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20082090502113711812Not Available 2008. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2081502112302172Shochiku N.A. Soft Cover. Fine. The book is in fine condition. Shochiku paperback
3734903<p>N.p. Springbok Films Ltd. Distributed by Associated British-Pathe Limited n.d. ca. 1963. Folio 13 x 8 inches. 89 leaves. Stiff un-printed pink wrappers lightly soiled; two brad fasteners. Near fine condition.</p> <p>Dialogue continuity script for Joseph Losey’s 1963 film adaptation of Robin Maugham’s novella with screenplay by Harold Pinter. Produced by Springbok Films and distributed by Associated British-Pathe the script records scene-by-scene dialogue across twelve reels spanning more than 10000 feet of film. The script would have been used in post-production to ensure synchronization and subtitling accuracy.</p> <p>The Pinter-Losey collaboration is considered a landmark of British New Wave cinema noted for its claustrophobic depiction of class manipulation and psychological power games. The film marked the first of three major collaborations between Losey and Pinter followed by Accident and The Go-Between.</p> unknown
1950168509N.p.: N.p. 1950. Vintage eleven-page ribbon copy typescript short story circa 1940s-1950s subsequently serving as the basis for the 1972 adult film. Rare.<br /> <br /> An iteration of an explicit short story penned by an anonymous author sometime before or during World War II circulated underground in retyped typescript or carbon typescript copies during the 1940s and after.<br /> <br /> "Behind the Green Door" is notable as one of of the first American hardcore pictures to receive widespread distribution in the US and one of the first heterosexual pornographic films to feature an interracial sex scene. A breakthrough role for actress Marilyn Chambers who would go on to become one of the first icons in the adult film industry and even worked briefly in mainstream cinema. <br /> <br /> Eleven leaves last page of text not numbered. Ribbon copy typescript on onionskin stock rectos only. Pages Good or better bound with two staples on the top edges. N.p. unknown
1983170906Rome: AEIOU 1983. Softcover. Issue 7. Text in Italian.<br /> <br /> An Italian arts periodical named after Rimbaud's 1883 poem "Voyelles" "Vowels" published quarterly with a focus on Arte Povera. This issue features work by Fernando Melani Michelangelo Pistoletto Paolo Marinucci Bizhan Bassiri Luciano Fabro Ettore Spaletti Meret Oppenheim Jole De Sanna and Giorgio Pagano. <br /> <br /> Near Fine in perfect-bound lightly toned wrappers missing wraparound band. Subscription card laid in. AEIOU unknown
1918100017Large square 4to original cloth 844 pp. Some minor discoloration of top cover of binding top corners bumped a little and hinges are a little weak. Overall very good. This work gives a vast amount of statistical data covering the Negro population for a 125 year period between 1790 and 1915. Illustrated with numerous maps and charts that cover a range of subjects including migration and segregation growth and geographical distribution and economic and illiteracy statistics. Also includes information on fertility and mortality. Government Printing Office, hardcover
1966152454Los Angeles: The Mirisch Corporation 1966. Revised First Draft script for the 1967 film. Laid in is a Call Sheet from the production dated Tuesday November 29 1966. <br /> <br /> Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small bigoted Mississippi town. Winner of five Academy Awards including Best Picture and Best Actor for Rod Steiger nominated for two others. After the success of the film version the characters were developed further for a police procedural television series in 1988 developed by James Lee Barrett and starring Carroll O'Connor and Howard Rollins which aired on NBC then CBS from 1988 to 1995.<br /> <br /> Set in the fictional town of Sparta Mississippi and shot largely on location in Illinois. Poitier insisted the movie be filmed in the North because of a 1964 incident in Mississippi in which he and Harry Belafonte had been run off the road and almost killed by Klansmen while in the state to support the SNCC Student Non-Violent Coordinating Committee.<br /> <br /> Goldenrod titled wrappers noted as REVISED FIRST DRAFT on the front wrapper rubber-stamped copy No. 84 dated July 1 1966. Title page present dated July 1 1966 noted as REVISED FIRST DRAFT with credits for screenwriter Stirliing Silliphant. 134 leaves with last page of text numbered 140. Mimeograph duplication rectos only with blue pink and white revision pages throughout dated variously between 7/27/66 and 8/10/66. Pages with damp stain on top right of last several pages else Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Call Sheet 8.5 x 14 inches folded horizontally. Near Fine<br /> <br /> National Film Registry. Criterion Collection 959. Penzler 101 Greatest Films of Mystery and Suspense. The Mirisch Corporation unknown
160757N.p.: N.p. 1978. Revised Draft script for the 1979 short film. Copy belonging to uncredited actor Charles Hutchins with his name and role "The Court Clerk" in manuscript ink on the title page and his annotations in manuscript ink indicating scenes on three pages. <br /> <br /> The first film adaptation of the 1944 novel by Lillian Smith about a Black painter in 1940s Georgia whose attempt to register to vote culminates in his murder by a lynch mob. Nominated for an Academy Award for Best Short Film.<br /> <br /> Set in Georgia.<br /> <br /> Self wrappers. Title page present dated Feb. 20 1978 noted as Revised Draft with credits for screenwriter Stephen B. Katz director Seth Pinsker and novelist Lillian Smith. 36 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Very Good plus lightly edgeworn partially bound at the top left corner with three staples. N.p. unknown
1947161363Washington DC: Howard University 1947. Vintage program for the 1947 production of the 1944 play held from December 9-12 1947 at Howard University's Spaulding Hall under the direction of James W. Butcher Jr. The production marked the first time the play had been performed by an all-Black cast.<br /> <br /> Produced less than two years after the 1945 Broadway premiere of Tennessee Williams' breakthrough play director Butcher remained faithful to Williams' text for Howard University's Black acting troupe The Howard Players and the performances' predominately Black audience and was widely lauded by local critics with the Washington Afro-American declaring the production "a must on the local theatregoers' calendar" and the Washington Evening Star acknowledging Butcher's "bravery" in producing an entirely Black production of Williams' play.<br /> <br /> Among The Howard Players acting in the production were very early performances by noted actor Graham Brown later of the Negro Ensemble Company in New York here using his birth name Robert Brown who played the angry and socially conscious Tom Wingfield and noted actor playwright and groundbreaking theatre director Shauneille Perry who played the crippled and psychologically fragile Laura Wingfield.<br /> <br /> 6.5 x 9.25 inches Bi-fold. Near Fine with faint toning to the extremities. Howard University unknown
1936147033Burbank CA: Warner Brothers 1936. Collection of nine vintage oversize photographs from the 1936 film. Each with a mimeo snipe on the verso. <br /> <br /> Based on the 1930 Pulitzer Prize winning play by Marc Connelly itself based on "Ol' Man Adam an' His Chillun" a 1928 collection of pseudo African American folk tales by Roark Bradford. One of only a handful of films to feature an all-Black cast made by a major Hollywood studio during the Golden Age becoming the highest grossing such film and remaining so until surpassed by "Carmen Jones" in 1954. <br /> <br /> 14 x 11 inches. Very Good with light edgewear and light vertical creasing down the center. Warner Brothers unknown
1978154426Orem Utah: Osmond Television 1978. Rough Final Draft script for the 1978 television special copy belonging to Haywood Nelson his name printed on bottom right of binder housing the script and written in manuscript ink on top of two script pages. The variety show special aired on ABC on September 9 1978 starring Kristy and Jimmy McNichol and co-starring Donny Most Haywood Nelson Donny Osmond Adam Rich Danielle Spencer Joey Travolta Frankie Valli and the animated Pink Panther cartoon character. Preceding the script are two green "Taping Schedule" pages and a four page "Short Rundown." Laid in is a "remittance advance" receipt dated 1/18/79. <br /> <br /> Haywood Nelson was a popular African American child actor best known for his roles in the ABC comedy sitcoms "What's Happening!!" 1976-1979 and "What's Happening Now!!" 1985-1988.<br /> <br /> The ABC All-Star Saturday Preview Special was an annual variety show special featuring popular performers performing song and dance numbers and sketch comedy pieces introducing and previewing the upcoming season of Saturday morning television shows.<br /> <br /> Blue titled wrappers noted as ROUGH FINAL DRAFT on the front wrapper with credits for director Tim Kiley and executive producers Osmond Brothers. Title page present with credits for the cast. 118 leaves with last page of text numbered 116. Xerographic duplication rectos only with yellow and pink revision pages throughout dated 8/7/78 and blue "Commercial" pages and green "ABC Promo" pages throughout. Pages Near Fine wrapper Near Fine with some foxing to front wrapper housed in a titled yellow binder binder Very Good plus with bowing to the boards and light soiling. Osmond Television unknown
200063678Washington D.C.: Smithsonian Anacostia Museum & Center for African American History & Culture 2000. Small 4to. 24 pp. Photo illustrations throughout. Photo-illustrated softcovers slight creasing very slight fore-edge crease to textblock still a VG bright copy. First edition of this excellent exhibition catalogue examining the 300 images produced by African-American photographers from Jules Lion’s daguerreotypes in 1840’s New Orleans to those produced by Clarissa Sligh and Darryl Sivad at the end of the 20th-Century. Smithsonian, Anacostia Museum & Center for African American History & Culture, paperback
200245471N.p.: Cultura 2002. Near Fine. N.p.: Cultura 2002. First Edition. Oversized tabloid format 58x42cm; pictorial self wrappers. 32pp.; full color photographs throughout. Previous fold else Near Fine.<br /> <br /> Substantial tabloid-style brochure issued to accompany the Cultura fashion house's Warhol-inspired line at the 2002 Fashion Week. Cultura unknown
1953150345N.p.: N.p. 1953. Vintage oversize borderless reference photograph of actor Anthony Perkins barefoot on the set of "The Rainmaker" circa 1953. The original penciled notations on the verso indicate that Perkins was on the set to visit Wendell Corey. With the stamps of still photographer Bill Avery and editor Bud Fraker on the verso. <br /> <br /> Shot early in his career before Perkins played his best-known role as Norman Bates in Alfred Hitchcock's 1960 film "Psycho." <br /> <br /> Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others.<br /> <br /> Shot partially on location in Kanab Utah. <br /> <br /> 8.5 x 13.5 inches. Near Fine. N.p. unknown
195957518Modesto CA: Stanislaus Cities -- County Advance Planning Staff Belt Printing & Lithograph Co. 1959. Oblong 4to. 11 x 8.5 in. 43 1 pp. Photo frontisp. photo illustrations colour maps some folding text illustrations throughout. Black illustrated boards photo illust. on front cover & back cover plastic comb binding as issued minor shelfwear slight bumping to couple corners still VG copy from the library of George Reed Volker 1925-2018 former World War II pilot and urban planner in California New York and Washington State. First edition of this scarce Mid-20th-Century urban planning housing report issued as a result of the 1945 California Redevelopment Act focusing on Stanislaus County including Modesto Ceres Empire Newman Oakdale Patterson Riverbank Turlock & Keyes CA. The study includes demographic and statistical maps with supporting photographs showing 20% slum housing in the Stanislaus County region higher percentage of African-American and Latino populations transient populations higher rates of Tuberculosis sexually transmitted Diseases and poor children’s hygiene and high juvenile delinquency rates all contributing to “blight.†This work outlines a number of steps and suggestions after surveying 37000 dilapidated dewellings with special impact of the construction of Highway 99 noted. Worldcat locates 7 copies; See: George Morrow The Homeowner Revolution: Democracy Land Use and the Los Angeles Slow-Growth Movement 1964-1992 2013. Stanislaus Cities -- County Advance Planning Staff, Belt Printing & Lithograph Co., hardcover
196057519Modesto CA: Stanislaus Cities -- County Advance Planning Staff Belt Printing & Lithograph Co. January 1960. Oblong 4to. 11 x 8.5 in. 72 pp. With photo illustrations colour maps text illustrations throughout. Gray illustrated limp covers photo illust. on front cover plastic comb binding as issued minor shelfwear slight bumping to couple corners still VG copy from the library of George Reed Volker 1925-2018 former World War II pilot and urban planner in California New York and Washington State w/ ownership stamp on upper right corner. First edition of this scarce Mid-20th-Century urban planning housing report issued as a result of the 1945 California Redevelopment Act focusing on Stanislaus County including sections on the environmental characteristics of blight public-facility needs of blight health and welfare costs of blight police costs of blight and economic losses. This report encompasses a program to end blight. Worldcat locates 4 copies; See: George Morrow The Homeowner Revolution: Democracy Land Use and the Los Angeles Slow-Growth Movement 1964-1992 2013. Stanislaus Cities -- County Advance Planning Staff, Belt Printing & Lithograph Co., unknown
197931778Atlanta: MARTA 1979. Soft cover. Good. Bound soft cover. vii 141 pages. Illustrated with copied photographs figures plans etc. Paper cover with title on the front. Pages are one sided. Contents include local history found relics along the construction zone and more. Several black and white photographs of relics and working areas. Light wear and soiling to the covers. MARTA unknown
196151902Detroit MI: Dodge Division Chrysler Motors Corporation Nov. 1961. 4to. 50 camera-ready printed photographic leaves on thick glossy card stock preserved with original kit file folder TLS on Dodge Division letterhead and original mailing envleope minor creasing edgewear NF set. The 1962 model year was a decided disaster for the Dodge Division primarily because the company Vice President in charge of development mistakenly decided to shrink all of the Dodge models in order to better compete with the Chevrolet Chevy II and the Rambler models. The 1962 models were placed on reduced wheel bases and the cost cutting measures only added to the size of the disaster. This Promotional kit includes photos of all the models released that year as well as a number of storyboard photo series featuring maintenance and fueling of the autos changing flat tires policemen in Dodge police cars tracking down and stopping suspects Dodge ambulances traveling and staying at the Howard Johnson. In addition there is included a substantial section of photographs devoted to the Dodge Trucks and heavy Trucks as well as commercial panel vans and delivery vans released in 1962. See: Kevin Martin Suddenly it’s 1962 Curbside Classic 2013; Aaron Severson The Dodge that Almost Ate Detroit: Chrysler’s Disastrous 1962 Downsizing Ate Up With Motor Automotive History 2009. Dodge Division, Chrysler Motors Corporation, unknown
193658355Santa Barbara CA: United Motor Courts Inc. 3230 Hollister Ave. 1936. 4to. 8 x 9 in. 15 1 pp. Printed in red & black photo- illustrated throughout w/ strip maps printed in red & black in landscape double-page formated self-printed colour illustrated softcovers cover art of scenic Spanish Revival style bungalows w/ 1930’s style sedans pulling into a California motor court minor dustsoiling shelfwear small tear to upper right corner still VG- copy w/ stamp of Beechwood Auto-o-Tel on back cover. Fourth revised edition of this well-illustrated motel guide for Western automobile travelers as the country slowly emerged from the Great Depression. This association based in Santa Barbara California was one of the earliest motel referral services in the U.S. and managed to garner independent motel and motor inn operators across the country to subscribe and maintain their standards of comfort and courteous service. These illustrated guides prove invaluable in charting roadside architecture across the West amenities to be found by travelers and the variety of signage. This guide combines elements of the earlier Photo-mobile Western travel guides with mileage information phone numbers and images of the well-appointed motels. Scattered across the West these include the Utah Motor Park Sunset Cottage Court in Pocatello ID the Home Motel in Las Vegas NV the Craftsman inspired Wa-Wona Court in Corvallis OR the Jones Autel in Merced CA featuring a service station & cottages Bear Creek Lodge on the Yosemite Highway and many more. No copies located in Worldcat; See: Andrew Wood The Rise and Fall of the Great American Motel: Mom and Pop Motels once dominated American Highways Smithsonian Magazine June 30 2017. United Motor Courts, Inc., 3230 Hollister Ave., paperback
198461448Portland & Gresham OR: Susan Higgins Ballet Instructor & Artistic Director Cascade Athletic Club; Oregon Concert Ballet Co. 1984. 4to. Approx. 250 pp sections separately paginated and unnumbered some numbered in ink several with duplicate numbering consisting of typescript musical score and illustrations many of the pages with extensive ink and/or pencil annotations some updates photocopies with additional revisions many pages with updates taped onto the musical score approx. 200 pp. preserved in archival mylar sleeves remainder 3-hole punched at gutter margin and inserted. Contemporary black vinyl 3-ring binder minor scuffing edgewear still VG exemplar. A wonderful original ballet director’s art direction notebook for the Peter Pan ballet staged in 1984 intended to offer young up-and-coming ballet students at the time to experience live performances and to unify Eastside/Westside Royal Academy of Dancing trained students. It would be 5 years before the Oregon Ballet and Pacific Ballet Theater would consolidate under the direction of James Canfield to form the Oregon Ballet Theatre. This ballet featured four acts divided into The Nursery Neverland Ship of the Pirates and Conclusion featuring solos by Wendy Tinker Bell Peter and Captain Hook over the length of the production. Dancers 4-5 years old were featured as the Neverland Fairies 5-7 years old with 2 years of training and pre-primary Royal Academy examinations behind them played Forest Fairies; Lost Children were 6-9 years old and had performed Barre and footwork; followed by the Pirates and soloists including Wendy Heather Miller Peter Pan Laura Spradlin Captain Hook Elizabeth Johnson and the mermaids drawn from the Lake Oswego School of Ballet under the directorship of Christine Donald. The original score by Anita Perry b. 1960 an up-and-coming Canadian composer out of British Columbia where she had studied piano with Lee Kum Sing and composition with Cortland Hultberg. In her early 20’s M. Perry had already won several composition awards was known for her original ballet works and wrote this score with orchestration for a variety of instruments “lending to the performance. . . a more closely approximated real environment experienced by professional dancers.†Peter Pan as a ballet required a fair amount of athleticism and as indicated here in Higgins’s artistic director’s notebook required extensive choreography changes scene adjustments and revisions by M. Perry. Higgins studied and danced at the British Royal Ballet later with Elvie DeMarko 1924-1989 of Ballet Russe and then with Robert Barnett of the Atlanta Ballet. No similar notebooks or programs survive for this 1984 ballet and there are no recordings or printed musical scores this cataloguer could uncover. Susan Higgins, Ballet Instructor & Artistic Director, Cascade Athletic Club; Oregon Concert Ballet Co., unknown
195961384Hollywood CA: United Artists Corporation 1959. Oblong folio. 11 x 14 in. 8 leaves. Colour-lithograph lobby cards on thick paper stock some dustsoiling thumbing to fore-edges minor bumping to couple corners still a VG set. First edition of this complete set of movie theatre lobby cards for this 1959 Film Noir Las Vegas heist movie featuring the sultry Mamie Van Doren as the femme fatale gangster’s mole juxtaposed with the resentment and violence between Gerald Mohr and Lee Van Cleef over Van Doren’s affections. No copies in Worldcat. United Artists Corporation, unknown
19311387Milano: Rizzoli & Co. 1931. Good. 19-1/2" x 14. 8 pp. Cream paper printed in black burnt orange and blue with color lithographed illustrations throughout. Center fold line and lighter vertical crease; light foxing to outer pages; several nicks and occasional minor loss to margins; long tear to head of last leaf progressively shorter in successive leaves; few other tears minimally affecting text on last page; some splitting to folds. Large promotional newspaper/program for this travelling German circus in Italy only from 1931-32. The circus featured "la sua grandiosa pantomima acqua" a grand water pantomime in which the ring was flooded with 500000 litres of water with fountains "whose splashes touch the top of the tent jets of water illuminated by reflectors with the force of 2000000 candles luminous waterfalls a thousand water games complete with the entire artistic staff with actors singers and international dance beauties" our translation."In the late 1920s Jakob Busch made his mark as one of the first circus directors to adapt water spectaculars popularized by Paula Busch in her Berlin circus to an itinerant big top and to bring to his traveling show under the artistic direction of Alfred Delbosq the hitherto purely urban concept of the revuereplete with chorus line singers and theatrical tableaux. Using equipment especially designed for his traveling circus Jakob Busch dedicated the full second half of his shows to carefully dramatized water pantomimes for which the ring was completely flooded. Their themes ranged from oriental tales to Venetian feasts and even to an elaborate six-part spy story From the Equator to the Pole which included all sorts of exotic animals and a polar tableau with penguins sea lions and a couple of ice skaters. . Circus Busch performed regularly in neighboring Czechoslovakia and Austria and even became popular in Italy which it visited in 1931 and 1932 due to the close ties between the Fascist and Nazi regimes" circopedia.org/Jakob_Busch.This program is from the circus's premier in Carrara on Friday January 29th.Apparently unrecorded. We find no holdings in OCLC Copac or KVK. [Rizzoli & Co.] unknown
194053843New York: Fishery Council Inc. Bureau of Consumers’ Service ca. 1940. 8vo. 32 pp. Green textured & printed softcovers cover art illust. on front cover black lettering minor dustsoiling shelfwear still VG copy. First edition of this scarce cook book intended to advise and promote the purchase and use of seafood in New York sponsored by the New York Fishery Council and written under the direction of the New York Bureau of Consumers’ Service. This cook book describes Bluefish Carp Cod Eels Haddock Halibut Mackerel Oregon Salmon Sea Bass Chowders Clam Pies Oysters and many other types of seafood. Gannon 1885-1969 was an Irish-American housewife who shaped the Bureau into a powerful agency during the aftermath of the Great Depression in monitoring the food supply into New York City and shaping demand by daily radio announcements and advisories to housewives and domestics. Worldcat locates 1 copy Harvard; See: Woman Directs Fresh Foods into New York The Milwaukee Journal Nov. 24 1936 p. 2. Fishery Council, Inc., Bureau of Consumers’ Service, paperback
1958143074Universal City CA: Universal Pictures 1958. Vintage double weight photograph on the set of the 1958 film showing Cyd Charisse getting her hair styled after a swim while Rock Hudson films with moment in the background. With a mimeo snipe on the verso. <br /> <br /> With a screenplay by Ernest K. Gann based on his 1958 novel about the captain and passengers of a rundown boat caught in a storm and struggling to survive. <br /> <br /> Filmed on location in Hawaii. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
193058055Portland OR: Hollywood College of Music Dancing & Fine Arts Baker Studio Granada Studio La Vere Photo Shoppe Photo Craft Studios ca. 1930-1933. Oblong 4to. 24 original photographs all preserved in archival mylar sleeves sized 6.25 x 7 in. up to 8 x 10 in. some w/ photographer’s imprint w/in negative others w/ manuscript captions added a few w/ annotations and/or photographer’s instructions on versos all with bright strong contrast a few w/ offsetting from previous mounting on versos and one w/ very small pinholes at corners from prior mounting. Recent cloth binder stamping front cover excellent grouping. These photographs vividly document the dance and music studio operated by Annabelle Knowles reflecting the fast evolving costumes and aesthetics of the twilight of the Roaring 20’s as the U.S. descended into the Great Depression. These photos also clearly reflect the influence of Gus Edwards 1879-1945 vaudeville’s premier producer of kiddie acts and who had produced and released the shorts “Kiddie Revue†in 1930 and 1931. His influence was not only driven by his songs “By the Light of the Silvery Moon & “School Days†but also discovering such stars as Groucho Marx Eddie Cantor Mae Murray Sally Rand and many others. The images depict girls in two-piece outfits in front of Art Deco staging for “Body and Soulâ€; bare-backed girls in Flapper Era inspired costumes for chorus line “Kiddie Revueâ€; song and dance routines featuring Ronald Chetwood in top hat with Marcile Shillito Virginia Collins and chorus line in Jazz Age era costumes and canes; and several show Barbara Jane Wicks Shirley Jay Mulkey and Sunny Dentler in Spanish inspired costumes for “Baby Vanities.†Another shows adolescent boy and girl dance team in an “Apache†dance inspired costume number. The Hollywood College of Music Dance & Fine Arts offered classes and instruction in all ages with the last few photos showing teenage girls in chorus line with short hair coquettish expressions and teamwork or chorus line numbers. Annabelle Knowles 1900-1989 was a musician and dancer who founded the Hollywood College of Music Dancing & FIne Arts at 4112 NE Sandy Blvd. some time in the late 1920’s. Most of the street directory references focus on 1929-1932 and her British-America theatre-director husband at the time Vincent Knowles 1883-1944 worked at the studio as well. Baker 1882-1972 was a longtime commercial studio photographer in Portland OR who had initially begun as a photographer with noted tourist travel guide Howard Eaton photographing tours through National Pakrs. Beem 1892-1984 was founder and photographer at Granada Studio located in the 1930’s at 515 Swetland Building in Portland. Centlivere 1878-1964 owned and operated La Vere Photo Shoppe and Photo Craft Studios on Sandy Blvd. in Portland for nearly all of his career. We could find no similar collections or photographs or even references to Annabelle Knowles and very few examples of any of these three photography studios in institutional holdings. Hollywood College of Music, Dancing & Fine Arts, Baker Studio, Granada Studio, La Vere Photo Shoppe, Photo Craft Studios, hardcover