16 722 résultats
1964132696London: National Screen Service / MGM 1964. Vintage full-color still photograph from the 1964 UK film. <br/><br/>A star-studded romantic comedy about the lives and loves of those who own a certain yellow Rolls-Royce. <br/><br/>8 x 10 inches. Light creases at the extremities else Near Fine. National Screen Service / MGM unknown books
1980129295Rome: Vides Cinematografica 1980. Set of 10 master typescripts for the ambitious 1982 television miniseries all dated June 1980 used as a master for printing the final scripts. Anthony Burgess was one of the series writers credited on the title page of each segment and Ennio Morricone composed the original score. <br /> <br /> Present are scripts for all 8 segments of the miniseries. Also included is a script for an unproduced segment titled "Ruby of Ceylon" and a separately bound "Series Outline." Screenwriters Burgess and Labella are present on the title page of all 8 produced segments though not on "The Ruby of Ceylon". <br /> <br /> An international co-production financed by the US Italy Japan and China. Shot on location in Beijing Inner Mongolia Italy and Morocco. Nominated for two Prime Time Emmys. <br /> <br /> Oversize volume shipping billed at cost. <br /> <br /> Series Outline:<br /> <br /> Yellow titled wrappers. Title page present noted as Outline with credits for screenwriters Burgess and Labella. 27 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Episode I<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 37 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Episode II:<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 35 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Episode III:<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 31 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Episode IV:<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 44 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Episode V:<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 47 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Episode VI:<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 38 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Episode VII:<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 40 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Episode VIII:<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 66 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> The Ruby of Ceylon unfilmed:<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 28 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Vides Cinematografica unknown
1980129295Rome: Vides Cinematografica 1980. Set of 10 master typescripts for the ambitious 1982 television mini-series all dated June 1980 used as a master for printing the final scripts. Anthony Burgess was one of the series writers credited on the title page of each segment and Ennio Morricone composed the original score. <br/><br/>Present are scripts for all 8 segments of the mini-series. Also included is a script for an unproduced segment titled "Ruby of Ceylon" and a separately bound "Series Outline." Screenwriters Burgess and Labella are present on the title page of all 8 produced segments though not on "The Ruby of Ceylon". <br/><br/>An international co-production financed by the US Italy Japan and China. Shot on location in Beijing Inner Mongolia Italy and Morocco. Nominated for two Prime Time Emmys. <br/><br/>Complete collation and condition details are available on request. Shipping billed at cost. <br/><br/>Series Outline:<br/><br/>Yellow titled wrappers. Title page present noted as Outline with credits for screenwriters Burgess and Labella. 27 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode I<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 37 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode II:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 35 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode III:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 31 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode IV:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 44 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode V:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 47 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode VI:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 38 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode VII:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 40 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode VIII:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 66 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>The Ruby of Ceylon unfilmed:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 28 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Vides Cinematografica unknown books
1948161408N.p.: N.p. 1948. Draft script for the 1948 film. Specially bound copy belonging to screenwriter Jerry Wald with his name in gilt on the spine. Ten reference photographs from the film bound in variously among the script pages. <br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> In postwar Paris an American black marketeer and war veteran falls in love with the wife of an imprisoned Nazi collaborator. <br /> <br /> Shot on location in Calvados and Paris.<br /> <br /> Bound in beige cloth with tan quarter leather binding with five raised bands and gilt titles on the spine. Title page present undated with credit for screenwriter Richard Brooks. 159 leaves with last page of text numbered 135. Mimeograph duplication rectos only with pink revision pages throughout dated variously between 9/10/48 and 10/22/47. Pages Near Fine binding Very Good plus moderately foxed on the cloth. N.p. unknown
1980133617New York: New World Pictures 1980. Draft Agency script for the 1980 film. Adapted for the screen by noted screenwriter Frederic Raphael based on his 1973 novel. <br /> <br /> A woman begins an affair with her late husband's mistress after his death using each other to cope with the grief of his loss. <br /> <br /> Black titled wrappers with the William Morris Agency logo on the front wrapper and with credits for screenwriter Frederic Raphael. Title page present with credits for screenwriter Raphael. 122 leaves mechanical duplication. Pages about Fine wrapper Near Fine bound internally with three gold brads. New World Pictures unknown
1978142721Hollywood: Paramount Pictures 1978. 13th and Final Draft script for the 1979 film. Brief holograph pencil annotations throughout. <br/><br/>A lesser known New Hollywood sports film set in the world of tennis. During a Wimbledon championship tournament a rising tennis star falls in love with an older woman a jet-setter who is in turn involved with a millionaire. Dean Paul Martin true to his depiction in the film competed in a junior competition at Wimbledon and became a successful professional tennis player. Martin also was an avid pilot obtaining his license at the age of 16. He became an officer in the California Air National Guard in 1981 and in 1987 having risen to the status of captain tragically crashed during a snowstorm in the San Bernadino Mountains. <br/><br/>Set in and shot on location in Wimbledon London. <br/><br/>Black titled wrappers. Title page present dated August 7 1978 noted as 13th and Final Draft with credits for producer Robert Evans director Anthony Harvey and screenwriter Arnold Schulman. 124 leaves with last page of text numbered 122. Xerographically reproduced. Pages Near Fine wrapper Very Good plus internally bound with three gold brads. Paramount Pictures unknown books
1980133617New York: New World Pictures 1980. Draft Agency script for the 1980 film. Adapted for the screen by noted screenwriter Frederic Raphael based on his 1973 novel. <br/><br/>A woman begins an affair with her late husband's mistress after his death using each other to cope with the grief of his loss. <br/><br/>Black titled wrappers with the William Morris Agency logo to the front wrapper and with credits for screenwriter Frederic Raphael. Title page present with credits for screenwriter Raphael. 122 leaves mechanical duplication. Pages about Fine wrapper Near Fine bound internally with three gold brads. New World Pictures unknown books
1968146898London: Haworth Productions 1968. Second Draft script for the 1968 film. With the ownership name of cinematographer Douglas Holcombe in holograph ink on the title page<br/><br/>In 1183 England the sons of King Henry II and his wife plot to overtake the throne. Nominated for seven Academy Awards and winning three including Best Screenplay and Best Actress. <br/><br/>Set in England shot on location in France and Ireland. <br/><br/>Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Second Draft with credits for screenwriter James Goldman. 155 leaves with last page of text numbered 151. Mimeographed rectos only. Pages Very Good plus lightly toned to the title page wrapper Very Good plus with cello tape repairs to the title window and light rusting to the binding bound with two silver brads. Haworth Productions unknown books
1988149767N.p.: Sundown Productions Inc 1988. Rainbow Second Draft script for the 1990 film. <br/><br/>In a sleepy town a colony of vampires live peaceably with sunscreen and bottled synthetic blood to get by until their blood making facility breaks down leading one vampire to stage an uprising to resume feeding on humans.<br/><br/>Shot on location in and around Moab Utah. <br/><br/>Blue titled self-wrappers integral with title page dated August 11 1988 noted as SECOND DRAFT with credits for screenwriters John Burgess and Anthony Hickox. 106 leaves with last page of text numbered 102. Xerographic duplication rectos only with pink blue yellow and green revision pages throughout dated variously between 9/3/88 and 9/17/88. Pages Very Good plus with edge wear closed tears and separating at hole punches on first and final leaves bound with two gold brads.<br/><br/>Destroy All Movies The Complete Guide to Punks on Film. Sundown Productions, Inc unknown books
1973128441Burbank CA: American Broadcasting Company ABC 1973. Revised Final Shooting script for Part One of the 1974 television mini-series. Copy belonging to actor Ben Gazzara with his name in holograph ink on the front wrapper. Winner of 6 Primetime Emmys. <br/><br/>Physician Adam Kelno Hopkins travels to England after World War II unaware that his identification with Anti-Communists in Poland has made him a target of the Soviet Government. He retreats with his wife and son to Arabia where he attempts to modernize the local health standards. Upon his return to England he is Knighted. Twenty years later a book is published that names him part of Nazi medical experiments on members of concentration camps. He sues for defamation and begins a troublesome trial. "QB VII" refers to the courtroom where trial is held: "Queen's Bench Room 7." <br/><br/>Orange titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper with credit for Screenwriter Anhalt. Title page present. 100 leaves mimeograph duplication with blue pink and white revision pages throughout dated variously between 8-30-72 and 2-13-73. Lacking rear wrapper. Pages Near Fine front wrapper Near Fine bound with two gold brads. American Broadcasting Company [ABC] unknown books
1966132442Culver City CA: National Screen Service / Columbia Pictures 1966. Collection of 9 vintage full-color still photographs from the 1966 UK release of the 1965 Spanish-Italian film. <br/><br/>A fast-paced action spy thriller about a kidnapped American nuclear scientist and a secret agent who teams up with a nightclub owner to investigate. Klaus Kinski shows up as one of the villains. <br/><br/>8 x 10 inches. Brief corner creases and a few light horizontal creases else Near Fine. National Screen Service / Columbia Pictures unknown books
1950131681De Grunwald Productions 1950. Draft British script for the 1951 UK film. With brief working manuscript annotations reference markings in blue manuscript ink throughout. Based on the play by James Bridie. <br /> <br /> A turbulent study of generations of family life focusing on clashes and romances of parents and children. Set in Scotland. <br /> <br /> Tall red wrappers with "Flesh and Blood / 1950" written in blue manuscript ink on the front wrapper. Title page present with credits for playwright Bridie and screenwriter de Grunwald. 124 leaves mimeograph duplication. Pages about Near Fine wrapper Very Good side stapled. De Grunwald Productions unknown
1958132461London: Twentieth Century-Fox 1958. Collection of 4 vintage full-color still photographs from the 1958 UK release of the 1958 Australian film. <br/><br/>Based on Moore Raymond's novel of the same name about a young boy in the Australian bush and hailed as the Australian "Huckleberry Finn." <br/><br/>8 x 10 inches. A few moderate creases else Near Fine. Twentieth Century-Fox unknown books
1958132460London: Twentieth Century-Fox 1958. Collection of 7 vintage full-color still photographs from the 1958 UK release of the 1958 Australian film. <br/><br/>Based on Moore Raymond's novel of the same name about a young boy in the Australian bush and hailed as the Australian "Huckleberry Finn." <br/><br/>8 x 10 inches. Several stills with moderate creases else Near Fine. Twentieth Century-Fox unknown books
1950131681De Grunwald Productions 1950. Draft British script for the 1951 UK film. With brief working holograph annotations reference markings in blue holograph ink throughout. Based on the play by James Bridie. <br/><br/>A turbulent study of generations of family life focusing on clashes and romances of parents and children. Set in Scotland. <br/><br/>Tall red wrappers with "Flesh and Blood / 1950" written in blue holograph ink on the front wrapper. Title page present with credits for playwright Bridie and screenwriter de Grunwald. 124 leaves mimeograph duplication. Pages about Near Fine wrapper Very Good side stapled. De Grunwald Productions unknown books
1987167386Culver City CA: Leonard Hill Productions 1987. Third Draft script for the 1988 television film which aired on ABC on April 17 1988 here under the working title "Nitti: The Story of Frank Nitto 'The Enforcer'." Copy belonging to uncredited actor Nick Dimitri with the manuscript ink annotation of his name and character's name on the title page and manuscript ink and pencil annotations on four pages calling out his character's dialog and action.<br /> <br /> The story of the rise of Francesco Nitto known as Frank Nitti who rises up through the ranks of the mob to become Al Capone's right hand man and hit man known as "The Enforcer." <br /> <br /> Front wrapper integral with title page dated November 17 1987 noted as Third Draft with credits for screenwriter Lee David Zlotoff. 124 leaves with last page of text numbered 102A. Xerographic duplication on pink leaves rectos only. Pages Very Good plus with light foxing and splashing on the outer leaves bound with two gold brads. Leonard Hill Productions unknown
1971140432Los Angeles: Harlequin Pictures 1971. Vintage studio still photograph from the 1971 film. <br/><br/>A twist on the Frenkenstein mad-scientist scenario in which Bruce Dern plays the crazed scientist who transplants a murder's head onto a mentally handicapped young man - next to the boy's own head! <br/><br/>Shot on location in California. <br/><br/>8 x 10 inches. Holograph ink notation to the verso else Near Fine. Harlequin Pictures unknown books
1954138659Hollywood: Paramount Pictures 1954. Revised Final Draft script for the 1955 film. <br /> <br /> The eighth and final collaboration of James Stewart and Anthony Mann and the second film to be released in VistaVision. "Dutch" Stewart is a professional baseball player and an ex-pilot who fought during WWII who is recalled to service with the US Air Force. <br /> <br /> Many speculate that the film was inspired by true-life baseballer and Hall-of-Famer Ted Williams a WWII veteran who was recalled for service during the Korean War. <br /> <br /> Nominated for an Academy Award. <br /> <br /> Self wrappers noted as FINAL WHITE on the front wrapper printed production No. 11510 dated February 20 1954 with credits for screenwriters Davies and Lay. Title page present noted as FINAL WHITE production 11510 with credits for screenwriters Davies and Lay producer Briskin and director Mann. 139 leaves with last page of text numbered 127. Mechanical duplication including pages with annotations and revision pages throughout dated variously between 3/3/54 and 4/21/54. Very Good plus overall side-stapled. <br /> <br /> Davenport US. Paramount Pictures unknown
1965154961London: Kinematograph Weekly 1965. Vintage British program for the 1965 film published as a supplement to the September 1965 issue of Kinematograph Weekly with film still photographs throughout and a four page center fold out.<br /> <br /> Based on the 1954 memoir "Skis Against the Atom" by Norwegian resistance soldier Knut Haudelid and the 1962 novel "But for These Men" by John Drummand. <br /> <br /> Set in German-occupied Norway Norwegian resistance fighter Knut Straud Richard Harris enlists the help of physicist Dr. Rolf Pedersen Kirk Douglas to destroy a German heavy water production plant used in the production of an atomic bomb.<br /> <br /> Set and shot on location in Norway and England.<br /> <br /> 8.5 x 11 inches. 18 pages side stapled. Very Good plus with faint vertical creases light toning at the extremities and some light creasing and rubbing to the wrappers. Kinematograph Weekly unknown
1955150917Culver City CA: Columbia Pictures 1955. Vintage portrait photograph of Victor Mature from the 1955 film. With a mimeo snipe on the verso. <br /> <br /> Based on the 1947 novel "The Gilded Rooster" by Richard Emery Roberts about a Union army scout whose tyrannical commander wants to attack the local Native American tribe despite being hopelessly outnumbered. <br /> <br /> Set in Oregon shot on location in Mexico. <br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
1957150363N.p.: N.p. 1957. Vintage borderless oversize satin-finish black and white photograph of actor Anthony Perkins juggling small gourds on the set of the 1957 film. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso along with holograph pencil cropping annotations. <br/><br/>A veteran bounty hunter and former lawman aids a newly appointed inexperienced sheriff in stopping an the gang of criminals making trouble in town. One of the few low-budget western films to be nominated for the Academy Award for Best Screenplay. <br/><br/>Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others.<br/><br/>Shot on location in Riverside and San Fernando Valley California.<br/><br/>13.5 x 10.5 inches. Near Fine with light wear to the corners.<br/><br/>Pitts 4435. N.p. unknown books
1957150341N.p.: N.p. 1957. Vintage oversize borderless double weight reference photograph of actor Henry Fonda conversing with director Anthony Mann on the set of the 1957 film. With the stamps of still photographer Bill Avery and editor Bud Fraker on the verso along with a small paper bag containing the negative for the photograph affixed to the verso with cello tape. <br/><br/>A veteran bounty hunter and former lawman aids a newly appointed inexperienced sheriff in stopping an the gang of criminals making trouble in town. One of the few low-budget western films to be nominated for the Academy Award for Best Screenplay. <br/><br/>Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others.<br/><br/>Shot on location in Riverside and San Fernando Valley California.<br/><br/>13.5 x 10.25 inches. Near Fine with light diagonal creases to the bottom left corner. <br/><br/>Pitts 4435. N.p. unknown books
1961145426Glendale CA: Allied Artists 1961. Vintage press photograph from the set of the 1961 film. Shown on the left of the photograph in sunglasses is producer Samuel Bronston.<br/><br/>An epic historical drama chronicling the life of the 11th century Christian Castilian knight Don Rodrigo Diaz de Vivar or "El Cid." Nominate for three Academy Awards.<br/><br/>Shot on location in Spain and Italy. <br/><br/>8 x 10 inches. Near Fine. Allied Artists unknown books
1954135205Universal City CA: Universal Pictures 1954. Vintage black-and-white press photograph from the 1954 French release of the 1953 film. "Service de Presse" rubber stamp on the verso. <br/><br/>Steve Stewart is an ex-GI who with help from his army buddy Gambi Duryea head south to begin their careers in oil drilling. Trouble greets them before their first drill when local shrimp fishermen boycott their presence. Things get worse when Steve falls in love with Stella Dru the daughter of a combative fisherman. <br/><br/>Set in the Deep South shot on location in Louisiana. <br/><br/>8 x 10 inches. Very Good plus with holograph annotations on the verso and evidence of a mimeo snipe removal. <br/><br/>Complete collation details available on request. Universal Pictures unknown books
1954138659Hollywood: Paramount Pictures 1954. Revised Final Draft script for the 1955 film. <br/><br/>The 8th and final collaboration of James Stewart and Anthony Mann and the second film to be released in VistaVision. "Dutch" Stewart is a professional baseball player and an ex-pilot who fought during WWII who is recalled to service with the US Air Force. <br/><br/>Many speculate that the film was inspired by true-life baseballer and Hall-of-Famer Ted Williams a WWII veteran who was recalled for service during the Korean War. <br/><br/>Nominated for an Academy Award. <br/><br/>Self wrappers noted as FINAL WHITE on the front wrapper printed production No. 11510 dated February 20 1954 with credits for screenwriters Davies and Lay. Title page present noted as FINAL WHITE production 11510 with credits for screenwriters Davies and Lay producer Briskin and director Mann. 139 leaves with last page of text numbered 127. Mechanical duplication including pages with annotations and revision pages throughout dated variously between 3/3/54 and 4/21/54. Very Good plus overall side-stapled. <br/><br/>Davenport US. Paramount Pictures unknown books