Dickens, CharlesBiblio.com
19 571 résultats
18902403204Elliot Stock 1890. facsimile. hardcover. very good. Facsimile of the handwritten script. Very good condition soiling and wear and foxing. Elliot Stock unknown
184474067New York:: Harper & Brothers 1844. First American edition; wrappers issue no priority determined. publisher's lettered pale green wrappers. The text printed in two columns is uniformly age-toned. The front wrapper is nearly detached with shallow chipping and two corners missing. Old initials in ink at the head of the front wrapper. . 8vo. Harper & Brothers, unknown
1887193697Boston : Samuel E. Cassino 1887. 1st Edition in this form. Hardback. Very good copy in the original gilt-blocked vellum-backed boards. Gilt-decorated title to front panel with a holly pattern in relief to the vellum. Some minor wear to spine with panel edges slightly dust-toned and rubbed as with age. Top edge gilt. Some scattered foxing to and plate margins. Limited edition: no. 459 of 500 copies. Remains particularly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 120 pages; Description: 120p. : 24 plates frontis. ; 28cm. Subjects: Scrooge Ebenezer Fictitious character -- Juvenile fiction -- Fiction -- English literature -- Christmas. Notes: Frontis. is a portrait of Dickens with his printed signature facing a decorative half-title page. Boston : Samuel E. Cassino hardcover
1849340345London; Louisville;Philadelphia: Bentley; Noble; Peterson 1849. Hardcover. Very Good. Sammelband. Three distinct works bound in one volume. 23.5 cm. 1. Bentley's Miscellany. Three issues: March April May 1839; pp. 219-562. With eight etched plates by George Cruikshank. 2. Edmond Dantes. A sequel to the Count of Monte-Cristo. by Edmund Flagg Louisville KY: George W. Noble 1849. 203 pp. With two wood-engraved frontispiece plates by F.J. Pilliner. 3. Ellen Wareham or Love and Duty by Miss Ellen Pickering i.e. Arabella Jane Sullivan. Philadelphia: T.B. Peterson no date; pp. 9-116 2. Lacks the title page with 2 pages of advertisements at the back. In red half morocco and marbled paper boards morocco spine label all edges specked. Good or better with moderate scattered foxing to the text pages. "Ellen Wareham" lacks the title page and has one circular dampstain to the upper half of the first eight leaves with a small tear to the first leaf; else all three works are very good and complete. Bentley's features two installments of "Oliver Twist" its first printed appearance illustrated with two plates by Cruikshank; and the first three installments of "Jack Sheppard" by Ainsworth with six plates by Cruikshank. Bound in after Bentley's three numbers are two scarce American imprints: the true first American edition of "Edmond Dantes" published in Kentucky and the first American edition of "Ellen Wareham" published in Philadelphia. (Bentley; Noble; Peterson) hardcover
185312082London: Bradbury & Evans 1853. First Edition. Hardcover. Very Good. First Edition. Hardcover. Formerly owned by Oliver Sacks unsigned. Illustrated with an engraved title page and frontispiece alongside a further 40 plates. Illustrated by Hablot Knight Browne known by his pen name "Phiz" an English illustrator who contributed his work to ten of Charles Dickens' books. The novel was first published in serial form between March 1852 and September 1853. "Writing at the height of his powers Dickens adopts a virtuoso form of double narration and the novel has since the middle of the twentieth century been widely acclaimed as his greatest work" ODNB. Of note is the inclusion of ten dark plates a new mode of illustration particularly fitting to the novel.<br /> From the library of Dr. Oliver Sacks the renowned neurologist author and educator. He was in his life celebrated for his contributions to the understanding of the human brain and his ability to communicate complex scientific concepts to a broader audience. In doing so he highlighted the profound impact of neurological disorders on human identity and experience. His library is a reflection of this remarkable polymath's questing mind. Moderate shelf wear/rubbing to extremities and bumped/chipped corners head and end cap peeling on upp.er foxing throughout discoloration/browning plates show light toning and spotting p.310-314 detached else tight bright and unmarred. Bound in three quarters maroon calf over marbled boards edges marbled gilt title on spine four raised bands. With first issue points: "elgble" on page 19 line 6; "chair" on page 209 line 23; "counsinship" on page 275 line 22. With forty engraved plates including the frontispiece and engraved title. Bound with illustrated vignette. Errata listed after list of plates on xvi. Pencil of former owner on tp. 8vo. xvi 624pp. Illus. b/w plates. Bradbury & Evans hardcover
1888B4507Boston: Dana Estes & Co. c. 1888. Volumes in very good condition plates and text clean and crisp a handsome set. . Binding: Contemporary decorative half-morocco marbled boards marbled pasted and free end papers. Spine in six compartments of raised bands. Gilt titles and gilt paneling on spine. Front and bottom edges uncut top edge gilt. Notes: 13 volumes of a 15 volume set. Illustrated Sterling Edition Edition De Luxe. Charles Dickens 1812-1870 is one of the most famous writers in the English language. This handsome set of his works includes his most famous titles. All told the set includes Great Expectations bound with Edwin Drood Dombey and Son A Child’s History of England bound with American Notes Little Dorrit Nicholas Nickleby Bleak House Christmas Books Martin Chuzzlewit Our Mutual Friend Barnaby Rudge bound with Hard Times Old Curiosity Shop bund with Reprinted Pieces Oliver Twist bound with Sketches by Boz and David Copperfield. Size: 8vo 211x138mm Illustration: Each volume illustrated with frontispiece and occasional plates. Category: Book Literature; Book Bindings Sets; Dana Estes & Co. hardcover
1848779801848. DICKENS Charles. Dombey and Son. Bound by Riviere in full polished calf double-ruled in gilt raised spine bands elaborate gilt compartments red and green morocco spine labels marbled endpapers inner gilt dentelles gilt chamfered edges A.e.g. housed in custom cloth slipcase. London: Bradbury and Evans 1848. First edition first issue. Smith 8. Eckel p.74. A fine copy. unknown
18485157London: Bradbury and Evans 1848. First edition. Fine. Very early issue with all but 3 of Smith's 'internal flaws.' Finely bound by Bayntun in full red morocco with a portrait of Dickens on the front cover and his signatures on the rear in gilt. Gilt titles and decorative spine compartments on the spine all edges gilt. Marbled end papers. Complete with the half title and vignette title the eight-line errata and 40 engraved plates including the first example of a "dark plate" facing page 547. A handsome copy in a lovely binding. <br /> <br /> Dombey and Son tackles a number of key themes that appear throughout Dickens' authorial career-concerns about family duty class position child welfare and the dangers of arranged marriages in particular. As the titular Dombey builds his shipping company he fantasizes that his son will someday take over the business and continue his legacy. But England is changing rapidly due to the effects of industrialization and its effects ripple throughout Victorian culture. One symbol of industrialization's promise and its perils is the railroad. In chapter six Dickens calls the railroad's impact a "great earthquake." Dombey and Son grapples with the effects of industrialization and the railroad is one of the novel's symbols for this momentous era. <br /> <br /> Smith 8. Fine. Bradbury and Evans unknown
185421838London: Bradbury & Evans 1854. First Edition. Octavo 19.5cm.; original green blind- and gilt-tooled cloth pale yellow glazed endpapers; viii325pp. Spine a bit cocked and toned to tan covers show some faint dampstaining minor edge wear hinges starting to crack but still holding. Very Good overall. GIMBEL A136; SMITH I 11. Bradbury & Evans unknown
1848779371848. DICKENS Charles. The Haunted Man and The Ghost's Bargain. A Fancy for Christmas Time. Original gilt-pictorial cloth A.e.g. London: Bradbury & Evans 1848. First edition. Smith II: 9. Eckel p. 124. Contemporary gift inscription on front free endpaper near fine. unknown
1850101261London 1850-1859. First edition. 19 volumes complete. 8vo. Contemporary half dark green calf and marbled boards later contrasting spine labels; rubbing and wear to extremities. Bookplate of Alfred Hircomb. Includes the first publication of Hard Times and A Child's History of England. hardcover
18892510dickens15<p><strong>The Complete Works of Charles Dickens. </strong></p><p>Complete in 15 Volumes.</p><p>Bound in leather.</p><p>These are the original Victorian bindings.</p><p>Set is not dated on the title page.</p><p>Set is late Victorian.</p><p>This set was printed between 1880 and 1889.</p><p>The dual imprint of Chicago and New York on the title page only occurred during those years. By 1892 the firm was no longer operational. This set is definitely from the late 1800s.</p><p><br /><br /></p><p>This set is in very good condition.</p><p>Leather supple.</p><p>All hinges sound.</p><p>Light generalized shelf abrasions.</p><p>This set is exceptionally well preserved.</p><p>Quality paper.</p><p>Light browning.</p><p><br /><br /></p><p>Approximately 7.5 inches tall.</p><p><br /><br /></p><p>Marbled edges and end papers.</p><p><br /><br /></p><p>The set is complete in 15 volumes with all of the works of Charles Dickens.</p><p>Bound in the original leather bindings.</p><p>The bindings are original.</p><p>Quality paper.</p><p>The paper is still strong despite the age. Some light browning but higher quality than most sets.</p><p>The paper is not fragile or brittle as is common in later Victorian printings.</p><p>The leather is supple.</p><p>The hinges are all sound and strongly attached.</p><p>Some generalized shelf wear.</p><p><br /><br /></p><p>Overall an exceptional antiquarian set of Dickens in leather.</p><p>All external hinges are sound and the leather supple.</p><p><br /><br /><br /></p><p>Complete 15 volume leather bound set of Dickens' Works. Genuine calf leather three-quarter bindings with marbled boards. With five raised hubs on the spines marbled endpapers.</p><p>This set is complete.</p><p>The complete list of titles are: Old Curiosity Shop/Humphrey's Clock Oliver Twist/American Notes/Pictures from Italy Our Mutual Friend Pickwick Papers Tale of Two Cities/Sketches by Boz Nicholas Nickleby Little Dorrit Martin Chuzzlewit Domby and Son England/Reprinted Pieces Great Expectations/The Uncommerical Traveller Christmas Stories David Copperfield Bleak House.</p><p><br /><br /><br /></p><p>This set is complete with all Charles Dickens works.</p><p>Works include:</p><p>Little Dorrit</p><p>Christmas Stories</p><p>Pictures from Italy</p><p>American Notes</p><p>A Tale of Two Cities</p><p>Hard Times</p><p>Old Curiosity Shop</p><p>Sketches</p><p>Bleak House</p><p>Martin Chuzzlewit</p><p>Nicholas Nickelby</p><p>Our Mutual Friend</p><p>Dombey and Son</p><p>Barnaby Rudge</p><p>Pickwick Papers</p><p>Edwin Drood</p><p>Uncommercial Traveler</p><p>Humphrey's Clock</p><p>Oliver Twist</p><p>Great Expectations</p><p><br /><br /><br /></p><p>In March 1879 Belfords Clarke & Co. advertised for agents in Toronto at 60 York St. By August 1879 the firm had left Toronto and had settled in Chicago. The firm failed as of January 1880 because of business dealings in Toronto. Assignments to creditors were made at that time. In March 1880 a new outfit Belford Clarke & Co. was operating as a publisher.</p><p>The firm established a New York branch which was run by Robert Belford. Financial difficulties forced the company into receivership in 1889. An agreement with creditors allowed the company to continue with the New York branch being called the Belford Company and the Chicago branch continuing as Belford Clarke & Company. It officially went out of business in 1892.</p><p><br /><br /><br /></p><p><strong>This will be well protected for shipping. </strong></p><p><br /><br /><br /></p><p><strong>Please see my other listings for similar books. </strong></p><p><br /><br /><br /></p><p><strong>25.10</strong></p>
1857779791857. DICKENS Charles. Little Dorrit. Bound by Riviere in full polished calf double-ruled in gilt raised spine bands elaborate gilt compartments red and green morocco spine labels marbled endpapers inner gilt dentelles gilt chamfered edges A.e.g. London: Bradbury and Evans 1857. First edition. Smith 1:12. Eckel p.82. A fine copy. unknown
18576660London: Bradbury and Evans 1857. First edition in book form. Very Good. Octavo 22 cm; xiv 625 pages and 40 engraved plates by H.K. Browne a.k.a. Phiz. Bound in full morocco stamped with elaborate gilt cornices on both boards spine in six compartments stamped and titled in gilt. All edges gilt. Upper hinge and upper joint expertly reinforced. Lower joint a little tender. Marginal foxing on many plates. Overall an excellent copy. <br /><br /> Bradbury and Evans hardcover
18576708London: Bradbury and Evans 1857. First edition in book form. Very Good. Octavo 22 cm; xiv 625 pages and 40 engraved plates by H.K. Browne a.k.a. Phiz. Bound in half calf over marbled boards by Adophus New Orleans. Edges and joints rather rubbed but strong. Engraved title page and frontispiece quite foxed edges of all plates disolored with occasional scattered foxing on plates. Overall a very good copy. <br /><br /> Bradbury and Evans hardcover
1840148213London: Chapman and Hall 1840-1841. First edition of this classic collection of short stories. Royal octavo 3 volumes bound in full calf by Sangorski & Sutcliffe with gilt titles and tooling to the spine in six compartments within raised gilt bands triple ruled in gilt to the front and rear panel top edges gilt marbled endpapers gilt turn-ins and inner dentelles tissue-guarded frontispiece illustrated with wood-engravings after George Cattermole & Hablot K. Browne. In near fine condition bookplate to the front pastedowns. Original cloth covers bound in at rear. Housed in a custom marbled slipcase. A very sharp example. Master Humphrey's Clock originally appeared in the form of a weekly periodical published between April of 1840 and December of 1841. Entirely written and edited by Dickens the magazine included both short stories and two novels The Old Curiosity Shop and Barnaby Rudge. Many of the short stories acted as frame stories to the novels and although Dickens' original artistic intent was to keep the short stories and the novels together he himself cancelled Master Humphrey's Clock before 1848 and described in a preface to The Old Curiosity Shop that he wished the story to not be tied down to the miscellany it began within. Most later anthologies published the short stories and the novels separately. However the short stories and the novels were published in 1840 in three bound volumes under the title Master Humphrey's Clock which retains the full and correct ordering of texts as they originally appeared. Chapman and Hall hardcover
184095116London: Chapman and Hall 1840. First edition of this collection of short stories which originally appeared as a weekly periodical of the same name. Large octavo 3 volumes bound in three quarters morocco over marbled boards gilt titles and tooling to the spine raised gilt bands top edge gilt marbled endpapers engraved frontispiece in each volume illustrated by George Cattermole and Hablot Browne. From the library of Virginia bibliophile and historian Christopher Clark Geest with his bookplate to front pastedown of each volume. Tipped in to the front and rear of each volume is an extensive collection containing pages from a number of the original Master's Humphrey's Clock serials in addition to several period reviews and article related to Dickens. In near fine condition. A unique example containing the stories in their original form. Master Humphrey's Clock originally appeared in the form of a weekly periodical published between April of 1840 and December of 1841. Entirely written and edited by Dickens the magazine included both short stories and two novels The Old Curiosity Shop and Barnaby Rudge. Many of the short stories acted as frame stories to the novels and although Dickens' original artistic intent was to keep the short stories and the novels together he himself cancelled Master Humphrey's Clock before 1848 and described in a preface to The Old Curiosity Shop that he wished the story to not be tied down to the miscellany it began within. Most later anthologies published the short stories and the novels separately. However the short stories and the novels were published in 1840 in three bound volumes under the title Master Humphrey's Clock which retains the full and correct ordering of texts as they originally appeared. Chapman and Hall hardcover
184096777London: Chapman and Hall 1840. First edition of this collection of short stories which originally appeared as a weekly periodical of the same name. Large octavo 3 volumes bound into one in three quarters morocco over marbled boards with gilt titles and tooling to the spine raised gilt bands red morocco spine label engraved frontispieces illustrated by George Cattermole and Hablot Browne. In very good condition. Master Humphrey's Clock originally appeared in the form of a weekly periodical published between April of 1840 and December of 1841. Entirely written and edited by Dickens the magazine included both short stories and two novels The Old Curiosity Shop and Barnaby Rudge. Many of the short stories acted as frame stories to the novels and although Dickens' original artistic intent was to keep the short stories and the novels together he himself cancelled Master Humphrey's Clock before 1848 and described in a preface to The Old Curiosity Shop that he wished the story to not be tied down to the miscellany it began within. Most later anthologies published the short stories and the novels separately. However the short stories and the novels were published in 1840 in three bound volumes under the title Master Humphrey's Clock which retains the full and correct ordering of texts as they originally appeared. Chapman and Hall hardcover
18405218fdLondon: Chapman and Hall 1840-1841. Three volumes bound into one with separate titles. First edition in book form. Octavo 3/4 black polished claf & cloth hardcover leather calf label. A clean tight copy with edgewear. Chapman and Hall, 1840-1841. Three volumes bound into one with separate titles. First edition in book form. hardcover
187732830Boston: James R. Osgood & Company 1877. Reprint of the extremely rare privately printed edition of 1851. 96pp. 1 vols. 24mo. Full olive-green morocco gilt cornerpieces of three-leaf clover gilt spine raised bands gilt turn-ins with floral sprays t.e.g. by WOSFORD. Fine copy. Reprint of the extremely rare privately printed edition of 1851. 96pp. 1 vols. 24mo. According to Eckel "there are only three known copies traceable" of the original edition of this little farce which Dickens wrote with Mark Lemon editor of Punch for the Guild of Literature and Art and that the pamphlet from which this reprint was made was destroyed in the Boston fire of 1879. This is an exceptionally fine copy of the reprint which is in itself becoming very scarce. Eckel pp. 165-66 James R. Osgood & Company unknown
183912034Philadelphia: Lea and Blanchard 1839. First American Edition 1st Printing. Hardcover. Near fine. Small octavo in fours 2 volumes. 224pp. 196pp. plus 16pp. of publisher's advertisements at the rear of volume II. A married set in uniform condition externally bound in the publisher's original drab boards with rose-colored muslin cloth spines and printed spine labels. Boards worn at the corners with some flaking to the spine labels rather more so on volume I. Volume I has a contemporary owner's name inked to the front paste-down and is heavily and evenly browned though reasonably crisp and sound. Volume II is slightly shaken but brighter with very little foxing. Early 20th century bookplate to the front paste-down front inner hinge notably cracked and exposed but the binder's rope holding. Overall the set in good condition. Note that the copy of volume I that originally accompanied our volume II is also included here but is in very poor condition heavily chewed at one corner. We are not considering that volume into our price though it will be included with the shipment. The rare true first American edition of this early classic by Dickens. An instant hit in England Dickens's American publisher was very eager to have a Cruikshank-illustrated edition ready for the public though these were delayed somewhat and Lea and Blanchard decided to publish this two-volume edition without illustrations. A "Publisher's Notice" opposite the title page in volume I reads as follows: "A large portion of the last part of Oliver Twist having been sent to the American publishers in manuscript they hasten to place before the public the work complete in the present form. At the same time they have to regret that the illustrations by Cruikshank were not ready to accompany the manuscript from London. On their receipt no delay will take place in laying the remainder of the illustrated edition before the public." The one-volume illustrated edition printed in two columns is often incorrectly described by dealers as the first American edition but this 2-volume edition in fact preceded it. The set being rare in commerce it's not a difficult mistake to make. Gimbel A33. American Imprints 55385. Lea and Blanchard hardcover
18391388368Philadelphia PA: Lea and Blanchard 1839. First American Edition First Printing. Hardcover. Octavo 2 Volumes. In Good minus condition. Tan cloth spines with dark brown publisher's papers and black lettering. Boards are quarter-bound in publisher's tan cloth have moderate soiling along the cloth moderate shelving wear moderate wear along the extremities moderate chipping along the extremities moderate denting along the fore corners tearing along the spine head and tail edges and along the spine of Volume 2 and stains throughout. Textblocks have heavy soiling throughout mild wear along the edges moderate age-toning throughout and stains along the edges. Textblock of Volume 1 has splitting along the hinges between the end-pages and pastedowns is water-damaged throughout above the tail edges moderate soiling on the end-pages and pastedowns and an ink inscription bleeding through the front end-page. Textblock of Volume 2 has splitting to gutter between pages 55-96 and 97-14 bending wear along the head fore corners of several pages water damage until the gutter of pages 18-front end-page and through the rear end-page to page 186 pencil marks on the front end-page and rear pastedown large black ink stains on the front pastedown and tearing along the front pastedown. <br> <br /> <br /> <br> CONTENTS: Vol. 1 "VOL. 1" 224 pages -- Vol. 2 "VOL . 2" 196 16 pages. DL consignment. Shelved Room C. This edition of "OLIVER TWIST" is bound in the publisher's original boards and is missing illustrations as called for after publication thus has not been altered since original issue. <br /> <br /> Charles Dickens was born February 7 1812 in Portsmouth England. Forced to leave school to work in a boot-blackening factory from ages 12-15 to help pay off his father's debts Dickens would take these early experiences alongside a love of reading writing and desire for fame and fortune into an immensely successful career as a novelist and journalist. <br /> <br /> "Oliver Twist" was the second novel Dickens wrote. Originally published as a serial from 1837 to 1839 in the magazine "Bentley's Miscellany". The novelization would come about first as a three-volume work under "Boz" a pseudonym Dickens used in his early works "Sketches by Boz" with origins in the mispronunciation of "Moses" as "Boses". This nickname can still be found in this first American edition "BOZ!" on the title page. <br /> <br /> "Oliver Twist" would break ground as the first Victorian era novel with a child protagonist its depictions of poverty and life as a child working in a factory and would become one of Dicken's most known stories. "Oliver Twist" was and remains a highly regarded work by critics and audiences alike. However it would come under fire in it's early printing for it's portrayal of the character of Fagin who's ethnicity is constantly referenced as "the Jew". Despite at first reacting defensively to early critiques of antisemitism Dickens would change the book so that past the first 38 chapters references to Fagin as "the Jew" were nearly nonexistent. 1388368. Special Collections. Lea and Blanchard hardcover
1846149159London: Bradbury & Evans Whitefriars 1846. First single volume edition of “the most perfect of all the Dickens novels†Virginia Woolf. Octavo bound in full polished calf by Sangorski and Sutcliffe with gilt titles and tooling to the spine in six compartments within raised gilt bands gilt turn-ins and inner dentelles marbled endpapers top edge gilt. With black and white illustrations done by George Cruikshank. In near fine condition bookplate to the front pastedown. Housed in a custom marbled slipcase. A social novel that critiques the harsh realities of poverty and injustice in Victorian England through the story of its orphaned protagonist. Born in a workhouse and subjected to cruelty and exploitation Oliver endures a series of hardships including mistreatment by the parish authorities forced involvement with a gang of criminals led by Fagin and the constant threat of corruption. The novel exposes the failures of the Poor Law and the brutal conditions faced by the underprivileged particularly children. Through a mix of realism satire and sentimentality Dickens highlights themes of social inequality crime and moral resilience. Ultimately Oliver’s journey from suffering to eventual security serves as both a compelling narrative and a powerful critique of the systemic neglect of society’s most vulnerable members. Bradbury & Evans, Whitefriars unknown
1865149951London: Chapman and Hall 1865. First edition of this classic novel that explores effects of capitalism and the arbitrary nature of social hierarchy. Octavo bound in full polished calf with gilt titles and tooling to the spine in six compartments within raised gilt bands gilt turnins and inner dentelles marbled endpapers tissue-guarded frontispiece engraved vignette titles illustrations done by Marcus Stone. In near fine condition bookplate to the front pastedown. Housed in a custom marbled slipcase. An exceptional example. Charles Dickens’ explores themes of wealth identity and social class through the inheritance of a fortune by the presumed-dead John Harmon who disguises himself to observe those around him. The novel critiques materialism and social mobility particularly through Lizzie Hexam’s struggles and Eugene Wrayburn’s moral awakening. With irony and dark humor Dickens condemns greed and class divisions while emphasizing redemption and love. Chapman and Hall unknown
1865267744London: Chapman and Hall 1865. First edition in book form. 40 engraved plates by the Dalziel Brothers or W. T. Green after illustrations by Marcus Stone without publisher's advertisements at back as frequently occurs with bound copies. 320; 309 1 pp. 1 vols. 8vo. Contemporary half crimson morocco and marbled boards. Slight wear to covers some intermittent foxing an attractive copy. Stone Marcus. First edition in book form. 40 engraved plates by the Dalziel Brothers or W. T. Green after illustrations by Marcus Stone without publisher's advertisements at back as frequently occurs with bound copies. 320; 309 1 pp. 1 vols. 8vo. Commencing with the supposed death of John Harmon who's body is found in the Thames Dickens' tale of hidden identities greed and love is underpinned by the theme of wealth and its evils. <br /> Our Mutual Friend is considered one of Dicken's most sophisticated works and first appeared in parts as it was written in 1864-65. Here we have it in book form published in the same year. Although Dickens lived until 1870 this is his last completed novel. Eckle p. 94; Smith no. 15 Chapman and Hall unknown
