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Engberg, JensIn Pristine Condition. unknown
87892JAPANESE THEATRE. ODA OTOYA: A COLLECTION OF STAGE DESIGNS. Oda Otoya 1920-2006 began his career in the arts as an illustrator of fiction moving to stage design in the post-war period. He created designs for many plays at the National Theatre in Tokyo as well as the famous Little Theatre there. He published an important book on his own work in 1977: BUTAI BIJUTSU WO KANGEARU THOUGHTS ON STAGE DESIGN. Receiving a special Kikuta Kazuo Theatre Prize in 1977 and then the coveted Shijushô Purple Ribbon Decoration in 1983 for his advancement of the Japanese theatre arts he was regarded as one of the grand old men of the Japanese theatre. Besides his extensive work in Kabuki he also designed the sets of many modern theatre productions including plays by Mishima Tanizaki etc. This collection consists of literally thousands of his original designs and design ideas for the stage.<br /> <br /> There are:<br /> <br /> 2311 oblong sheets most are around 7 x 21 inches showing proscenium views stage backgrounds pieces of scenery scrims etc. Some are preliminary sketches with touches of color but the majority. over 2000 are highly finished watercolor designs that show either an entire scenic design on one sheet or component pieces of a single scenic design on two or more sheets that form the whole or even a large prop such as a boat. A handful of designs have small photos attached to them that either indicate the inspiration for the design suggest a view to be seen outside a stage window and in one instance show the set as realized with actors.<br /> <br /> 46 smaller various sizes preliminary and final sketches either colored or with touches of color that show scenic designs details of specific elements of designs props decorative motifs etc.<br /> <br /> 456 drawings some sketches while others are quite detailed and include measurements along with photocopies of drawings and painted designs many of which are marked with notations or with areas of color.<br /> <br /> 363 stage plans various sizes that show the placement of the component elements of the rendered designs.<br /> <br /> 29 watercolors of kimono designs 15 x 10 inches and 3 sheets of costume designs.<br /> <br /> An important archive documenting Japanese theatre design in creative context. unknown
1921160171Los Angeles: California Theatre 1921. Archive of 41 vintage photographs of the elaborate stage sets and live performers which supported silent film screenings at the California Theatre in Los Angeles taken during the theatre's first three years in operation 1919-1921. 20 photographs with blindstamps crediting photographer Dick Stagg and 14 with blindstamps crediting photographer J.C. Milligan.<br /> <br /> Photographs housed in an album with typed labels on the versos of the adjacent pages identifying the film screening dates performers and musical numbers. <br /> <br /> The first two photographs in the archive feature a day shot and a striking night shot of the theatre's beautifully elaborate facade followed by a photograph of the "original installation" of the stage and grand staircase. The balance of the photographs however show theatre sets usually with performers present occasionally with the orchestra present and always without the audience present likely taken during rehearsals or after the completion of the set designs. <br /> <br /> The earliest dated photographs in the archive only two and a half weeks after the theatre's opening on December 24 1918 show two different sets for the screening of the 1918 film "Eye for an Eye." The last and latest photograph in the archive shows a parlor set with five costumed actors for the 1921 screening of the 1920 film "Billions." All in all 29 films are represented in the archive.<br /> <br /> Interestingly many of the screening dates of the films represented in the archive coincide with-or date earlier than-the currently believed premiere dates of the films some of which may have had their premiere at the California Theatre. <br /> <br /> Fred Miller opened the California Theatre at 810 S. Main Street in downtown Los Angeles on December 24 1918. The majestic Beaux-Arts cinema housed a capacity of 2000 and was designed by architect Alex B. Rosenthal who also designed the Granada Theatre in Santa Barbara. In 1919 the theatre was bought by Goldwyn Pictures and in 1935 operated as Teatro California often showing Spanish language films until 1983 after which it operated as a grindhouse and pornographic theater. The theater closed in 1987 and was demolished in 1990.<br /> <br /> Photographs: 8 x 10 inches. Very Good plus to Near Fine overall with some faint toning with one photograph with two vertical creases.<br /> <br /> Album: 13.75 x 10.25 inches. Very Good plus. California Theatre unknown
1969168709N.p.: N.p. 1969. Archive of 29 original photographs from The Living Theatre performances dating between 1959 and 1969 including 27 borderless photographs and eight double weight photographs. <br /> <br /> Four photographs with Gianfranco Mantegna photographer stamps on the versos six photographs with Horace Dimayo photographer stamps on the versos two with "L'Express/Manuel Bidermanas" photographer stamps on the versos and one with a "Photo Pic" stamp on the verso.<br /> <br /> The archive includes:<br /> <br /> One borderless photograph from the January 13 1959 premiere performance of William Carlos Williams' "Many Loves" on The Living Theatre Playhouse's opening night.<br /> <br /> Three borderless photographs of the June 29 1966 performance of "Mysteries and Smaller Pieces" 1964 at the Odéon-Théâtre de l'Europe in Paris.<br /> <br /> Three borderless photographs from the September - October 1966 performances of Jean Genet's "The Maids" 1947 at the Berliner Festwochen including two double weight.<br /> <br /> Seven borderless photographs from the July 1968 performance of Bertolt Brecht's "Antigone" 1948 performed at the Avignon XXII Festival at the Cloître des Célestins.<br /> <br /> Two double weight borderless photographs of Julian Beck and Judith Malina being interviewed in 1968 at the Avignon XXII Festival at the Cloître des Carmes.<br /> <br /> Six borderless photographs from the October 1969 performance of "Mysteries and Smaller Pieces" 1964 at the Circo Medini in Milan.<br /> <br /> Two photographs from the October 1969 performance of "Paradise Now" 1968 at Teatro Alfieri in Turin.<br /> <br /> One borderless photograph of Julian Beck from Bernardo Bertolucci's segment "Agonia" from the 1969 compilation film "Love And Anger."<br /> <br /> Lastly four borderless photographs we have been unable to definitively identify including a photograph of a stage set a photograph of a performance of three actors a photograph of Jean-Jeacques Lebel and a photograph of a woman in profile possibly Living Theatre actress Mary Mary. The latter two photographs are likely from the 1968 Avignon performance of "Paradise Now."<br /> <br /> Founded in 1947 in New York by Julian Beck and Judith Malina The Living Theatre is the oldest active experimental theater group in the United States. In the fifties and sixties the company became an epicenter for revolutionary culture performing both original and repertory works. The company produced often radical stage productions and adaptations of works by artists and writers such as Bertold Brecht Gertrude Stein Jean Cocteau William Carlos Williams T.S. Eliot Pablo Picasso Luigi Pirandello and Federico García Lorca among others and laid the foundation for New York's robust underground art scene in the ensuing decades. <br /> <br /> The Living Theatre and its founders were the subject of the 1983 documentary "Signals Through the Flames" directed by Sheldon Rochlin.<br /> <br /> Photographs generally 7 x 5 inches to 12 x 8 inches. Near Fine overall five with light toning. All housed in a 9.75 x 12.17 inch Near Fine black folder with a "The Living Theatre" sticker on the front board. N.p. unknown
194880631New York: Chappell & Co. Inc 1948. First Edition. First printing. Inscribed on title page: "For Joe Littau a merry Christmas and thanks for a beautiful job!" signed "Kurt Weill" undated but annotated in pencil presumably by Littau: "Xmas 1948." Quarto 30cm. Original buff wrappers printed in red on front cover; 274pp. Professional paper repairs at spine ends; expected tanning to exterior and text; still a superlative copy overall and quite uncommon. Housed in a custom-made cloth clamshell box. <br /> <br /> A terrific association copy of this acclaimed late work by Weill for which he won the inaugural Tony Award for Best Original Score in 1947. Street Scene is perhaps the apotheosis of Weill's socially-engaged musical theater a blend of operatic and theatrical elements with which he first experimented in his collaborations with Bertolt Brecht of the Thirties including Three Penny Opera and The Rise and Fall of the City of Mahagonny. Street Scene based on Elmer Rice's naturalistic working-class drama of the same name was especially noteworthy for including lyrics by the African-American poet Langston Hughes whom Weill sought out specifically to "lift the everyday language of the people into a simple unsophisticated poetry" quoted by Jane Vial Jaffe in her program notes to a 2008 production. This was Hughes' first experience writing for musical theater.<br /> <br /> Street Scene premiered at the Adelphi Theater in New York in January 1947 and met with critical success though its high production costs forced the production to close in April. The show has never been revived on Broadway but it has been staged regularly by operatic companies including revivals by the New York City Opera in 1959 1979 and 1990. <br /> <br /> Inscriptions by Weill are uncommon; it's an honor he appears to have bestowed only on very close friends and collaborators. In this case the presentation is to Joe Littau the well-known pit conductor who was at this time the Musical Director for Weill's 1948 musical "Love Life" which ran on Broadway from October 1948 to May 1949. Chappell & Co., Inc unknown
9791280717443<p>Maria Callas 100 Vissi d'Amore</p><p>The art of Maria Callas the soprano that changed the history of the Opera before and after.</p><p>The main protagonists and historians from the Opera sphere narrate Callas's vocal abilities and her performing charisma none other than the 'Divina'. With her repertoire and her heroines she was able to create a definitive myth of a unique way of interpreting the roles.</p><p>Exclusive images published for the first time from the Ragni-Cuoco collection and from the personal Archives of the Authors that narrate the most significant moments regarding the career of the Artist and the Woman herself.</p><p><strong>Limited edition hand numbered 777 exemplars</strong></p> SCRIPTA MANEANT hardcover
#[16841]Covens et Mortier 1747 25x11cm engraved titlepage 25 detailed engraved fold out maps 25×33 cm first of which is the general map and 24 detailmaps of the low countries wormholes through the whole book in the margins of the maps and through the titlepage as well contemporary tooled leather binding in very good state gilt ornaments and title on spine marbled endpapers attractive book intended for officers to plan marches through the low countries size of the book adapted to the pockets of the uniforms of the 18th century. Campaign atlas. l Gebonden in geheel leer formaat 25x11 cm gegraveerd titelblad en 25 gevouwen kaarten ieder ca. 22x30 cm. Mooi exemplaar met goudstempeling op rug en platten. Enkele wormgaatjes in de marge van de kaartjes. Koeman Atlantes Neerlandici C&M 19. Anonieme atlas ondanks de vermelding van de naam Covens en Mortier in de titel. Op de titelpagina worden 11 boekverkopers genoemd alle in de zuidelijke Nederlanden Duitsland en Frankrijk maar niet Covens en Mortier. Deze atlas was bedoeld voor legerofficieren om de marsen in dit deel van de lage landen te kunnen uitzetten. Het bestreken terrein - op een overzichtskaart en 24 detailkaarten - betreft het deel van Holland Gelderland Limburg en Brabant. Linksboven begrensd door Leiden rechtsboven door Zutphen linksonder door Brussel en rechtsonder door Aken. De schaal van de detailkaarten is 1:150.000 hardcover
193062548Hollywood CA & New York NY; Oshkosh WI & Parkersburg WV: The Strand Theatre Smoot Theatre Lincoln Theatre & Warner Bros. 1930-1934. Oblong folio. 14.5 x 11.5 in. 100 pp unpaginated. two different papers many preserved in archival mylar sleeves. With 90 original silver gelatin photographs either mounted or loose and inserted into sleeves sized from 2 x 2 in. up to 8 x 10 in. most sized approx. 5 x 7 in. many w/ photographer’s imprints 71 pieces of mounted ephemera including promotional cards souvenir promotional items such as napkins studio advertising mimeograph typescript marketing scripts lobby cards newspaper clippings and more. All leaves bound w/ brass screw posts at gutter margin many preserved in archival mylar sleeves some leaves w/ chipping & tears at fore=-edges offset tears and or reside on versos of a few photos some scuffing old glue markings cropping to some leaves still a VG artifact preserved as album. This exceptional original Warner Bros. Studio marketing photo album/scrapbook chronicles the movie industry’s system of engaging the movie-going public during the Great Depression in a form of interactive promotional live theatre to immerse them in the cinematic experience. Featuring physical props displays special lighting costumed extras studio scripts featuring a myriad of promotions the Warner Bros. Studios theatre group was able to enhance and pull in far more movie-goers and set the foundation for their marketing system in the coming decades. By using their opulent and fabulous 1920’s era created movie palaces these images capture the pre-Code sexualized Mae West in slinky costumes emblazoned on radio station cars physical stand-up showroom displays restaurant menus post-Prohibition tavern beer coasters and even pulled in local officials such as Mayor George Oaks of Oshkosh WI. Also featured here are photos and flyers for the giveaway cars tie-ins with the Oshkosh State Teachers College football team and nearby department store window displays which significantly expanded the visual and immersive experience.Of particular interest is the included and very detailed 117 step campaign script for Mae West’s iconic “I’m No Angel†featuring the titillating star as Tira the circus beauty who manages to always be mistress of the situation whether in the cage with wild beasts her boudoir filled with admirers to be bedded or even charming and seducing the judge at the end of the film with only a wiggle. The pre-Code campaign encourages the Warner Bros. Studio theatre’s to include a “Try your figure†display panel where young women would measure themselves against the busty silhouette and those that matched closest to the scantily gowned West would receive free tickets. Another stunt was setting up a “Mae West Voice Test†using a dictaphone in the lobby with a “pretty girl attendant†set up in charge to ask potential women movie-goer attendees to utter “Come up and see me sometime†and free tickets were awarded for the best Mae West imitations. Other movies featured at the Strand in Oshkosh or the Smoot & Lincoln Theatre’s in Parkersburg WV depicted here with promotions souvenirs and photographs include: “The Sea Wolf†based on Jack London’s book and which starred Milton Sills Jane Keithley and Raymond Hacket released just 1 week after Sills’ death and features stunts with potential young movie-goers to bring their Rin Tin Tin like dogs as well as airplane stunts and lobby card; or elaborate window displays and automobile floats mocked up as dirigibles and costumed extras for Frank Capra’s “Dirigible†released in 1931 and starred Fay Wray Jack Holt Ralph Graves and Hobart Bosworth set against the drama of a competition by fixed-wing aircraft and dirigible airships to reach the South Pole. Other movies briefly archived in the group here feature “When Ladies Meet†released in 1933 starring Ann Harding Myrna Loy and Robert Montgomery or a couple mentions of the 1931 Bela Lugosi Dracula. The 1933 Gold Diggers is featured in several photos which starred Joan Blondell Aline MacMahaon Monica Bannister Joan Barclay and Connie Blackwood as out-of-work Broadway chorus girls. Also appearing here in approximately one fourth of the photo album/scrapbook is a similar campaign as that for Mae West for the 1932 “Fireman Save my Child!†with the wildly popular comedian Joe E. Brown starring as Joe Grant inventor fireman and baseball player offered to play in the big leagues in the film but earning more money from his inventions Again the script advises engaging the local fire department to put on stunts include the supplied advertising on their fire engines and even encourages the use of a large animatronic mechanical head of Brown in a fireman’s hat in the lobby. The movie was actually a natural fit for Joe Brown who had launched his physical comedy during the 1893 Depression by making faces at the firemen on passing coal-burning trains so they would throw coal at him to collect and sell and later worked as circus acrobat and newsboy and was a lifelong baseball fan. From 1930-July 1934 the Hollywood studios were largely self-regulating their content with continued threats by outside groups to “clean†up their movies and somehow balance the puritanical group sensibilities against the ever growing demands by audiences for movies that were daring edgy naughty and even sexualized often depicting spousal abuse sexual bondage marital infidelity free love with stars such as Mae West Norma Shearer Kay Francis Dorothy Mackaill Nancy Carroll and Constance Bennett typically depicted half-clad or in bed. At the time the movie studios and theatre’s were attempting to recoup the massive investments in transitioning to sound films and market the new technology by cultivating a sophisticated campaign system often hiring Broadway writers directors and actors to travel around and oversee their promotions productions. See: John Farr How Movies Got Us Through the Great Depression Best Movies 2024; David P. Hayes Production Code of the Motion Picture Industry 2009; Mae West Reveals Herself as a Circus Queen in “I’m No Angel†at the Paramount New York Times Oct. 14 1933. The Strand Theatre, Smoot Theatre, Lincoln Theatre, & Warner Bros., unknown
1946181214Ranchi: The Catholic Press c.1946. A modern fighting force which could stand toe to toe with the Japs and slug it out to victory First edition found in eight institutional libraries only telling the story of Ramgarh's top secret Chinese-American Training Center the first training camp run by the US on foreign soil. Conceived by Stilwell following the retreat from Burma the centre drilled and equipped four crack Chinese divisions. These formed the core of Stilwell's hard-fought but successful advance through Burma in 1944. This extensively illustrated publication profiles Brigadier-General Frederick McCabe and other senior figures at the centre as well as its rigorous jungle warfare training regimen and exercises to familiarize Chinese troops with cutting-edge US weaponry. A section at the end describes visits by VIPs including Chiang Kai-Shek Mountbatten Lieutenant-General Sultan and Stilwell himself. Copies are held by the US Army War College US Army Center of Military History Marshall Center for Security Studies Wisconsin Veterans Museum Harvard University of Georgia Norwich University and SOAS. Quarto. Illustrations throughout; some text and decoration printed in brown. Notice from publisher tipped to first page. Original card wrappers front cover lettered in brown and black. With dust jacket. Loss and split at foot of spine odd mark internally; jacket flaps without price as issued losses at spine ends panels toned nicks and creasing at head where jacket oversized: a very good copy in like jacket. unknown
199236671Neuilly France: Gabrielle Ionesco C. -P. New. 1992. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW PRISTINE - Slight creasing else flawless. Text in French. 140 lots many illustrated in black and white or color. -- with a bonus offer-- . Gabrielle Ionesco, C. -P. paperback
199429377Cambridge MA: Harvard Radcliffe Summer Theatre. New. 1994. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Harvard Radcliffe Summer Theatre paperback
199529376New York: Playbill Incorporated. New. 1995. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Playbill Incorporated paperback
198989083The Penny Royal Theatre. New. 1989. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 11 works catalogued and illustrated in color. Among the artists represented: L. & O. Tikhomirov A. Kurnakov and A. Vasiliev. -- with a bonus offer--; . The Penny Royal Theatre paperback
199231374Boston MA: The Publick Theatre Inc. New. 1992. Unbound. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Theater program -- with a bonus offer-- . The Publick Theatre, Inc. unknown
196758959Brussels Belgium: Theatre National Centre Rogier. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 74 pp. With 18 ills. 28 x 11 cm. -- with a bonus offer-- . Theatre National, Centre Rogier paperback
2014109594Prestel. New. 2014. Hardcover. 3791349066 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Prestel hardcover
181962578Los Angeles CA: Richard H. Sloan The Literary Theater ca. 1918-1923. Oblong 4to. 11.25 x 7.25 in. 62 pp unpaginated. on thick black paper stock. With 94 original silver gelatin mounted photographs sized from 3 x 4.5 in up to 7 x 9.5 in. 1 photo laid-in 2 blue colour-tinted nearly all w/ neat white ink cursive manuscript lettering and 1 small newspaper clipping tipped-in. Flexible black ribbed cloth post-binder punch-sewn at gutter margin w/ black braid manufacturer’s label for “Hanson†out of Chicago IL on rear pastedown minor bumping to couple corners edgewear couple scuff marks still VG exemplar. A nicely self-curated photo album visually tracing the acting and design aspirations of a young California actor and bookstore salesman from just after World War I into the Roaring 20’s. The album opens with a striking series of photographs depicting the many different costumes worn and designed by young Sloan for Literary Theater productions in Los Angeles CA including “The Wandering Jew;†as a Chinese artist & potter in “Busted Blossoms†captioned “with apologies to D.W. Griffith†-- adapted from the Griffith’s 1919 extravagant melodrama starring Lilian Gish & Richard Barthelmess as Cheng Huan the Chinese potter; The Melon Thief as a Greek immigrant jst landed on Ellis Island; his poster and costumes for “Her Husband’s Wife†Lars in Ibsen’s “When we dead awaken†as well as roles of Wilhelm II Hamlet a pirate and Dr. Jekyll & Mr. Hyde. He worked as the stage manager for the Literary Theater and also was set designer and prop builder including backdrops and dioramas. The second half of the album is almost entirely devoted to his window displays and bookstore book release displays many featuring dioramas and miniature stage dioramas for various themes. These include stained glass window backdrops for the elaborate Book Window and Stationery Window for Easter 1921 the 1920 book release of Angela Ashford’s stories “Daisy Ashford†including stories dictated by the young precocious 8-year-old; an architectural window in April 1921 featuring iconic Southern California Arts & Crafts architectural titles such as “California Gardens†and Wilson’s “California Bungalows.†Also included are the elaborate diorama featuring thatched palm-tree hut and display additions for Fredrich O’Brien’s “Mystic Isles of the South Seas;†Elk’s Lodge stationery & books in purple & white Humpty Dumpty & House that Jack Built in celebration of the 1921 Children’s book Week E. Philip Oppenheim’s Great Prince Shan filled with Asian iconography; as well as elaborate display for multiple illustrated editions of the Rubaiyat of Omar Khayyam including photo of actors in costume for theatrical production and stacks of copies of Zane Grey’s Wanderer of the Wasteland released January 1923. Fowler Brothers bookstore was at one time the oldest family-owned bookstore in Los Angeles operating from 1888 to 1994 and finally closed due to pressures from large chain stores and subway construction in the 1990’s. Originally founded as a religious and Sunday School supply house it eventually survived six different downtown locations and was originally founded by brothers J.W. Fowler and Robert A. Fowler of South Pasadena. Siegfried Lindstrom grandson of J.W. Fowler was still running the shop when it closed. Sloan 1899-1993 would leave Los Angeles before 1930 and moved to San Francisco where he became longtime window dresser and display artist for the iconic Nathan Dohrmann Department Store noted for their stock of china glassware lamps and art goods. Richard H. Sloan, The Literary Theater, hardcover
19085578Havana: Moises V. Codina 1908. Good plus. Seven broadsides each approximately 22 x 7.25 inches plus one double bill measuring about 22 x 15 inches. One broadside printed in red and black. Previously folded. Scattered shallow tears from edges not affecting text with some tape repairs on blank versos. A group of eight playbills spanning eight consecutive days in July 1908 that advertise performances and events at the Gran Teatro Payret in Havana. The theater was built by its namesake Jaoquin Payret in 1877 on a corner across from the Villanueva Railway Station now the Capitolio Nacional de la Habana and initially focused on opera and high-class performing arts to compete directly with other established theaters in the Cuban capital. The building had five floors and a capacity of 2300 but the upper balconies collapsed in 1882 after which the theater changed hands and began to showcase more varied popular offerings.<br /> <br /> These playbills publicize an array of performers including the ballet dancer Millas; a cabaret artist Eline Oreo; a magician and telepath Sidney Richards; Troupe Montrose a group of acrobats an Italian dance troupe Les Casettas; two clowns named Pito and Chocolate; and many others. Notably the programming also includes a heavy rotation of short and feature films such as La Electricidad Liquida 1907; El Inagarrables Pick Pocket 1908; Victima de la Ciencia 1907; En Chine: Voyage sur le Canal Impérial 1908; and Venganza del Dervich 1907. The playbill for Thursday July 16 with its headline and date in red proclaims the debut of Trouppe Merodia a seven-person group of acrobats and cyclists as well as the Cuban premiere of a film titled La Caza de Oso The Bear Hunt.<br /> <br /> The theater was closed by hurricane damage in 1926 but reopened as a cinema in 1935 and in the following years became known as the "Cathedral of Spanish Cinema." The building again fell into disuse and disrepair in the decades following the Cuban Revolution but was restored in 2008. A very interesting group that gives a great sense of day-to-day operations at one of Cuba's most important and historic theaters. Moises V. Codina unknown
1963156237New York: The Living Theatre 1963. Vintage script for the 1963 off-Broadway play. INSCRIBED on the title page by The Living Theatre co-founder-and production designer for the play-Julian Beck: "This is the mimeographed text which The Living Theatre used for its production of the world premiere of the play May 1963. It precedes all other publications of the play. / Julian Beck / NYC Feb 1985."<br /> <br /> The play premiered at The Living Theatre on May 13 1963. It was the recipient of three Obie Awards for Best Production Best Design and Best Direction. Jonas Mekas would film a 1963 performance of the play after it had closed released in 1964.<br /> <br /> A realistic and anti-authoritarian depiction of a US Marine Corps prison based on playwright Kenneth H. Brown's experience being held in a brig for 30 days while serving with the Third Marines at Camp Fuji in the 1950s.<br /> <br /> The Living Theatre revived the play to inaugurate its new permanent location on the Lower East Side in Manhattan on March 29 2007 directed by Judith Malina.<br /> <br /> Self wrappers front wrapper integral with the title page noting credits for playwright Kenneth H. Brown. 52 leaves with last page of text numbered 2-2-45. Mimeograph duplication rectos only. Pages Near Fine bound with two gold brads. The Living Theatre unknown
193558719New York:: Playbill Incorporated 1935-1981. publisher's printed wrappers. A collection of forth autographed Playbills autographed by multiple cast members including Helen Hayes Dorothy Kilgallen Ethel Merman in pencil Jessica Tandy Milo O'Shea and dozens of others. . 8vo. Playbill Incorporated, unknown
32820605<p>6 pen and ink and gouache on heavy card. 9 x 12 ½ in. A note on the verso of one states "I have left the extra 3 cm on the top of this picture should you want to include it when it is finally framed." Very good condition.</p><p>These delightful views depict scenes at the Strand Theatre now the Novello Theatre then presenting Tom Stoppard's <i>The Real Thing</i> in London's West End. They range from views of the boxes and theater-goers to the box office to backstage scenes.</p><p><b>The box office advertises the original production of Tom Stoppard's <i>The Real Thing</i> which ran at the Strand from 1982 to 1985.</b></p><p>Provenance: Anthony Peek longtime manager at the Theatre Royal Haymarket.</p>
004537Melton Mowbray: No Publisher Three tickets for various productions at Dalby Theatre: 1. 'Macbeth' with 'High Life Below Stairs' approximately 55mm x 76mm in size dated 21st July with an image of a woman holding a dagger and a chalice; 2. 'The Wonder' with 'Atheling Castle' approximately 54mm x 77mm in size dated July 14th with an image of a dancing woman holding a mask; and 3. 'The Castle Spectre' with a farce called 'Transformed or No' approximately 65mm x 57mm in size dated July 9th with a coloured image of a partially clothed woman in the clouds holding a banner in which the plays and dates are inscribed n.d. but probably very late eighteenth century or very early nineteenth century. All three slightly trimmed each with play titles and date to front in ink and with 'Admission Ticket Not Transferable' to reverse lightly browned 'Castle Spectre' with soiling to top left hand corner but generally clean. Dalby theatre was the private playhouse of Edward Hartropp 1758-1808 at Little Dalby Hall Leicestershire it was demolished in 1945. 'High Life Below Stairs' was a comedy by James Townley; 'The Wonder' was a play by Susanna Centlivre set in Lisbon; 'Atheling Castle' was possibly based on the gothic novel by Ann Radcliffe 'The Castles of Athlin and Dunbayne' first published in 1789; 'The Castle Spectre' was by Matthew Gregory Lewis Monk Lewis first performed in 1797; and 'Transformed or No' has eluded our searches. The BM has all three of these tickets with others pasted on to a sheet of paper C2. 1535-1543 Yale has both 'Macbeth' with the same image used for another play 'Isabella' with 'Lover's Quarrels' and 'Castle Spectre' but not as far as we can tell 'The Wonder'. First Edition. Unbound. Good. Various. Ephemera. No Publisher Paperback
0-26226Eccezionale collezione di oltre 130 foto originali in nero 1950-1965 circa perlopiù foto di scena al Teatro alla Scala Norma 1952 e 1955 Alceste Lucia di Lammermor 1954 Poliuto Ifigenia in Tauride La Traviata 1955: si riconosce il set Medea 1961-1962 ma la Callas è anche catturata in momenti mondani alcuni quasi “quotidiani†rubati; in altri la vediamo in compagnia di Luchino Visconti 4 Toscanini 1 e altri celebri personaggi di spettacolo Votto De Sabata Di Stefano ecc. La collezione documenta un momento decisivo della carriera della giovane Callas che si affermava proprio in quegli anni e che proprio alla Scala di Milano consolidò la sua fama. In una delle foto la vediamo sorridere infatti al fianco di Victor De Sabata che diresse nel 1951 i Vespri Siciliani il primo dei trionfi scaligeri della Callas al quel tempo ancora piuttosto in carne. Cinque foto di formato cm. 24 x 175 le altre di cm. 15 x 10. Tutte sono in ottimo stato e sono timbrate al verso “Erio o E. Piccagliani - Teatro alla Scalaâ€. unknown
1794373435Boston: Printed for John West 1794. 62pp. 12mo. Disbound. Foxing a few edge tears to title staining to final few leaves small hole with minor loss to final leaf. 62pp. 12mo. Theater had been banned in Boston since the times of Increase Mather at the end of the 17th century. But in 1792 a group of Bostonians petitioned the legislature to repeal the Puritanical laws prohibiting theatrical performances and illegally established a theater in Board Alley. When Governor John Hancock sent his sheriff to shut down a performance a riot ensued. The following year an even bigger theater designed by an American architect and supported by John Quincy Adams and other notables was built at the corner of Federal and Franklin Streets. Known as the Federal Street Theatre or Boston Theatre the building opened at the beginning of February 1794 with a performance of Henry Brooke's Gustavus Vasa.<br /> <br /> Widespread publication of the plays did occur until after the Revolution when a rising middle and upper class demanded the cultural improvement of the young nation. "The market in America for published plays was determined by the theatre. It was the playgoer who bought plays and he bought the text of the play he had just seen or the one he was about to see performed on the stage. The absence of sustained theatrical activity-in fact the failure of the theatre to establish itself-in the English colonies during the first half of the eighteenth century suggests why no editions of plays were published in America during that time" Stoddard.<br /> <br /> In December 1793 with the opening of the Federal Street Theatre imminent Boston publishers David and John West proposed the publication of a selection of plays. "West proposed 'to obtain from the manager of the new theatre such plays of merit as will be performed in Boston the ensuing winter and it will be his aim to have them ready for delivery as near the time of performance as possible . They shall be printed weekly . The price to subscribers stitched in blue paper will be twenty cents each play' . West's ambition exceeded his capabilities but between January 4 and April 30 1794 he published thirteen numbers i.e. plays'" Stoddard. This of course included the first play at the Boston Theatre: Gustavus Vasa.<br /> <br /> The work was issued separately although also published within West's nonce volume A Selection of the Most Esteemed Plays Performed at the Theatre in Boston. Scarce. Evans 26704; ESTC W12546. Alden John Eliot. "A Season in Federal Street". Proceedings of the American Antiquarian Society vol. 65 no. 1 1955. Stoddard Roger. "Notes on American Play Publishing 1765-1865." Proceedings of the American Antiquarian Society vol. 81 no. 1 1971 Printed for John West unknown
55737Prague: Divadlo na zábradlí 1964. Square octavo 15.3 × 15 cm. Original staple-stitched pictorial self-wrappers; 16 pp. Minimal wear to wrappers with crease to upper right corner of front wrapper; else very good or better. Scarce program booklet for Havel's first full-length play "The Garden party" first staged in 1963 and presented here as the first performance of the 1963-1964 season at the small Prague Theatre on the Balustrade. While controversially received by official critics the play was an enormous success as it was recognized by Czech viewers as a very clever satire on the bureaucratic communist regime with its own absurd features which they lived in. "As all plays were subject to official censorship an outright satire of the neo-Stalinist regime would never have reached the stage; Havel took another route examining the mechanics of language and power in a decontextualized setting injecting it with enough hermeneutical ambiguity to satisfy and provoke" Sirkku Aaltonen "On translation censorship theatre Václav Havel and Vera Blackwell" in: Censoring Translation 2012. The booklet is strikingly illustrated using photographs of the play and examples of Havel's early forays into concrete poetry so-called "calligrams." It also features a tongue-in-cheek rubric titled "Why we are staging this play" which lists excerpts from some of the negative reviews of Havel's work. Overall design by Libor Fára. unknown