16 721 résultats
1963160535Universal City: Universal Pictures 1963. Vintage borderless reference photograph from the 1963 film showing director Alfred Hitchcock talking with electronic musician Oskar Sala who composed the film's iconic soundtrack. Printed mimeo snipe in French affixed to the verso. <br /> <br /> Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. <br /> <br /> Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. <br /> <br /> 7.5 x 9.5 inches. Very Good plus.<br /> <br /> National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown
1963151612Universal City: Universal Pictures 1963. Vintage studio still photograph from the 1963 film showing director Alfred Hitchcock's cameo in the film passing Tippi Hedren in a doorway while walking two small dogs. <br /> <br /> Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. <br /> <br /> Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown
1944129341Los Angeles: Vanguard Films 1944. Draft script for the 1944 short documentary film. A rare script for an obscure short directed by Hitchcock. <br /> <br /> Salmon titled wrappers dated February 1 1944. 12 leaves mimeograph duplication with revision pages throughout dated 2-10-44. Pages Fine wrapper Near Fine bound with three small gray brads. Vanguard Films unknown
1938148220N.p.: N.p. 1938. Two vintage French lobby cards from the 1938 film. <br /> <br /> Based on the 1936 novel "The Wheel Spins" by Ethel Lina White.<br /> <br /> One of Hitchcock's undisputed classics a light thriller made along with "Jamaica Inn" in 1939 at the end of his first British period.<br /> <br /> Young Iris Henderson Margaret Lockwood heading home on a train after a vacation in the Balkans befriends an old woman Miss Froy May Whitty after Iris gets hit in the head with a flowerpot meant for Miss Froy. On the train recovering from the blow Iris falls asleep. When she awakens Miss Froy has vanished replaced by someone else in Miss Froy's clothing. Iris talks to the other passengers a bizarre collection of eccentrics who think Iris is crazy for insisting there ever was a Miss Froy. Finally Iris finds a young musician Gilbert Michael Redgrave who believes her and the two proceed to search the train for clues. <br /> <br /> 12 x 9.5 inches. Very Good plus with pinholes and creasing to corners. N.p. unknown
1938148222N.p.: N.p. 1938. Vintage film still photograph from the 1938 film. <br /> <br /> Based on the 1936 novel "The Wheel Spins" by Ethel Lina White.<br /> <br /> One of Hitchcock's undisputed classics a light thriller made along with "Jamaica Inn" in 1939 at the end of his first British period.<br /> <br /> Young Iris Henderson Margaret Lockwood heading home on a train after a vacation in the Balkans befriends an old woman Miss Froy May Whitty after Iris gets hit in the head with a flowerpot meant for Miss Froy. On the train recovering from the blow Iris falls asleep. When she awakens Miss Froy has vanished replaced by someone else in Miss Froy's clothing. Iris talks to the other passengers a bizarre collection of eccentrics who think Iris is crazy for insisting there ever was a Miss Froy. Finally Iris finds a young musician Gilbert Michael Redgrave who believes her and the two proceed to search the train for clues. <br /> <br /> 12 x 9.5 inches. Very Good with pinholes and creasing to corners and small chip to right corner margin. N.p. unknown
1947163545Los Angeles: Selznick International 1947. Vintage reference photograph from the 1947 film showing actors Gregory Peck and Isobel Elson. Printed mimeo snipe affixed to the verso.<br /> <br /> Based on the 1933 novel by Robert Smythe Hitchens about a married barrister who falls in love with his client a woman who has been accused of poisoning her husband. <br /> <br /> 10 x 8 inches. About Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. Selznick International unknown
1955150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. <br /> <br /> Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. <br /> <br /> Set and shot in Craftsbury Vermont. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> <br /> Rosenbaum 1000. Paramount Pictures unknown
1956143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Brothers Netherlands on the verso. <br /> <br /> Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. <br /> <br /> 7.25 x 9.25. About Near Fine. <br /> <br /> Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown
1969171039N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing Alfred Hitchcock sitting in his director's chair on the tarmac at the Paris airport Orly Val-de-Marne France. Layout annotations in manuscript pencil on the verso. <br /> <br /> Based on the 1967 novel by Leon Uris about a French agent who helps the United States uncover the presence of Russian missiles in Cuba. <br /> <br /> 9.5 x 7.25 inches. Near Fine. N.p. unknown
1937162314N.p.: Filmprogramm 1937. Vintage program for the German release of the 1937 American film. Text and titles in German.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on Josephine Tey's 1936 novel "A Shilling for Candles" about a young woman who agrees to help a man escape a wrongful murder charge. <br /> <br /> 5.75 x 8.25 inches. Four leaves printed on rectos and versos. Saddle stapled. About Fine. Filmprogramm unknown
1947135982Culver City CA: RKO Radio Pictures 1947. Original 3-color promotional folder advertising a double bill of "Notorious" 1946 and H.C. Potter's "The Farmer's Daughter" 1947. A caricature of producer Joseph E. Levine the event producer is shown at the top of the left and the pairing is billed as the "Next SRO Star-Studded Package." Designed to promote the package to cinema houses in the United States. <br/><br/>9.5 x 13 inches. Bi-fold with two internal pockets. RKO Radio Pictures unknown books
1948125205Los Angeles: Selznick International Pictures / Vanguard Films 1948. An archive of 7 scripts including rough drafts screenplays post-production scripts and support documentation for the 1947 film "The Paradine Case" directed by Alfred Hitchcock based on the 1933 novel by Robert Hichens written for the screen by a host of screenwriters including Hitchcock Alma Reville David O. Selznick and others many of whom are not credited on IMDB and starring Gregory Peck Ann Todd Charles Laughton and Ethel Barrymore. <br/><br/>The archive contains 7 scripts 4 of which are pre-production all bound in titled wrappers and bound with brads except where indicated:<br/><br/>First rough draft of the script with dialogue from the novel by Alfred Hitchcock and Alma Reville dated April 16 1946 and re-run on June 12 1946 with a third run on August 12 1946. Blue wrappers rubber-stamped copy No. 77 195 pages. Very Good to Near Fine. <br/><br/>Final shooting script by Alma Reville and David O. Selznick dated December 10 1946. Yellow wrappers with credits on the front wrapper for Selznick and Reville novelist Hichens and director Hitchcock. Rubber-stamped copy No. 165. 177 pageswith pink yellow and green revision pages dated variously between 12/15/46 and 3/3/47. 4 leaves on onionskin stock all typed carbons. Near Fine. <br/><br/>Description of Settings and Props compiled from the novel dated April 17 1946. Blue wrappers rubber-stamped copy No. 18 Near Fine condition. 7 pages. <br/><br/>Costumes compiled from the novel dated April 17 1946. Blue wrappers rubber-stamped copy No. 24. Near Fine. 10 pages. <br/><br/>Dialogue Cutting Continuity for the film dated February 19 1948. Light blue wrappers. Near Fine. 115 pages. <br/><br/>Dialogue Cutting Continuity for the Trailer dated February 27 1948. Gray wrappers. Near Fine condition saddle-stapled at the top edge. 5 pages. <br/><br/>Timing Sheets for the initial release of the film and the first trailer dated March 1948 and credited to S.G. Samuels. <br/><br/>Combined 16mm Cutting Continuity for the 1961 re-release of the film detailing 4 reels Green self-wrappers 126 pages dated April 30 1961. Near Fine. <br/><br/>Selby US. Spicer US. Selznick International Pictures / Vanguard Films unknown books
1945149147Culver City CA: RKO Radio Pictures 1945. Draft script for the 1945 film with an additional seven page addendum on pink stock with alternate endings written out in a treatment form. <br/><br/>In addition to containing an alternate ending the date on the script coincides with the takeover of the project by RKO from original producer David O. Selznick in July 1945 making it one of the earliest possible drafts to bear the RKO label. Selznick who was never happy with the film's script or casting sold it to RKO after the disastrous production of "Duel in Sun" began absorbing most of his time and money. <br/><br/>Nominated for two Academy Awards including Best Original Screenplay and Best Supporting Actor for Claude Rains.<br/><br/>Set in and shot on location in Brazil with Los Angeles County Arboretum & Botanic Garden and Santa Anita Park & Racetrack. <br/><br/>Red titled wrappers front wrapper dated July 16 1945 and rubber-stamped production No. 1490 credited to both Hecht and Hitchcock. Title page integral with the first page of text. 167 leaves with last page of text numbered 160 followed by 7 pages on pink stock numbered A-G and titled "ALTERNATIVE ENDING."<br/><br/>Mimeograph duplication all pages on white and pink onionskin stock. Pages Near Fine wrapper Very God plus with some tiny closed tears bound with three gold brads. <br/><br/>National Film Registry. Criterion Collection 137. Ebert l. Grant US. Penzler 101. Rosenbaum 1000. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. RKO Radio Pictures unknown books
1949143501Beverly Hills CA: United Artists 1949. Post-production 16mm Cutting Continuity script for the 1961 re-release of the 1945 film. <br/><br/>Tall blue titled wrappers top-stapled dated May 15 1961 noting 2 reels and footage of 3017 feet and 32 frames 10 sections and a running time of 83 minutes and 50 seconds. Mimeograph duplication. Near Fine. <br/><br/>Hardy The BFI Companion to Crime. Selby Canon US. Silver Classic Noir. Spicer US. United Artists unknown books
1944147297Los Angeles: Vanguard Films 1944. Temporary Shooting script for the 1945 film here under the working title "The House of Dr. Edwards." <br/><br/>Based on the 1927 novel "The House of Dr. Edwardes" by Hilary Saint George Saunders and John Palmer. Producer David O. Selznick wanted to make a "psychiatric" story for the screen and Alfred Hitchcock persuaded Selznick to buy the rights to the novel which Hitchcock and his wife were adapting. Nominated for six Academy Awards including Best Picture Best Director and Best Supporting Actor for Michael Chekhov winning one. <br/><br/>Blue titled wrappers noted as TEMPORARY SHOOTING SCRIPT on the front wrapper dated June 14 1944 with a credit for screenwriter Hecht. Distribution page present rubber-stamped copy No. 1620 with receipt removed. 176 leaves with last page of text numbered 176. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. <br/><br/>In a custom cloth covered clamshell box with black leather spine label and titles and decoration in gilt.<br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby Canon. Silver Classic Noir. Spicer US. Vanguard Films unknown books
1936150165N.p.: Gaumont British Picture Corporation 1936. Vintage portrait photograph of actor Peter Lorre from the 1936 film. With a printed mimeo snipe affixed to the verso along with holograph pencil annotations several agency stamps and a date stamp reading 6 JAN 1936.<br/><br/>Based on Campbell Dixon's 1936 play which was based in turn on two stories in the 1927 collection "Ashenden: Or the British Agent" by W. Somerset Maugham. Three British agents are tasked with assassinating a German spy during World War I but find themselves unable to fulfill their mission when their discover the spy's true identity. <br/><br/>Set and shot on location in Switzerland and England. <br/><br/>7.25 x 9 inches. Very Good plus with one tiny chip to the right edge. <br/><br/>Grant US. Gaumont British Picture Corporation unknown books
1939147520Los Angeles: Selznick International Pictures 1939. Early Continuity script pre-production stamped "TEMPORARY" with a credit for Alfred Hitchcock's wife and frequent screenwriter Alma Reville. "TEMPORARY" script includes screenwriting credit for Michael Hogan who along with Philip MacDonald were given adaptation credits in the final film.<br/><br/>Alfred Hitchcock's first American project the elegant dreamlike adaptation of Daphne du Maurier's 1938 novel of the same name about a young woman who marries a mysterious aristocratic widower and must contend with the spectral influence of the former mistress of the house the eponymous Rebecca. The film was the start of Hitchcock's work in Hollywood under contract with producer David O. Selznick a collaboration which produced six films in total including "Spellbound" 1945 "The Paradine Case" 1947 and "Under Capricorn" 1949. Although Selznick initially argued for "Rebecca" to remain fully faithful to the plot of the novel the Production Code Administration forbade murder to go unpunished and as a result the film's ending differed from du Maurier's-a change which purportedly angered Selznick so strongly that he considered releasing the film without code approval. Upon its release the film was nominated for eleven Academy Awards winning two for Best Picture and Best Cinematography.<br/><br/>Set on the French Riviera and southwest England shot partially on location in Big Sur Palos Verdes and Point Lobos State Natural Reserve California.<br/><br/>In a custom quarter leather clamshell box. <br/><br/>Blue titled wrappers stamped TEMPORARY on the front wrapper dated August 24 1939 with credits for novelist Daphne du Maurier continuity for Alama Reville and screenwriters Joan Harrison Michael Hogan and Robert Sherwood. Distribution page present with receipt intact dated August 24 1939. 163 leaves with last page of text numbered 162. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus with several small closed tears and front wrapper separating at top punch hole bound with two gold brads.<br/><br/>National Film Registry. Criterion Collection 135. Grant US. Penzler 101. Rosenbaum 1000. Selby US. Spicer US. Selznick International Pictures unknown books
1939147517Los Angeles: Selznick International Pictures 1939. Two early treatments for the 1940 film consisting of 1 a Synopsis by Franclien Macconnell dated October 10 1938 and 2 a Chapter Breakdown by Mary Bowie dated May 10 1939. Both issued for the studio's review of the novel's content prior to it having been green-lit for adaptation to film. <br/><br/>Macconnel was "one of the best 'readers' from Val Lewton's story department" at Selznick's studios according to Steve Wilson's 2014 The Making of Gone with the Wind as well as an assistant story editor for the studio. <br/>A note on first page of synopsis states: "Throughout the book no hint is given as to the heroine's name . For synopsis purposes I am giving her the name of the authoress: Daphne. This unnamed character in the novel would for the film as in du Maurier's novel be given only the name of her husband <br/>Mrs. de Winter.<br/><br/>Bowie was also a writer working at Val Lewton's story department at Selznick studios.<br/><br/>Alfred Hitchcock's first American project the elegant dreamlike adaptation of du Maurier's novel of the same name about a young woman who marries a mysterious aristocratic widower and must contend with the spectral influence of the former mistress of the house the eponymous Rebecca. The film was the start of Hitchcock's work in Hollywood under contract with producer David O. Selznick a collaboration which produced six films in total including "Spellbound" 1945 "The Paradine Case" 1947 and "Under Capricorn" 1949. Although Selznick initially argued for "Rebecca" to remain fully faithful to the plot of the novel the Production Code Administration forbade murder to go unpunished and as a result the film's ending differed from du Maurier's-a change which purportedly angered Selznick so strongly that he considered releasing the film without code approval. Upon its release the film was nominated for eleven Academy Awards winning two for Best Picture and Best Cinematography.<br/><br/>Set on the French Riviera and southwest England shot partially on location in Big Sur Palos Verdes and Point Lobos State Natural Reserve California.<br/><br/>Together in a custom quarter leather clamshell box.<br/><br/>Synopsis:<br/><br/>Blue titled wrappers noted as Synopsis on the front wrapper dated October 10 1938 with credits for novelist Daphne du Maurier and screenwriter Franclien Macconnell. Distribution page present with receipt intact dated October 10 1938 and rubber stamped Script "A 2036.". 39 leaves with last page of text numbered 38. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br/><br/> Chapter Breakdown of the Novel:<br/><br/>Blue titled wrappers noted as Chapter Breakdown of the Novel on the front wrapper dated May 10 1939 with credits for screenwriter Mary Bowie. Distribution page present with receipt intact dated May 10 1939 and rubber stamped script " A 2123." 49 leaves with last page of text numbered 48. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with 2" closed tear at the lower left edge and 1/2" chip and small closed tear at the lower right edge bound with two gold brads.<br/><br/>Quarter leather clamshell box Fine.<br/><br/>National Film Registry. Criterion Collection 135. Grant US. Penzler 101. Rosenbaum 1000. Selby US. Spicer US. Selznick International Pictures unknown books
1963144429Universal City: Universal Pictures 1963. Vintage photograph of Alfred Hitchcock Tippi Hedren and members of the crew releasing a large number of birds from a cage on the set of the classic 1963 film. With holograph annotations and a photo agency stamp on the verso. <br/><br/>Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. <br/><br/>5 x 7 inches. Near Fine. <br/><br/>National Film Registry. Godard Histoires du cinema. Universal Pictures unknown books
1955140958Hollywood: Paramount Pictures 1955. Vintage borderless photograph showing director Alfred Hitchcock and star Cary Grant conferring on location during the shooting of the 1955 film. With the stamp of photographer "Paul-Louis / Studio Starlet" holograph description in French and annotations regarding layout on the verso. <br/><br/>Based on the 1952 novel by David Dodge. Hitchcock's final film with Grace Kelly winner of an Academy Award for Cinematography and nominated for two others. <br/><br/>7 x 5 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Paramount Pictures unknown books
1942133349Universal City CA: Universal Pictures 1942. Vintage lobby card from the US release of the 1942 film "Saboteur." <br/><br/>An high spot among Hitchcock's early thrillers and the director's only collaboration with author Dorothy Parker who contributed to the screenplay. This particular film included much more location shooting than most of the director's pictures including Boulder Dam locations in New York City including Radio City Music Hall and Rockefeller Center and of course Liberty Island for the famed closing scene on the Statue of Liberty. <br/><br/>Tiny hole at the right margin image not affected small tear at the top right corner a couple of tiny pinholes at corners cello tape reinforcement along two edges of the verso. Presents well. Very Good plus overall. <br/><br/>Hitchcock Gallery 5655. Grant US. Selby US. Spicer US. Universal Pictures unknown books
1942134925Universal City CA: Universal Pictures 1942. Vintage Spanish herald from the original Spanish release of the 1942 film. <br/><br/>An high spot among Hitchcock's early thrillers and the director's only collaboration with author Dorothy Parker who contributed to the screenplay. This particular film included much more location shooting than most of the director's pictures including Boulder Dam locations in New York City including Radio City Music Hall and Rockefeller Center and of course Liberty Island for the famed closing scene on the Statue of Liberty. <br/><br/>3.5 x 5.25 inches. Fine. <br/><br/>Grant US. Selby US. Spicer US. Universal Pictures unknown books
1959151251N.p.: N.p. 1959. Vintage reference photograph from the 1959 film showing actors Cary Grant and Eva Marie Saint. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of director Alfred Hitchcock's top five films the last of four the director made with Cary Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. N.p. unknown books
1958147154Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1958. Draft script for the 1959 film belonging to actor Martin Landau with his signature in holograph pencil on top of first page and annotations in holograph ink and pencil throughout primarily making note of action and dialogue for Landau's character Leonard. <br/><br/>Martin Landau's second film role and a memorable early one as James Mason's sadistic henchman.<br/><br/>Considered to be one of Hitchcock's best films the last of four the director made with Cary Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. Nominated for three Academy Awards including Best Original Screenplay. <br/><br/>Shot in Hollywood and in various locations across the United States. <br/><br/>Title page integral with first page dated 8-12-58. 174 leaves with last page of text numbered 179. Mimeographed rectos only with pink revision pages throughout dated variously between 8-27-58 and 10-27-58. Pages very good plus with some creasing chipping and closed tears to first page and eight 10-27-58 revision pages which appear to have been originally paper clipped and later bound in.<br/><br/>National Film Registry. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Penzler 101. Metro-Goldwyn-Mayer [MGM] unknown books
1963149554Universal City: Universal Pictures 1963. Vintage borderless reference photograph from the 1963 film showing director Alfred Hitchcock and screenwriter Evan Hunter walking along the pier which would be used later in the film for Melanie Daniel's Tippi Hedren visit to the Brenner farm with what appears to be Hedren herself visible to the far left in a fur coat at the end of the pier. With holograph ink annotations on the verso.<br/><br/>Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. <br/><br/>Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>National Film Registry. Godard Histoires du cinema. Universal Pictures unknown books
