[THEATRE ROYAL, YORK]Biblio.com
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1843AQ21388York: s.n. 1843. Single leaf broadside. Lightly damp-stained to head a trifle creased. A broadside advertisement announcing a performance at the Theatre Royal York of a three-act opera by playwright Frederick Reynolds 1764-1841. . Dimensions 180 x 310 mm. [s.n.] unknown
1843AQ21390York: Blyth and Moore 1843. Single leaf broadside. Damp-stained to head a trifle creased very small hole to lower corner. A playbill advertising a performance at the Theatre Royal York of Love in a Village a three act ballad opera composed and arranged by Thomas Arne 1710-1778 with a libretto by Isaac Bickerstaff 1733-1808 based on Charles Johnson’s 1729 play The Village Opera. First performed on 8th December 1762 the work set a fashion for pastiche opera enjoying 40 performances in its first season alone. . Dimensions 190 x 310 mm. Blyth and Moore unknown
1869AQ21200Weymouth: Jeffery Brothers Dramatic Printers 1869. Single leaf broadside. Lightly browned and scuffed with chipping and marginal tears to edges and corners. An unrecorded Victorian playbill advertising an evening's entertainment at the Theatre Royal Weymouth beginning with English playwright Charles Dance's 1794-1863 two-act comic drama The Wonderful Woman! 1849. Notably the Charles Dickens museum holds an acting copy of Dance's farce once owned by the great novelist; it appears Dickens an associate of the dramatist and fellow member of the Garrick Club had been involved in an earlier production of The Wonderful Woman! himself. The Theatre Royal Weymouth opened on St Nicholas Street in the early nineteenth century and remained in business until the 1960s being demolished in 1968. It was at one point operated by the father of Ernest Wheeler the first independent manager of the Brighton Pavilion. . Dimensions 200 x 500 mm. Jeffery Brothers, Dramatic Printers unknown
185524813Paris: Martinet 1855. 192 x 128 mm. Printed on wove paper. Signed in the plate with the initials "A.L."<br /> <br /> Slightly foxed. Published as plate no. 651 in the series entitled "Galerie Dramatique." <br /> <br /> Performed at the Théatre de L'Ambigu Comique. Martinet unknown
112696London I. K. Green 34 Lambeth Square sold by Moss Hyams 1830. Hand coloured engraved plate. 249x200 mm. Mounted in passepartout. Probably a part of a serie of theatre plates this is numbered 40. Full length portrait of the actor E. F. Saville as Jack Sheppard in the adaptation of Harrison Ainsworth's novel by J. T. Haines; striking a stance with legs apart facing 3/4 to the left and firing a pistol. Jack Sheppard 1702-24 was an 18th-century English thief who managed four spectacular escapes from London prisons before he was hanged in 1824. He became a favourite figure in verse popular plays romances and burlesques.John Kilby Green was a publisher of theatrical prints sold through agents not from his own address often with imprint 'I K Green and he spent the most of this time in the Toy theatre “Juvenile Drama†industry. unknown
68-4303Paris France: Theatre du Palais Royal. ca. 1946. 9 x 14 cm. B&W glossy photograph. Very Good.Provenance Paul Paulet French actor from the 1930s-1970s [Paris, France: Theatre du Palais Royal., ca. 1946?] unknown
198860231Portland OR: Storefront Theatre 1988. 4to. 4 pp unpaginated. colour-illustrated brochure. Self-printed colour-illustrated softcovers artistic die-cut diagonal across front cover revealing leaf below mailing fold crease as issued minor shelfwear NF copy w/ original mailing label on verso. Very scarce original promotional ticket-holder brochure for the counterculture theatre group considered to be one of the most original challenging and visually stunning live theatre productions in Portland from 1970 to their close in 1990. In 1990 Oregonian theater critic Bob Hicks wrote “Alternative. For 20 bumpy years that’s what Storefront’s tried to be. The road less traveled. The company most likely to astound infuriate enchant you. The take-off-your-clothes thumb-your-nose company teetering on the edge of self indulgence. . . the child of a tribal love-rock fling.†Storefront Theatre, paperback
189655632San Francisco CA: Girls’ High School 1896. 8vo. 2 15 1 pp. Numerous text illustrations illust. ads. Colour-illustrated softcovers front cover art showing a devil dancing with girl in white and rear cover featuring beautifully rendered Victorian woman in red & black dress polk-a-dot umbrella reminiscent of Denslow signed E. Pitchford slight shelfwear NF. First edition of this exceedingly scarce theatre program for a satirical production about a California girl’s struggle to learn French featuring the delightful illustrations of fellow Girls’ High School students Emily H. Pitchford Hussey 1878-1956 whose artwork is reminiscent of W.W. Denslow and Ethel Frances Hanks 1878-1952. This wonderful 19th-century program also features ads vor City of Paris Dry Goods at G. Verdier & Co. Moss Gloves on Market and Newman & Levinson bathing suits for women on 209 Sutter St. Girls High School was founded in 1864 and by 1896 was located in a four-story red brick building at Geary O’Farrel & Scott nearly leveled in 1906 Fire & Earthquake. No copies located in Worldcat. Girls’ High School, paperback
192344523New York: E.P. Dutton & Co. 1923. 8vo. xix 1 167 1 pp. Photo frntsp. numerous photo plates. Quarter red over green cloth printed paper labels on frnt cvr & spine slght shlfwr w/ d.j. cover art photos of Lillian Nordica mnr chppng hd & ft of spine edgewear still a VG/VG- copy from the library of the opera singer Marion Talley. First edition of this posthumously published book of advice on how to develop a career as an opera singer and the numerous letters reflecting Madame Nordica’s career. Nordica 1857-1914 was one of the foremost sopranos at the end of the 19th and beginning of the 20th century. She died on her final tour of pneumonia in Jakarta Indonesia. Marion Talley 1906-1983 was discovered in Kansas City Missouri and at age 19 became the youngest principal female performer in the Met’s history to that point she also starred in some films but was not photogenic and her career declined after the 1920s. E.P. Dutton & Co., hardcover
189952060New York: David Belasco; Harlem Opera House 1899; 1901. Two pieces. 1st. Oblong folio. 16 pp unpaginated photo illustrations throughout red illustrated softcovers Arts & Crafts cover art and lettering in dark red yapp edges minor dustsoiling minor edgewear; 2nd -- 4to. 4 pp unpaginated. Illustrated ads printed on light pink-coloured paper minor dustsoiling couple minor closed tears edgewear still VG set. First editions thus of these scarce theatre programmes detailing the life and successful rising career of the actress often called “The American Sarah Bernhardt†who appeared in wildly successful The Heart of Maryland in 1898 the long running Zaza beginning in 1898 and later Madame du Barry afterwards. She was the Progressive Era’s great dramatic actress and would later star in silent films and vaudeville as well. Her film biography appeared in 1940 as the Warner Bros. film Lady with the Red Hair starring Miriam Hopkins Claude Rains Richard Ainley and others. David Belasco; Harlem Opera House], paperback
193457186Philadelphia PA: Amelia Grain 819 Spring Garden St. Graf & Breuninger Print 1631-33 Germantown Ave. 1934. Three pieces. 1st -- 8vo. 72 pp. w/ 100s of photo text illustrations. Printe & illustrated softcovers in red minor shelfwear former School Library ownership markings lightly stamped at upper fore-edge; 2nd -- 8vo. 4 pp unpaginated. self-printed colour-illustrated softcover w/ cover art of Oriental motif stage in colour; 3rd -- 1 printed leaf w/ center fold. First editions of both the catalogue and brochure touting the tremendous inventory that this scenery rental firm maintained over decades. Scenery could only be rented a week at a time producers needed to deposit the value of the scenery with their local bank and this “Trunk Scenery†was used by religious fraternal educational dramatic and business productions. The well-illustrated Opera setting catalogue encompasses settings and scenery for Grand Opera Mozart Rossini Wagner Puccini Tchaikovsky Verdi etc. Victor Herbert’s Operas De Koven Operas Shakespearean Plays Gilbert & Sullivan and others. Grain 1846-1937 Irish-American owned and operated the Spring Garden Entertainment Bureau in Philadelphia PA for decades often advertising that they were America’s Scenery Rental Service with over 4000 stage settings. They continued to operate as Amelia Grain Scenic Studios until after World War II. Howard Bibliography of Theatre Technology Scenery 5241. Amelia Grain, 819 Spring Garden St., Graf & Breuninger Print, 1631-33, Germantown Ave., paperback
171962577Erie PA: Erie Litho & Printing Co. March 17 1923. Large double atlas folio dual-sided broadside printed on newsprint sized 9.25 x 42 in. photo & woodcut engraving illustrations recto & verso toning to paper some chipping & edgewear paper repairs to closed tears still a G- copy. First edition thus of this advertising broadside for Erickson’s “J.W. Johnson’s Old Reliable Virginia Minstrels World’s best colored show. . . “ which touts their supposed 15 year history and appear to have either been reformed from the “Alabama Minstrels†show which played throughout the West and Midwest from 1905-1914 or simply taken over some of their acts. The contortionist fire king Hi Henry Hunt who appears in this broadside regularly performed with the “Alabama Minstrels†from 1905-1913. The silver voiced tenor A.J. McFarland and Grace Arniot Royal Entertainer depicted on the broadside also appear to have been African-American rather than black face performers. The name appears to have been drawn from the 19th-Century original “Virginia Minstrels†or the “Melodious Ethiopian Band†which featured Billy Whitlokc Dick Pelham Frank Brower and Dan Emmett performing in New York’s Bowery Amphitheater in 1843 and launched the minstrelsy form of entertainment. Emmett is perhaps best remembered as the author of “Dixie†which ironically would become the Confederate States unofficial anthem. Assorted versions dating 1920-1924 with different content & sizing appear in 6 libraries Harvard DLC 3 versions Middle Tenn. State Lib. of VA; See: Dr. Karl Koenig The History & Music of the Minstrels Rue Basin Source for Historical Jazz 2024. Erie Litho & Printing Co., unknown
194958513Kansas City MO: Empire Producing Co. 1949. Two parts. 1st - 4to. 18 leaves unnumbered. printed in red & black. With photo and text illustrations throughout. Simulated wood softcovers red lettering & illustration on front cover red plastic comb binding as issued minor wear rubbing some scuffing to fore-edges still VG- copy; 2nd - 4to. 8 leaves typescript 5 on onion-skin paper - 3 on ruled paper typed in red & black rust marks to upper corner minor creasing still VG. First edition of this very scarce sales promotional catalogue for the Empire Producing Co. which partnered with Rotary Clubs Fire Departments Public Schools and many other non-profit organizations from California to Texas up to Chicago for fundraising theatre productions. Pitched as a way to motivate organization membership advertise to the community and helping solve the “juvenile delinquency problems in every town by giving the youngsters something to do†Empire organized community entertainment such as Uncle Ezry’s Hayloft Jamboree. They fielded reps in every territory provided sets scripts entertainers directors seed money and advertising and would use the local talent to augment post-World War II America’s enthusiasm for country music. They typically targeted smaller towns and supposedly were generating from $ 500.00-$ 1400.00 per production in 1949. The typescript sheets by Mr. Cole show that although his quotas for the July 1945-1946 year were $ 500000 he only succeeded in contracting 61 shows in Texas Southern and Midwest towns which actually generated about $ 175000 of which Empire would have received half. No copies in Worldcat. Empire Producing Co., paperback
181962578Los Angeles CA: Richard H. Sloan The Literary Theater ca. 1918-1923. Oblong 4to. 11.25 x 7.25 in. 62 pp unpaginated. on thick black paper stock. With 94 original silver gelatin mounted photographs sized from 3 x 4.5 in up to 7 x 9.5 in. 1 photo laid-in 2 blue colour-tinted nearly all w/ neat white ink cursive manuscript lettering and 1 small newspaper clipping tipped-in. Flexible black ribbed cloth post-binder punch-sewn at gutter margin w/ black braid manufacturer’s label for “Hanson†out of Chicago IL on rear pastedown minor bumping to couple corners edgewear couple scuff marks still VG exemplar. A nicely self-curated photo album visually tracing the acting and design aspirations of a young California actor and bookstore salesman from just after World War I into the Roaring 20’s. The album opens with a striking series of photographs depicting the many different costumes worn and designed by young Sloan for Literary Theater productions in Los Angeles CA including “The Wandering Jew;†as a Chinese artist & potter in “Busted Blossoms†captioned “with apologies to D.W. Griffith†-- adapted from the Griffith’s 1919 extravagant melodrama starring Lilian Gish & Richard Barthelmess as Cheng Huan the Chinese potter; The Melon Thief as a Greek immigrant jst landed on Ellis Island; his poster and costumes for “Her Husband’s Wife†Lars in Ibsen’s “When we dead awaken†as well as roles of Wilhelm II Hamlet a pirate and Dr. Jekyll & Mr. Hyde. He worked as the stage manager for the Literary Theater and also was set designer and prop builder including backdrops and dioramas. The second half of the album is almost entirely devoted to his window displays and bookstore book release displays many featuring dioramas and miniature stage dioramas for various themes. These include stained glass window backdrops for the elaborate Book Window and Stationery Window for Easter 1921 the 1920 book release of Angela Ashford’s stories “Daisy Ashford†including stories dictated by the young precocious 8-year-old; an architectural window in April 1921 featuring iconic Southern California Arts & Crafts architectural titles such as “California Gardens†and Wilson’s “California Bungalows.†Also included are the elaborate diorama featuring thatched palm-tree hut and display additions for Fredrich O’Brien’s “Mystic Isles of the South Seas;†Elk’s Lodge stationery & books in purple & white Humpty Dumpty & House that Jack Built in celebration of the 1921 Children’s book Week E. Philip Oppenheim’s Great Prince Shan filled with Asian iconography; as well as elaborate display for multiple illustrated editions of the Rubaiyat of Omar Khayyam including photo of actors in costume for theatrical production and stacks of copies of Zane Grey’s Wanderer of the Wasteland released January 1923. Fowler Brothers bookstore was at one time the oldest family-owned bookstore in Los Angeles operating from 1888 to 1994 and finally closed due to pressures from large chain stores and subway construction in the 1990’s. Originally founded as a religious and Sunday School supply house it eventually survived six different downtown locations and was originally founded by brothers J.W. Fowler and Robert A. Fowler of South Pasadena. Siegfried Lindstrom grandson of J.W. Fowler was still running the shop when it closed. Sloan 1899-1993 would leave Los Angeles before 1930 and moved to San Francisco where he became longtime window dresser and display artist for the iconic Nathan Dohrmann Department Store noted for their stock of china glassware lamps and art goods. Richard H. Sloan, The Literary Theater, hardcover
195663782Hollywood & London: Max Factor Make-Up Studio 1956. Nine vols. Tall 8vo. 104 pp each booklet paginated separately. Text illustrations & photos throughout diagrams tables. Colour-illustrated softcovers slight shelfwear very slight creasing to couple corners rust to staples at gutter margin still a VG set. 21st edition of this scarce and complete make-up course designed by the visionary make-up artist wig maker and inventor. Factor 1872-1938 was the former official cosmetics expert for the Russian Royal Family and the Imperial Russian Grand Opera who emigrated in 1904 eventually settling in Los Angeles where he created the signature looks of Ava Gardner Jean Harlow and Marlene Dietrich. He went onto found a cosmetics empire on the philosophy that any woman could be glamorous given the right tools and make-up artistry skills developing such products for women as the tru-colour lipstick lip gloss and the concept of colour harmony for make-up. These booklets were intended for use with the wide range of screen and stage make-ups the Max Factor Co. offered for sale out of their Los Angeles-based warehouses including grease paint foundations pan-cake make-ups face powders rouges lipsticks eyebrow pencils tooth enamel hair dyes and much more with an emphasis on Shakespearean plays comprising the final 3 volumes. Max Factor Make-Up Studio, paperback
19634938Winnipeg Manitoba: The Ukrainian Theatre of Winnipeg 1963. First Edition First Printing. Stapled Wraps. pp. 20. 4to. Illustrated stapled card covers. Black and white featurettes of the performers many advertisements by local merchants. No detectable flaws contents clean and unmarked with tight sound binding; very good to near fine. Scarce. <br/><br/>Program book for the inaugural performance by The Ukrainian Theatre of Winnipeg. The Ukrainian Theatre of Winnipeg paperback
19634945Winnipeg Manitoba: The Ukrainian Theatre of Winnipeg N.D. Circa 1963. First Edition First Printing. Stapled Wraps. pp. 20. 4to. measuring 8.5" x 11". Brightly illustrated twice-stapled card covers. Black and white featurettes of the performers many advertisements by local merchants. No detectable flaws contents clean and unmarked with tight sound binding; very good to near fine. Scarce. <br/><br/>Program book for a dramatic performance by The Ukrainian Theatre of Winnipeg. The Ukrainian Theatre of Winnipeg paperback
1960131291New York: Self published 1960. Archive of two pieces from one of the New York Underground's most creative and charismatic orators Spencer Holst. Includes Holst's self-published first book "25 Stories" 1960 and a flyer from a reading shortly after publication at The Living Theatre in New York on February 1 1961. <br /> <br /> Holst was already a well-known and gifted speaker by the time "25 Stories" was published with the help of his wife abstract expressionist painter Beate Wheeler. He frequently held audiences with his psychedelic and surrealistic tales and would give performances at Judith Malina and Julian Beck's The Living Theatre selling copies of "25 Stories" at the show. Holst's work continued to fascinate audiences and "25 Stories" was reprinted in 1993 by Station Hill Press as the better part of a career-spanning collection "The Zebra Storyteller."<br /> <br /> Book: tall handbound perfect-bound wrappers 4.5 x 14 inches. Spine ends chipped cracked front hinge dampstains and soiling overall Good plus and still serviceable surviving copies of this fragile book are scarce in any condition. <br /> <br /> Flyer: 8 x 12.5 inches. Very Good plus with one vertical fold and minimal toning along the fold. Self published unknown
1969168709N.p.: N.p. 1969. Archive of 29 original photographs from The Living Theatre performances dating between 1959 and 1969 including 27 borderless photographs and eight double weight photographs. <br /> <br /> Four photographs with Gianfranco Mantegna photographer stamps on the versos six photographs with Horace Dimayo photographer stamps on the versos two with "L'Express/Manuel Bidermanas" photographer stamps on the versos and one with a "Photo Pic" stamp on the verso.<br /> <br /> The archive includes:<br /> <br /> One borderless photograph from the January 13 1959 premiere performance of William Carlos Williams' "Many Loves" on The Living Theatre Playhouse's opening night.<br /> <br /> Three borderless photographs of the June 29 1966 performance of "Mysteries and Smaller Pieces" 1964 at the Odéon-Théâtre de l'Europe in Paris.<br /> <br /> Three borderless photographs from the September - October 1966 performances of Jean Genet's "The Maids" 1947 at the Berliner Festwochen including two double weight.<br /> <br /> Seven borderless photographs from the July 1968 performance of Bertolt Brecht's "Antigone" 1948 performed at the Avignon XXII Festival at the Cloître des Célestins.<br /> <br /> Two double weight borderless photographs of Julian Beck and Judith Malina being interviewed in 1968 at the Avignon XXII Festival at the Cloître des Carmes.<br /> <br /> Six borderless photographs from the October 1969 performance of "Mysteries and Smaller Pieces" 1964 at the Circo Medini in Milan.<br /> <br /> Two photographs from the October 1969 performance of "Paradise Now" 1968 at Teatro Alfieri in Turin.<br /> <br /> One borderless photograph of Julian Beck from Bernardo Bertolucci's segment "Agonia" from the 1969 compilation film "Love And Anger."<br /> <br /> Lastly four borderless photographs we have been unable to definitively identify including a photograph of a stage set a photograph of a performance of three actors a photograph of Jean-Jeacques Lebel and a photograph of a woman in profile possibly Living Theatre actress Mary Mary. The latter two photographs are likely from the 1968 Avignon performance of "Paradise Now."<br /> <br /> Founded in 1947 in New York by Julian Beck and Judith Malina The Living Theatre is the oldest active experimental theater group in the United States. In the fifties and sixties the company became an epicenter for revolutionary culture performing both original and repertory works. The company produced often radical stage productions and adaptations of works by artists and writers such as Bertold Brecht Gertrude Stein Jean Cocteau William Carlos Williams T.S. Eliot Pablo Picasso Luigi Pirandello and Federico García Lorca among others and laid the foundation for New York's robust underground art scene in the ensuing decades. <br /> <br /> The Living Theatre and its founders were the subject of the 1983 documentary "Signals Through the Flames" directed by Sheldon Rochlin.<br /> <br /> Photographs generally 7 x 5 inches to 12 x 8 inches. Near Fine overall five with light toning. All housed in a 9.75 x 12.17 inch Near Fine black folder with a "The Living Theatre" sticker on the front board. N.p. unknown
195940718New York: Living Theatre 1959. Very Good. New York: Living Theatre 1959. First Edition. Octavo; 16pp. Illustrated wraps. Light edgewear; some toning and scattered staining; binding sound pages unmarked; Very Good. Program for Williams' play which premiered January 13 1959 and was directed by Julian Beck. Includes advertisements for Gotham Book Mart the Evergreen Review and myriad local restaurants and prints a portion of Martin Buber's essay "Drama and Theatre. Living Theatre unknown
1960160201New York: The Living Theatre 1960. Vintage flyer for an experimental music performance held at The Living Theatre on November 7 1960. <br /> <br /> Flyer advertises performances by composers Stephen Addiss Peter Hartman Ezra Sims William Sydeman and Charles Wuorinen. <br /> <br /> Founded in 1947 The Living Theatre laid the foundation for a robust underground art scene in the New York City. After more than a decade of successful original radical stage productions and adaptations of works by playwrights such as Bertold Brecht and Gertrude Stein founders Judith Malina and Julian Beck used their space and resources for the nourishment of the arts more broadly offering the theatre for literary benefits film screenings and musical performances such as the ones advertised here. <br /> <br /> 14 x 8.5 inches. Very Good plus with faint age toning on the left and right edges and a few nicks at the corners. The Living Theatre unknown
1959160200New York: The Living Theatre 1959. Vintage mailer for a performance by American classical pianist William Masselos held at The Living Theatre on May 4 1959. <br /> <br /> Founded in 1947 The Living Theatre laid the foundation for a robust underground art scene in the New York City. After more than a decade of successful original radical stage productions and adaptations of works by playwrights such as Bertold Brecht and Gertrude Stein founders Judith Malina and Julian Beck used their space and resources for the nourishment of the arts more broadly offering the theatre for literary benefits film screenings and musical performances such as the one advertised here. <br /> <br /> Approximately 9 x 4 inches. Very Good plus with faint discoloration on the bottom right portion of the mailer. The Living Theatre unknown
1979162878Rome: Comune di Roma 1979. Vintage poster for an Italian staging of the 1974 groundbreaking American experimental theatre production. Staged in Rome at the Teatro Alberico circa 1979.<br /> <br /> Founded in 1947 in New York by Julian Beck and Judith Malina The Living Theatre is the oldest active experimental theater group in the United States. In the fifties and sixties the company became an epicenter for revolutionary culture performing both original and repertory works.<br /> <br /> "Seven Meditations" was largely written in response to the imprisonment of several members of the company under the Medici dictatorship in Brazil in 1971 drawing on their experiences of suppression and torture in the Brazilian prison system. The show addressed seven different types of actions relationships or statements governed by power including sexuality capitalism private property and law enforcement and attempted to begin a dialogue with audience members regarding ways to move forward from these dynamics. <br /> <br /> As with many of the group's performances "Seven Meditations" proved controversial and even courted obscenity charges largely due to a section of the show depicting a simulated torture scene-as shown in the poster on offer.<br /> <br /> 39 x 55 inches. Rolled. Very Good plus. Comune di Roma unknown
1963156237New York: The Living Theatre 1963. Vintage script for the 1963 off-Broadway play. INSCRIBED on the title page by The Living Theatre co-founder-and production designer for the play-Julian Beck: "This is the mimeographed text which The Living Theatre used for its production of the world premiere of the play May 1963. It precedes all other publications of the play. / Julian Beck / NYC Feb 1985."<br /> <br /> The play premiered at The Living Theatre on May 13 1963. It was the recipient of three Obie Awards for Best Production Best Design and Best Direction. Jonas Mekas would film a 1963 performance of the play after it had closed released in 1964.<br /> <br /> A realistic and anti-authoritarian depiction of a US Marine Corps prison based on playwright Kenneth H. Brown's experience being held in a brig for 30 days while serving with the Third Marines at Camp Fuji in the 1950s.<br /> <br /> The Living Theatre revived the play to inaugurate its new permanent location on the Lower East Side in Manhattan on March 29 2007 directed by Judith Malina.<br /> <br /> Self wrappers front wrapper integral with the title page noting credits for playwright Kenneth H. Brown. 52 leaves with last page of text numbered 2-2-45. Mimeograph duplication rectos only. Pages Near Fine bound with two gold brads. The Living Theatre unknown
195133954New York: The Living Theatre 1951. Near Fine. New York: The Living Theatre 1951. First Edition. Octavo. 16pp. Printed wraps. Mild rubbing to edges; Near Fine. Program guide for the opening of this Rexroth play put on at the Cherry Theater in New York in December 1951. Scarce and a nice example of early Living Theatre material. The Living Theatre unknown
