10 360 résultats
1969164085N.p.: RAF Industries 1969. Vintage 45 RPM vinyl record of radio spot announcements for the 1969 film. Red label variant. Rare.<br /> <br /> An awkward young man makes a deal with the devil offering his soul for youth beauty and power-but all at a cost. <br /> <br /> 7 inches. Fine with nominal surface wear housed in a Fine brown paper sleeve. RAF Industries unknown
1995164015N.p.: N.p. 1995. Archive of three original scripts and a collection of green revision scripts for the 1996 film. From the archive of crew member Chris Scher.<br /> <br /> Archive includes:<br /> <br /> A Fourth Draft script on pink and yellow leaves copy belonging to Construction Foreman Ramsey Smith with the manuscript ink annotations of "Ramsey S." and copy number "98" on the title page. <br /> <br /> A Third Draft script on blue leaves copy belonging to Scher with the manuscript ink annotations of "Chris Scher" and copy number "88" on the title page.<br /> <br /> A Second Draft script on white leaves with a manuscript marker annotation of "1/" on the title page.<br /> <br /> And a collection of 53 green revision pages for the Fourth Draft script copy belonging to Scher with the manuscript ink annotations of "Chris" and copy number "94" on the title page.<br /> <br /> Based on the 1984 play by Michael Brady. On the second anniversary of his wife Gillian's Michelle Pfeiffer death and birthday David Peter Gallagher who spends his evenings walking the beach talking with his wife's ghost has his in-laws come to stay for the weekend with him his daughter and her friend hoping to snap him back into the present.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Set in Nantucket Massachusetts shot on location in Massachusetts North Carolina and California.<br /> <br /> Fourth Draft Script:<br /> Front wrapper integral with title page dated September 28 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 106 leaves with last page of text numbered 101. Xerographic duplication rectos only on pink and yellow revision pages dated September 27 1995 and September 28 1995. Pages Near Fine bound with two gold brads.<br /> <br /> Third Draft Script:<br /> Front wrapper integral with title page dated September 11 1995 noted as Third Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 100 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Second Draft Script:<br /> Front wrapper integral with title page dated July 25 1995 noted as Second Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 99 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine wrapper CONDITIONWRAPPER bound with two gold brads.<br /> <br /> Green Revision Pages:<br /> Front wrapper integral with title page dated October 4 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 53 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1967146864N.p.: N.p. 1967. Treatment script for the 1967 film seen here under its French title "Peau d'Espion." With a few small annotations in manuscript ink throughout. Incomplete as issued. Text in English.<br /> <br /> Based on screenwriter Jacques Robert's 1967 novel "Peau d'Espion" wherein an playboy writer becomes involved in a communist plot. <br /> <br /> Housed in a titled manila folder. Title page present with credits for director Edouard Molinaro and screenwriter Jacques Robert. 12 leaves with last page of text numbered 11. Typescript on onionskin stock rectos only. Pages Very Good plus lightly creased bound with a staple and a paperclip at the top left corner. N.p. unknown
1941150534Beverly Hills CA: United Artists 1941. Vintage wide reference photograph of Ernst Lubitsch playing piano on the set of the 1942 film. <br /> <br /> Remade in 1983 directed by Alan Johnson starring Mel Brooks and Anne Bancroft. Carol Lombard's final film having died in an airplane accident during post-production.<br /> <br /> Jack Benny and Carole Lombard star as Joseph and Maria Tura husband and wife thespians in Nazi occupied Warsaw who inadvertently become part of the Resistance and must utilize every acting trick in the book to retrieve a list of Polish Resistance fighters from a German spy. <br /> <br /> Set in Warsaw immediately before and during the 1939 German invasion. <br /> <br /> 10 x 8 inches image 4.5 x 3.75 inches. Near Fine. <br /> <br /> National Film Registry. Byrge and Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Criterion Collection 670. United Artists unknown
1982170265Los Angeles: Twentieth Century-Fox / Brooksfilms 1982. Final Draft script for the 1983 film.<br /> <br /> A remake of the classic 1942 Ernst Lubitsch film starring Carole Lombard and Jack Benny about a troupe of actors in Nazi-occupied Warsaw who use their costumes to aid the resistance effort. Nominated for an Academy Award for Best Supporting Actor for Charles Durning. <br /> <br /> Red titled Twentieth Century-Fox wrappers dated October 1982. Title page present dated October 1982 noted as FINAL DRAFT with credits for screenwriters Thomas Meehan and Ronny Graham. 152 leaves with last page of text numbered 147. Xerographic duplication on eye-rest green stock rectos only with blue revision pages throughout dated 11/5/82. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox / Brooksfilms unknown
1972162494N.p.: Magarac 1972. Vintage studio still photograph from the 1972 release of the 1970 film here under it's original title. Provenance stamp on the verso. <br /> <br /> Originally released as "To Be Free" the film was re-shot re-edited and re-released in 1972 as "Imago." Barbara Douglas stars as a virgin who is incapable of having sex with her boyfriend and begins seeing a psychiatrist to help. After becoming involved with the doctor's lesbian receptionist and trying marijuana she begins to experience wild nightmares and struggles to cope. <br /> <br /> Shot on location in Pittsburgh. <br /> <br /> 8 x 10 inches. Near Fine. Magarac unknown
63-4902Austin TX: David Farmer 1974. Typed Letter Signed 8.5" x 11" Single Page on HRC Letterhead Very Good.Provenance: Peter Howard Serendipity Books Berkeley Thomas Parkinson archive. Austin, TX: David Farmer, 1974. unknown
1960WALTER-FILM006694<p><em>Les Films de la Pléiade. No binding. Near Fine. Paris: Les Films de la Pléiade 1960. Set of three 3 vintage original 5 x 7" 13 x 18 cm. borderless black-and-white French print still photos near fine.</em></p><p>Three photos all with star Charles Aznavour from François Truffaut's second feature film <em>Tirez sur le Pianiste</em> <em>Shoot the Piano Player</em> adapted from David Goodis' <em>Down There</em>.</p> Les Films de la Pléiade
19601051Paris: Cocinor 1960. French pressbook for the 1960 film noir adapted from David Goodis' 1956 novel 'Down There.' Richly illustrated with a terrific photo-montaged centerfold surrounding a synopsis of the film. Offered together with 10 small silver gelatin stills from the film each measuring 5 X 3.5 inches; some trivial corner wear with brief notations on verso else Fine depicting Charles Aznavour Marie Dubois and Nicole Berger in a variety of scenes. A rare pressbook; we have previously only handled a pressbook for the American release 1962. Folio ca. 9 X 12.25 inches; single sheet folded once to create 4 pages printed in black white red and yellow. A Fine example. Cocinor unknown
028566Mexico D.F. 1983. Limited Edition. Square Quarto. Each limited to 500 copies. INFONAVIT or The Institute of the National Housing Fund for Workers created ideal architectural plans for housing for workers which would meet environmental standards especially for use of water. These six plans T01-T03; T11-T13 show architectural drawings beginning with single family dwellings to those apartment units that met the standards in terms of design. These plans showed the attempt of INFONAVIT to deal with the growing urban crisis of housing in Mexico's cities with increased manufacturing jobs and only substandard housing. Each page measures 26 x 27 cm. OCLC records a set in Mexico and a partial set of seven parts at the University of Buffalo. (Mexico, D.F., 1983) unknown
200526910Taipei Taiwan: Taipei County Yngge Ceramics Museum. Very Good. 2005. First Edition. Hardcover. 9789570199260 . 4to 11" - 13" tall; 132 pages . Taipei County Yngge Ceramics Museum hardcover
1970159131N.p.: N.p. 1970. Vintage reference photograph from the 1970 experimental film showing actress Verity Bargate. Annotations in manuscript ink and pencil on the verso regarding cropping.<br /> <br /> Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. "Times For" was the first of Dwoskin's longer films and notably included a performance by performance artist and filmmaker Carolee Schneemann with a soundtrack by experimental musician Gavin Bryars. <br /> <br /> 10 x 7.25 inches. Near Fine. N.p. unknown
1980147223N.p.: N.p. 1980. Draft script for the 1985 stage musical which premiered at the American Place Theatre in New York City on November 29 1985.<br /> <br /> A musical based on the life of tempestuous Belle Epoque artist Henri Toulouse-Lautrec.<br /> <br /> Set in Neuilly France.<br /> <br /> Brown generic agency wrappers. Title page present with credits for lyricist Michael Feingold and book credits to Jeff Wanshel. 98 leaves with last page of text numbered 83. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1942131997Los Angeles: Twentieth Century-Fox 1942. Single lobby card for the 1942 film. Based on Raymond Chandler's 1942 novel "The High Window" here re-imagined as the seventh and final entry in Twentieth Century-Fox's series of films featuring detective Michael Shayne created by Brett Halliday. <br /> <br /> 14 x 11 inches. Very Good plus with two pinholes to the center of the card a tiny closed tear to the top edge and a small chip to the lower left corner. <br /> <br /> Grant p. 651. Spicer p 420. Twentieth Century-Fox unknown
2003DADAX0262600501A Bradford Book 2003-09-12. paperback. New. 9.16x6.08x0.85. Buy with confidence. Excellent Customer Service & Return policy. A Bradford Book paperback
1950155295Paris: Keystone 1950. Vintage borderless photograph from the 1950 play showing actors Orson Welles and Eartha Kitt embracing. Mimeo snipe and stamp of Keystone Agency on the verso. <br /> <br /> Kitt's first starring role. The play was part of a revue titled "An Evening with Orson Welles" premiering in Paris in 1950 at the Théâtre des Mathurins. In addition to "Time Runs" the show featured scenes from Oscar Wilde's "The Importance of Being Earnest" a scene from Shakespeare's "Henry VI" and of course some sleight of hand. <br /> <br /> 8.5 x 6 inches. Near Fine. Keystone unknown
1957171057N.p.: N.p. 1957. Two vintage photographs one of director Karl Malden and uncredited camera operator Albert Myers and a vernacular photograph of Malden Myers and cinematographer Sam Leavitt from the set of the 1957 film. Photographs belonging to uncredited camera operator Myers one with a mimeo snipe on the verso. <br /> <br /> British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958.<br /> <br /> Based on the 1956 Broadway play by Ralph Berkey and screenwriter Henry Denker. Richard Widmark stars an Army Colonel investigating the case of a Major played by Richard Basehart who is accused of and admits to collaborating with the enemy as a POW during the Korean War but the Colonel doubts the Major's guilt. Malden's only directing credit.<br /> <br /> Shot on location in Agoura California and Governors Island New York. <br /> <br /> 8 x 10 inches and 5 x 4 inches. Near Fine overall. N.p. unknown
20061002382006. DVD. Like New. As new DVD Please email for photos. unknown
B9781465354426Hardback. New. hardcover
1445242826.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1979167218N.p.: N.p. 1979. Draft script for the 1979 film.<br /> <br /> A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape.<br /> <br /> Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. <br /> <br /> Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1933131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. <br /> <br /> Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. <br /> <br /> Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown
1966162491N.p.: Times Films 1966. Three vintage studio still photographs from the US release of the 1965 French film. With provenance stamps on the verso of each one with three labels obscuring its provenance stamps. <br /> <br /> Valeria Ciangottini stars as a 19-year-old Parisian girl who after a messy love affair openly decides to become a prostitute and signs a contract with a ruthless pimp. When her first client an old man who owns a marketing agency dies in her arms and a young handsome company executive comes to investigate the death it's love at first sight. <br /> <br /> 8 x 10 inches. Two Near Fine one Very Good plus with faint creasing and a wax pencil annotation to the bottom margin. Times Films unknown
19742092902141103205Dainippon Painting Crafts 1974. Soft Cover. Fine. Volume: 1 Dainippon Painting Crafts paperback
1990106950Ediciones Tiempo 1990. hardcover. Bueno. Madrid s/f Aprox 1990. Ediciones Tiempo. Aprox 230 pp. 30 x 26. 10 fascículos gramática en archivador de anillas. Ediciones Tiempo hardcover
