Axelson, BertilMareMagnum
2 018 résultats
Spine faintly browned. Faint creasing to wraps. Minor shelfwear. A few corrections done in pen (by author? ). Dedication in pen to front wrap by author to G. P. Goold. ; Scripta Minora: Regiae Societatis Humaniorum Litterarum Lundensis 1964--1965: 3; 121 pages; Signed by Author
165p., illus. Hardcover Very good condition good
Light shelfwear to book. DJ has a few tears and chipping. DJ is price-clipped. ; The aside is a familiar device in European drama, but little has been written about it in connection with the drama in which it orgiinated and developed. In this book it is suggested that it originated in Greek tragedy; asides and some related phenomena in tragedy are collected, and some false notions concerning their number and character are dispelled. The second part of the book deals with New Comedy and is able to eploit many recent discoveries of comic papyri. ; Oxford Classical & Philosophical Monographs; 230 pages
Light shelfwear to book. DJ spine slightly sunned. ; The aside is a familiar device in European drama, but little has been written about it in connection with the drama in which it orgiinated and developed. In this book it is suggested that it originated in Greek tragedy; asides and some related phenomena in tragedy are collected, and some false notions concerning their number and character are dispelled. The second part of the book deals with New Comedy and is able to eploit many recent discoveries of comic papyri. ; Oxford Classical & Philosophical Monographs; 230 pages
Upper corners bumped. DJ has a couple of small tears and chipping. DJ spine very lightly sunned. ; Explores the hitherto neglected topic of the treatment of extras or mutes in Greek Tragedy. The general purpose of the study is to propose and test a rule regarding these person, namely that when orders are given to mutes, they are normally carried out forthwith. Exceptions to this rule are accounted for. ; Publications of the Faculty of Arts of the University of Manchester, No. 26; 73 pages
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Minor shelfwear to book. ; Explores the hitherto neglected topic of the treatment of extras or mutes in Greek Tragedy. The general purpose of the study is to propose and test a rule regarding these person, namely that when orders are given to mutes, they are normally carried out forthwith. Exceptions to this rule are accounted for. ; Publications of the Faculty of Arts of the University of Manchester, No. 26; 73 pages
Light bumping to bottom corners else Fine. ; Early English Text Society No. 283; 394 pages; Once owned by the Catholic and Royalist bibliophile Sir Kenelm Digby (1603–1665) , this manuscript was among those Digby gave to Oxford University's Bodleian Library in 1634. Hence Bodleian Library MS Digby 133 lends its name to an eclectic group of religious plays that makes up one of two important late medieval dramatic anthologies (the other is the Macro Plays).
139 p. Hardcover Very good condition good Torches by Kenneth Raisbeck; Cooks and Cardinals by Norman C. Lindau; A Flitch of Bacon by Eleanor Holmes Hinkley; The Playroom by Doris F. Halman.
121 p. Hardcover Very good condition; personal label on spine The Strongest Man by Elizabeth Higgins Sullivan: The Slump by Frederick Lansing Day: The Mourner by James Mahoney: Brotherhood by William H. Wells.
99 p. Hardcover Very good condition good The Florist Shop by Winifred Hawkridge; The Bank Account by Howard Brock; The Rescue by Rita Creighton Smith; America Passes By by Kenneth Andrews.
Very light chip to edge of front wrap else fine. ; Institute of Classical Studies Bulletin Supplement 113; 250 pages; Electra is a unique, complex, and fascinating Greek tragic heroine, who became a source of inspiration for countless playwrights, artists, musicians and filmmakers. The daughter of Agamemnon and Clytemnestra she famously supported her brother’s quest to avenge their father’s murder even at the cost of matricide. Her passion for justice and her desire for vengeance have echoed down the centuries to the modern era. Enshrined as the mourner of Greek tragedy par excellence Electra has enjoyed a long and rich reception history. Electra, ancient and modern, examines the treatment of Electra by all three ancient tragedians, Aeschylus, Sophocles and Euripides, and their dialogue with the mythical tradition that preceded them. The focus then shifts forward in time to case studies of her reception in the eighteenth, nineteenth and twentieth centuries. Gradually Electra’s dark desires re-emerge over the course of these three centuries until her passionate cries for vengeance are heard once again. Through its detailed analysis of Electra, this book also provides a helpful introduction to the study of Classical Reception, its ambitions and methods.
Institute of Classical Studies Bulletin Supplement 113; 250 pages; Electra is a unique, complex, and fascinating Greek tragic heroine, who became a source of inspiration for countless playwrights, artists, musicians and filmmakers. The daughter of Agamemnon and Clytemnestra she famously supported her brother’s quest to avenge their father’s murder even at the cost of matricide. Her passion for justice and her desire for vengeance have echoed down the centuries to the modern era. Enshrined as the mourner of Greek tragedy par excellence Electra has enjoyed a long and rich reception history. Electra, ancient and modern, examines the treatment of Electra by all three ancient tragedians, Aeschylus, Sophocles and Euripides, and their dialogue with the mythical tradition that preceded them. The focus then shifts forward in time to case studies of her reception in the eighteenth, nineteenth and twentieth centuries. Gradually Electra’s dark desires re-emerge over the course of these three centuries until her passionate cries for vengeance are heard once again. Through its detailed analysis of Electra, this book also provides a helpful introduction to the study of Classical Reception, its ambitions and methods.
Minor shelfwear to book. ; Ancient Culture and Society; 143 pages
Minor shelfwear to book. Creasing to spine. ; Ancient Culture and Society; 143 pages
Illustrated guide to Greek literature as performaned for an audience ce - all forms : lyric,choral,dramatic- from Homer to Roman times. 144p. illus bibliography.index Book
"The plays of Aeschylus,Euripides and Sophocles in their original setting." A survey of Athenian dramatic festivals, theatres, acting and the plays performed. 143p. illus. plates, bibligraphy .index Book
89 p. Hardcover Very good condition good `
35pp., 20cm., stempeltje op titelblad, T65346
Scholars' name to ffep (Mark Golden) with additional name to ffep. Light shelfwear. ; 192 pages
Spotting to boards. Scholar's bookplate to inner cover (G. P. Goold). Minor pencil marginalia. Else minor shelfwear. DJ flap creased. Chipping and small tears to DJ. ; 192 pages
A clean, unmarked copy with a tight binding. 355 pages. Slightly soiled dust jacket. Volume XI.
in-8°. pp 138. Legatura originale in cartone alla rustica. Prima edizione di questa commedia rusticale, che deve la sua importanza sia al fatto che fu scritta in dialetto senese sia perché venne spesso paragonata alla Tancia del Buonarroti il Giovane. Opera a cura di Giovanni Conti e da lui dedicata al “Signore di Morgan, capitano d"Infanteria…al servzio di S.M. Cristianissima”. In fine correda l’opera un dizionario di spiegazione di “molte parole oscure, disusate o corrotte che sono nell’assetta”, con traduzioni di termini gergali e modi di dire popolari, e un repertorio bibliografico complemento alla Drammaturgia dell’Allacci del 1755. B. Mariscalco, Accademico “Appuntato, Intronato e Rozzo” di Siena, è lo pseudonimo di Francesco Mariani, parroco di Marciano. LANCETTI 395. MELZI-PASSANO II, 163. PARENTI, LUOGHI FALSI, 140. GAMBA 1217. SOLEINNE 4640 “Fort curieuse pour l’etude du dialect toscan”. RASI 447.
This is Vol. VII from a work that was to be published in twenty volumes. pp. (14), 348 + Four Water-Colored Illustrations, printed in duplicate, in photogravure + another pair uncolored. Numerous watercolor marginal designs, decorations illuminations and illustrations in the text. All illustrations and text printed on Imperial Japan Vellum imported expressly for this work. 8vo. 240 mm. All edges gilt. Bound in full Seal-skin, tanned, inlaid and embossed with a colorful coat of arms. The book is doublured with Water Color Illustrated Panels of Satin; laid within a leather frame, handsomely decorated in gilt and with color leather inlays; faced by watered silk fly leaves. Preserved in a custom satin lined box. The box is now somewhat worn, but the book is still extra fine. ONE OF AN EDITION LIMITED TO ONLY EIGHT COPIES! The price on each volume, when issued in 1903, was $300.00! We will attach a picture of one of the water color painted doubleur panels. Quite remarkable! **PRICE JUST REDUCED! JUN 5 Box 1
Very Minor Shelfwear. Light foxing to top of textblock. DJ has light shelfwear. ; Drawing on recent archaeological investigations, new scholarship and its author's own original research and staging experience, this book is the first extended English-language treatment of the Roman theatre to be published in several decades. With the aid of thirty-five black and white illustrations, a full bibliography and index, The Roman Theatre and its Audience provides an intriguing account for general readers and students, while presenting a great deal, too, which will be of interest to the specialist. ; 9.6 X 6.4 X 1.0 inches; 279 pages
In the Spring of 2006 seven women from Quinte West with very diverse writing styles met to develop their literacy skills: Constance Beal, Sue Demczyna. Jennifer LeClair, Marilyn Martin,Gillian Milligan, Monique Nielson, Annette Thompson.The result of their endeavors is Patchworks, a selection of short stories and poetry encompassing everything from comedy to mystery to drama. 142p. Each author has signed on the half title, else as new.[3 copies found in WorldCat] Book