259 résultats
Fine in brown cloth with gilt decoration and lettering. 9366. eng
1st edition. VG hbk in pictorial boards. ISBN 0345085638. Illustrations by Frank Dickens. 18970. eng
Mm 140x215 Collana Saggi. Volume in tela editoriale con sovraccoperta, 321 pagine, ottimo stato. Spedizione entro 24 ore dalla conferma dell'ordine.
302 pages, illustrated, index, ex public library with front endpaper removed. eng
1st paperback edition in very good condition. 302 pages, 29 colour illustrations, 68 black and white illustrations. ISBN 0140034889. 23690. eng
Small 4to, [iv],114pp., printed on large and hand-made paper, interleaved with hand-written additions and annotations (possibly the library copy?), cont. half red morocco, marbled sides, uncut, t.e.g. a nice copy. The rare privately printed library catalogue of books, chiefly first edition and with illustrations by selected artists. Includes a large section of Cruikshank, also Dickens, Phiz, Rowlandson. Wilby was a well known book collector and prominent in local affairs in Bishops Stortford. COPAC lists a single copy at the British Library.
8vo., Second Impression, on laid paper, with frontispiece (original captioned tissue guard present), 47 plates on 44, a folding plate on japon, 3 coloured Dickens wrappers in facsimile (all original tissue guards present) and double-page coloured house publication in facsimile (original tissue guard present); original black buckram, upper board blocked in blind, gilt back, uncut, fore-edge very lightly spotted else a very good, bright, crisp copy. A PRESENTATION COPY FROM JOHN LESLIE BALE WITH HIS SIGNED HOLOGRAPH INSCRIPTION ON FRONT FREE ENDPAPER. Published a month after the first edition. One of the most lavish publishing centenary histories, naturally emphasising the firm's relationships with its most notable authors including Ainsworth, Carlyle, Forster, Meredith, Trollope and, above all, Dickens. Bale was Managing Director of the fim from c.1914 to 1930 (see pp.272-4 et seq., plate facing p.272). 'The present position of the house as scientific and technical publishers owes simply everything to the vigour and judgement of Mr. Bale' (Waugh). AN IMPORTANT AND SCARCE ASSOCIATION COPY.
Red cloth covers. 92 pages.
391 pages. 8 illustrations. Wear to top/tail of spine and cover corners. Two lines of pencilled notes on front pastedown. Gutter of end pastedown cracked. Page edges greyed with dust marks.
A clean, unmarked book with a tight binding. No splicase. 240 pages. Engravings by George Cruikshank.
Dickens's world with numerous photographs and illustrations. Text in German. With various contributors including J. B. Priestley and Christopher Hibbert. Gilt title on spine and vignette of Charles Dickens in gilt on front cover. 279 pages. Fading to green cloth covers. General shelfwear to dust jacket.
8vo., Third Edition, with an engraved title-vignette, neat contemporary signature on advertisement leaf, some light spotting to text; original decorative green cloth, upper board elaborately blocked in gilt and black, gilt back, black endpapers, uncut, a very good, bright copy. With the embossed trade stamp of W H Smith on front free endpaper. The first life of Dickens, first published in 1870 barely three weeks after Dickens' death. BLPC gives the author as Henry Thomas Taverner (acknowledged in the publisher's preliminary note) but the work is also attributed to Joseph Grego and William Moy Thomas. NCBEL gives joint authorship to Taverner and Hotten himself (see NCBEL III p.828). The work includes an extensive Appendix of anecdotes and reminiscences. An attractive if slightly aged copy. This edition is apparently not listed in BLPC.
pp. 235 +Plus 10 pages of plates. 8vo. 250mm. Original publisher's beige cloth binding lettered in brown and decorated with a black and white illustration of a woman by George Alfred Williams with his monogram. Spine lettered in brown. Cover is clean and illustrations is scuffed in places. Spine mildly rubbed an faded. Corners bumped. Title page torn with some loss. Contents clean. Hardbound. Very Good. Kate Dickinson Sweetser (1870-1939) was an American author known in her time for writing juvenile fiction and compilations. She was born in New York City. Her great-grandfather, Samuel Dickinson, was one of the founders of Amherst College in Massachusetts; she was also the cousin of poet Emily Dickinson. NW60
A clean, unmarked book with a tight binding. Full purple cloth boards with pasted down illustration on the cover. Faded spine. Deckle page edges. Previous owner's name inside. 224 pages. 6 3/4"w x 9 1/2"h. Black and white illustrations.
Frontis., 9 plates, orig. printed wrappers, 211 lots.
1st edition. VG in green cloth with gilt decoration and lettering. Inscription on the front endpaper. 13129. eng
8vo., First Edition, with frontispiece and 3 plates; brown cloth, backstrip with printed paper label (chipped at edges but all lettering wholly legible), uncut, a near fine copy. EDITION LIMITED TO 275 COPIES NUMBERED AND SIGNED BY THE COMPILER. The collection comprises: Catalogue of the Library of Charles Dickens from Gadshill; Catalogue of his Pictures and Objects of Art (sold 1864); Catalogue of the Library of W.M. Thackeray (sold 1864); Relics from his Library comprising Books enriched with his characteristic Drawings.
80 pages. Features: Photo of Frank Ifield with female admirers; Alice in Bachelor Land (fiction); Holiday Separates -#2 in fashion series, with nice colour photo; The Sultan's Daughter (serial); Careers - Choosing the Job That's Right for You; Photos of Cliff Richard, Rupert (Maigret) Davies and Brian (Z-Cars) Blessed; One-page colour-photo ad for Danish bacon features Nottingham Canteen Manager Arthur Cox; Monica Dickens with a strange story from the Riviera; SOS Radio Doctors - real life casebooks of London's emergency medical service; 4-page baby week special; Edge of Darkness (fiction); Diana Day and the search for teenage beauty; One-page colour ad for Crosse & Blackwell baked beans features sexy lady in swimsuit; Many lovely ads; and more. Somewhat above-average wear. A worthy vintage copy. Magazine
Milano, Monanni, 1932, in-16, br. editoriale, pp. 308, (12). Copertina in tricromia, e 7 illustrazioni di Bisi in b.n. fuori testo. Ritratto fotografico in antiporta e bibliografia. Firma di appartenenza manoscritta al frontespizio. Ottime condizioni.
In-16 (cm. 16.80), brossura editoriale ricoperta da pergamino e decorata coi consueti fregi della Collana, pp. 67, (5), ritratto di Charles Dickens in antiporta. Testatina, e lettera iniziale istoriata. In buono stato (good copy).
Mm 210x300 Brossura editoriale di pagine 158, numerose illustrazioni in nero nel testo, sovraccoperta figurata. Prima edizione. Libro perfetto, spedizione in 24 ore dalla conferma dell'ordine.
127p., illus. Hardcover Very good condition, previous owner's name blacked out on fly
Book has covers with small stains, bumped corners, and light edgewear. Binding is solid and square, text/interior is clean and free of marking of any kind, charcoal drawings by the author. Contents includes: George Inn, where Mr. Pickwick first met Sam Weller; In Lant street, where Bob Sawyer had his lodgings, and one of his haunts -- The Ship and Shovel; Number 48 Doughty Street, where Dickens lived and where he wrote the last chapters of The Pickwick Papers; The George and Vulture, London Bridge, where Noah Claypole dogged Nancy sykes's steps the night she was murdered, etc.
8vo., First Edition, with plates; red cloth, gilt back, a near fine copy in unclipped dustwrapper. A PRESENTATION COPY FROM THE AUTHOR WITH HIS SIGNED HOLOGRAPH INSCRIPTION ON TITLE.
New English Paperback. Demy 8vo. (21 x 14 cm). In English. 184 p. The Spirit of Dickensian Style is a book that contains the analysis of certain stylisticfeatures and linguistic data of Charles Dickens's five short stories in Christmas Books (1852). The stories of Dickens were stylistically analyzed under the categories defined by Leech and Short (Style in Fiction, 1981) within four headings: grammatical analysis, lexical usage, analysis of figures of speech and of narration. As a great observer, reformist and spokesman of his age, Charles Dickens artistically combined his messages with his stylistic preferences in his masterpieces. Although 'Stylistics'is the main core of this book, the aim of The Spirit of Dickensian Style was not to arrive at totally new interpretations of Dickens's works through reducing his style to a mechanical objectivity. Rather, the aim was a literature-centered stylistic analysis to show how Charles Dickens presented his social messages related to the issues of Victorian Age.