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14791NY CROWN 1968. FIRST EDITION VERY GOOD. F. NY, CROWN, 1968 unknown
14789NY CROWN 1966. FIRST EDITION VERY GOOD. F. NY, CROWN, 1966 unknown
14792NY CROWN 1969. FIRST EDITION VERY GOOD. F. NY, CROWN, 1969 unknown
14790NY CROWN 1967. FIRST EDITION VERY GOOD. F. NY, CROWN, 1967 unknown
14793NY CROWN 1970. FIRST EDITION VERY GOOD. F. NY, CROWN, 1970 unknown
1827AQ27774Wakefield: Hurst Printer 1827. Single leaf broadside. A trifle shaved at foot stab-stitch holes to one margin. An apparently unrecorded playbill advertising a performance of Richard Brinsley Sheridan's 1751-1816 perennially popular comedy The Rivals 'by the desire' of the Gentleman's Book Club of Wakefield West Yorkshire. The Rivals premiered at Covent Garden on 17th January 1775. It was universally vilified for its length bawdiness and the poor performance of actor John Lee 1725-1781 in the role of Sir Lucius O'Trigger. Sheridan withdrew the play immediately and over the course of ten days rewrote it extensively. The play reopened on 28th January with a more capable actor in the role of the comic Irishman to significant acclaim and has remained a standard of English theatre ever since. . Dimensions 140 x 220 mm. Hurst, Printer unknown
0817370056.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2010Q-0817370056University Alabama Press 2010-10-15. Paperback. New. New. In shrink wrap. Looks like an interesting title! University Alabama Press paperback
2010SONG0817370056University Alabama Press 2010-10-15. First Edition First. paperback. Used: Good. 6.00x0.50x9.00. Buy with confidence. Excellent Customer Service & Return policy. University Alabama Press paperback
61850814University of Alabama Press pp. 152 4th Edition . Papeback. New. University of Alabama Press unknown
68-6419Paris France: L'Edition Artistique 1922. Program. 12mo. Stapled Wraps 16 pp. B&W Photographs cover in color. Good with minor tears. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: L'Edition Artistique, 1922. paperback
1831003478London: J. Tabby Printer 1831. Single sided broadside approximately 215mm x 340mm in size. Slightly chipped to edges small spot to centre and one towards foot otherwise quite bright and clean. A benefit for Mr. James Wallack an actor and later manager with a Napoleon related play 'The Little Corporal; or the School of Bonaparte' relating to his time at the military school at Brienne and the celebrated snow ball fight led by Napoleon in the winter of 1783-4 with a 'terrific bombardment with snow balls!' Also appearing were Cooke's Equestrian establishment and his 'celebrated stud of ponies' promising a 'grand attack of Lilliputian cavalry'. The printer was I think J.ohn Tabby whose printing of his own imprint doesn't act as a very good advert for his services see BBTI. First Edition. Unbound. Good. Folio. Broadside. J. Tabby [Printer] Paperback
1858AQ25652London: Printed by J. W. Peel 1858. Single leaf broadside. numerous old horizontal and vertical folds. A trifle creased and browned. An apparently unrecorded playbill advertising performances at the Theatre Royal Drury Lane of William Leman Rede's 1803-1847 two-act farce His First Champagne and Edward L. Blanchard's 1820-1889 comic pantomime Little Jack Horner or Harlequin A. B. C. and the Enchanted Regions of Nursery Rhymes! The bill rather verbosely described the pantomime as 'Allegorical Beautiful Comical Diverting Educational Fanciful Gorgeous Hyperbolical Intellectual Jovial Keen Laughable Merry Novel Original Peculiar Quizzical Romantic Splendid Transcendent Unobjectionable Volatile Waggish Extravagant Youthful and Zigzaggy'. In the pantomime an entreaty to literacy and knowledge Intelligence sends Proverb to help Jack Horner with his studies Jack fends off Ignorance with the Sword of Perseverance and sent to a 'Fairy Aquarium' with a coral palace to see what can be achieved by Imagination. The spectacular visual scenery provided by William Beverley in particular the 'Fairy Aquarium' was universally praised; indeed even the The Times who dismissed Blanchard's efforts stating that 'People do not expect to be edified and instructed at a pantomime' were effusive in their praise: 'As its wonders gradually revealed themselves and the circumambient air no less than terra firma became peopled with floating nymphs and soaring fairies the applause was vociferous and continuous and a summons first for Mr E. T. Smith the manager and next for Mr Beverley the artist presented the climax of excitement'. . Dimensions 500 x 510 mm. Printed by J. W. Peel unknown
1802AQ29612London: P. Boyle 1802. Single card ticket printed on one side only and signed and numbered in manuscript. A ticket granting admission to the gallery of the Theatre Royal Haymarket for a performance of Shakespeare's Merchant of Venice. Apparently unrecorded unsurprisingly given the ephemeral and eminently disposable nature of the item. . Dimensions 90 x 60 mm. [P. Boyle] unknown
1826AQ33563London: s.n. 1826. Single leaf broadside. Slight chipping to edges small loss to lower left-hand edge. An early playbill for the 1826 run of Isaac Pocock's 1782-1835 operatic drama Rob Roy MacGregor first performed in Covent Garden on the 12th March 1818. Based on the Scottish folk hero of the same name and adapted from Sir Walter Scott's 1818 Waverley Novel Rob Roy the title role would be played by acclaimed English stage actor William Charles Macready 1793-1873. Pocock would go on to adapt further Waverley novels for the stage although less successfully including Montrose or the Children of the Mist 1822 and Woodstock 1826. . Dimensions 210 x 328 mm. [s.n.] unknown
1828AQ33562London: s.n. 1828. Single leaf broadside. Some loss to left-hand edge and small tear to upper right-hand corner. A playbill advertising the night's performance of Exchange no Robbery or The Diamond Ring a Comedy by known practical joker Theodore Hook 1788-1841. Most famous for the Berners Street Hoax of 1809 during which he invited countless men and women of note to a single house in Tottenham to win a bet with a friend Hook is considered to be the first recipient of a postcard - likely mailed to himself. The evening's additional entertainment consists of a new Operetta titled 'Love in Wrinkles or the Russian Strategem' and the ninth performance of Charles the XII or The Siege of Stralsund a two-act historical drama by James Robinson Planché 1796-1880 based on the life of said King of Sweden. . Dimensions 199 x 335 mm. [s.n.] unknown
1848AQ21387Leeds: T. W. Green & Co. 1848. Single leaf broadside. Vertical central fold damp-stained to head creased two short tears touching text at head - without loss. A double playbill advertising a staging at the Theatre Royal Leeds of Edward Stirling's 1807-1894 three-act drama Raby Rattler purportedly adapted from a story by poet and journalist Eliza Cook 1812-1889 though we can find no such publication attributed to her; indeed the only candidate title that we have been able to locate is Thomas Hall's fl. 1845-1864 'Effects' and adventures of Raby Rattler 1845. . Dimensions 380 x 320 mm. T. W. Green & Co. unknown
1829AQ22323London: Printed by W. Reynolds 1829. Single leaf broadside edges uncut. A trifle creased and browned. An apparently unrecorded late Georgian playbill advertising an evening's entertainment at the Theatre Royal Covent Garden on 2nd February 1829 including a performance of the juvenile comic pantomime 'Harlequin and Little Red Riding Hood; or the Wizard and the Wolf' starring Joseph Grimaldi 1778-1837 as Granny Rose; but perhaps more remarkably featuring a moving Panorama depicting the progress of Russian forces enroute to the Turkish capital presumably during the then ongoing Russo-Turkish War 1828- 1829. Though apparently unrelated to any of the performances staged on 2nd February this elaborate panorama was produced by the Scottish artist and noted scene painter David Roberts 1796-1864 and clearly a significant enough draw to London audiences to be noted in the billing. . Dimensions 220 x 350 mm. Printed by W. Reynolds unknown
1833AQ25373London: Printed by W. Reynolds 1833. Single leaf broadside two edges uncut. A trifle creased and browned early manuscript note 'turn over' / 'postponed' to head. An apparently unrecorded playbill advertising the debut performance at the Olympic Theatre London of The Bridal Promise an adaptation by John Oxenford 1812-1877 of French composer Ferdinand Herold's 1791-1833 opera comique Zampa ou La fiancée de marbre 1831. As the manuscript note attests the performance was postponed an extant contemporary broadside suggests until June 10th. . Dimensions 200 x 350 mm. Printed by W. Reynolds unknown
1807AQ23253London: s.n. 1807. Single leaf broadside. A trifle creased. An apparently unrecorded early nineteenth-century playbill advertising a performance at the Theatre Royal Covent Garden of playwright Thomas Morton's bap. 1764 d. 1838 remarkably popular comedy Speed the Plough; the venue at which the play debuted in 1798. . Dimensions 180 x 260 mm. [s.n.] unknown
1831AQ22321London: J. Tabby 1831. Single bifolium. 2pp. A trifle creased to extremities some marking to gutter split at head. The highlight of this double-page playbill is the detailed 'order of scenery' included for the popular Regency hippodrama Timour the Tartar by Matthew Gregory 'Monk' Lewis' 1775-1818 Gothic novelist and dramatist. Timour which debuted at the Royal Opera House Covent Garden in late April or early May 1811 is believed to be the first play expressly written to feature horses. This performance featured horses from Cooke's Circus which appeared in several different performances at the Theatre Royal in May 1831 and their involvement in three scenes is explicitly detailed here. . J. Tabby unknown
AQ21437Valetta: s.n. s.d. Single leaf broadside edges uncut. several horizontal folds lightly creased manuscript title to verso. An apparently unrecorded late Victorian playbill advertising an evening's entertainment starring members of the British armed forces held at the lavish Theatre Royal in Malta's capital Valetta. The venue was constructed in 1866 after designs by Edward Middleton Barry 1830-1880 the architect of Covent Garden Theatre. A mere six years after completion the building's interior was ravaged by fire forcing closure; performances would not resume until restoration works concluded in 1877. The theatre was destroyed during Luftwaffe bombings in 1942. The ruins today serve as an open-air performing arts venue. . Dimensions 210 x 310 mm. [s.n.], [s.d.] unknown
26372‘Theatre. Royal Dublin / 23rd Apl 1844’. 2pp 12mo. On first leaf of grey-paper bifolium the blank second leaf carrying a thin strip of tape from the mount. In good condition folded once. Signed ‘John W. Calcraft’. The recipient is not named. Thirty-four lines of text in a somewhat difficult hand. After a reference to ‘Mrs. Cook’s letter’ he gives the details of a forthcoming production including the dates ending with the benefit. ‘Terms as understood 10£ per night & halfbenefit. I do not usually play on the Friday Night at this time of the year as they are uniformly bad nights’. He explains that he often finds ‘single extra nights’ more productive. Asks ‘Pray let me have your Books of your pieces as soon as possible & also any parts you may have by you’. Concludes: ‘I think every thing is perfectly understood.’ ‘T[heatre]. R[oyal] Dublin / 23rd Apl 1844’. unknown
18571037W. S. Johnson St Martin's Lane Charing Cross 1857. No Binding. Good. Single leaf double width broadside 508 x 502mm. Vertical and horizontal folds significant losses to bottom corners including a small amount of text. Both creased and marked. Late career performance by noted English actor T. P. Cooke six years before his death. Here reprising his most successful role of William in Black-Eyed Susan other notable performances included Frankenstien's Monster in Presumption or The Fate of Frankenstein; Lord Ruthven in The Vampire. 1857 <br/> <br/> W. S. Johnson, St Martin's Lane, Charing Cross unknown
24585Undated but shortly after the death of Ivor Novello on 6 March 1951. BBC Radio London. From the Macqueen-Pope papers. His entry in the Oxford DNB describes how in the 1950s he was ‘in demand as a lecturer on the theatrical subjects he loved and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment and television in particular as representing a serious threat to the survival of theatre about which he cared passionately’. The present item relates to the theatre with which he was most closely connected serving for more than two decades 1935-1956 as press agent there and even acting as its Air Raid Warden during the Second World War. His book on the place had appeared in 1945. 4pp 4to. On four leaves of discoloured and heavily-creased cartridge paper. At top left of first page: ‘2nd Broadcast’. Title: ‘Theatre Songs and Stories / by / W. Macqueen-Pope / No. 2. Theatre Royal Drury Lane. / Signature Tune ‘Ma Belle’. Traces the history of music at the theatre from its foundation in 1663 with reference to Nell Gwynne and Pepys Garrick’s ‘Heart of Oak’ and Arne’s ‘Rule Britannia’ to Ivor Novello whose ‘recent tragic death saddened the whole country’. MP who would produce a biography of his friend Novello at the end of 1951 adds in the final paragraph: ‘And indeed Ivor Novello’s life who wrote and composed that song did indeed belong to us. He dedicated it to the public and to the Theatre - and he loved and revered no Theatre more than Drury Lane for which he did such yeoman service. He has gone but Drury Lane goes on - musically too. “Oklahoma†broke every record it ever made and “Carousel†still runs gaily after a whole year of service.’ Undated, but shortly after the death of Ivor Novello on 6 March 1951. [BBC Radio, London.] unknown