Arnott, Peter D.MareMagnum
Ricordo di due lunedì
OTTIME CONDIZIONI
Libreria Tara s.n.c. · Roma, IT5,50 €
2 018 résultats
General Shelfwear. Wear to corners. ; Papermac 7; 240 pages
Spine sunned and creased. Chipping to base of spine. Shelfwear and rubbing to wraps. Former owner's name to inner cover has been deleted with black marker. ; 240 pages
Minor shelfwear to book. Scholar's stamp to ffep and half-title (Samuel). Publisher's label affixed to to ffep (torn leaving a bit of damage). DJ lightly yellowed with one small tear. DJ is price-clipped. ; 238 pages
Minor shelfwear. ; In an effort to remove the plays of ancient Greece from the library and place them firmly in the theatre that gave them being, this study examines each component of the plays - audience, chorus, actors, costume and speech - in the context of its own society and of theatre in general. Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form. He removes the plays from the library and places them firmly in the theatre that gave them being. Invoking the practical realities of stagecraft, he illuminates the literary patterns of the plays, the performance disciplines, and the audience responses. Each component of the productions - audience, chorus, actors, costume, speech - is examined in the context of its own society and of theatre practice in general, with examples from other cultures. Professor Arnott places great emphasis on the practical staging of Greek plays, and how the buildings themselves imposed particular constraints on actors and writers alike. Above all, he sets out to make practical sense of the construction of Greek plays, and their organic relationship to their original setting. ; 224 pages
Minor shelfwear. Scholar's bookplate to inner cover (G. P. Goold). Minor bumping to a couple of corners. DJ has edgewear with chipping and small tears. DJ is price-clipped. ; 240 pages
Scholar's bookplate to inner cover (Robert Brown). Scholar's blindstamp to titlepage (Robert Brown). Light creasing to corner of rear wrap and last few pages. Minor shelfwear. ; Greece & Rome: New Surveys in the Classics, No. 9; 62 pages
Former owner's name to inner cover. Very light edgewear to spine ends. Minor shelfwear. ; Greece & Rome: New Surveys in the Classics, No. 9; 62 pages
Inscribed to front cover "Best wishes for 1976. WGA". Creasing to upper corner of front wrap. Front wrap is wavy and curling (moisture damage? ). Pencil marginalia to 1 page. Light pen marginalia to 1 page. Rear endpaper is covered in bibliographical references in pen. From the library of R. E. Fantham. ; Greece & Rome: New Surveys in the Classics, No. 9; 62 pages; Signed by Author
Minor shelfwear. ; Greece & Rome: New Surveys in the Classics, No. 9; 62 pages
Ex-library copy with the usual stamps and markings. Interior pages clean and unmarked; tight binding. 208 pages.
OTTIME CONDIZIONI
Aristophanes' Comedies translated into Polish by Stefan Shebrny. Includes : Acharniancy [ Acharnians] Rycerze [Hippeis] Chmury [Nepheli] Bojomira [Lysistrata] .463p. Corners slightly bumped, else fine. [8 copies found in WorldCat] Book
Period blank paper wrappers. 8vo. 63 pages. 20 cm. In Yiddish, Title translates as, "Messianic Times. (A Dream of My People) . A Play in 3 Acts. " By Sholem Asch (18801957) , Yiddish novelist and playwright. Stimulated by his wide reading in European literature, Asch began writing himself, and in 1900 traveled to Warsaw where he received encouragement from Y. L. Peretz and his advice to work only in Yiddish. Having settled in Warsaw, Asch wrote his first Yiddish story, 'Moyshele, ' which appeared in the journal Der Yud at the end of 1900; he followed this with a volume of Hebrew stories in 1902 and one of Yiddish stories in 1903. [ ] In 1904, his first play, Mitn shtrom (With the Current) , dramatizing loss of faith among contemporary youth, was staged in Polish in Kraków, and was followed by two additional plays with similar themesMeshiekhs tsaytn (The Age of the Messiah; 1906) and Di yorshim (The Heirs; 1913) which, although dramatically limited, were performed in both Polish and Russian as well as in Yiddish. -YIVO Encyclopedia. Subjects: Yiddish Drama. OCLC lists 4 copies (Cornell, Kansas, Illinois, Manchester) . Light wear to wraps, lightly bumped edges, overall Good condition. (SPEC-40-19A) (ID #33543)
A clean, unmarked book with a tight binding. Limited edition of 1000. 160 pages.
New English Paperback. Pbo. Roy 8vo. (24 x 17 cm). In English. [viii], 222 p. Contemporary American drama, 1960-2000. Contemporary American Drama 1960 - 2000 is designed as a textbook that presents a survey of American drama during the last four decades of the twentieth century. It is divided into sections which reflect the major varieties of dramatic thought and practice in this period. At the turn of the century and a new millenium, contemporary American drama presents a kaleidoscope of extraordinary vibrancy. This is the most exciting and prolific epoch in the history of American drama. Approaching the field thought as wide an angle as possible, this study shows American drama as a reflection of the entire American culture, including various ethnic and gender groups.
77p SOFTCOVER. Paperback Very good condition
Paperback gray octavo. 77 pages illustrations 20 cm. In Spanish || Series: PublicaciÛn teatral periÛdica ;; 26
POSTFAZIONE DI ALESSANDRO PASSI FONDO DI MAGAZZINO: SEGNI DEL TEMPO,TRACCE DI POLVERE AI TAGLI, VOLUME INTONSO, MAI SFOGLIATO. «Ebbro di forza, bellezza, giovinezza», Nanda teneva uno specchio dinanzi al volto dell’amata Sundari, mentre lei si disegnava il trucco e giocavano insieme. Entrò nel palazzo un monaco per la questua. Nessuno lo vide, perché tutti si occupavano dei «passatempi amorosi e fatui del loro signore». Quel monaco era il Buddha, fratello di Nanda. Da quel momento, come un abile uccellatore, il Buddha comincia a tirare a sé la sua preda: costringerà il fratello alla Liberazione. Nanda è perfetto esemplare dell’uomo naturale, nella sua versione più disarmante e incantevole. Fin dall’inizio splende di «maestà graziosa» e le strofe di Asvaghosa ce lo raffigurano come un nobile animale in una foresta smaltata. Il richiamo alla Liberazione gli è affatto estraneo, tutto il suo essere recalcitra. Mentre si avvia dal fratello, «per indecisione non andava e non restava, come oca reale che nuoti sulle onde». Ormai non vede più Sundari, che gli ha chiesto di tornare prima che il trucco si asciughi, ma gli trafigge il cuore un suono: è il «tintinnio delle cavigliere» di lei. Eppure Nanda giungerà alla Liberazione. Ciò che Asvaghosa ci mostra è la storia di un mirabile irretimento nella salvezza. Le gesta del Buddha e Nanda il Bello sono le due valve di una stessa conchiglia: ma le Gesta sono l’epos di una conquista, Nanda è il romanzo del viaggio di un uomo come tutti, anche se più bello di tutti, di là dal piacere, di là dal paradiso, di là dal deserto della trasmigrazione. Per un lettore di oggi, che è un uomo naturale come Nanda, anche se forse non vive come lui in un «nido di diletto e di gioia», quest’opera è l’occasione per seguire passo per passo un insegnamento che scompone e ricompone le parti della nostra mente, e della nostra vita, come un complicato giocattolo. Asvaghosa, amabile poeta, tessitore di immagini fragranti, scrisse quest’opera «mirante alla quiete interiore» obbedendo alla «legge dell’arte», perché il miele della poesia avvolgesse la salutare amarezza della dottrina e riuscisse ad «attirare i lettori che avessero mente ad altro». Questa è la prima edizione italiana di Nanda il Bello.
in-8°; pp, 42. Prima edizione in italiano. Legatura in piena pelle con cornice dorata ai piatti. Manferrari 1, p. 68.
A clean, unmarked book with a tight binding. 179 pages.
114p. Hardcover Very good condition, covers soiled
Features: Frontis photo portrait and write-up of Mr. David Reid, ex-member, and expert shot; Company Notes; Prince Charlie - a romantic drama enacted by members of the L.S.R.V., with six photos; The Assault-at-Arms; Notes by the C.O.; Photos of the L.S.R.V. Football Club, H Company team and G Company team; Metro. Volunteer Sergeants' Tactical Association - visit to Portsmouth - March 23rd to 25th; Correspondence; and more. Average wear. Staples disintegrated. Book
A clean, unmarked book with a tight binding. 134 pages. "The plays were designed to be used with puppets but can easily be adapted for use with pupils in Christian day schools, church schools, and vacation Bible schools. The students themselves can be involved in the preparation of the simple props and backdrops, and even the puppets."
Bump to bottom front corner causing creasing to first few pages. Otherwise very light shelfwear. ; Texts in English or Italian. Filologia e tradizione manoscrittaI - L. Savignago, Rilettura di P. Oxy. 4510 (Aristofane, Acarnesi) II - P. Scattolin, Gli scoli metrici alla triade aristofanea nel Reg. Gr. 147 e nell’Est. A U 5 10. I: gli scoli a Pluto e Nuvole Esegesi e critica del testo III - A. M. Andrisano, Elettra, Pilade e le porte del palazzo. Interlocuzione ed esegesi di Eur. Or. 1281-1286 IV - D. Bertolaso, Tra terra e mare, tra Asia e Europa: Eracle in Soph. Trach. 100-101 V - S. Mazzoldi, Il kommós del matricidio nell’Elettra di Sofocle VI - M. Taufer, Congetture di Jean Dorat al Filottete Ermeneutica e letteratura VII - F. Chiecchi, Tracce di lingua d’uso nell’oratio recta dell’Ifigenia in Aulide di Euripide VIII - P. Kyriakou, Female kleos in Euripides and his predecessors IX - A. Rodighiero, Confluenza di generi lirici, allusività epica e performance corale in Soph. Trach. 497-530X - G. Serra, L’ombra di Edipo. Saggio sulle Fenicie XI - G. Ugolini, Tiranno e anti-tiranno nell’Antigone di Alfieri ; Kátoptron / Università Degli Studi Di Verona, 2; 466 pages
Spine faintly browned. Faint creasing to wraps. Minor shelfwear. ; Scripta Minora: Regiae Societatis Humaniorum Litterarum Lundensis 1964--1965: 3; 121 pages
