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0859914968.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996SONG0859914968D.S. Brewer 1996-03-14. hardcover. Used: Good. 6.50x1.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. D.S. Brewer hardcover
1996DADAX0859914968D.S. Brewer 1996-03-14. hardcover. New. 6.50x1.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. D.S. Brewer hardcover
2010Q-081667311XUniv Of Minnesota Press 2010-09-28. Paperback. New. In shrink wrap. Looks like an interesting title! Univ Of Minnesota Press paperback
183852157Tremont Theatre Boston Massachusetts 1838. Broadside. Used - Very Good. Eastburn's Press. Broadside 16 x 7.5" Creased tiny hole trifle soiled VG. Tremont Theatre, Boston, Massachusetts unknown
1827AQ25469Doncaster: T. Brooke and Co. 1827. Five single sheets printed on one side only. A trifle creased stab-stitch holes to gutter margins early naive paper repair to verso of one playbill. A clutch of five - apparently unrecorded - playbills advertising dramatic and comedic productions at the Doncaster theatre in October of 1827 including Irish dramatist John O'Keefe's 1747-1833 The Young Quaker 1784 playwright and actor John Poole's 1785/6- 1872 immensely popular three-act farce Paul Pry 1825 and Edward Fitzball's 1793-1873 nautical drama The Flying Dutchman or the Phantom Ship which had debuted at the Adelphi Theatre the year prior. . Dimensions 140 x 220 mm. [T. Brooke and Co.] unknown
196341956New York: The Living Theatre 1963. First Edition. Near fine. Flyer for a benefit event for Amiri Baraka then Leroi Jones hosted by the experimental theater company The Living Theatre. Consisting of readings concert lectures and other entertainments performers included Frank O'Hara Larry Rivers and Joel Oppenhieimer. Proceeds for the event went to Baraka and his then-wife Hettie Jones who were both ill and unable to work. Hardcover. 8.5" x 11" approx. printed recto only in black. Ink mildly faded with slight toning. Very near fine. The Living Theatre hardcover
193423906Chicago: Fold-A-Way Products 1934. Stiff card. Near fine. Large publisher printed folding portfolio 11 by 17 inches containing the toy theatre wings backdrops curtain and characters for three plays: Red Riding Hood 4 figures Cinderella 7 figures and Little Black Sambo 12 figures plus two entr'act figures Little Pavlova and Little Oleo and changes of clothing for Cinderella Sambo and the three Tigers. The three scripts are present as well as cardboard slats to move the figures about the stage. Light wear to the outer case a few reinforcements to the hinges of the theatre else this a near fine set with all of the character pieces in nice condition.<br /> <p>. Fold-A-Way Products unknown
1936MASTER166754ISPOKANE WA.: FOX THEATRE. VG- IN WRAPS. BOOKLET OF CELEBRITY FASHION TIPS & RECIPES. Pages: 64. . 1936. TRADE PAPERBACK. WRAPS LIGHTLY WORN & SUNNED. PAGES TONING. INTERIOR CLEAN & TIGHT. . FOX THEATRE paperback
1781AQ31604Leeds: s.n. 1781. Single leaf broadside. Browned and creased some marginal chipping/tearing. An apparently unrecorded playbill advertising a benefit night of John Philip Kemble 1757-1823 at the provincial Theatre in Leeds in 1781. This appearance pre-dates Kemble's London debut by two years. At this time he was touring as a member of Tate Wilkinson's Company on the Yorkshire circuit; indeed it was Wilkinson who had constructed the Leeds theatre in 1771. Kemble son of actor-manager of a strolling theatrical troupe Roger Kemble and younger brother of actress Sarah Siddons took to acting in 1776 joining Wilkinson in 1778. Later in 1781 he moved to the Smock Alley theatre in Dublin before joining his sister at Drury Lane in September 1783. At Leeds he played the titular role in the tragedy of The Earl of Essex after which 'Shakespeare's Ode' was performed in which the majority of the players took vocal parts but with Kemble himself taking the speaking role. The evening concluded with the 'New Pantomime Entertainment' of Necromancer: of Harlequin Doctor Faustus an imaginative retelling of Christopher Marlowe's Doctor Faustus by pantomimist and theatre manager John Rich 1692-1761 first performed in 1723. . Dimensions 190 x 300 mm. [s.n.] unknown
40603S.l. anni '930. unknown
1968223334Bangkok.: The Fine Arts Department. 1968 1973 1980. Collection of four issues. <br> <br>"Shadow Play The Nan" by Prince Dhaninivat Kromamun Bidyalabh Bridhyakorn: Colour and black and white photographic illustrations 16pp. <br>"Thai Music" by Phra Chen Duriyanga: Black and white line illustrations 56pp. <br>"The Khon" by Prince Dhaninivat Kromamun Bidyalabh Bridhyakorn and Dhanit Yupho: Colour and black and white photographic illustrations 20pp. <br>"The Preliminary Course of Training in Thai Theatrical Art" by Dhanit Yupho: Colour and black and white photographic illustrations 66pp. <br> <br>All issues: 18.7 x 13cm. Stapled wrappers trifle sunned at extremities a very good set. . The Fine Arts Department. unknown
2021ABE-17255328566662021 Superb full colour programme for the breathtaking performances by Ralph Fiennes at the Harold Pinter Theatre London. Included is a ticket for the event. Very scarce brilliantly produced landscape format full colour programme. As new. Soft cover. New. paperback
1967179842Dublin: 1967. With notes in the director's hand A collection of ephemera from The Living Theatre Company's Dublin performances of Frankenstein and The Antigone of Sophokles: a programme for each play six photographs of the staging for Frankenstein and a notecard with handwritten typesetting for the programme. Each programme is heavily annotated in different hands with corrections to the cast list of both plays. The title page of the programme for Frankenstein has several notes by the director Julian Beck. The experimental Living Theatre Company was founded in New York in 1947 by Beck and Judith Malina. They were the among the first in America to produce plays by European authors including Bertolt Brecht Jean Cocteau and T. S. Eliot and helped to originate the concept of off- and off-off-Broadway. Following tax disputes in the US the group spent much of the 1960s touring Europe. Frankenstein was first conceived for the 1965 Venice Biennale beginning with 30 minutes of silence. Beck planned for there to be no script stating "The action the words the effects will all be created by the company working together with the techniques we have developed amongst ourselves" Beck quoted in Tytell p. 208. The play was reworked several times before its staging in Dublin including a five hour performance in Cassis. The photographs show Beck's cubist set "A thirty-foot high iron grid of wooden platforms and steel piping the space was divided into fifteen connected cubicles on three levels" Tytell p. 210. Antigone first opened in Paris in 1967 with a script translated by Malina. Her version "was based on Brecht's version of the lofty translation the German Romantic poet Friedrich Hölderlin had done of Sophocles' play" Tytell p. 221. A review of the Dublin staging of Frankenstein was cautiously positive stating it was "epic total theatre and though I often felt bored during the long acts it finally sent me into a state of semi-hypnosis which I was reluctant to break" The Guardian. Together 8 items: 2 programmes octavo pp. 6 and pp. 4 with notecard 153 x 103 mm; 6 photographic prints 148 x 909 mm to 196 x 240 mm. Programmes in original red and white wrappers lettered in black white and red. Programmes a little rubbed and creased photos generally well preserved several overexposed two with damp stains: very good copies. John Tytell The Living Theatre: Art Exile and Outrage 1995; Robert Waterhouse "Frankenstein at the Dublin Theatre Festival" The Guardian 7 October 1967. unknown
24564Letter: 30 June 1957; 44 Montagu Street Kettering Northants. Leaflet without date or place. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Letter: 1p 4to. On cream paper. In good condition lightly aged and creased. Folded twice for postage. The letterhead headed ‘â€The Meaning of Versatility†/ Fred Lewis / Creating a good impression.’ has an illustration of a series of footprints up the left margin some with faces in them and such slogans as ‘Mirthful Medleys’ and ‘Brilliant Burlesque’. The feet creating these ‘impressions’ are disappearing at the head of the page. He writes: ‘Dear “Popey†/ A really most enjoyable evening & I was very disappointed I did not see you at the “finaleâ€. However I hope to see you again in the near future. I am very keen on the MUSIC HALL that was! & would like to do my impressions over the air or on television - can you suggest to whom I might write’ Leaftlet: 3pp 12mo. Printed in brown with photographic portrait of Lewis in black on a bifolium of shiny paper. In good condition folded once. On cover beneath the portrait of a smiling Lewis in hat jacket and tie: ‘Fred Lewis / The well-known / Character Impressionist / and Entertainer / 44 Montagu Street Kettering Phone 2350’. The third page announces that ‘FRED LEWIS has a very extensive repertoire of Comedy Songs Character Impressions and a fund of Good Stories.’ A list of his engagements begins with ‘B.B.C. Variety Programmes’ and ends with ‘De Montfort Hall Leicester / and / All Principal Variety Theatres in Great Britain’. Letter: 30 June 1957; 44 Montagu Street, Kettering, Northants. Leaflet without date or place. unknown
2284818 January 1830. 'Theatre Royal Adelphi' London. 3pp 4to. Bifolium. In fair condition aged and worn with closed tears and thin vertical strip of paper on reverse of second leaf which carries a seal in black wax and Yates's address to 'T. P. Cooke Esqre. 28 Manchester Street Manchester Square'. An interesting letter regarding a Victorian stage dispute. In an understated style Yates makes a serious accusation: Cooke has broken his word over the manuscript of Fitzball's play 'The Red Rover' Yates had produced the piece with himself in the title role in 1828 and would do so again in 1831. The subtext is that by such an action Cooke is not a gentleman. It begins: 'Sir. Since you have done me the honor to address me by Letter I conceive it incumbent upon me to return you a written answer. The M S. of the Red Rover Mr Mathews & my property I allowed you to have copied upon an express understanding & pledge that you were to make use of it in the Edinboro Theatre only. Upon your refusal to comply with the terms of your Engagement here you thought proper to make use of the copy I permitted you to take of our M. S. with an additional act compiled by yourself at the Surrey Theatre - which I consider to be a positive breach of your word.' He continues in the same tone stating that he has learnt that Cooke has 'paid Mr Grove our Prompter a Guinea for making the Copy' and that Cooke is also claiming the first two acts as his property. As 'possessor of the Copyright' Yates can only return the manuscript with a 'veto that they shall only be made use of in Edinburgh' but as Cooke has 'already considered his promise as not binding' Yates does not expect him to 'pay any attention'. 18 January 1830. 'Theatre Royal | Adelphi' [London]. unknown
68-8816London UK: Royal Adelphi Theatre ca. 1896. Theatre Program Folded Leaf 4 pp. 8vo. Very Good. London, UK: Royal Adelphi Theatre, [ca. 1896]. unknown
68-8814London UK: Royal Lyceum Theatre ca. 1888. Theatre Program Folded Leaf. 16.2 x 21.5 cm. Good with small tears damp-staining. Scarce. London, UK: Royal Lyceum Theatre, [ca. 1888]. unknown
68-8799London UK: Her Majesty's Theatre 1901. Theatre Program Folded Leaf. 22.2 x 28 cm. Very Good with minor staining. London, UK: Her Majesty's Theatre, [1901]. unknown
132471Opere Drammatiche del cav. avv. G. B. Bertazzi - 2 ed. 1861 - Pag. 239 - Copertina morbida - Testo in italiano. - - Buone condizioni generali. Piccoli segni del tempo. Copertina come da foto con restauro all'angolo inferiore esterno. unknown
67872G. Bucceri - Teatro Piccino - Buon Seme - Parte Prima - ed. 1935 disegni di P. Annigoni - Testo in lingua italiana - Pagine - 336 - Copertina morbida - Condizioni molto buone unknown
26921Victoria and Albert Museum E.I. D. Dept. South Kensington SW7 31 October 1932. One page 4to fold mark good condition. Text: Thank you so very much for the really adorable little book 'Theatrical Ashes' bound with the wood from the burnt Covent Garden Stage which you have presented to my collection. It is a most valuable little memento and I shall show it in the Covent Garden exhibition which is going to take place here in December. It is so kind of you to think of my collection." See Image. Victoria and Albert Museum, E.I. D. Dept. South Kensington, SW7, 31 October 1932. unknown
68-8881Cardiff UK: Prince Of Wales Theatre 1951. Theatre Poster Broadside. 38.3 x 26 cm. Very Good with minor creasing.Scarce. Cardiff, UK: Prince Of Wales Theatre, 1951. unknown
245655 July year. Three Corners Watledge Gloucestershire. From the Macqueen-Pope papers. See his entry in the Oxford DNB. 2pp foolscap 8vo. In fair condition lightly-aged with creasing at head which is annotated by MP ‘author’. After thanking him for his letter he writes: ‘It is fatal to have a book published without seeing a proof. In my “Gilbert & Sullivan Dictionary†I had occasion to mention “The Yeomen of the Guard†14 times. The compositor aided by the reader deliberately channged them to “Yeomanâ€. They actually said they did so because “Yeoman†was correct!†Turning to Shaw’s ‘Arms and the Man’ he says he knows ‘the original Yorke Stephens & his wife Helen Hays for their son Frank was a schoolfellow of mine at Merchant Taylors!’ He gives a list of the ‘fine theatrical people’ that school produced. ‘I met a lot of the profession at the house of my uncle by marriage W. Lestrange including Edna May Hubert Carter and Hilda Trevelyan.’ If his ‘slightly longer experiences’ might be of use to MP in writing his books they are at his disposal. He once found ‘200 slips’ in a book by ‘old John Parker’ ‘for which he seemed grateful’. Postscript: ‘Northcliffe when plain Alfred Harmsworth suggested my nom de plume of Factus when I was a schoolboy. FACTUS = done!’ 5 July [year?]. Three Corners, Watledge, Gloucestershire. unknown
1929244088.Gcassette. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
