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0817370056.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2010Q-0817370056University Alabama Press 2010-10-15. Paperback. New. New. In shrink wrap. Looks like an interesting title! University Alabama Press paperback
2010SONG0817370056University Alabama Press 2010-10-15. First Edition First. paperback. Used: Good. 6.00x0.50x9.00. Buy with confidence. Excellent Customer Service & Return policy. University Alabama Press paperback
61850814University of Alabama Press pp. 152 4th Edition . Papeback. New. University of Alabama Press unknown
196789614Theatre Services Co. Inc 1967. Presumed First Edition First printing. Wraps. Good. The format is approximately 8.875 by 12 inches. Unpaginated 16 pages plus covers. Illustrated covers. Inscribed by the author on the front cover. The inscription reads To David--from--"back when" Pat Boone. Patrick Charles Eugene Boone born June 1 1934 is an American singer songwriter actor author television personality radio host and philanthropist. He has sold nearly 50 million records and had 38 Top 40 hits and has acted in many films. Boone rivaled Elvis Presley's popularity in the 1950s and is ranked by Billboard as one of the biggest charting artists in the period 1955–1995. Boone spent 220 consecutive weeks on the Billboard charts with one or more songs each week. Through the 1960s Boone was one of the most popular entertainers in the United States becoming a teen idol as an alternative to rock and roll as singer writer actor and motivational speaker. In 1957 Boone commenced an ABC variety television series The Pat Boone Chevy Showroom which aired 115 episodes 1957–1960. Stars including Nat King Cole Edie Adams Andy Williams Pearl Bailey and Johnny Mathis made appearances. His cover versions of rhythm and blues hits had a noticeable effect on the development of the broad popularity of rock and roll. Elvis Presley opened for Boone in Cleveland in 1955 and the two later became close friends. As an author Boone had a number-one bestseller in the 1950s 'Twixt Twelve and Twenty. He became a member of the Gospel Music Hall of Fame. He continues to perform and speak as a motivational speaker a television personality and a political commentator. Boone began his career by performing in Nashville's Centennial Park. He began recording in April 1953 for Republic Records not to be confused with the current label with that name and by 1955 for Dot Records. His 1955 version of Fats Domino's "Ain't That a Shame" was a hit. This set the stage for the early part of Boone's career which focused on covering R&B songs by black artists for a white American market. Randy Wood the owner of Dot issued an R&B single by the Griffin Brothers in 1951 called "Tra La La-a" — a different song from the later LaVern Baker song of the same name — and was keen to put out another after the original failed. This became the B-side of the first Boone single "Two Hearts Two Kisses" originally by the Charms. A number-one single in 1956 by Boone was a cover of "I Almost Lost My Mind" by Ivory Joe Hunter which was previously covered by Nat King Cole. According to an opinion poll of high-school students in 1957 Boone was nearly the "two-to-one favorite over Elvis Presley among boys and preferred almost three-to-one by girls ." During the late 1950s he made regular appearances on ABC-TV's Ozark Jubilee hosted by his father-in-law. He cultivated a safe wholesome advertiser-friendly image that won him a long-term product endorsement contract from General Motors in the late 1950s. He succeeded Dinah Shore singing the praises of the GM product: "See the USA in your Chevrolet . drive your Chevrolet through the USA America's the greatest land of all!" GM also sponsored The Pat Boone Chevy Showroom. Many of Boone's hits were covers from Black artists. Along with "Ain't That a Shame" were "Tutti Frutti" and "Long Tall Sally" by Little Richard "At My Front Door Crazy Little Mama" by The El Dorados and the blues ballads "I Almost Lost My Mind" by Ivory Joe Hunter "I'll be Home" by the Flamingos and "Don't Forbid Me" by Charles Singleton. Boone is known as an example of whitewashing by taking songs by Black artists and sanitizing them to make them more palatable to a white audience which denied exposure to the Black artists. Boone also wrote lyrics for the instrumental theme song for the movie Exodus which he titled "This Land Is Mine". Ernest Gold composed the music. As a conservative Christian Boone declined songs or movie roles if they compromised his beliefs including a film with Marilyn Monroe. In one of his first films April Love the director Henry Levin wanted him to kiss co-star Shirley Jones. Since this would be his first onscreen kiss Boone cleared it with his wife before playing the scene.21 He had his own film production company Cooga Mooga Productions. He was a regular on Arthur Godfrey and His Friends from 1955 until 1957 and later hosted The Pat Boone Chevy Showroom on Thursday evenings. In 1959 his likeness was licensed to DC Comics first appearing in Superman's Girl Friend Lois Lane No. 9 May 1959 before starring in his own series from the publisher which lasted five issues from September 1959 to May 1960. In the 1960s he began a series of self-help books for adolescents including 'Twixt Twelve and Twenty. The British Invasion ended Boone's career as a hitmaker though he continued recording throughout the 1960s. In the 1970s he switched to gospel and country; he also continued performing in other media. In the 1960s and 1970s the Boone family toured as gospel singers. The family made gospel albums such as The Pat Boone Family. Theatre Services Co., Inc paperback
68-8813Paris France: Theatre Sarah Bernhardt 1900. Theatre Program Stapled Wraps. 12 pp. 18 x 12 cm. Good with small tears along bottom edge minor staining. Scarce. Paris, France: Theatre Sarah Bernhardt , [1900]. paperback
68-6422Paris France: Imprimerie Robert 1905. Program. 8vo. Stapled Wraps 16 pp. B&W Photographs cover in color. Good with minor tears. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Imprimerie Robert, [1905]. paperback
68-6414Paris France: Theatre Sarah-Bernhardt 1921. Program. Folded Card 4 pp. 13.7 x 10.7 cm. Very Good. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre Sarah-Bernhardt, 1921. unknown
68-6418Fort Wayne Indiana: Theatre Sarah-Bernhardt 1906. Program. 8vo. Stapled Wraps 8 pp. B&W Photograph on cover. Good with minor splitting along spine.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Fort Wayne, Indiana: Theatre Sarah-Bernhardt, 1906. paperback
68-6419Paris France: L'Edition Artistique 1922. Program. 12mo. Stapled Wraps 16 pp. B&W Photographs cover in color. Good with minor tears. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: L'Edition Artistique, 1922. paperback
60933Designed and printed by : W. V. Cole & Sons Exeter. 1948. Small 4to. pp. 20. Many photographs. Coloured pictorial wrappers staples rusted a little wear to the ends of the back-strip top corners slightly creased else a very good copy. COPAC unrecorded. Designed and printed by : W. V. Cole & Sons, Exeter. 1948. Small 4to. unknown
68-8876Nottingham UK: Theatre Royal ca. 1950. Theatre Poster Broadside. 37.5 x 25 cm. Good with marginal tears.Scarce. Nottingham, UK: Theatre Royal, [ca. 1950]. unknown
19581002675Theatre Royal Drury Lane 1958. FEEL FREE TO E-MAIL FOR PHOTOGRAPHS AND FURTHER DETAILS. FROM A DEALER WHO TELLS YOU WHO THEY ARE AND WHAT THEIR TELEPHONE AND ADDRESS CONTACT DETAILS ARE! POSTED FULLY INSURED AT OUR STANDARD RATES UK ONLY . Not Signed or Inscribed. Booklet. Very Good AVERAGE/No Jacket. Illus. by Illustrated with Black & White Photographs. 8vo - over 7¾" - 9¾". Programme. Theatre Royal, Drury Lane Paperback
68-8874Birmingham UK: Theatre Royal 1948. Theatre Poster Broadside. 36 x 25 cm. Good with marginal tears.Scarce. Birmingham, UK: Theatre Royal, 1948. unknown
59-3286London: Theatre Royal Drury Lane ca. 1931. Theatre program for a performance of "Land of Smiles" musical that debuted at the Drury Lane in 1931. Music by Franz Lehar book by Ludwig Herzer and Fritz Lohner. Program not dated but appears to be contemporary. Photos of leads Richard Tauber and Renee Bullard other cast members. Interesting advertisements including many for recordings of songs from musical. 8vo. 5-1/2 x 8-1/2 inches. In stapled wraps. Lower right corner bent otherwise Very Good. London: Theatre Royal Drury Lane, [ca. 1931]. paperback
18571037W. S. Johnson St Martin's Lane Charing Cross 1857. No Binding. Good. Single leaf double width broadside 508 x 502mm. Vertical and horizontal folds significant losses to bottom corners including a small amount of text. Both creased and marked. Late career performance by noted English actor T. P. Cooke six years before his death. Here reprising his most successful role of William in Black-Eyed Susan other notable performances included Frankenstien's Monster in Presumption or The Fate of Frankenstein; Lord Ruthven in The Vampire. 1857 <br/> <br/> W. S. Johnson, St Martin's Lane, Charing Cross unknown
24585Undated but shortly after the death of Ivor Novello on 6 March 1951. BBC Radio London. From the Macqueen-Pope papers. His entry in the Oxford DNB describes how in the 1950s he was ‘in demand as a lecturer on the theatrical subjects he loved and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment and television in particular as representing a serious threat to the survival of theatre about which he cared passionately’. The present item relates to the theatre with which he was most closely connected serving for more than two decades 1935-1956 as press agent there and even acting as its Air Raid Warden during the Second World War. His book on the place had appeared in 1945. 4pp 4to. On four leaves of discoloured and heavily-creased cartridge paper. At top left of first page: ‘2nd Broadcast’. Title: ‘Theatre Songs and Stories / by / W. Macqueen-Pope / No. 2. Theatre Royal Drury Lane. / Signature Tune ‘Ma Belle’. Traces the history of music at the theatre from its foundation in 1663 with reference to Nell Gwynne and Pepys Garrick’s ‘Heart of Oak’ and Arne’s ‘Rule Britannia’ to Ivor Novello whose ‘recent tragic death saddened the whole country’. MP who would produce a biography of his friend Novello at the end of 1951 adds in the final paragraph: ‘And indeed Ivor Novello’s life who wrote and composed that song did indeed belong to us. He dedicated it to the public and to the Theatre - and he loved and revered no Theatre more than Drury Lane for which he did such yeoman service. He has gone but Drury Lane goes on - musically too. “Oklahoma†broke every record it ever made and “Carousel†still runs gaily after a whole year of service.’ Undated, but shortly after the death of Ivor Novello on 6 March 1951. [BBC Radio, London.] unknown
22015Theatre Royal Williamson Square Liverpool. 20 September 1800. 1p 4to. Bifolium. In fair condition lightly aged and worn and folded several times. The main text reads: 'Gentn By inserting the following correct last word underlined Statement of Benefits at the Liverpool Theatre this season in your next Mirror you'll particularly oblige your most obt. Servt. Edwd. Murray'. Beneath this is a list of the names of 15 individuals with the amount of money made by each one's benefit coming to a total of £2665. The list begins with 'Miss Murray £263' and ends with 'Mr Simmons 101'. The penultimate entry is for 'Mr Wild Prompter 103'. It also includes 'Miss Millan 261' and 'Mr Mattocks 157'. [Theatre Royal, Williamson Square] Liverpool. 20 September 1800. unknown
192134215London: Various 1921. First Edition. Very good Plus. First Edition. Printed playbills on thin paper each approximately 8½ × 13 inches. One printed in red and black The Coronation the other in black only. Both on fragile period paper with light age toning small edge chips and minor creases; overall in relatively good condition for their age being over 200 years old.<br /> <br /> An appealing pair of original early nineteenth-century London theatre playbills:<br /> <br /> Theatre Royal Covent Garden - December 20 1823<br /> Featuring the evening's performances of Lord of the Manor The Irish Tutor and Cent. per Cent. Printed in black only.<br /> <br /> Theatre Royal Drury Lane - December 31 1821<br /> Advertising The Busy Body The Coronation its 92nd time and A Day after the Wedding. Printed in red and black. The Coronation was a staged theatrical representation of King George IV's coronation held on July 19 1821. The real coronation was a lavish spectacle costing an estimated £238000.<br /> <br /> These types of historic playbills were printed on fragile thin paper for single-day use and few have survived. They provide a vivid glimpse into London's theatrical and social culture when royal ceremony and public entertainment often overlapped.<br /> <br /> A rare and attractive pair of early 19th-century theatre ephemera well-preserved. Various unknown
63-9704San Francisco CA: Theatre Rhinoceros 1996. 4to. Stapled Wraps 12 pp. Black and White Photos. Very Good with creasing to covers. San Francisco, CA: Theatre Rhinoceros, 1996. paperback
2001DZ54002Theatre Publishing Company 2001. Soft Cover. Fine. Number of books: 1 book. Theatre Publishing Company paperback
1993DZ54001Theatre Publishing Company 1993. Soft Cover. Fine. Number of books: 1 book. Theatre Publishing Company paperback
a68922Stranger in New York at Garrick 1897; Knickerbocker Theatre for 1901; Little Women at the Playhouse 1912 color cover; Sweethearts at the Liberty Theatre 1914 color cover; Blue paradise at Casino 1916 color cover; Monsieur Beaucare at New Amsterdam Theatre 1920 color cover; Man's Estate at Biltmore 1929 color cover. All Good or better. 7 wraps programs. All shows in New York City. paperback
231294J.C. Williamson Melbourne 1924. 48 pp large quarto sepia photographic plates unusually fine copy in illustrated limp wrappers. With facsimile 10 autographs on photographic plates of Nellie Melba Toti Dal Monte Dino Borgioli Lina Scavizzi Augusta Concato Piccaluga Nino Piccaluga Aga Lahoshka Phyllis Archibald Apollo Granforte and Franco Paolantonio. J.C. Williamson, Melbourne, 1924 unknown
192260J.C. Williamson Melbourne 1924. 48 pp large quarto sepia photographic plates unusually fine copy in illustrated limp wrapper. Director: Nevin Tait. With facsimile 10 autographs on photographic plates of Nellie Melba Toti Dal Monte Dino Borgioli Lina Scavizzi Augusta Concato Piccaluga Nino Piccaluga Aga Lahoshka Phyllis Archibald Apollo Granforte and Franco Paolantonio. J.C. Williamson, Melbourne, 1924 unknown
