dickens's personal library are scarce; books retaining both the engraved bookplate and the 1870 dispersal label are significantly rarer still. This set has two Dickens bookplates. This is a quintessential example—documented bibliographically traceable and carrying the unmistakable physical evidence of Dickens's ownership.</p><p><br /><br /></p><p><strong>This will be well protected for shipping. </strong></p><p><br /><br /><br /></p><p><strong>Please see my other listings for similar books. </strong></p><p><br /><br /><br /></p><p><strong>26.2 26.3</strong></p> hardcover
1838BBS-2024287Richard Bentley 1838. First Edition. Hardcover. Very Good. Three volumes complete. Originally serialized from 1837-1839 this is the first edition in book format published shortly before the close of the serial in its first state with 'Boz' at title pages and the Fireside plate at page 313 in volume three. Bound without half titles or publisher's adverts. With twenty-four engraved plates by George Cruikshank. Contemporary half leather marbled-papered boards boards scuffed scratched and moderately edgeworn; leather cracked at spines. Inner hinges of volume one very slightly cracked. Bindings sound. Pages toned foxed and with occasional staining; heavier foxing to illustration plates; prior owner's name blind-stamped near top fore-edge corner of each title page. Interiors else unmarked. Richard Bentley hardcover
1844100522Philadelphia: Carey & Hart 1844. First American edition. Title-page printed in red and blue half-title printed in blue handcolored lithographed frontispiece and 3 handcolored lithographed plates after John Leech by P. S. Duval 4 wood-engraved plates after Leech. 12mo. Publisher's rib-grain purple cloth covers blind-panelled spine gilt in close imitation of the Chapman and Hall design white endpapers plain edges; spine faded head and foot of spine and corners trifle worn; ; some very light browning to text. Contemporary signature of Mary Belknap on recto of frontispiece. First American edition. Title-page printed in red and blue half-title printed in blue handcolored lithographed frontispiece and 3 handcolored lithographed plates after John Leech by P. S. Duval 4 wood-engraved plates after Leech. 12mo. First American Edition. In this issue the frontispiece like that of the Tauchnitz edition is the plate of Marley's Ghost and Scrooge. In the gift-binding issue the frontispiece plate is "Mr. Fezziwig's Ball" as in the first London edition. Gimbel/Podeschi A80 Carey & Hart unknown books
185235585London: Bradbury & Evans 1852 1853 1854. First editions first issues. First state ads in vols. I and III and no page number on page xi in vol. I. Hardcover. Very good/No dust jacket. London: Bradbury & Evans 1852 1853 1854. 3 vols. First editions first issues. First state ads in vols. I and III and no page number on page xi in vol. I. Frontispiece by F. W. Topham in each volume. xi210 1 of ads; viii 214 1 of ads; viii 321 1 of ad pp. Hardcover. Small 8vo. Original reddish brown ribbed cloth. Marbled edges and endpapers. Volume one has a small nick at the rear heel joint. Former ownerÕs name in ink to endpaper barely discernible. Lovely copy with a small restoration to the head of the spine of volume 3. Housed in a dark green 1/4 leather slipcase. In exceptionally nice condition. Very good/No dust jacket. Multiple volumes - extra shipping charges apply Insurance required to ship this item. Bradbury & Evans hardcover books
18901403031Elliot Stock London 1890. 1st Edition. Hardcover. Very Good/No Jacket. The Christmas Carol 1890 Facsimile reproduction of the author's original manuscript. One of only 250 copies in the U.S. and 500 in the U.K. Very rare with uncut pages. Original paper boards with gilt detailing. Rubbing along the edges corners and spine ends piece of spine missing at bottom. Exceptionally clean and bright inside. Comes housed in a custom slip case. Elliot Stock, London hardcover books
18551704249Bradbury & Evans 1855. 5th or later Edition. Hardcover. Very Good. A complete set all five volumes of the Christmas books. A Christmas Carol is the 13th edition 1855 rebound with a new leather spine. The Chimes is a first edition second state. The Battle of Life the Cricket and the Haunted Man are all first editions. Very good condition housed in a custom-made collector's slipcase. Bradbury & Evans hardcover books
188114351London: Published by Chapman and Hall 1881. Comprising 8 pen and ink drawings by Mahoney signed with monogram M; and 1 gray wash drawing and 2 watercolor drawings by Green signed CG. 1 vols. Various sizes. Matted and bound into an oblong folio album of red morocco gilt by Rivière & Sons front hinge repaired. A few of the drawings show some minor foxing otherwise fine. Comprising 8 pen and ink drawings by Mahoney signed with monogram M; and 1 gray wash drawing and 2 watercolor drawings by Green signed CG. 1 vols. Various sizes. 11 Green & Mahoney Drawings for Little Dorritt. Cf. Podeschi H1150; H1816a Published by Chapman and Hall unknown books
1853331935London: bradbury & Evans 1853. First. hardcover. very good. H.K. Browne. With 40 illustrations by H.K. Browne. Handsomely bound in 20th century 3/4 brown leather over marbled boards gilt lettered spine with raised bands. London: Bradbury & Evans 1853. First Edition.<br/> <br/> First issue with all the three typographic errors. The plates are browned at the edges not affecting the images which are free from offset or foxing.<br/> <br/> bradbury & Evans unknown
184089477London: Chapman and Hall April 1840-November 1841. First Edition. First Printing. Large Octavo. 27cm. Complete in 88 parts in original wraps housed in a tailor-made leather Solinger box and bookcloth chemise. Prefaces and preliminary matter present in Parts 26 52 and 88. The vast majority in very good condition with some light soiling creasing or inoffensive wear; Part 7 has a split to the spine Part 17 has an amateur repair Parts 29 & 30 have closed tears to the rear wrap and Parts 12 3237 81 83 85 87 and 88 have visible soiling or shallow chipping to the wraps to some extent. The majority are internally clean and fresh and all pieces present conform to the requirements called for in Hatton & Cleaver "Periodical Works of Charles Dickens" P. 163. A significant number of the parts bear the signature of "H. Evans Esq." discreetly to the upper front wrap. A very good complete set of a very unusual Dickens periodical publication. <br /> <br /> From a publishing perspective a bit of a botched experiment although sales at points were astronomically higher than expected and from a bibliographical standpoint something of a curiosity. Master Humphrey was available in this format initially each weekly part being 16 pages and priced at threepence; weekly parts were then gathered by Chapman and Hall and combined into the more usual trimmed monthly parts; then three volumes of the weekly parts bound together with yellow endpapers and trimmed edges were followed by a slightly shorter three volume edition with marbled endpapers and edges. Eckel states "Of the four issues the weekly one is difficult to obtain in a clean condition and is therefore the costliest." It's possible the entire concept would have been a costly failure had it not been for the legendary popularity of Little Nell going viral in "The Old Curiosity Shop" which makes up one of the full length stories encased in Master Humphrey's Clock. The concept itself is charming and typically Dickensian; Master Humphrey is an elderly antiquarian who keeps old manuscripts in the belly of a long case clock and invites his friends and confidantes to come read them. The Old Curiosity Shop and Barnaby Rudge make up the bulk of the long form narrative accompanied by numerous short stories sketches and anecdotal digressions. <br /> There's something quite unnerving about the Victorian preoccupation with presenting everything as a communal parlour game that probably has something to do with the very things Dickens highlights; Victorian London was haves and have-nots the invited and those who had to watch the feast from the other side of the window you either conformed and joined in the games or you were outside. The cast iron social awareness of your average Victorian must have been something to behold. <br /> Complete and presentable sets of either of the parts issues are hard to come by and the tales held in Master Humphrey's Clock are probably best read in this form one slim episode after another accompanied by ads for Mechli's Leadenhall emporium. Chapman and Hall unknown
18551704249Bradbury & Evans 1855. 5th or later Edition. Hardcover. Very Good. A complete set all five volumes of the Christmas books. A Christmas Carol is the 13th edition 1855 rebound with a new leather spine. The Chimes is a first edition second state. The Battle of Life the Cricket and the Haunted Man are all first editions. Very good condition housed in a custom-made collector's slipcase. Bradbury & Evans hardcover
18397942London: Chapman and Hall 1839. First edition. Near Fine. A handsome Near Fine copy. Bound in publisher's full maroon morocco gilt all edges gilt yellow endpapers. While copies of this work in the publisher's deluxe binding usually appear in a green morocco this example is in a much scarcer maroon morocco in much the same style. Complete with the frontisportrait in the first state and thirty-nine plates. Minor rubbing to extremities. The usual spotting to plates but cleaner than is usually seen. A scarce and attractive survival in the scarce publisher's maroon morocco.<br /> <br /> "Dickens' third novel has always been a favourite with the general public. Indeed it was the book's huge sales that enabled Dickens to give up parliamentary reporting and become a full-time writer.The theatricality of the novel attracted new and more appreciative critical attention and it demonstrates the inextricable link between public and private" Bannerjee. A satire tackling the injustices faced by both women and men within the Victorian class system that relied so heavily the social status of the patriarch the novel follows Nicholas Nickleby as he seeks to support his mother and sister after his father's death. When Nicholas' father dies after losing all of the family's money it is up to the young man to emerge as the new and more morally sound patriarch. Dashing and likable Nicholas ultimately prevails dodging shady characters along the way and securing a respectable life in Devonshire for his extended family. <br /> <br /> Smith Part I: 5. Near Fine. Chapman and Hall unknown
18392259London: Chapman and Hall 1839. First edition. Very Good. Bound in the original publisher's deluxe full green morocco binding gilt titles stamped in gilt and blind yellow end papers all edges gilt. A Very Good copy with creasing and wear to the spine one short tear at the head some foxing to the plates. Armorial bookplate of Henry Gillett on the front paste-down. Bound without the half-title otherwise complete with the engraved frontis and 39 plates by Phiz.<br /> <br /> Nicholas Nickleby Dickens' third novel was originally serialized in monthly parts then issued as a book in cloth. The publishers also had a small number of copies bound up in the present morocco both for presentation - a census of copies inscribed by Dickens on publication show them all to be in the green morocco binding - and for sale to the public at a higher price. This copy with most of the issue points outlined in Smith but with a few typographical errors corrected.<br /> <br /> "Dickens' third novel has always been a favourite with the general public. Indeed it was the book's huge sales that enabled Dickens to give up parliamentary reporting and become a full-time writer.The theatricality of the novel attracted new and more appreciative critical attention and it demonstrates the inextricable link between public and private" Bannerjee. A satire tackling the injustices faced by both women and men within the Victorian class system that relied so heavily the social status of the patriarch the novel follows Nicholas Nickleby as he seeks to support his mother and sister after his father's death. When Nicholas' father dies after losing all of the family's money it is up to the young man to emerge as the new and more morally sound patriarch. Dashing and likable Nicholas ultimately prevails dodging shady characters along the way and securing a respectable life in Devonshire for his extended family. A favorite among Dickens' works Nicholas Nickleby has been adapted into a much-loved film. Very Good. Chapman and Hall unknown
18362110006Carey Lea & Blanchard 1836. first. hardcover. very good. All five volumes. Vol. I is a rare first issue vol. II is also a rare first issue "sport-/ing transactions" on title page vol. III IV and V also first editions. Vol. I is one of 1500. The US edition preceded the UK book. Books are very good; front and rear first end paper missing in vol. I all volumes have foxing and some soiling vol. I has some water damage. Carey, Lea & Blanchard unknown
1845XMASX5DICKENS<p>Complete Set of Charles Dickens's "Christmas Books" - 5 Volumes 1845-1848. Signed binding by Dickers & Sons of London circa 1900-1920s. Three quarter red leather with red cloth and matching gilt. Page edges all gilt all volumes have marbled endpapers. Each with original cover and spine bound into the back of the volume. Each with a bookplate of Sir Charles Philip Huntington 3rd Baronet. He died in 1928 so that helps with the dating.</p><p>"The Chimes: A Goblin Story or Some Bells That Rang an Old Year Out and a New Year In" Chapman & Hill 1845. Twelfth Edition. Illustrated. One scratch to spine else Fine.</p><p>"A Christmas Carol in Prose. Being a Ghost Story of Christmas" Chapman & Hall 1845. Twelfth Edition. Illustrated by John Leech in both color and black & white. Minor wear to lower portion of frontispiece else Fine.</p><p>"The Cricket on the Hearth A Fairy Tale of Home" Bradbury & Evans 1846. Sixth edition. Illustrated. Fine</p><p>"The Battle of Life A Love Story" Bradbury & Evans 1846. First edition. Illustrated. Fine.</p><p>"The Haunted Man and the Ghost's Bargain A Fancy For Christmas-Time" Bradbury & Evans 1848. First edition. Illustrated. Fine.</p> Chapman & Hill hardcover
1841156233London: Chapman and Hall 1841. First Edition; First Printing. Fine binding. All three volumes Very Good in decorative boards. Owner name on FEP bookplate on 2nd FEP of each volume. Light rubbing along panel edges. Light foxing along first few front/rear end pages of each volume. Illustrations by George Cattermole and Hablot Browne. Chapman and Hall unknown
186058159London: Chapman and Hall 1860. First edition RARE issue with 1860 title and page 213 numbered correctly. Phiz. 8vo pp. 254 Including 16 plates by Phiz Hablot K. Browne Bound in publisher's green cloth cloth spine faded with some wear at the extremities. Some toning to the engraved title pages o/w a nice clean copy. This is the first issue with the misspelling "affectionately" on page 134 line 12 but the pagination of 213 has been corrected. The list of plates does not have the signature "b". Bookplate a very good copy. See Eckel 86; Sadleir 701. "According to Jarndyce the 3rd issue has the date of 1860 on the title-page instead of 1859 and page 213 is numbered correctly. The green cloth binding is identical to the cloth of the 1859 issues." This was originally serialized in All The Year Round and issued in a book on November 21 1859. "It Was The Best Of Times It Was The Worst Of Times. It was the age of wisdom It was the age of foolishness. Chapman and Hall unknown books
1836145491836. Containing a Faithful Record of the Perambulations Perils Travels Adventures and Sporting Transactions of the Corresponding Members. Edited by "Boz." With Illustrations. 20-in-19 monthly serial parts. London: Chapman & Hall 1836-1837. Original light green pictorial wrappers. First Edition in the original 20-in-19 monthly serial parts issued from April 1836 through November 1837. This was Dickens's first novel and his first book to appear in monthly serial parts; the sketches that would become SKETCHES BY BOZ appeared first in periodicals then in two-plus-one volumes in 1836-1837 and finally once Chapman & Hall took over in serial parts in 1837-1839. PICKWICK in parts is extremely complex bibliographically mainly for two reasons both of which came to a head with the fourth part. Dickens at the time was essentially unknown even as "Boz" because all he had written were the above sketches not yet in book or serial form; in fact C&H decided to publish PICKWICK only because the great illustrator Robert Seymour was involved -- and merely engaged the unknown Dickens to write something to accompany the illustrations. Seymour provided four plates for the first part and had prepared three of four planned for the second part when he died suddenly by his own hand. C&H quickly engaged Robert Buss to take on the illustrating which he did with two plates for the third part; with the great Seymour no longer involved the publisher agreed to scale back the number of plates per part from four to two -- which also meant more writing and money for Dickens. But both Buss and C&H quickly acknowledged that Buss was not the right illustrator for PICKWICK and beginning with the fourth serial part the little-known Hablot K. Browne "Phiz" was engaged for the remainder of the book -- and for many Dickens novels thereafter. Meanwhile PICKWICK was not selling well. Only 1000 copies of the first part were produced and only about half of those sold so only 500 of the second part were produced. As C&H struggled to find an illustrator the third and fourth parts were not big sellers either perhaps dropping to only 300 copies or so. But in the fourth part the first to include "Phiz's" plates Dickens introduced the character of Sam Weller -- and the public loved him. The book's popularity soared with each subsequent part; people who had missed the early parts now wanted copies of them and people as late as 1838 wanted sets of the parts too. As a result the publisher was constantly having to print new copies of the parts especially of the first four for some of which "Phiz" designed new plates to replace the much-maligned two by Buss. Thus there are many issues of most of the parts and a "Prime Pickwick" a set with the first four parts in first state are legendarily scarce. All of that said this set is generally later-issue. Only Parts 9 10 14 15 16 17 18 and 19/20 are in first-state wrappers and only Parts 9 plus 12-through-19/20 have the preliminary "Pickwick Advertiser" ads later issues were generally published without time-sensitive ads. Part 3 has the replacement plates by "Phiz"; in general most of the plates in the second half are first-state while most in the first half are as usual second-state. Of the "Address" slips called for after the plates in seven parts this set has all but the first two -- as usual. Contact us for further details. As for general condition it is remarkably near-fine. There is very little edge-wear and only four parts 11 plus the last three appear to have deftly-repaired spines. The plates in Part 9 are slightly browned around the edges and have very minor foxing but otherwise the plates are unusually clean and sharp. A set of first-issue parts in this condition would easily bring $25000 and a "prime" set few are known to exist would be numerous multiples of that. In all the fact that just over half of the parts are later-issue reduces the price significantly for the collector who wants a good-looking PICKWICK in parts that costs less than a new car. Hatton & Cleaver pp 1-88. Housed in a cloth clamshell case. unknown books
18387416London: Richard Bentley 1838. First edition. Near Fine. Second issue with the title-page authorship credit to Charles Dickens instead of "Boz" and with the "Church" version of the final plate. First state of volume III with "pilaster" instead of "pier" or "pedestal" on page 164. Almost all the internal flaws according to Smith present. Three octavo volumes 7 15/16 x 4 7/8 inches; 202 x 124 mm. Volumes I and III in twelves volume II in eights. iv 12-331 1 blank 4 advertisements; iv 12-307 1 blank; iv 12-315 1 blank pp. No half-title called for in Volume III. Twenty-four engraved plates by George Cruikshank. Small piece 3/4 x 3/8 inch torn away from upper corner of second plate in volume II repaired tear to top margin of following pages 61/62; E7. Original Smith primary binding; Carter binding variant B reddish brown fine-diaper cloth front and back covers stamped in blind with an arabesque design spines ruled in blind and lettered in gilt original pale yellow coated endpapers. Some light foxing to plates as usual some light occasional marginal soiling. Spine ends and inner hinges of volume three expertly and almost invisibly repaired spines very slightly faded but gilt still bright. Armorial bookplate of Adrian Hoffman Joline on front paste-downs bookplate for volume two removed. Housed in a quarter brown morocco clamshell case. An excellent and very attractive set Near Fine.<br /> <br /> For this novel Dickens's first in the standard three-volume form Bentley divided the printing task between two firms: Volume I was printed in a twelvemo format by Samuel Bentley; Volume II in octavo format by Whiting; and Volume III preliminaries and signatures A-F and probably G by Whiting with the remaining text by Samuel Bentley again in twelvemo format. The three-decker publication date was 9 November 1839 and within a week at Dickens's insistence the title-pages were changed to include his name and the "Church" version of the final plate was substituted for the "Fireside" version.<br /> <br /> Oliver Twist Dickens' second novel is a dark and biting work but one that is balanced with Oliver's indefatigable innocence and charm. Often cited as the first Victorian novel to feature a child protagonist it was developed as a social commentary and a call for improving the conditions of London's destitute and orphan children. In recent scholarship critics have noted that Dickens also sought to find balance as many of his contemporaries did between Darwin's theories about human nature and those from the Christian tradition; as the characters make their way through a seemingly uncaring world they are ultimately drawn back to reward or retribution based on their individual level of goodness. The story was immensely successful both as a novel filled with memorable characters and also as a work prompting much needed reform. Today it remains high within the pantheon of Victorian literature and is a work that has been successfully adapted to both the stage and screen.<br /> <br /> Smith I 4. Near Fine. Richard Bentley unknown
18653610<p>Hardocover. Condition: Very Good. Early printing of Libary Edition with each volume dated either 1865 or 1866. Complete in 26 volumes bound in three quarter morocco over marbled boards. Illustrated Libary Edition. This set was reissued between 1861 and 1874 with illustrations. Gilt titles with tooling to the spine and six compartments within raised gilt bands. Marbled endpapers texttblock edges are marbled. Various illustrators including George Cruikshank Hablot Knight Browne Phiz and Marcus Stone. Bookplates from St. Catherine's Hall Library Cornwell Heights PA.</p><p>Vols. I and II - <em>The Pickwick Papers</em>; Vols. III and IV - <em>Nicholas Nickleby;</em> Vols. V and VI - <em>Martin Chuzzlewit</em>; Vols. VII and VIII - <em>The Old Curiosity Shop</em>; Vols. IX and X - <em>Barnaby Rudge</em>; Vol. XI - <em>Sketches by Boz</em>; Vol. XII - <em>Oliver Twist</em>; Vols. XIII and XIV - <em>Dombey and Son</em>; Vols. XV and XVI - <em>David Copperfield; </em>Vol. XVII - <em>Pictures from Italy. American Notes</em>; Vols. XVIII and XIX - <em>Bleak House</em>; Vols XX and XXI - <em>Little Dorrit</em>; Vol. XXII - <em>Christmas Books</em>; Vol. XXIII - <em>A Tale of Two Cities</em>; Vol. XIV - <em>Great Expectations</em>; and Vols. XV and XVI - <em>Our Mutual Friend</em>.</p><p>Wear to the edges tips and boards. A few volumes have short tears and/or small chips to the top of the spine. Volumes I and V have detached front boards. Internally clean with no writing observed. Pages are clean with no foxing observed.</p> Chapman and Hall hardcover
1902002277NY: Chas. Scribner's Sons 1902 1902. 36 vols. 8-1/4" x 6" all illustrations after the originals introduction and notes by Andrew Lang includes the 2 volumes of Forster's "Life Of Dickens" bound in fine 1/2 green morocco ribbed gilt decorated spines top edges gilt by Lauriat Of Boston. Internally clean and bright inner and outer hinges fine head and foot of spines fine no previous ownership markings inscriptions or bookplate spine slightly darkened otherwise A FINE SET. NY: Chas. Scribner's Sons, 1902 unknown
002315London: Chapman and Hall London: Chapman and Hall. Published in the 1860's as part of the "Charles Dickens Edition" or "Original Edition" set this is a printing of David Copperfield from the original plates 1850 in its original brown sandcloth also called "diapercloth" binding with a blindstamped rule around the edges. "David Copperfield". short swollen rule "Dickens" all caps "Illustrated Original Edition" appear on the spine in gilt. Original uncolored endpapers uniform with pages. 9" tall x 5.5" wide. This book is in an early revision state with most of the internal flaws and points listed by Smith pp. 76-77 corrected as follows: title page lists Chapman and Hall while all other references are to Bradbury & Evans in the book including the imprint at the foot of p. 624 and the imprint on iv; the errors on pp. 19 30 34 132 and 237 have been corrected. All other points are present Smith pp. 97-98. The book contains Dickens's errata sheet. This book was composed from the original edition with some errors corrected and then released by Chapman and Hall at a later date along with other matching volumes in a set called the "Original Edition" now called the "Charles Dickens Edition". This book is in very good condition. Boards are chipped top and bottom of spine; there is a small tear at the fold about 1/3 up from the bottom. The spine is lightly faded corners are bumped boards are lightly scuffed with some light foxing. All the structural components are solid. John Carter Taste & Technique in Book Collecting quoted in Smith p. ix said "many of Dickens's cloth-bound novels are hardly ever found in fine condition.Cloth cases provided for his usually ample volumes were poor quality so that the collector may find Martin Chuzzlewit and David Copperfield as difficult and Pickwick more difficult to secure in fine original cloth than in the parts." In the 1860's Dickens revised and edited his books releasing the so-called "Charles Dickens Edition" or "Original Edition" of which this is part. Oxford University Press used the Charles Dickens Edition as the authoritative version of Dickens on which to base their reprint of Dickens's works. This is an exceptional copy of David Copperfield in its original cloth unrepaired un-recased as published from Bradbury & Evans' first edition plates in the authoritative "Charles Dickens" or "Original Edition". Very good condition. Chapman and Hall hardcover
18702479London: Chapman and Hall 1870. First Edition. Fine. Bound by Cedric Chivers circa 1911 in full red crushed morocco. With the coat of arms for the city of Rocherster on the front panel and intricate details on the spine. Silk moire end papers all edges gilt extra-illustrated with 17 anonymously executed watercolors depicting localites in Rochester the inspiration for the setting of the novel and Dickens's childhood home. Four of the original watercolors are in full color. Additional hand drawn title page; portrait of Fildes and John Forster tipped in as well as a few leaves from Forster's "Life of Dickens" relating to this work. Book and binding in exceptional Fine condition. Two other extra-illustrated copies in Chivers bindings appeared in the auction record 1991 and 1995 but nothing since then. This binding likely executed at the same time c. 1911.<br/><br/>Famed for his lush bindings involving leather gilt and vellum Cedric Chivers often partnered with William Morris' Kelmscott Press. By the turn of the century his work began to be sought out for presentation and exhibition copies of literature by authors including Charles Dickens Dante Gabriel Rossetti Alfred Lord Tennyson and Charles Lamb. <br/><br/>Dickens' final novel left unfinished and published posthumously breaks with some of the author's previously established literary tendencies. Present are Dickens' emphasis on the relationship among smaller family units that create a larger social ecosystem; also present are his interests in blood versus conjugal familial duties. Yet the novel takes on an even darker tone than previous works. Drood's uncle John Jasper sits at the book's center; and his roles as an opium addict and philanderer affect all characters in orbit around him. In love with Drood's fiancee Rosa Jasper becomes the main suspect when Drood disappears under suspicious circumstances. Yet because the novel was left unfinished at the time of Dickens' death no final conclusion exists. Thus a part of the book's popularity was and continues to be derived from the ongoing mystery. "Since its publication in 1870 there have been hundreds of theories.trying to argue for how they think the story might end.the existing half of Drood spans just over 200 pages but the non-existent half has been expanded into thousands of pages presented in letters journal articles monographs novels. Dickens' book is open ended albeit unintentionally and that has meant a colossal opportunity for readers to engage with and explore the wide unknown of Drood's conclusion" Orford. Fine. Chapman and Hall unknown books
09149London: March 1852 - September 1853: Bradbury and Evans. First Ediiton. Original Wrappers. H. K. Browne. Octavo. In the original monthly parts; 20 parts in 19; original blue-green printed wrappers; illustrated with 40 plates by Phiz Hablot K. Browne. ALL wrappers are correct. ALL the ads called for by Hatton & Cleaver are present except for the scarce "Grace Aguilar's Works" ad in parts XIII and XVI and the "New Geographical and Educational Works" ad in part XIV. FIRST ISSUE OF THE TEXT uncorrected thus: in part I page 19 line 6 with "elgble" - part VII page 209 line 23 with "chair" - part IX page 275 line 22 with "counsinship." i-viiviii-xxixii-xivxvxvi 12-624. Spines expertly renewed on some parts. Light soiling to a few wrappers. Neat subscriber's name to margin of part XIX/XX. Tissue guards are in place. The plates of parts VIII IX and XII are lightly tanned at edges not affecting illustrations. Two of the ten dark plates have light off-setting onto the adjacent plate; all other plates are very good to fine. Part X is unopened therefore unread. Altogether an outstanding set and with a pedigree - it is from the famed Thomas Hatton & Cleaver collection. Housed in a handsome full leather clamshell box with expert repair to front hinge. Provenance: The Library of Jean Hersholt with his signed bookplate inside of slipcase. Hatton & Cleaver pp. 275-304. <br/><br/> Bradbury and Evans unknown books
08983London: October1846 - April 1848: Bradbury and Evans. First Edition. 20 parts in 19 original printed wrappers. The present set has ALL the correct wrappers and ALL the ads called for by Hatton & Cleaver. First issue of text with the word "Delight" instead of "Joy" mentioned twice on page 284 part IX; with "Capatin" in the last line of page 324 part XI; first state of Advertiser in part XIII with "October 1847" in unbroken type on p. 1; the word "if" omitted on page 426 line 9 page number 431 is present in part XIV; Part XIX/XX with first issue title page showing Captain Cuttle's hook on his left arm and with the 2 line errata. Part XV with 10 diary leaves in the Letts Son & Steer ad. With 40 inserted plates by Hablot K. Brown Phiz who also designed the green wrappers. Spines are expertly renewed on parts I VII XVI and perhaps a few others. Light soiling to wraps of some parts; neat owner name on front wrap of part XII. Booksellers' ticket on front wrap of several parts. Plates are very good to fine light tanning at edges of a few. There are a couple of "firsts" in Dombey and Son: the plate "On the Dark Road" in part XVIII is the first of what became known as the "dark plates" - also this is the first appearance of the "horizontal plates" on which the subject is rotated 90 degrees. Altogether an outstanding set. Housed in a turn-of-the-century solander pull-off-top slipcase 3/4 leather with chemise. Armorial bookplate on chemise and inside the slipcase. Hatton & Cleaver pp. 227-250. <br/><br/> Bradbury and Evans hardcover books