GOLDEN COCKEREL PRESS DICKENS (Charles)Biblio.com
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42269The Golden Cockerel Press Printed for the Members of the Limited Editions Clubb 1933. 4to x 72 2pp. one of 1500 numbered copies coloured illustrs. orig. yellow buckram slight soiling to spine lettered in green uncut a very good copy. The Golden Cockerel Press, Printed for the Members of the Limited Editions Clubb, 1933 hardcover
1986201271München ; Zürich : Artemis-Verlag, 1986. 191 S., 10 cm. engl. broschiert.
3 vols., 8vo., with portrait frontispieces and illustrations in the text; first two volumes in cloth, gilt backs, dustwrapper, third volume in paperback, a near fine set. The set comprises: Vol. I: Essays, Introductions and Reviews. Edited and introduced by Pierre Coustillas with an Afterword by Alan Watts; Vol. 2: Charles Dickens. A Critical Study. Edited and introduced by Simon S. James with an Afterword by David Parker; Vol. 3: Forster's Life of Dickens. Edited and introduced by Christine DeVine with an Afterword by James A. Davies.
1977024432New Haven Connecticut: The Yale University Library Gazette 1977. HARDCOVER issue. Appears unread. Very Near Fine condition. Sharp corners. NOT a library discard. NO owner's name or bookplate. Pages are fresh crisp clean and unmarked - apparently never read. 1977. First Edition. An Exhibition of 150 Manuscripts Illustrations and First Editions of Charles Dickens to Commemorate the 150th Anniversary of His Birth in The Yale University Library Gazette. Vol 37. No 2. October 1962. 150 expertly annotated entries. Illustrated with manuscript and other facsimiles. The Gimbel collection at Yale is one of the largest and best Dickens collections. Bound in gilt-stamped red cloth with original wraps bound in. Since we have seen other copies in an identical binding it seems likely the publisher had some bound this way. . First Edition. Hardcover. Very Near Fine condition/No dust jacket as issued. Illus. by NOT a library discard. 8vo. 96pp. Great Packaging Fast Shipping. The Yale University Library Gazette Hardcover
18426710Boston: William Crosby and Company 1842. First Edition. First Edition. 12mo. 6 3/4 x 4 3/8 inches. Original beige printed wrappers with border design front cover. The first separate appearance of Dickens’ speech recorded on pp. 10 - 15. Holmes’ ‘Song’ p. 33. The dinner was sponsored the “Young Men of Boston’ a committee extending invitation to Dickens before he left England. The dinner was held in Papanti’s Hall and assisted by Oliver Wendell Holmes & Nathan Hale Jr. Present to name a few: Josiah Quincy Sr the president of Harvard Washington Allston poet & artist; George Bancroft the Historian & Richard Henry Dana Jr. Letters were read from Prescott Washington Irving William Ellery Channing Judge Story and others regretting their inability to be there. A luminous speech Dickens introduced the subject of International Copyright one of the first criticisms in a battle that was to wax on for decades. Boston publisher Mr Fields wrote shortly thereafter “Was there ever such a night before in our staid city†and he would later become a staunch friend to and publisher of the ‘Inimitable’. cf. Johnson. DICKENS pp. 374-376. Very scarce. Only 2 cc at auction in the past 25 years in the original wrappers. the last being 1998. Custom red cloth chemise with leather title label to spine. Ownership inscription. Faint tide lines to text upper margin. A very good copy with two bookplates ‘Frank Maier’ & ‘Thomas Wallace’. Price: $950.00. William Crosby and Company unknown
1991LFA-126742562Un ouvrage de 158 pages, format 195 x 250 mm, illustré, relié simili cuir sous jaquette couleurs, publié en 1991, bon état
Charles Dickens è l’autore di romanzi universalmente riconosciuti come capolavori immortali. Ma quanto del carattere e delle vite di Oliver Twist, David Copperfield, Nicholas Nickleby si riferiva alle esperienze vissute dallo scrittore? Molto più di quanto comunemente si pensi. L’autore di Canto di Natale non era certo uno Scrooge, anzi, il suo interesse per le condizioni dei più umili si manifestava in tutte le sue opere. Scrivere era per lui anche un modo per esorcizzare un’infanzia non serena. Il cinema ha compreso questo secondo livello di lettura? Le condizioni di vita e di lavoro nell’Inghilterra dell’800 sono state definitivamente superate oppure riproporle oggi ha ancora un significato? Le trasposizioni sullo schermo hanno rispettato i suoi testi? Quanto li hanno distorti o modificati, tenendo comunque sempre presente la diversità dei linguaggi? Giancarlo Zappoli affronta questa relazione tra la vita dello scrittore, le sue opere e le loro riletture cinematografiche e televisive anche con la consapevolezza che Dickens è stato un maestro della serialità narrativa e che pertanto, in alcuni casi, la lunga durata si è presentata come uno strumento versatile per offrire il giusto spazio temporale a romanzi in cui personaggi e situazioni si susseguono senza sosta. La differenza, come sempre, l’hanno fatta gli sceneggiatori, i registi e gli attori. Autori: Giancarlo Zappoli.
0483085022.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1333645805.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19101242E079London: Hodder and Stoughton 1910 Circa. Hardback. Very Good. 5.75 x 8 inches 15 x 20.5 cm. Red cloth binding. Front board decorated in gilt with three colour portraits. Very slight wear to head of spine. Light foxing to page edges title page and final page of text otherwise in very clean condition throughout. With 12 colour tipped-in plates mounted on brown card. Imaginary visits to George Eliot Charles Dickens and William Makepeace Thackeray. A scarce Edwardian children's title. Overall condition is Very Good. Size: 5.75 x 8 inches 15 x 20.5 cm. Hodder and Stoughton hardcover
2018AME_9781635497236larsen and keller 2018. 1st. Hardcover. New/New. larsen and keller hardcover
2018DBS-9781635497236larsen and keller 2018. 1st. Hardcover. New. larsen and keller hardcover
A9781635497236Hardback. New. hardcover
2018DBS-9781635497236larsen and keller 2018. 1st. Hardcover. New. larsen and keller hardcover
21129On letterhead of 263 Hampstead Road N.W. London 17 October 1866. 2pp 12mo. Bifolium. In good condition lightly aged. With Cruikshank's splendid sprawling signature. Addressed to 'C. Le Motte Esq' and beginning: 'Sir Professor Wheatstone did not lay the wire across the Thames as he proposed to do on account of the “Trawling†in that River and also finding some trouble in obtaining permission from the Lord Mayor – as “Conservator of the Thames†- In 1840 he had all the plans and apparatus ready – and in 1844 he in company with the Member for Swansea i.e. John Dillwyn Llewelyn 1810-1882 – laid down a “Submarine Telegraph†in the Bay of Swansea.' The letter ends with a brief description of the method employed 'with perfect success'. See Cruikshank's long letter in The Times 15 October 1866 describing as 'a friend of Mr. Wheatstone' 'his part in the discovery and introduction of the electric telegraph'. On letterhead of 263 Hampstead Road, N.W. [London] 17 October 1866. unknown
16810The catalogue without place or date. London 1860s. 12pp. 4to. On the twelve leaves of a ruled notebook stitched into buff wraps. Internally in good condition in heavily-worn wraps with 'G Cruikshank' in the same hand on the front cover. The entries are arranged in eight sections: 1811-1821 61 items; 'No Date' 36 items; 1826-1830 23 items; 1831-1840 51 items; 1841-1850 45 items; 1851-1861 33 items; 1862-1867 7 items; and a final section of eight items from between 1811 and 1824. The penultimate section is headed '1862 to blank' indicating that the catalogue was a work in progress and the latest items are dated 1867. The first two entries in the first section are representative: '1 Baron Munchausen at Walcheren or the renowned Barons surprising Travels Adventures Expeditions and Exploits 8vo 1811 2 Triumphs of the Sons of Belial or Liberty Vanquished folding col front 1810'. Five unnumbered items are scored through including 'Old Faces in New Masks cuts 1859' and 'The Playfair Papers or Brother Jonathan'. Laid down on the first leaf is a short newspaper cutting dated in pencil to July 1870 regarding Cruikshank's 'model of a monument of King Robert the Bruce'. Loosely inserted is a 62 x 15 cm newspaper cutting of an obituary headed 'DEATH OF GEORGE CRUIKSHANK' dated in a contemporary hand: 'Daily News. 2 Feb 1878'. A long obituary filled with interesting information. Regarding 'Oliver Twist' the author writes that 'Cruikshank in after years used to assert that he suggested to the novelist several of his characters and scenes. . Cruikshank used to say that hee drew the figures of Fagan Bill Sykes and his dog Nancy the Artful Dodger and Charley Bates before "Oliver Twist" was written and that Dickens seeing the sketches one day shortly after the commencement of his story determined to change his plot and instead of keeping Oliver in the country to bring him to town and throw him though with entire innocence into the company of thieves'. The catalogue without place or date. [London, 1860s?] paperback
18927The London Stereoscopic & Photographic Company 110 & 108 Regent Street London. 1870 . The image is 8.7 x 6.2 cm on part of printed London Stereoscopic & Photographic Company mount. In good condition lightly-aged. The lower part of the mount has been cut away and laid down over the lower part of the photograph is a 1 x 6.5 cm strip of paper carrying Cruikshank's autograph signature 'Geoe Cruikshank'. The National Portrait Gallery copy of this image is NPG Ax17862. The London Stereoscopic & Photographic Company, 110 & 108 Regent Street, London. [1870 ] unknown
26103The five ‘Comic Alphabet’ engravings from a work published in London in 1836. The four ‘Comic Almanac’ engravings among those published in London in that journal in the 1830s and 1840s. See his entry in the Oxford DNB. ONE: Five engravings from the ‘Comic Alphabet’. All about 8 x 12 cm. Uncoloured. Originally part of a long single piece of paper fan-folded. In good condition lightly aged. Two laid down on pieces of grey paper cut from an album. The five are: ‘C / Chimpanzee’ hanging from a tree branch in a circus booth observed by chimp-looking individual in top hat ‘R Racing’ two men in a sack race ‘S / Singing’ society woman playing piano for her long-necked friends ‘X / Xantippe’ woman pouring bucket of slips on seated old man in Ancient Greece ‘Z / Zoophyte’ pedlar taking knife and fork to animal hanging from branch. TWO: Four engravings from the ‘Comic Almanac’ all with facsimile signature of ‘George Cruikshank’ at bottom left. Each 13.5 x 9 cm with corners clipped. Uncoloured. Somewhat discoloured and worn. The four are: ‘Going to St. Paul’s’ the celebrated Blue Coat School procession ‘Horticultural Fate sic’ busy crowd of lower middle-class dancers between greenhouses one with umbrella ‘Lady Day - Old & New Style’ a ball with various figures in eighteenth- and nineteenth-century fashions ‘Twelfth Night’ grotesque Pickwickian party with fat women and children in drawing room. See Image. The five ‘Comic Alphabet’ engravings from a work published in London in 1836. The four ‘Comic Almanac’ engravings among unknown
7584'GEORGE BENTLEY. NEW BURLINGTON STREET Dec. 7 1871.'. 8vo 21.5 x 14 cm 4 pp. Unbound bifolium. Good on lightly aged and foxed paper. The item is well-printed paginated with two footnotes. The subject is laid out at the start: 'In the first volume of Mr. Dickens' Life just published I read an account of Mr. DICKENS' literary connexion with my father which it is impossible for me to leave without remark. The biographer therein presents my father in a character which all who knew him would repudiate as belonging to him. I should mention that on my father's death his papers coming into my possession I made overtures through a mutual friend of Mr. FORSTER and myself for the destruction of any letters that bore reference to a former disagreement between Mr. DICKENS and my father. . My application to Mr. FORSTER was without result and Mr. FORSTER professed not to understand the meaning of the application itself.' Describes the 'succession of agreements' between Dickens and Bentley 'every one of which was more in favour of Mr. DICKENS than the last - a conclusive proof at whose instigation they had been changed'. Scarce: the only copy on COPAC at the British Library. This copy from the Bentley family archive. 'GEORGE BENTLEY. | NEW BURLINGTON STREET, | Dec. 7, 1871.' unknown
26789'GEORGE BENTLEY. NEW BURLINGTON STREET Dec. 7 1871.'. 8vo 21.5 x 14 cm 4 pp. Unbound bifolium. Good on lightly aged and foxed paper. The item is well-printed paginated with two footnotes. The subject is laid out at the start: 'In the first volume of Mr. Dickens' Life just published I read an account of Mr. DICKENS' literary connexion with my father which it is impossible for me to leave without remark. The biographer therein presents my father in a character which all who knew him would repudiate as belonging to him. I should mention that on my father's death his papers coming into my possession I made overtures through a mutual friend of Mr. FORSTER and myself for the destruction of any letters that bore reference to a former disagreement between Mr. DICKENS and my father. . My application to Mr. FORSTER was without result and Mr. FORSTER professed not to understand the meaning of the application itself.' Describes the 'succession of agreements' between Dickens and Bentley 'every one of which was more in favour of Mr. DICKENS than the last - a conclusive proof at whose instigation they had been changed'. Scarce: the only copy on COPAC at the British Library. This copy from the Bentley family archive. 'GEORGE BENTLEY. | NEW BURLINGTON STREET, | Dec. 7, 1871.' unknown
201233194München, C. H. Beck, 2012. 375 S. Mit 70 Abbildungen. 8°. Orig.-Leinen mit Orig.-Umschlag (Umschlag etwas angerändert).
66383Edition Gemini. 2014 63S. Illustriert. Leinen. Einmalige Ausgabe von 75 nummerierten Exemplaren. Dieser Band ist Exemplar Nr. 27. Sehr gut erhalten. Edition Gemini unknown
2018BIBSD0053823482018. Full Leather Bound. NEW. Size: 14.60 x 22.86 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1907 and this unique edition is Reprinted in 2018 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - English Pages 447. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
IN 4°, XVI-271-(3) PP., MOLTE ILL. A COL. E B.N. N.T., LEG. IN T. TELA EDIT., SOVR. ILL. A COL., NUOVO (M/M). FL 730
In-8 (cm. 30.30), tela editoriale, sovracoperta editoriale illustrata, pp. XVI, 271, (1), con illustrazioni in bianco e nero e a colori nel testo. In buono stato (good copy).
